The Rape of the Lock and Other Poems by Alexander Pope

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Whoever thinks a faultless piece to see,
Thinks what ne'er was, nor is, nor e'er shall be.
In every work regard the writer's End, 255
Since none can compass more than they intend;
And if the means be just, the conduct true,
Applause, in spight of trivial faults, is due;
As men of breeding, sometimes men of wit,
T' avoid great errors, must the less commit: 260
Neglect the rules each verbal Critic lays,
For not to know some trifles, is a praise.
Most Critics, fond of some subservient art,
Still make the Whole depend upon a Part:
They talk of principles, but notions prize, 265
And all to one lov'd Folly sacrifice.

Once on a time, La Mancha's Knight, they say,
A certain bard encount'ring on the way,
Discours'd in terms as just, with looks as sage,
As e'er could Dennis of the Grecian stage; 270
Concluding all were desp'rate sots and fools,
Who durst depart from Aristotle's rules.
Our Author, happy in a judge so nice,
Produc'd his Play, and begg'd the Knight's advice;
Made him observe the subject, and the plot, 275
The manners, passions, unities; what not?
All which, exact to rule, were brought about,
Were but a Combat in the lists left out.
"What! leave the Combat out?" exclaims the Knight;
Yes, or we must renounce the Stagirite. 280
"Not so, by Heav'n" (he answers in a rage),
"Knights, squires, and steeds, must enter on the stage."
So vast a throng the stage can ne'er contain.
"Then build a new, or act it in a plain."

Thus Critics, of less judgment than caprice, 285
Curious not knowing, not exact but nice,
Form short Ideas; and offend in arts
(As most in manners) by a love to parts.

Some to _Conceit_ alone their taste confine,
And glitt'ring thoughts struck out at ev'ry line; 290
Pleas'd with a work where nothing's just or fit;
One glaring Chaos and wild heap of wit.
Poets like painters, thus, unskill'd to trace
The naked nature and the living grace,
With gold and jewels cover ev'ry part, 295
And hide with ornaments their want of art.
True Wit is Nature to advantage dress'd,
What oft was thought, but ne'er so well express'd;
Something, whose truth convinc'd at sight we find,
That gives us back the image of our mind. 300
As shades more sweetly recommend the light,
So modest plainness sets off sprightly wit.
For works may have more wit than does 'em good,
As bodies perish thro' excess of blood.

Others for Language all their care express, 305
And value books, as women men, for Dress:
Their praise is still--the Style is excellent:
The Sense, they humbly take upon content.
Words are like leaves; and where they most abound,
Much fruit of sense beneath is rarely found, 310
False Eloquence, like the prismatic glass,
Its gaudy colours spreads on ev'ry place;
The face of Nature we no more survey,
All glares alike, without distinction gay:
But true expression, like th' unchanging Sun, 315
Clears and improves whate'er it shines upon,
It gilds all objects, but it alters none.
Expression is the dress of thought, and still
Appears more decent, as more suitable;
A vile conceit in pompous words express'd, 320
Is like a clown in regal purple dress'd:
For diff'rent styles with diff'rent subjects sort,
As several garbs with country, town, and court.

Some by old words to fame have made pretence,
Ancients in phrase, mere moderns in their sense; 325
Such labour'd nothings, in so strange a style,
Amaze th' unlearn'd, and make the learned smile.
Unlucky, as Fungoso in the play, }
These sparks with awkward vanity display }
What the fine gentleman wore yesterday; } 330
And but so mimic ancient wits at best,
As apes our grandsires, in their doublets drest.
In words, as fashions, the same rule will hold;
Alike fantastic, if too new, or old:
Be not the first by whom the new are try'd, 335
Nor yet the last to lay the old aside.

