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Life Of Johnson, Vol. 1 by Boswell, Edited by Birkbeck Hill

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[Page 112: A list of Johnson's writings. A.D. 1738.]

Though Johnson was often solicited by his friends to make a complete
list of his writings, and talked of doing it, I believe with a serious
intention that they should all be collected on his own account, he put
it off from year to year, and at last died without having done it
perfectly. I have one in his own handwriting, which contains a certain
number[326]; I indeed doubt if he could have remembered every one of them,
as they were so numerous, so various, and scattered in such a
multiplicity of unconnected publications; nay, several of them published
under the names of other persons, to whom he liberally contributed from
the abundance of his mind. We must, therefore, be content to discover
them, partly from occasional information given by him to his friends,
and partly from internal evidence[327].

[Page 113: Edward Cave. AEtat 29.]

His first performance in the _Gentleman's Magazine_, which for many
years was his principal source for employment and support, was a copy of
Latin verses, in March 1738, addressed to the editor in so happy a style
of compliment, that Cave must have been destitute both of taste and
sensibility had he not felt himself highly gratified[328].

[Page 114: 'Ad Urbanum.' A.D. 1738.]

'_Ad_ URBANUM'.

URBANE[329], _nullis fesse laboribus_,
URBANE, _nullis victe calumniis_[330],
Cui fronte sertum in erudita
Perpetuo viret et virebit;

Quid moliatur gens imilantium,
Quid et minetur, solicitus parum,
Vacare solis perge Musis,
Juxta animo studiisque felix.

Linguae procacis plumbea spicula,
Fidens, superbo frange silentio;
Victrix per obstantes catervas
Sedulitas animosa tendet.

Intende nervos, fortis, inanibus
Risurus olim nisibus aemuli;
Intende jam nervos, habebis
Participes operae Camoenas.

Non ulla Musis pagina gratior,
Quam quae severis ludicra jungere
Novit, fatigatamque nugis
Utilibus recreare mentem.

Texente Nymphis serta Lycoride,
Rosae ruborem sic viola adjuvat
Immista, sic Iris refulget
AEthereis variata fucis[331].'

S.J.

[Page 115: Reports of the Debates. AEtat 29.]

[Page 116: Libels in the press. A.D. 1738.]

It appears that he was now enlisted by Mr. Cave as a regular coadjutor
in his magazine, by which he probably obtained a tolerable livelihood.
At what time, or by what means, he had acquired a competent knowledge
both of French[332] and Italian[333], I do not know; but he was so well
skilled in them, as to be sufficiently qualified for a translator. That
part of his labour which consisted in emendation and improvement of the
productions of other contributors, like that employed in levelling
ground, can be perceived only by those who had an opportunity of
comparing the original with the altered copy. What we certainly know to
have been done by him in this way, was the Debates in both houses of
Parliament, under the name of 'The Senate of Lilliput,' sometimes with
feigned denominations of the several speakers, sometimes with
denominations formed of the letters of their real names, in the manner
of what is called anagram, so that they might easily be decyphered.
Parliament then kept the press in a kind of mysterious awe, which made
it necessary to have recourse to such devices. In our time it has
acquired an unrestrained freedom, so that the people in all parts of the
kingdom have a fair, open, and exact report of the actual proceedings of
their representatives and legislators, which in our constitution is
highly to be valued; though, unquestionably, there has of late been too
much reason to complain of the petulance with which obscure scribblers
have presumed to treat men of the most respectable character and
situation[334].

[Page 117: William Guthrie. AEtat 29.]

