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The Puritans by Arlo Bates

A >> Arlo Bates >> The Puritans

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Mrs. Herman was not unobservant of his condition, although she was far
from understanding his state of mind. She felt that there was little
use in forcing his confidence, but she gave him now and then an
opportunity to confide in her, feeling sure that he would be the better
for freeing his heart in speech.

She was sitting one afternoon alone in the library when Ashe came home
from a missionary expedition. The day was gray and gloomy, and the
early twilight was shutting down already, so that the fire began to
shine with a redder hue. Mrs. Herman was taking her tea alone, and as
it chanced, she was thinking of her cousin.

"You are just in time for tea," she greeted him. "It is hot still."

"But I seldom take tea," he answered, seating himself by the fire with
an air of weariness which did not escape her.

"That is so much more reason that you should take it now. It will have
more effect. I can see that you are tired out. One lump or two?"

He yielded with a wan smile, and, resuming his seat, sat sipping his
tea in silence for some moments. At length he sighed so heavily that
she asked with a smile:--

"Is it so bad as that?"

"Is what so bad?" he returned, looking at her in surprise.

"You sighed as if all life had fallen in ruins about your feet, and I
couldn't help wondering if there were really no joy left to you."

He smiled rather soberly, and did not at once reply. The fire burned
cheerily on the hearth, noiseless for the most part, but now and then
purring like a cat full of happy content; the shadows showed themselves
more and more boldly in the corners, daring the firelight to chase them
to discover their secrets. The colors of the room were softened into a
dull richness; the dim gilding on the old books which had belonged to
Helen's father, dead since her infancy, caught now and then a gleam
from a tongue of flame which sprang up to peer into the gathering dusk;
the copper tea equipage reflected a red glow, and gave to the picture a
certain suggestion of comfort and cheer.

"I was thinking how comfortable it is here," Philip said at length.

"And that made you sigh?"

"Yes; I'm ashamed to say that it came over me how far away from me all
this is."

"If it is," she returned slowly, "it is simply because you choose that
it shall be."

He turned his face toward her as if about to protest; then looked
again into the fire. The conversation seemed ended, until Mrs. Herman
spoke again as if nothing had been said.

"You have been slumming this afternoon?"

"I do not like the name, but I suppose I have."

"It isn't a cheerful day to go poking about alone among the tenement
houses."

"I was not alone," Ashe answered with a hesitation which she could not
help noting and with a significant softening of voice. "Mrs. Fenton was
with me."

"Ah!"

The exclamation was involuntary. In an instant there had flashed upon
Helen's mind a suspicion of the true state of things. The despondency
of her cousin, the reflection upon the comfort of domesticity,
connected themselves in her thought with trifling incidents which had
before come under her observation; and his manner of speaking brought
instantly to her mind the conviction that Ashe was thinking of Mrs.
Fenton with more than the friendliness of acquaintanceship. When Philip
looked up with a question in his eyes, however, she was already on her
guard.

"The weather is so doleful," she hastened to add, "that I should think
that even philanthropy might lose its power of amusing."

"Cousin Helen," returned he, with some hesitation, "I do not like to
hear you speak in that way of what is part of my life work."

She smiled; then sighed and shook her head.

"My dear Philip," replied she, "I had certainly no intention of
wounding you; and if you'll let me say so, I think you are going out of
your way to find cause of offense. Philanthropy isn't a thing so sacred
that it is not to be spoken of with a smile."

"No; but"--

"But what?"

He did not answer at once. He put down his empty cup absently, and then
sat staring into the fire as if he were trying there to read the
solution of the riddle of existence.

"Come," Helen observed, after waiting for a little, "you have something
on your mind. What is it? It will do you good to tell it, even if I'm
not clever enough to help you."

"I am sure that you could help me," he began eagerly; and then in a
changed voice he added, "if anybody could."

She left her place behind the tea-table and came nearer to him, sitting
directly before the fire. The light fell on her convincing face and on
her wavy hair. She folded her hands in her lap, and looked at him.

"Well?" she said.

"I do not know how to say it," Philip responded slowly. "I am afraid
that you have not much sympathy with my views of life."

"I probably have more than you realize. It's true that I do not believe
as you do, but we are both Puritans at heart, so that in the end our
theories come to much the same thing."

He looked up with evident inability to follow her meaning.

