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The Call of the Cumberlands by Charles Neville Buck

C >> Charles Neville Buck >> The Call of the Cumberlands

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He paused, and folded his arms, and his strong fingers grasped his
tensed biceps until the knuckles stood out, as he went on:

"I reckon they hain't none of them thet kin hate harder'n me. I reckon
they hain't none of 'em thet is more plumb willin' ter fight them
thet's rightful enemies, an' yit hit 'pears ter me as thet hain't no
reason why a man kain't feel somethin' singin' inside him when Almighty
God builds hills like them"--he swept both hands out in a wide circle--
"an' makes 'em green in summer, an' lets 'em blaze in red an' yaller in
ther fall, an' hangs blue skies over 'em an' makes ther sun shine, an'
at night sprinkles 'em with stars an' a moon like thet!" Again, he
paused, and his eyes seemed to ask the corroboration which they read in
the expression and nod of the stranger from the mysterious outside
world. Then, Samson South spread his hands in a swift gesture of
protest, and his voice hardened in timbre as he went on:

"But these folks hyarabouts kain't understand thet. All they sees in
the laurel on the hillside, an' the big gray rocks an' the green trees,
is breshwood an' timber thet may be hidin' their enemies, or places ter
hide out an' lay-way some other feller. I hain't never seen no other
country. I don't know whether all places is like these hyar mountings
er not, but I knows thet the Lord didn't 'low fer men ter live blind,
not seein' no beauty in nothin'; ner not feelin' nothin' but hate an'
meanness--ner studyin' 'bout nothin' but deviltry. There hain't no
better folks nowhar then my folks, an' thar hain't no meaner folks
nowhar then them damned Hollmans, but thar's times when hit 'pears ter
me thet the Lord Almighty hain't plumb tickled ter death with ther way
things goes hyar along these creeks and coves."

Samson paused, and suddenly the glow died out of his eyes. His
features instantly reshaped themselves into their customary mold of
stoical hardness. It occurred to him that his outburst had been a long
one and strangely out of keeping with his usual taciturnity, and he
wondered what this stranger would think of him.

The stranger was marveling. He was seeing in the crude lad at his side
warring elements that might build into a unique and strangely
interesting edifice of character, and his own speech as he talked there
by the palings of the fence in the moonlight was swiftly establishing
the foundations of a comradeship between the two.

"Thar's something mighty quare about ye, stranger," said the boy at
last, half-shyly. "I been wonderin' why I've talked ter ye like this. I
hain't never talked that-away with no other man. Ye jest seemed ter
kind of compel me ter do hit. When I says things like thet ter Sally,
she gits skeered of me like ef I was plumb crazy, an', ef I talked that-
away to the menfolks 'round hyar they'd be sartain I was an idjit."

"That," said Lescott, gravely, "is because they don't understand. I do."

"I kin lay awake nights," said Samson, "an' see them hills and mists
an' colors the same es ef they was thar in front of my eyes--an' I kin
seem ter hear 'em as well as see 'em."

The painter nodded, and his voice fell into low quotation:

"'The scarlet of the maple can shake me like the cry
"Of bugles going by.'"

The boy's eyes deepened. To Lescott, the thought of bugles conjured up
a dozen pictures of marching soldiery under a dozen flags. To Samson
South, it suggested only one: militia guarding a battered courthouse,
but to both the simile brought a stirring of pulses.

Even in June, the night mists bring a touch of chill to the mountains,
and the clansmen shortly carried their chairs indoors. The old woman
fetched a pan of red coals from the kitchen, and kindled the logs on
the deep hearth. There was no other light, and, until the flames
climbed to roaring volume, spreading their zone of yellow brightness,
only the circle about the fireplace emerged from the sooty shadows. In
the four dark corners of the room were four large beds, vaguely seen,
and from one of them still came the haunting monotony of the banjo.

Suddenly, out of the silence, rose Samson's voice, keyed to a stubborn
note, as though anticipating and challenging contradiction.

"Times is changin' mighty fast. A feller thet grows up plumb ign'rant
ain't a-goin' ter have much show."

Old Spicer South drew a contemplative puff at his pipe.

"Ye went ter school twell ye was ten year old, Samson. Thet's a heap
more schoolin' then I ever had, an' I've done got along all right."

"Ef my pap had lived"--the boy's voice was almost accusing--"I'd hev
lamed more then jest ter read an' write en figger a little."