This important article of the _Gentleman's Magazine_ was, for several
years, executed by Mr. William Guthrie, a man who deserves to be
respectably recorded in the literary annals of this country. He was
descended of an ancient family in Scotland; but having a small
patrimony, and being an adherent of the unfortunate house of Stuart, he
could not accept of any office in the state; he therefore came to
London, and employed his talents and learning as an 'Authour by
profession[335].' His writings in history, criticism, and politicks, had
considerable merit[336]. He was the first English historian who had
recourse to that authentick source of information, the Parliamentary
Journals; and such was the power of his political pen, that, at an early
period, Government thought it worth their while to keep it quiet by a
pension, which he enjoyed till his death. Johnson esteemed him enough to
wish that his life should be written[337]. The debates in Parliament,
which were brought home and digested by Guthrie, whose memory, though
surpassed by others who have since followed him in the same department,
was yet very quick and tenacious, were sent by Cave to Johnson for his
revision[338]; and, after some time, when Guthrie had attained to greater
variety of employment, and the speeches were more and more enriched by
the accession of Johnson's genius, it was resolved that he should do the
whole himself, from the scanty notes furnished by persons employed to
attend in both houses of Parliament. Sometimes, however, as he himself
told me, he had nothing more communicated to him than the names of the
several speakers, and the part which they had taken in the debate[339].

[Page 118: London, a Poem. A.D. 1738.]

Thus was Johnson employed during some of the best years of his life, as
a mere literary labourer 'for gain, not glory[340],' solely to obtain an
honest support. He however indulged himself in occasional little
sallies, which the French so happily express by the term _jeux
d'esprit_, and which will be noticed in their order, in the progress of
this work.

[Page 119: Oldham and Johnson compared. AEtat 29.]

But what first displayed his transcendent powers, and 'gave the world
assurance of the MAN[341],' was his _London, a Poem, in Imitation of the
Third Satire of Juvenal_: which came out in May this year, and burst
forth with a splendour, the rays of which will for ever encircle his
name. Boileau had imitated the same satire with great success, applying
it to Paris; but an attentive comparison will satisfy every reader, that
he is much excelled by the English Juvenal. Oldham had also imitated it,
and applied it to London; all which performances concur to prove, that
great cities, in every age, and in every country, will furnish similar
topicks of satire[342]. Whether Johnson had previously read Oldham's
imitation, I do not know; but it is not a little remarkable, that there
is scarcely any coincidence found between the two performances, though
upon the very same subject. The only instances are, in describing London
as the _sink_ of foreign worthlessness:

'----the _common shore_,
Where France does all her filth and ordure pour.'

OLDHAM.

'The _common shore_ of Paris and of Rome.'

JOHNSON.

and,

'No calling or profession comes amiss,
A _needy monsieur_ can be what he please.'

OLDHAM.

'All sciences a _fasting monsieur_ knows.'

JOHNSON.

The particulars which Oldham has collected, both as exhibiting the
horrours of London, and of the times, contrasted with better days, are
different from those of Johnson, and in general well chosen, and well
exprest[343].

There are, in Oldham's imitation, many prosaick verses and bad rhymes,
and his poem sets out with a strange inadvertent blunder:

'Tho' much concern'd to _leave_ my dear old friend,
I must, however, _his_ design commend
Of fixing in the country--.'

[Page 120: The publication of London. A.D. 1738.]

It is plain he was not going to leave his _friend_; his friend was going
to leave _him_. A young lady at once corrected this with good critical
sagacity, to

'Tho' much concern'd to _lose_ my dear old friend.'

There is one passage in the original, better transfused by Oldham than
by Johnson:

'Nil habet infelix paupertas durius in se,
Quam quod ridiculos homines facit;'

which is an exquisite remark on the galling meanness and contempt
annexed to poverty: JOHNSON'S imitation is,

'Of all the griefs that harass the distrest,
Sure the most bitter is a scornful jest.'

OLDHAM'S, though less elegant, is more just:

'Nothing in poverty so ill is borne,
As its exposing men to grinning scorn.'