"I don't understand," he said.

"Very likely I couldn't make myself clear if I tried to explain.
Suppose we give up abstractions and come to the concrete. What is the
especial thing in which you think that my theories are different from
yours?"

"I do not think," he answered, hesitating more than ever, "that you
have much sympathy with asceticism."

"None whatever," she declared uncompromisingly. "Nobody could have more
honor for a sacrifice to principle than I have; but I believe that a
sacrifice to an idea is apt to be the outcome of nothing but vanity or
policy."

"But what is the difference?"

"Why, an idea is a thing that we believe with the head; don't you know
the way in which we think things out while we secretly feel altogether
different?"

"I do not think I follow you; but surely self-denial is a sacrifice to
principle."

"Not necessarily. I'm afraid I may seem to you profane, Philip, but I
must say that it seems to me that asceticism is one of the worst
plague-spots which ever afflicted humanity. The root of it is the pagan
idea of propitiating a cruel deity by self-torture."

"How can you say so!" he cried. "It is the pure devotion of a man to
the good of his higher nature and to the good of the race."

"As far as the race goes, vicarious suffering can't be anything, so far
as I see, except an effort to placate an unforgiving deity. As for the
devotion of a man to his higher nature, you will never convince me that
to go against nature and to indulge in morbidness is improving to
anything. But here we are, swamped in a bog of great moral propositions
again. We can't agree about these things, and the thing which we really
want to say will be lost sight of entirely."

He turned his face away from her again, either troubled by what she had
been saying or unable to find words and confidence to go on with the
confession of his trouble.

"Is it," Helen inquired, "that you have found that you have yourself a
doubt of the value of asceticism?"

"No, not that," he answered, dropping his voice; "but--but I begin to
doubt myself."

She leaned forward in her chair. Some power outside of her own will
seemed to constrain her.

"Philip," she said, bending over and touching his hand, "has love made
you doubt?"

The question evidently took him entirely by surprise. She wondered what
impulse had made her speak and how her question would affect him. He
flushed to his forehead, and cast at her a look so full of pathetic
appeal that she felt the tears come into her eyes. It was the look of a
hunted creature which sees no way of escape, yet which has not the fury
of resistance, which pleads its own weakness. She knew that Philip
could not equivocate and that the secret of his heart lay bare before
her. She shrank from what she had done, and a flood of pity and
sympathy filled her mind.

He gave her no more than a single look, and then buried his face in his
hands.

"I have betrayed my high calling," he exclaimed in a voice of bitter
suffering. "I have put my hand to the plough and looked back. I am too
weak to be worthy to"--

"Stop," she interposed brusquely, although she was deeply touched. "I
can't listen to that sort of talk. It isn't wholesome and it isn't
manly. If you have fallen short of your ideal, your experience is that
of the rest of the race. I suppose the secret of our making any
progress is the power of conceiving things higher than we can reach. It
keeps us trying."

"But I devoted myself to"--

"My dear boy," she interrupted him again, "you are like the rest of us.
You told yourself that you would be above all the passions and emotions
of common humanity, and you are discouraged to find that you're human
after all. That's really the whole of it."

"But to allow yourself to love"--

It was not necessary for her to interrupt him now. He stopped of his
own will, casting down his eyes and blushing like a school-boy. It
seemed to her that it might be better to try raillery.

"To allow yourself, O wise cousin!" she cried. "Men do not allow or
disallow themselves to love. It's deeper business than that."

"But I should have had strength not to yield."

"Is there anything discreditable in loving?" she demanded.

"There is for a priest."

"If there were, you are not a priest."

"In intention I am; and that is the same in the sight of Heaven."

She could not repress a gesture of impatience. She felt at once an
inward annoyance and a secret admiration. The temper of his mind was
exasperatingly like her own in its tenacity of conviction. He would not
excuse himself by any shifts, no matter how convincing they might seem
to others. The matter must be met fairly and frankly, and she must
reach his deepest feelings if she would move him. She reflected how
best to deal with him, and with her thoughts mingled the question
whether Edith Fenton could return Philip's love. The young man was well
made and sufficiently good-looking, although paled by study and
austerities. He was of good birth and property, and from a worldly
point of view not entirely an unsuitable match for the widow, should
she think of a second husband. He was somewhat younger than Mrs.
Fenton; and Helen was not without the thought that this passion might
be on his part no more than the inevitable result of his coming in
contact with a beautiful woman after having been immured in the
monastic seclusion of the Clergy House; a passion which would pass with
a wider acquaintance with the world. The whole matter perplexed and
troubled her, and yet she earnestly longed to help her cousin.