"I hain't got no use fer these newfangled notions." Spicer spoke with
careful curbing of his impatience. "Yore pap stood out fer eddycation.
He had ideas about law an' all that, an' he talked 'em. He got shot ter
death. Yore Uncle John South went down below, an' got ter be a lawyer.
He come home hyar, an' ondertook ter penitentiary Jesse Purvy, when
Jesse was High Sheriff. I reckon ye knows what happened ter him."

Samson said nothing and the older man went on:

"They aimed ter run him outen the mountings."

"They didn't run him none," blazed the boy. "He didn't never leave the
mountings."

"No." The family head spoke with the force of a logical climax. "He'd
done rented a house down below though, an' was a-fixin' ter move. He
staid one day too late. Jesse Purvy hired him shot."

"What of hit?" demanded Samson.

"Yore cousin, Bud Spicer, was eddicated. He 'lowed in public thet
Micah Hollman an' Jesse Purvy was runnin' a murder partnership.
Somebody called him ter the door of his house in the night-time ter
borry a lantern--an' shot him ter death."

"What of hit?"

"Thar's jist this much of hit. Hit don't seem ter pay the South family
ter go a-runnin' attar newfangled idees. They gets too much notion of
goin' ter law--an' thet's plumb fatal. Ye'd better stay where ye
b'longs, Samson, an' let good enough be."

"Why hain't ye done told about all the rest of the Souths thet didn't
hev no eddication," suggested the youngest South, "thet got killed off
jest as quick as them as had hit?"




CHAPTER V


While Spicer South and his cousins had been sustaining themselves or
building up competences by tilling their soil, the leaders of the other
faction were basing larger fortunes on the profits of merchandise and
trade. So, although Spicer South could neither read nor write, his
chief enemy, Micah Hollman, was to outward seeming an urbane and fairly
equipped man of affairs. Judged by their heads, the clansmen were
rougher and more illiterate on Misery, and in closer touch with
civilization on Crippleshin. A deeper scrutiny showed this seeming to
be one of the strange anomalies of the mountains.

Micah Hollman had established himself at Hixon, that shack town which
had passed of late years from feudal county seat to the section's one
point of contact with the outside world; a town where the ancient and
modern orders brushed shoulders; where the new was tolerated, but dared
not become aggressive. Directly across the street from the court-house
stood an ample frame building, on whose side wall was emblazoned the
legend: "Hollman's Mammoth Department Store." That was the secret
stronghold of Hollman power. He had always spoken deploringly of that
spirit of lawlessness which had given the mountains a bad name. He
himself, he declared, believed that the best assets of any community
were tenets of peace and brotherhood. Any mountain man or foreigner who
came to town was sure of a welcome from Judge Micah Hollman, who added
to his title of storekeeper that of magistrate.

As the years went on, the proprietor of the "Mammoth Department Store"
found that he had money to lend and, as a natural sequence, mortgages
stored away in his strong box. To the cry of distress, he turned a
sympathetic ear. His infectious smile and suave manner won him fame as
"the best-hearted man in the mountains." Steadily and unostentatiously,
his fortune fattened.

When the railroad came to Hixon, it found in Judge Hollman a "public-
spirited citizen." Incidentally, the timber that it hauled and the coal
that its flat cars carried down to the Bluegrass went largely to his
consignees. He had so astutely anticipated coming events that, when the
first scouts of capital sought options, they found themselves
constantly referred to Judge Hollman. No wheel, it seemed, could turn
without his nod. It was natural that the genial storekeeper should
become the big man of the community and inevitable that the one big man
should become the dictator. His inherited place as leader of the
Hollmans in the feud he had seemingly passed on as an obsolete
prerogative.

Yet, in business matters, he was found to drive a hard bargain, and
men came to regard it the part of good policy to meet rather than
combat his requirements. It was essential to his purposes that the
officers of the law in his county should be in sympathy with him.
Sympathy soon became abject subservience. When a South had opposed
Jesse Purvy in the primary as candidate for High Sheriff, he was found
one day lying on his face with a bullet-riddled body. It may have been
a coincidence which pointed to Jim Asberry, the judge's nephew, as the
assassin. At all events, the judge's nephew was a poor boy, and a
charitable Grand Jury declined to indict him.