But most by Numbers judge a Poet's song;
And smooth or rough, with them is right or wrong:
In the bright Muse though thousand charms conspire,
Her voice is all these tuneful fools admire; 340
Who haunt Parnassus but to please their ear, }
Not mend their minds; as some to Church repair, }
Not for the doctrine, but the music there. }
These equal syllables alone require,
Tho' oft the ear the open vowe's tire; 345
While expletives their feeble aid do join;
And ten low words oft creep in one dull line:
While they ring round the same unvary'd chimes,
With sure returns of still expected rhymes;
Where-e'er you find "the cooling western breeze," 350
In the next line, it "whispers through the trees:"
If crystal streams "with pleasing murmurs creep,"
The reader's threaten'd (not in vain) with "sleep:"
Then, at the last and only couplet fraught
With some unmeaning thing they call a thought, 355
A needless Alexandrine ends the song
That, like a wounded snake, drags its slow length along.
Leave such to tune their own dull rhymes, and know
What's roundly smooth or languishingly slow;
And praise the easy vigour of a line, 360
Where Denham's strength, and Waller's sweetness join.
True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.
'Tis not enough no harshness gives offence,
The sound must seem an Echo to the sense: 365
Soft is the strain when Zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar:
When Ajax strives some rock's vast weight to throw, 370
The line too labours, and the words move slow;
Not so, when swift Camilla scours the plain,
Flies o'er th' unbending corn, and skims along the main.
Hear how Timotheus' varied lays surprize,
And bid alternate passions fall and rise! 375
While, at each change, the son of Libyan Jove
Now burns with glory, and then melts with love,
Now his fierce eyes with sparkling fury glow,
Now sighs steal out, and tears begin to flow:
Persians and Greeks like turns of nature found, 380
And the world's victor stood subdu'd by Sound!
The pow'r of Music all our hearts allow,
And what Timotheus was, is DRYDEN now.

Avoid Extremes; and shun the fault of such,
Who still are pleas'd too little or too much. 385
At ev'ry trifle scorn to take offence,
That always shows great pride, or little sense;
Those heads, as stomachs, are not sure the best,
Which nauseate all, and nothing can digest.
Yet let not each gay Turn thy rapture move; 390
For fools admire, but men of sense approve:
As things seem large which we thro' mists descry,
Dulness is ever apt to magnify.

Some foreign writers, some our own despise;
The Ancients only, or the Moderns prize. 395
Thus Wit, like Faith, by each man is apply'd
To one small sect, and all are damn'd beside.
Meanly they seek the blessing to confine,
And force that sun but on a part to shine,
Which not alone the southern wit sublimes, 400
But ripens spirits in cold northern climes;
Which from the first has shone on ages past,
Enlights the present, and shall warm the last;
Tho' each may feel increases and decays,
And see now clearer and now darker days. 405
Regard not then if Wit be old or new,
But blame the false, and value still the true.

Some ne'er advance a Judgment of their own,
But catch the spreading notion of the Town;
They reason and conclude by precedent, 410
And own stale nonsense which they ne'er invent.
Some judge of author's names, not works, and then
Nor praise nor blame the writings, but the men.
Of all this servile herd the worst is he
That in proud dulness joins with Quality, 415
A constant Critic at the great man's board,
To fetch and carry nonsense for my Lord.
What woful stuff this madrigal would be,
In some starv'd hackney sonneteer, or me?
But let a Lord once own the happy lines, 420
How the wit brightens! how the style refines!
Before his sacred name flies ev'ry fault,
And each exalted stanza teems with thought!

The Vulgar thus through Imitation err;
As oft the Learn'd by being singular; 425
So much they scorn the crowd, that if the throng
By chance go right, they purposely go wrong;
So Schismatics the plain believers quit,
And are but damn'd for having too much wit.
Some praise at morning what they blame at night; 430
But always think the last opinion right.
A Muse by these is like a mistress us'd,
This hour she's idoliz'd, the next abus'd;
While their weak heads like towns unfortify'd,
'Twixt sense and nonsense daily change their side. 435
Ask them the cause; they're wiser still, they say;
And still to-morrow's wiser than to-day.
We think our fathers fools, so wise we grow,
Our wiser sons, no doubt, will think us so.
Once School-divines this zealous isle o'er-spread; 440
Who knew most Sentences, was deepest read;
Faith, Gospel, all, seem'd made to be disputed,
And none had sense enough to be confuted:
Scotists and Thomists, now, in peace remain,
Amidst their kindred cobwebs in Duck-lane. 445
If Faith itself has diff'rent dresses worn,
What wonder modes in Wit should take their turn?
Oft', leaving what is natural and fit,
The current folly proves the ready wit;
And authors think their reputation safe, 450
Which lives as long as fools are pleas'd to laugh.
Some valuing those of their own side or mind,
Still make themselves the measure of mankind:
Fondly we think we honour merit then,
When we but praise ourselves in other men. 455