Where, or in what manner this poem was composed, I am sorry that I
neglected to ascertain with precision, from Johnson's own authority. He
has marked upon his corrected copy of the first edition of it, 'Written
in 1738;' and, as it was published in the month of May in that year, it
is evident that much time was not employed in preparing it for the
press. The history of its publication I am enabled to give in a very
satisfactory manner; and judging from myself, and many of my friends, I
trust that it will not be uninteresting to my readers.

[Page 121: Johnson's letters to Cave. AEtat 29.]

We may be certain, though it is not expressly named in the following
letters to Mr. Cave, in 1738, that they all relate to it:

'To MR. CAVE.

'Castle-street, Wednesday Morning.
[_No date_. 1738.]

'SIR,

'When I took the liberty of writing to you a few days ago, I did not
expect a repetition of the same pleasure so soon; for a pleasure I shall
always think it, to converse in any manner with an ingenious and candid
man; but having the inclosed poem in my hands to dispose of for the
benefit of the authour, (of whose abilities I shall say nothing, since I
send you his performance,) I believed I could not procure more
advantageous terms from any person than from you, who have so much
distinguished yourself by your generous encouragement of poetry; and
whose judgment of that art nothing but your commendation of my trifle[344]
can give me any occasion to call in question. I do not doubt but you
will look over this poem with another eye, and reward it in a different
manner, from a mercenary bookseller, who counts the lines he is to
purchase[345], and considers nothing but the bulk. I cannot help taking
notice, that, besides what the authour may hope for on account of his
abilities, he has likewise another claim to your regard, as he lies at
present under very disadvantageous circumstances of fortune. I beg,
therefore, that you will favour me with a letter to-morrow, that I may
know what you can afford to allow him, that he may either part with it
to you, or find out, (which I do not expect,) some other way more to his
satisfaction.

'I have only to add, that as I am sensible I have transcribed it very
coarsely, which, after having altered it, I was obliged to do, I will,
if you please to transmit the sheets from the press, correct it for you;
and take the trouble of altering any stroke of satire which you may
dislike.

'By exerting on this occasion your usual generosity, you will not only
encourage learning, and relieve distress, but (though it be in
comparison of the other motives of very small account) oblige in a very
sensible manner, Sir,

'Your very humble servant,

'SAM. JOHNSON.'


'To MR. CAVE.
'Monday, No. 6, Castle-street.

SIR,

'I am to return you thanks for the present you were so kind as to send
by me[346], and to intreat that you will be pleased to inform me by the
penny-post[347], whether you resolve to print the poem. If you please to
send it me by the post, with a note to Dodsley, I will go and read the
lines to him, that we may have his consent to put his name in the
title-page. As to the printing, if it can be set immediately about, I
will be so much the authour's friend, as not to content myself with mere
solicitations in his favour. I propose, if my calculation be near the
truth, to engage for the reimbursement of all that you shall lose by an
impression of 500; provided, as you very generously propose, that the
profit, if any, be set aside for the authour's use, excepting the
present you made, which, if he be a gainer, it is fit he should repay. I
beg that you will let one of your servants write an exact account of the
expense of such an impression, and send it with the poem, that I may
know what I engage for. I am very sensible, from your generosity on this
occasion, of your regard to learning, even in its unhappiest state; and
cannot but think such a temper deserving of the gratitude of those who
suffer so often from a contrary disposition. I am, Sir,

'Your most humble servant,

'SAM. JOHNSON[348].'

[Page 122: Mrs. Carter. A.D. 1738.]

'To MR. CAVE.

[No date[349].]

'SIR,

'I waited on you to take the copy to Dodsley's: as I remember the number
of lines which it contains, it will be no longer than _Eugenio_[350], with
the quotations, which must be subjoined at the bottom of the page; part
of the beauty of the performance (if any beauty be allowed it)
consisting in adapting Juvenal's sentiments to modern facts and persons.
It will, with those additions, very conveniently make five sheets. And
since the expense will be no more, I shall contentedly insure it, as I
mentioned in my last. If it be not therefore gone to Dodsley's, I beg it
may be sent me by the penny-post, that I may have it in the evening. I
have composed a Greek epigram to Eliza[351], and think she ought to be
celebrated in as many different languages as Lewis le Grand[352]. Pray
send me word when you will begin upon the poem, for it is a long way to
walk. I would leave my Epigram, but have not daylight to transcribe
it[353]. I am, Sir,

'Your's, &c.,

'SAM. JOHNSON[354].'