"Dear Philip," she said, "I can't tell you how I enter into your
feeling. I don't agree with you, but we are not so far apart in
temperament, if we are in doctrine. I'm afraid that you'll think that
I'm merely tempting you when I say that it seems to me that your
conscientiousness is entirely right, and that your conviction is all
wrong."

"Of course I know that you do not hold the same faith that I do."

"But one of your own faith might remind you that your own church
upholds the marriage of the clergy."

"Yes," he assented with apparent unwillingness, "but my conscience does
not."

"Do you mean that you find your conscience a better guide than the
church? That seems to put you on my ground, after all."

"Oh, no, no! Certainly I do not put myself above the authority of the
church."

"The eagerness with which you disclaim any common ground with me isn't
polite," she retorted, glad of a chance to speak more lightly and
smilingly; "but it's sincere, and that is better."

"I wasn't trying to disclaim thinking as you do; but to insist that I
do not set myself above the church."

"Then I repeat that the church sanctions the marriage of the clergy. If
you don't agree, I don't see why you do not really belong in the Roman
Catholic Church."

There was a long pause, during which she watched her cousin narrowly.
He seemed to be thinking deeply, with eyes intent on the fire. She was
so little prepared for the direction which his thought took that she
was startled when he said at last with a sigh:--

"I do sometimes find myself envying the absolute authority with which
the Roman Catholic Church speaks."

"Authority!" she repeated indignantly. "Do you mean that you wish to
give up your individuality?"

"No; not that; but it must be of unspeakable comfort in times of mental
doubt to repose on unquestioned and unquestionable authority."

Helen rose from her place by the fire and walked to the window. She
felt that she was on very delicate ground, and she would gladly have
escaped from the discussion could she have done so without the feeling
of having evaded. She stood a moment looking out into the darkening
street, dusky in the growing January twilight, bleak and dreary. Then
with a sudden movement she went to her husband's desk and took up a
picture of her boy, a beautiful, manly little fellow of three years, of
whom Philip was especially fond. Crossing to her cousin, she put the
picture in his hand, at the same time turning up the electric light
behind him.

"See," she said, with feminine adroitness. "I don't think I've shown
you this picture of Greyson."

He looked at it earnestly, and sighed.

"It is beautiful," said he. "Greyson is a son to be proud of and to
love."

"Well?" she asked significantly.

"What do you mean?" returned he. "What has Greyson's picture to do with
what we were talking about?"

She took the photograph from his hand, extinguished the light, and
walked back toward the desk. The room seemed darker than before now
that the firelight only was left. Suddenly she turned, with an outburst
almost passionate:--

"O Philip!" she exclaimed. "Can't you see? My son! Surely if there is
anything in this world that is holy, that is entirely pure and noble,
it is parentage. Do you suppose that all the churches in the world,
with authority or without it, could make Grant and me feel that there
is anything higher for us than to take our little son in our arms and
thank God for him!"

He did not answer, and she controlled her emotion, smiling at her own
extravagance, while she wiped away a tear. She kissed the picture, and
put it in its place; then she returned to her chair by the fire.

"I don't expect you to understand my feeling," she said. "You never can
until you have a son of your own. If a little cherub like Grey puts his
baby hands into your eyes and pulls your hair, you'll suddenly discover
that a good many of your old theories have evaporated."

"But, Cousin Helen," he began hesitatingly, "certainly there is often
sin"--

She interrupted him indignantly.

"There is no sin in faithful, loving, self-respecting marriage," she
insisted. "That is what I am talking about. It is the holiest thing on
earth. Anything may be degraded. I've even heard of a burlesque of the
sacrament. I don't see why I shouldn't speak frankly, Philip. You are
in a state of mind that is morbid and self-tormenting. If you love a
woman, tell her so honestly and clearly; and if she is a good woman and
can love you, go down on your knees, and thank God."

He leaned his forehead on his hands, as if he were struggling with
himself. The firelight shone on his rich hair, auburn like her own.
Helen watched him anxiously, wondering if she had said too much, and
whether she were taking too great a responsibility in the advice she
gave. Certainly anything must be good that took him out of his
unhealthy mood.