Parties in Wit attend on those of State,
And public faction doubles private hate.
Pride, Malice, Folly, against Dryden rose,
In various shapes of Parsons, Critics, Beaus;
But sense surviv'd, when merry jests were past; 460
For rising merit will buoy up at last.
Might he return, and bless once more our eyes,
New Blackmores and new Milbourns must arise:
Nay should great Homer lift his awful head,
Zoilus again would start up from the dead. 465
Envy will merit, as its shade, pursue;
But like a shadow, proves the substance true;
For envy'd Wit, like Sol eclips'd, makes known
Th' opposing body's grossness, not its own,
When first that sun too pow'rful beams displays, 470
It draws up vapours which obscure its rays;
But ev'n those clouds at last adorn its way,
Reflect new glories, and augment the day.

Be thou the first true merit to befriend;
His praise is lost, who stays, till all commend. 475
Short is the date, alas, of modern rhymes,
And 'tis but just to let them live betimes.
No longer now that golden age appears,
When Patriarch-wits surviv'd a thousand years:
Now length of Fame (our second life) is lost, 480
And bare threescore is all ev'n that can boast;
Our sons their fathers' failing language see,
And such as Chaucer is, shall Dryden be.
So when the faithful pencil has design'd
Some bright Idea of the master's mind, 485
Where a new world leaps out at his command,
And ready Nature waits upon his hand;
When the ripe colours soften and unite,
And sweetly melt into just shade and light;
When mellowing years their full perfection give, 490
And each bold figure just begins to live,
The treach'rous colours the fair art betray,
And all the bright creation fades away!

Unhappy Wit, like most mistaken things,
Atones not for that envy which it brings. 495
In youth alone its empty praise we boast,
But soon the short-liv'd vanity is lost:
Like some fair flow'r the early spring supplies.
That gaily blooms, but ev'n in blooming dies.
What is this Wit, which must our cares employ? 500
The owner's wife, that other men enjoy;
Then most our trouble still when most admir'd,
And still the more we give, the more requir'd;
Whose fame with pains we guard, but lose with ease,
Sure some to vex, but never all to please; 505
'Tis what the vicious fear, the virtuous shun,
By fools't is hated, and by knaves undone!

If Wit so much from Ign'rance undergo,
Ah let not Learning too commence its foe!
Of old, those met rewards who could excel, 510
And such were prais'd who but endeavour'd well:
Tho' triumphs were to gen'rals only due,
Crowns were reserv'd to grace the soldiers too,
Now, they who reach Parnassus' lofty crown,
Employ their pains to spurn some others down; 515
And while self-love each jealous writer rules,
Contending wits become the sport of fools:
But still the worst with most regret commend,
For each ill Author is as bad a Friend.
To what base ends, and by what abject ways, 520
Are mortals urg'd thro' sacred lust of praise!
Ah ne'er so dire a thirst of glory boast,
Nor in the Critic let the Man be lost.
Good-nature and good-sense must ever join;
To err is human, to forgive, divine. 525

But if in noble minds some dregs remain
Not yet purg'd off, of spleen and sour disdain;
Discharge that rage on more provoking crimes,
Nor fear a dearth in these flagitious times.
No pardon vile Obscenity should find, 530
Tho' wit and art conspire to move your mind;
But Dulness with Obscenity must prove
As shameful sure as Impotence in love.
In the fat age of pleasure wealth and ease
Sprung the rank weed, and thriv'd with large increase: 535
When love was all an easy Monarch's care;
Seldom at council, never in a war:
Jilts rul'd the state, and statesmen farces writ;
Nay wits had pensions, and young Lords had wit:
The Fair sate panting at a Courtier's play, 540
And not a Mask went unimprov'd away:
The modest fan was lifted up no more,
And Virgins smil'd at what they blush'd before.
The following licence of a Foreign reign
Did all the dregs of bold Socinus drain; 545
Then unbelieving priests reform'd the nation,
And taught more pleasant methods of salvation;
Where Heav'n's free subjects might their rights dispute,
Lest God himself should seem too absolute:
Pulpits their sacred satire learn'd to spare, 550
And Vice admir'd to find a flatt'rer there!
Encourag'd thus, Wit's Titans brav'd the skies,
And the press groan'd with licens'd blasphemies.
These monsters, Critics! with your darts engage,
Here point your thunder, and exhaust your rage! 555
Yet shun their fault, who, scandalously nice,
Will needs mistake an author into vice;
All seems infected that th' infected spy,
As all looks yellow to the jaundic'd eye.