In the course of five years, several South adherents, who had crossed
Hollman's path, became victims of the laurel ambuscade. The theory of
coincidence was strained. Slowly, the rumor grew and persistently
spread, though no man would admit having fathered it, that before each
of these executions star-chamber conferences had been held in the rooms
above Micah Hollman's "Mammoth Department Store." It was said that
these exclusive sessions were attended by Judge Hollman, Sheriff Purvy
and certain other gentlemen selected by reason of their marksmanship.
When one of these victims fell, John South had just returned from a law
school "down below," wearing "fotched-on" clothing and thinking
"fotched-on" thoughts. He had amazed the community by demanding the
right to assist in probing and prosecuting the affair. He had then
shocked the community into complete paralysis by requesting the Grand
Jury to indict not alone the alleged assassin, but also his employers,
whom he named as Judge Hollman and Sheriff Purvy. Then, he, too, fell
under a bolt from the laurel.

That was the first public accusation against the bland capitalist, and
it carried its own prompt warning against repetition. The Judge's High
Sheriff and chief ally retired from office, and went abroad only with a
bodyguard. Jesse Purvy had built his store at a cross roads twenty-five
miles from the railroad. Like Hollman, he had won a reputation for open
-handed charity, and was liked--and hated. His friends were legion. His
enemies were so numerous that he apprehended violence not only from the
Souths, but also from others who nursed grudges in no way related to
the line of feud cleavage. The Hollman-Purvy combination had retained
enough of its old power to escape the law's retribution and to hold its
dictatorship, but the efforts of John South had not been altogether
bootless. He had ripped away two masks, and their erstwhile wearers
could no longer hold their old semblance of law-abiding
philanthropists. Jesse Purvy's home was the show place of the country
side. To the traveler's eye, which had grown accustomed to hovel life
and squalor, it offered a reminder of the richer Bluegrass. Its walls
were weather-boarded and painted, and its roof two stories high.
Commodious verandahs looked out over pleasant orchards, and in the same
enclosure stood the two frame buildings of his store--for he, too,
combined merchandise with baronial powers. But back of the place rose
the mountainside, on which Purvy never looked without dread. Twice, its
impenetrable thickets had spat at him. Twice, he had recovered from
wounds that would have taken a less-charmed life. And in grisly
reminder of the terror which clouded the peace of his days stood the
eight-foot log stockade at the rear of the place which the proprietor
had built to shield his daily journeys between house and store. But
Jesse Purvy was not deluded by his escapes. He knew that he was "marked
down." For years, he had seen men die by his own plotting, and he
himself must in the end follow by a similar road. Rumor had it that he
wore a shirt of mail, certain it is that he walked in the expectancy of
death.

"Why don't you leave the mountains?" strangers had asked; and to each
of them Purvy had replied with a shrug of his shoulders and a short
laugh: "This is where I belong."

But the years of strain were telling on Jesse Purvy. The robust, full-
blooded face was showing deep lines; his flesh was growing flaccid; his
glance tinged with quick apprehension. He told his intimates that he
realized "they'd get him," yet he sought to prolong his term of escape.

The creek purled peacefully by the stile; the apple and peach trees
blossomed and bore fruit at their appointed time, but the householder,
when he walked between his back door and the back door of the store,
hugged his stockade, and hurried his steps.

Yesterday morning, Jesse Purvy had risen early as usual, and, after a
satisfying breakfast, had gone to his store to arrange for the day's
business. One or two of his henchmen, seeming loafers, but in reality a
bodyguard, were lounging within call. A married daughter was chatting
with her father while her young baby played among the barrels and
cracker boxes.

The daughter went to a rear window, and gazed up at the mountain. The
cloudless skies were still in hiding behind a curtain of mist. The
woman was idly watching the vanishing fog wraiths, and her father came
over to her side. Then, the baby cried, and she stepped back. Purvy
himself remained at the window. It was a thing he did not often do. It
left him exposed, but the most cautiously guarded life has its moments
of relaxed vigilance. He stood there possibly thirty seconds, then a
sharp fusillade of clear reports barked out and was shattered by the
hills into a long reverberation. With a hand clasped to his chest,
Purvy turned, walked to the middle of the floor, and fell.