[Page 123: Negotiations with Dodsley. AEtat 29.]

'TO MR. CAVE.

[No date.]

'SIR,

'I am extremely obliged by your kind letter, and will not fail to attend
you to-morrow with _Irene_, who looks upon you as one of her best
friends.

'I was to day with Mr. Dodsley, who declares very warmly in favour of
the paper you sent him, which he desires to have a share in, it being,
as he says, _a creditable thing to be concerned in_. I knew not what
answer to make till I had consulted you, nor what to demand on the
authour's part, but am very willing that, if you please, he should have
a part in it, as he will undoubtedly be more diligent to disperse and
promote it. If you can send me word to-morrow what I shall say to him, I
will settle matters, and bring the poem with me for the press, which, as
the town empties, we cannot be too quick with. I am, Sir,

'Your's, &c.,

'SAM. JOHNSON.'

[Page 124: Payment for London. A.D. 1738.]

To us who have long known the manly force, bold spirit, and masterly
versification of this poem, it is a matter of curiosity to observe the
diffidence with which its authour brought it forward into publick
notice, while he is so cautious as not to avow it to be his own
production; and with what humility he offers to allow the printer to
'alter any stroke of satire which he might dislike[355].' That any such
alteration was made, we do not know. If we did, we could not but feel an
indignant regret; but how painful is it to see that a writer of such
vigorous powers of mind was actually in such distress, that the small
profit which so short a poem, however excellent, could yield, was
courted as a 'relief.'

It has been generally said, I know not with what truth, that Johnson
offered his _London_ to several booksellers, none of whom would purchase
it. To this circumstance Mr. Derrick alludes in the following lines of
his _Fortune, a Rhapsody_:

'Will no kind patron JOHNSON own?
Shall JOHNSON friendless range the town?
And every publisher refuse
The offspring of his happy Muse[356]?'

But we have seen that the worthy, modest, and ingenious Mr. Robert
Dodsley[357] had taste enough to perceive its uncommon merit, and thought
it creditable to have a share in it. The fact is, that, at a future
conference, he bargained for the whole property of it, for which he gave
Johnson ten guineas[358]; who told me, 'I might, perhaps, have accepted of
less; but that Paul Whitehead had a little before got ten guineas for a
poem and I would not take less than Paul Whitehead.'

[Page 125: Paul Whitehead. AEtat 29.]

I may here observe, that Johnson appeared to me to undervalue Paul
Whitehead upon every occasion when he was mentioned, and, in my opinion,
did not do him justice; but when it is considered that Paul Whitehead
was a member of a riotous and profane club[359], we may account for
Johnson's having a prejudice against him. Paul Whitehead was, indeed,
unfortunate in being not only slighted by Johnson, but violently
attacked by Churchill, who utters the following imprecation:

'May I (can worse disgrace on manhood fall?)
Be born a Whitehead, and baptiz'd a Paul[360]!'

yet I shall never be persuaded to think meanly of the authour of so
brilliant and pointed a satire as _Manners_[361].

[Page 126: Was Richard Savage Thales? A.D. 1738.]

Johnson's _London_ was published in May, 1738[362]; and it is remarkable,
that it came out on the same morning with Pope's satire, entitled
'1738[363];' so that England had at once its Juvenal and Horace[364] as
poetical monitors. The Reverend Dr. Douglas, now Bishop of Salisbury, to
whom I am indebted for some obliging communications, was then a student
at Oxford, and remembers well the effect which _London_ produced. Every
body was delighted with it; and there being no name to it, the first buz
of the literary circles was 'here is an unknown poet, greater even than
Pope.' And it is recorded in the _Gentleman s Magazine_ of that year[365],
that it 'got to the second edition in the course of a week.'