Learn then what MORALS Critics ought to show, 560
For't is but half a Judge's task, to know.
'Tis not enough, taste, judgment, learning, join;
In all you speak, let truth and candour shine:
That not alone what to your sense is due
All may allow; but seek your friendship too. 565

Be silent always when you doubt your sense;
And speak, tho' sure, with seeming diffidence:
Some positive, persisting fops we know,
Who, if once wrong, will needs be always so;
But you, with pleasure own your errors past, 570
And make each day a Critic on the last.

'T is not enough, your counsel still be true;
Blunt truths more mischief than nice falsehoods do;
Men must be taught as if you taught them not,
And things unknown propos'd as things forgot. 575
Without Good Breeding, truth is disapprov'd;
That only makes superior sense belov'd.

Be niggards of advice on no pretence;
For the worst avarice is that of sense.
With mean complacence ne'er betray your trust, 580
Nor be so civil as to prove unjust.
Fear not the anger of the wise to raise;
Those best can bear reproof, who merit praise.

'T were well might critics still this freedom take,
But Appius reddens at each word you speak, 585
And stares, tremendous, with a threat'ning eye,
Like some fierce Tyrant in old tapestry.
Fear most to tax an Honourable fool,
Whose right it is, uncensur'd, to be dull;
Such, without wit, are Poets when they please, 590
As without learning they can take Degrees.
Leave dang'rous truths to unsuccessful Satires,
And flattery to fulsome Dedicators,
Whom, when they praise, the world believes no more,
Than when they promise to give scribbling o'er. 595
'T is best sometimes your censure to restrain,
And charitably let the dull be vain:
Your silence there is better than your spite,
For who can rail so long as they can write?
Still humming on, their drowsy course they keep, 600
And lash'd so long, like tops, are lash'd asleep.
False steps but help them to renew the race,
As, after stumbling, Jades will mend their pace.
What crowds of these, impenitently bold,
In sounds and jingling syllables grown old, 605
Still run on Poets, in a raging vein,
Ev'n to the dregs and squeezings of the brain,
Strain out the last dull droppings of their sense,
And rhyme with all the rage of Impotence.

Such shameless Bards we have; and yet't is true, 610
There are as mad abandon'd Critics too.
The bookful blockhead, ignorantly read,
With loads of learned lumber in his head,
With his own tongue still edifies his ears,
And always list'ning to himself appears. 615
All books he reads, and all he reads assails.
From Dryden's Fables down to Durfey's Tales.
With him, most authors steal their works, or buy;
Garth did not write his own Dispensary.

Name a new Play, and he's the Poet's friend, 620
Nay show'd his faults--but when would Poets mend?
No place so sacred from such fops is barr'd,
Nor is Paul's church more safe than Paul's churchyard:
Nay, fly to Altars; there they'll talk you dead:
For Fools rush in where Angels fear to tread. 625
Distrustful sense with modest caution speaks, }
It still looks home, and short excursions makes; }
But rattling nonsense in full volleys breaks, }
And never shock'd, and never turn'd aside,
Bursts out, resistless, with a thund'ring tide. 630

But where's the man, who counsel can bestow,
Still pleas'd to teach, and yet not proud to know?
Unbiass'd, or by favour, or by spite;
Not dully prepossess'd, nor blindly right;
Tho' learn'd, well-bred; and tho' well-bred, sincere, 635
Modestly bold, and humanly severe:
Who to a friend his faults can freely show,
And gladly praise the merit of a foe?
Blest with a taste exact, yet unconfin'd;
A knowledge both of books and human kind: 640
Gen'rous converse; a soul exempt from pride;
And love to praise, with reason on his side?

Such once were Critics; such the happy few,
Athens and Rome in better ages knew.
The mighty Stagirite first left the shore, 645
Spread all his sails, and durst the deeps explore:
He steer'd securely, and discover'd far,
Led by the light of the Maeonian Star.
Poets, a race long unconfin'd, and free,
Still fond and proud of savage liberty, 650
Receiv'd his laws; and stood convinc'd 't was fit,
Who conquer'd Nature, should preside o'er Wit.

