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The Call of the Cumberlands by Charles Neville Buck

C >> Charles Neville Buck >> The Call of the Cumberlands

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The girl's eyes grew grave and thoughtful, and for the rest of the way
she rode in silence.

There were transformations, too, in the house of Spicer South. Windows
had been cut, and lamps adopted. It was no longer so crudely a pioneer
abode. While they waited for dinner, a girl lightly crossed the stile,
and came up to the house. Adrienne met her at the door, while Samson
and Horton stood back, waiting. Suddenly, Miss Lescott halted and
regarded the newcomer in surprise. It was the same girl she had seen,
yet a different girl. Her hair no longer fell in tangled masses. Her
feet were no longer bare. Her dress, though simple, was charming, and,
when she spoke, her English had dropped its half-illiterate
peculiarities, though the voice still held its bird-like melody.

"Oh, Samson," cried Adrienne, "you two have been deceiving me! Sally,
you were making up, dressing the part back there, and letting me
patronize you."

Sally's laughter broke from her throat in a musical peal, but it still
held the note of shyness, and it was Samson who spoke.

"I made the others ride on, and I got Sally to meet you just as she
was when I left her to go East." He spoke with a touch of the
mountaineer's over-sensitive pride. "I wanted you first to see my
people, not as they are going to be, but as they were. I wanted you to
know how proud I am of them--just that way."

That evening, the four of them walked together over to the cabin of
the Widow Miller. At the stile, Adrienne Lescott turned to the girl,
and said:

"I suppose this place is preempted. I'm going to take Wilfred down
there by the creek, and leave you two alone."

Sally protested with mountain hospitality, but even under the moon she
once more colored adorably.

Adrienne turned up the collar of her sweater around her throat, and,
when she and the man who had waited, stood leaning on the rail of the
footbridge, she laid a hand on his arm.

"Has the water flowed by my mill, Wilfred?" she asked.

"What do you mean?" His voice trembled.

"Will you have anything to ask me when Christmas comes?"

"If I can wait that long, Drennie," he told her.

"Don't wait, dear," she suddenly exclaimed, turning toward him, and
raising eyes that held his answer. "Ask me now!"

But the question which he asked was one that his lips smothered as he
pressed them against her own.

Back where the poplar threw its sooty shadow on the road, two figures
sat close together on the top of a stile, talking happily in whispers.
A girl raised her face, and the moon shone on the deepness of her eyes,
as her lips curved in a trembling smile.

"You've come back, Samson," she said in a low voice, "but, if I'd
known how lovely she was, I'd have given up hoping. I don't see what
made you come."

Her voice dropped again into the tender cadence of dialect.

"I couldn't live withouten ye, Samson. I jest couldn't do hit." Would
he remember when she had said that before?

"I reckon, Sally," he promptly told her, "I couldn't live withouten
_you,_ neither." Then, he added, fervently, "I'm plumb dead shore
I couldn't."


THE END






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John Crace digests A Question of Upbringing by Anthony Powell

My English teacher is wearing a barrister's wig. He turns and points towards me as I sit trembling in the dock. "Members of the jury, I put it to you that this man, Tom Robinson, is innocent," he says, rather lugubriously. I want to protest. I want to shout that no, I am not Tom Robinson, but yes, I am innocent! But the words won't come out.

Then I wake up. It's another literary dream – one that's troubled me ever since I studied Harper Lee's To Kill a Mockingbird for GCSE.

Most of the time I'm disappointed to leave my literary dreams, waking to realise that I'm not really ensconced with with the boozing Welsh pensioners from Kingsley Amis's The Old Devils or haven't really been thrashing Harry Potter's Quidditch team. I remember with fondness a skiing trip with William Shakespeare and the delightful discovery that Don DeLillo was serving drinks behind the bar in my local pub.

It's not all sunshine, though. Tom Wolfe once ruined a trip to New York, shouting at me across Fifth Avenue: "You're not even familiar with my work – get outta town, asshole!" But that's nothing on Howard Jacobson. I spent a summer discovering his novels during my waking hours and bumping into him in my sleep. I'd see him in a local restaurant and tell him how much I was enjoying his novels. "Oh right," he'd snap, "that old chestnut, huh?" When I met him for real last year he was, in fact, charm personified. I didn't tell him about the dreams.

But enough about my subconscious, what about yours? It's Friday: forget about work and tell me all about your literary dreams. Don't hold back – it's not like we'll read anything into it.

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