"Come," she said, rising, and turning on the electric light again. "It
is time for Grant to be at home, and for me to be dressing. We are to
dine at the Bodewin Rangers to-night."

He put up his hand to arrest her, and said in a tone that wrung her
heart:--

"But, Cousin Helen, I cannot speak of love to a woman until I am ready
to give up for her my priestly calling."

"Until you are willing to give up your unwholesome idea of celibacy and
asceticism, you mean."

"It would be sacrificing a principle to a passion."

Helen sighed.

"I could reason with you," she returned, half-humorously, "but how
shall I get on with all the Puritan ancestors who prevail in you and
me! The thing that I say isn't that you are to give up your notions
about the celibacy of the priesthood in order to marry, but because
they are unwholesome and abnormal. The thing that most closely links
you to humanity is the thing that best fits you to be of use in the
world."

He regarded her with a glance of painful intensity.

"But suppose," he suggested, "that the woman I loved could not love me?
Then I should come back to the church, and lay on the altar only a
discarded and worthless sacrifice."

"Come back to the church!" she echoed. "You don't leave it. If marriage
takes you out of the church, then the sooner such a church is left the
better! Do you realize what you are doing, Philip? Do you remember that
you insult the good name of your mother by the view you take of
marriage? I am sick of all this infamous condemnation of what to me is
holy! If the church cannot rise to a noble and pure conception of it,
the sooner the church is done away with, the better for mankind!"

"But you wrong the church," he interrupted eagerly. "The church makes
marriage a sacrament; it recognizes its purity; it"--

"Then what are you doing," she burst in, "with your exceptions to the
theory of the church? It is you who degrade it--Pardon me, cousin," she
added in a calmer voice, coming to him and laying her fingers lightly
on his shoulder. "I am speaking out of my heart. I have the shame of
knowing that I once failed to realize how high and how noble a thing
marriage is. I am older than you, and I have suffered as I hope you may
never have to suffer; the end of it all is that I have learned that
there is nothing else on earth so blessed as the real love of husband
and wife. Of course," she concluded, as he would have interrupted, "I
talk as a woman, and I cannot decide what you are to do. Only I would
like you to believe that I would help you if I could, and that what I
say of marriage is the thing which seems to me the truest thing on
earth."

Then without waiting for reply, she went away and left him to his
thoughts.



IX


HIS PURE HEART'S TRUTH
Two Gentlemen of Verona, iv. 2.


"Who is Mr. Rangely?" Ashe inquired one morning at breakfast.

Mrs. Herman looked at her husband as if she expected him to reply,
although the question had been addressed to her.

"Fred Rangely," Grant Herman answered, "is a writer. He writes for the
magazines and is a newspaper man. He's written one or two novels, and
the first one was pretty successful. He's written plays too."

Helen smiled.

"Grant is too good-natured to tell you what you really want to know,"
she commented. "Mr. Rangely was once in some sort a friend of his, in
the old days when there was still something like an artistic
brotherhood in Boston, and he can't bear to say things that are not to
his credit. Now I should have answered your question by saying that
Fred Rangely is a warning."

"A what?" Ashe asked, while Herman sighed.

"A warning. A dozen years ago he was one of the most promising men
about. He had made a good beginning, he was clever and popular, and
both as a novelist and as a playwright we hoped for great things from
him."

"And now?"

"Now he is a failure."

Herman looked up almost reprovingly.

"I don't think he would recognize that," he observed.

"No, he wouldn't; and that's the worst of it. Ten years ago if anybody
had said of Fred Rangely: 'Here's a fellow that has started out to do
good work, but has found that there's more money in sensationalism;
who despises the popular taste and caters to it; who writes things he
doesn't believe for the newspapers and spends the money in running
after society,' he would have pronounced such a fellow a cad. Now he
would say: 'Well, a man must live, you know; and the public will only
pay for what it wants.' It's lamentable."

"You put it rather worse than it is," her husband responded. "We are
all in the habit of judging men as if their degradation was deliberate,
which as a matter of fact I suppose it never is. Rangely hasn't coolly
accepted the choice between honesty and Philistinism. It's all come
gradually."

"Like learning to pick pockets," she interpolated.