Horace still charms with graceful negligence,
And without method talks us into sense,
Will, like a friend, familiarly convey 655
The truest notions in the easiest way.
He, who supreme in judgment, as in wit,
Might boldly censure, as he boldly writ,
Yet judg'd with coolness, tho' he sung with fire;
His Precepts teach but what his works inspire. 660
Our Critics take a contrary extreme,
They judge with fury, but they write with fle'me:
Nor suffers Horace more in wrong Translations
By Wits, than Critics in as wrong Quotations.

See Dionysius Homer's thoughts refine, 665
And call new beauties forth from ev'ry line!
Fancy and art in gay Petronius please,
The scholar's learning, with the courtier's ease.

In grave Quintilian's copious work, we find
The justest rules, and clearest method join'd: 670
Thus useful arms in magazines we place,
All rang'd in order, and dispos'd with grace,
But less to please the eye, than arm the hand,
Still fit for use, and ready at command.

Thee, bold Longinus! all the Nine inspire, 675
And bless their Critic with a Poet's fire.
An ardent Judge, who zealous in his trust,
With warmth gives sentence, yet is always just;
Whose own example strengthens all his laws;
And is himself that great Sublime he draws. 680

Thus long succeeding Critics justly reign'd,
Licence repress'd, and useful laws ordain'd.
Learning and Rome alike in empire grew;
And Arts still follow'd where her Eagles flew;
From the same foes, at last, both felt their doom, 685
And the same age saw Learning fall, and Rome.
With Tyranny, then Superstition join'd,
As that the body, this enslav'd the mind;
Much was believ'd, but little understood,
And to be dull was constru'd to be good; 690
A second deluge Learning thus o'er-run,
And the Monks finish'd what the Goths begun.

At length Erasmus, that great injur'd name,
(The glory of the Priesthood, and the shame!)
Stemm'd the wild torrent of a barb'rous age, 695
And drove those holy Vandals off the stage.

But see! each Muse, in LEO'S golden days,
Starts from her trance, and trims her wither'd bays,
Rome's ancient Genius, o'er its ruins spread,
Shakes off the dust, and rears his rev'rend head. 700
Then Sculpture and her sister-arts revive;
Stones leap'd to form, and rocks began to live;
With sweeter notes each rising Temple rung;
A Raphael painted, and a Vida sung.
Immortal Vida: on whose honour'd brow 705
The Poet's bays and Critic's ivy grow:
Cremona now shal ever boast thy name,
As next in place to Mantua, next in fame!

But soon by impious arms from Latium chas'd,
Their ancient bounds the banish'd Muses pass'd; 710
Thence Arts o'er all the northern world advance,
But Critic-learning flourish'd most in France:
The rules a nation, born to serve, obeys;
And Boileau still in right of Horace sways.
But we, brave Britons, foreign laws despis'd, 715
And kept unconquer'd, and unciviliz'd;
Fierce for the liberties of wit, and bold,
We still defy'd the Romans, as of old.
Yet some there were, among the sounder few
Of those who less presum'd, and better knew, 720
Who durst assert the juster ancient cause,
And here restor'd Wit's fundamental laws.
Such was the Muse, whose rules and practice tell,
"Nature's chief Master-piece is writing well."

Such was Roscommon, not more learn'd than good, 725
With manners gen'rous as his noble blood;
To him the wit of Greece and Rome was known,
And ev'ry author's merit, but his own.
Such late was Walsh--the Muse's judge and friend,
Who justly knew to blame or to commend; 730
To failings mild, but zealous for desert;
The clearest head, and the sincerest heart.
This humble praise, lamented shade! receive,
This praise at least a grateful Muse may give:
The Muse, whose early voice you taught to sing, 735
Prescrib'd her heights, and prun'd her tender wing,
(Her guide now lost) no more attempts to rise,
But in low numbers short excursions tries:
Content, if hence th' unlearn'd their wants may view,
The learn'd reflect on what before they knew: 740
Careless of censure, nor too fond of fame;
Still pleas'd to praise, yet not afraid to blame,
Averse alike to flatter, or offend;
Not free from faults, nor yet too vain to mend.

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