[Page 127: General Oglethorpe. AEtat 29.]

One of the warmest patrons of this poem on its first appearance was
General Oglethorpe, whose 'strong benevolence of soul[366],' was unabated
during the course of a very long life[367]; though it is painful to think,
that he had but too much reason to become cold and callous, and
discontented with the world, from the neglect which he experienced of
his publick and private worth, by those in whose power it was to gratify
so gallant a veteran with marks of distinction. This extraordinary
person was as remarkable for his learning and taste, as for his other
eminent qualities; and no man was more prompt, active, and generous, in
encouraging merit. I have heard Johnson gratefully acknowledge, in his
presence, the kind and effectual support which he gave to his _London_,
though unacquainted with its authour.

[Page 128: Pope admires _London_. A.D. 1738.]

Pope, who then filled the poetical throne without a rival, it may
reasonably be presumed, must have been particularly struck by the sudden
appearance of such a poet; and, to his credit, let it be remembered,
that his feelings and conduct on the occasion were candid and liberal.
He requested Mr. Richardson, son of the painter[368], to endeavour to find
out who this new authour was. Mr. Richardson, after some inquiry, having
informed him that he had discovered only that his name was Johnson, and
that he was some obscure man, Pope said, 'he will soon be _deterre_[369].'
We shall presently see, from a note written by Pope, that he was himself
afterwards more successful in his inquiries than his friend.

[Page 129: Johnson a 'true-born Englishman.' AEtat 29.]

That in this justly-celebrated poem may be found a few rhymes[370] which
the critical precision of English prosody at this day would disallow,
cannot be denied; but with this small imperfection, which in the general
blaze of its excellence is not perceived, till the mind has subsided
into cool attention, it is, undoubtedly, one of the noblest productions
in our language, both for sentiment and expression. The nation was then
in that ferment against the court and the ministry, which some years
after ended in the downfall of Sir Robert Walpole; and as it has been
said, that Tories are Whigs when out of place, and Whigs, Tories when in
place; so, as a Whig administration ruled with what force it could, a
Tory opposition had all the animation and all the eloquence of
resistance to power, aided by the common topicks of patriotism, liberty,
and independence! Accordingly, we find in Johnson's _London_ the most
spirited invectives against tyranny and oppression, the warmest
predilection for his own country, and the purest love of virtue;
interspersed with traits of his own particular character and situation,
not omitting his prejudices as a 'true-born Englishman[371],' not only
against foreign countries, but against Ireland and Scotland[372]. On some
of these topicks I shall quote a few passages:

[Page 130: Passages from LONDON. A.D. 1738.]

'The cheated nation's happy fav'rites see;
Mark whom the great caress, who frown on me.'
'Has heaven reserv'd in pity to the poor,
No pathless waste, or undiscover'd shore?
No secret island in the boundless main?
No peaceful desert yet unclaim'd by Spain?
Quick let us rise, the happy seats explore,
And bear Oppression's insolence no more[373].'

'How, when competitors like these contend,
Can _surly Virtue_ hope to fix a friend?'

'This mournful truth is every where confess'd,
SLOW RISES WORTH, BY POVERTY DEPRESS'D[374]!'

We may easily conceive with what feeling a great mind like his, cramped
and galled by narrow circumstances, uttered this last line, which he
marked by capitals. The whole of the poem is eminently excellent, and
there are in it such proofs of a knowledge of the world, and of a mature
acquaintance with life, as cannot be contemplated without wonder, when
we consider that he was then only in his twenty-ninth year, and had yet
been so little in the 'busy haunts of men[375].'

[Page 131: Sir Robert Walpole. AEtat 29.]