"Besides," Herman continued, "we over-estimated in the beginning both
his character and his talent. He found he couldn't do what was expected
of him, and he was weak enough to do then what was most comfortable
instead of what seemed to him highest. It is what nine men out of ten
do."

"Of course," Helen assented, "but after all it has come about by his
giving in on one thing after another. There was always a good deal that
is attractive about him, but he never showed much moral stamina. He
could never have married as he did if he had possessed fine instincts."

"And his wife?" Ashe inquired.

"Oh, he married a New York girl, who"--

"There, there," broke in Herman good-naturedly. "It is just as well not
to go into a characterization of Mrs. Rangely. I own that there isn't
much good to be said of her; so it is as well to let her pass."

"Well, so be it," his wife assented, smiling. "I have only to say," she
added, turning to her cousin, "that when Grant declines to have a woman
discussed it is equivalent to a condemnation more severe"--

"Nonsense," protested Herman. "Don't believe her, Ashe. As for Mrs.
Rangely, it's enough to say that she is merely an imitation in most
things, and that she has called out the worst of her husband's nature
instead of the best. I'm sorry to say it, but I'm afraid it's true."

Mrs. Herman looked at him with a smile which seemed to tease him for
having been betrayed into saying a thing so much more severe than were
his usual judgments. Then with true feminine instinct she brought the
talk back to its most significant point.

"Why did you ask about his wife?" she inquired of Philip.

"I--I did not know," he returned, so evidently disconcerted that she
did not press the matter.

Had Helen been a gossip she might have added that Rangely had acquired
the reputation of being always philandering with some woman or other.
Before his marriage he had been the slave of Mrs. Staggchase, and now,
after devotion to all sorts of society women, he had come to be counted
as one of the train of admirers who offered their devotion at the
shrine of Mrs. Wilson. Where a Frenchwoman prides herself on the
intensity of the devotion of some man not her husband, an American of
the same type glories in the number of slaves that her charms ensnare.
In either case the root of the matter is vanity rather than passion.
The American fashion is at once the more demoralizing and the less
dangerous. Mrs. Wilson in the early days of her married life had tried
to make her husband jealous by allowing the desperate attentions of a
single lover. She never repeated the experiment. The lover went abroad
to recover from the sting of having been made hopelessly ridiculous,
and Mrs. Wilson learned that in marrying she had found a master.
Fortunately she had married for love, and no woman loves a man less for
finding him able to control her. In these days Mrs. Wilson amused
himself by having a troop of admirers, and perhaps prided herself upon
being able to outdo the wiles of the other women of her set in securing
and holding her captives; but she discussed them with her husband with
the utmost frankness, mocking them to their faces if they made a step
across the line which she drew for them. They were kept in a state of
marked but respectful admiration. It was expected of them that they
should pretend to be consumed by a passion as violent as they might
please, but always a passion which was hopeless, which asked for no
reward but to be allowed to continue; which found in mere admission to
her presence joy enough at least to keep it alive.

It may be that Rangely had more vanity than the rest of Mrs. Wilson's
followers, or it may be that he was more resolute. Certain it is that
he was more presuming than the rest, and that his devotion had not
failed to produce a good deal of talk. Little as Mrs. Herman was
accustomed to pay attention to social gossip, she had not failed to
hear tattle about Elsie Wilson; and while she probably did not much
heed it, she was at heart too conscientious not to feel shame and
irritation. That a woman in the position of Mrs. Wilson should allow
herself to give rise to vulgar gossip moved her to deep disapproval;
while she could not but feel contempt for the man who neglected his own
wife to wait upon the caprices of one whom Helen looked upon as a
heartless and vain creature.

Behind the question which Ashe had asked about Rangely lay an incident
which had occurred the day previous. He was now called upon to see Mrs.
Wilson frequently in relation to matters connected with the election,
and with that instinct which was inborn she had carelessly exercised
upon him her arts of fascination. There is a certain sort of woman in
whom the mere presence of anything masculine awakens the rage for
conquest. It is as impossible for such women not to exert their
fascinations as it is for a magnet to cease to attract. It is the
destiny of woman to love, and dangerous is she who is inspired only
with the desire to be loved, the woman who instead of loving man loves
love. Elsie was saved from being such a monster by the fact that she
had a husband strong enough to subdue and control her nature; but
nothing could prevent her from trying her wiles on every man she met.

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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