Yet, while we admire the poetical excellence of this poem, candour
obliges us to allow, that the flame of patriotism and zeal for popular
resistance with which it is fraught, had no just cause. There was, in
truth, no 'oppression;' the 'nation' was not 'cheated.' Sir Robert
Walpole was a wise and a benevolent minister, who thought that the
happiness and prosperity of a commercial country like ours, would be
best promoted by peace, which he accordingly maintained, with credit,
during a very long period. Johnson himself afterwards honestly
acknowledged the merit of Walpole, whom he called 'a fixed star;' while
he characterised his opponent, Pitt, as 'a meteor[376].' But Johnson's
juvenile poem was naturally impregnated with the fire of opposition, and
upon every account was universally admired.

[Page 132: Appleby School. A.D. 1738.]

Though thus elevated into fame, and conscious of uncommon powers, he had
not that bustling confidence, or, I may rather say, that animated
ambition, which one might have supposed would have urged him to
endeavour at rising in life. But such was his inflexible dignity of
character, that he could not stoop to court the great; without which,
hardly any man has made his way to a high station[377]. He could not
expect to produce many such works as his _London_, and he felt the
hardships of writing for bread; he was, therefore, willing to resume the
office of a schoolmaster, so as to have a sure, though moderate income
for his life; and an offer being made to him of the mastership of a
school[378], provided he could obtain the degree of Master of Arts, Dr.
Adams was applied to, by a common friend, to know whether that could be
granted him as a favour from the University of Oxford. But though he had
made such a figure in the literary world, it was then thought too great
a favour to be asked.

Hawkins (_Life_, p. 61) says that 'Johnson went to Appleby in Aug. 1738,
and offered himself as a candidate for the mastership.' The date of 1738
seems to be Hawkins's inference. If Johnson went at all, it was in 1739.
Pope, the friend of Swift, would not of course have sought Lord Gower's
influence with Swift. He applied to his lordship, no doubt, as a great
midland-county landowner, likely to have influence with the trustees.
Why, when the difficulty about the degree of M.A. was discovered, Pope
was not asked to solicit Swift cannot be known. See _post_, beginning of
1780 in BOSWELL'S account of the _Life of Swift_.]

[Page 133: Pope's letter of recommendation.]

Pope, without any knowledge of him but from his _London_, recommended
him to Earl Gower, who endeavoured to procure for him a degree from
Dublin, by the following letter to a friend of Dean Swift:

'SIR,

'Mr. Samuel Johnson (authour of _London_, a satire, and some other
poetical pieces) is a native of this country, and much respected by some
worthy gentlemen in his neighbourhood, who are trustees of a charity
school now vacant; the certain salary is sixty pounds a year, of which
they are desirous to make him master; but, unfortunately, he is not
capable of receiving their bounty, which _would make him happy for
life_, by not being a _Master of Arts_; which, by the statutes of this
school, the master of it must be.

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Theatre review: Three Women, Jermyn Street, London
Obituary: Prolific crime novelist, Oscar-nominated screenwriter and man of many pseudonyms

Climbing the walls

Barack Obama is teaming up with Spider-Man in a comic from Marvel, which will see the future president exchanging a fist-bump with the superhero. The story sees one of Spidey's oldest enemies, the Chameleon, trying to stop Obama being inaugurated. Spider-Man's alter ego, Peter Parker, is covering the event as a photographer, and saves the day.

"Ya hear that, Chameleon?" Spider-Man says as he thwacks the villain in the face. "The president-elect here just appointed me ... secretary of shuttin' you up."

He tells Obama: "This is your day, and I know it wouldn't look good to be seen palling around with me" - in a nod to Sarah Palin's comment that Obama had been "palling around with terrorists".

"When we heard that president-elect Obama is a collector of Spider-Man comics, we knew that these two historic figures had to meet in our comics' Marvel Universe," said the publisher's editor-in-chief, Joe Quesada.

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