The henchmen rushed to the open sash. They leaped out, and plunged up
the mountain, tempting the assassin's fire, but the assassin was
satisfied. The mountain was again as quiet as it had been at dawn. Its
impenetrable mask of green was blank and unresponsive. Somewhere in the
cool of the dewy treetops a squirrel barked. Here and there, the birds
saluted the sparkle and freshness of June. Inside, at the middle of the
store, Jesse Purvy shifted his head against his daughter's knee, and
said, as one stating an expected event:

"Well, they've got me."

An ordinary mountaineer would have been carried home to die in the
darkness of a dirty and windowless shack. The long-suffering star of
Jesse Purvy ordained otherwise. He might go under or he might once more
beat his way back and out of the quicksands of death. At all events, he
would fight for life to the last gasp.

Twenty miles away in the core of the wilderness, removed from a
railroad by a score of semi-perpendicular miles, a fanatic had once
decided to found a school. The fact that the establishment in this
place of such a school as his mind pictured was sheer madness and
impossibility did not in the least deter him. It was a thing that could
not be done, and it was a thing that he had done none the less.

Now a faculty of ten men, like himself holding degrees of Masters of
Dreams, taught such as cared to come such things as they cared to
learn. Substantial two-and three-storied buildings of square-hewn logs
lay grouped in a sort of Arts and Crafts village around a clean-clipped
campus. The Stagbone College property stretched twenty acres square at
the foot of a hill. The drone of its own saw-mill came across the
valley. In a book-lined library, wainscoted in natural woods of three
colors, the original fanatic often sat reflecting pleasurably on his
folly. Higher up the hillside stood a small, but model, hospital, with
a modern operating table and a case of surgical instruments, which, it
was said, the State could not surpass. These things had been the gifts
of friends who liked such a type of God-inspired madness. A "fotched-on"
trained nurse was in attendance. From time to time, eminent Bluegrass
surgeons came to Hixon by rail, rode twenty miles on mules, and held
clinics on the mountainside.

To this haven, Jesse Purvy, the murder lord, was borne in a litter
carried on the shoulders of his dependents. Here, as his steadfast
guardian star decreed, he found two prominent medical visitors, who
hurried him to the operating table. Later, he was removed to a white
bed, with the June sparkle in his eyes, pleasantly modulated through
drawn blinds, and the June rustle and bird chorus in his ears--and his
own thoughts in his brain.

Conscious, but in great pain, Purvy beckoned Jim Asberry and Aaron
Hollis, his chiefs of bodyguard, to his bedside, and waved the nurse
back out of hearing.

"If I don't get well," he said, feebly, "there's a job for you two
boys. I reckon you know what it is?"

They nodded, and Asberry whispered a name:

"Samson South?"

"Yes," Purvy spoke in a weak whisper; but the old vindictiveness was
not smothered. "You got the old man, I reckon you can manage the cub.
If you don't, he'll get you both one day."

The two henchmen scowled.

"I'll git him to-morrer," growled Asberry. "Thar hain't no sort of use
in a-waitin'."

"No!" For an instant Purvy's voice rose out of its weakness to its old
staccato tone of command, a tone which brought obedience. "If I get
well, I have other plans. Never mind what they are. That's my business.
If I don't die, leave him alone, until I give other orders." He lay
back and fought for breath. The nurse came over with gentle insistence,
ordering quiet, but the man, whose violent life might be closing, had
business yet to discuss with his confidential vassals. Again, he waved
her back.

"If I get well," he went on, "and Samson South is killed meanwhile, I
won't live long either. It would be my life for his. Keep close to him.
The minute you hear of my death--get him." He paused again, then
supplemented, "You two will find something mighty interestin' in my
will."

It was afternoon when Purvy reached the hospital, and, at nightfall of
the same day, there arrived at his store's entrance, on stumbling, hard
-ridden mules, several men, followed by two tawny hounds whose long ears
flapped over their lean jaws, and whose eyes were listless and tired,
but whose black muzzles wrinkled and sniffed with that sensitive
instinct which follows the man-scent. The ex-sheriff's family were
instituting proceedings independent of the Chief's orders. The next
morning, this party plunged into the mountain tangle, and beat the
cover with the bloodhounds in leash.

The two gentle-faced dogs picked their way between the flowering
rhododendrons, the glistening laurels, the feathery pine sprouts and
the moss-covered rocks. They went gingerly and alertly on ungainly,
cushioned feet. Just as their masters were despairing, they came to a
place directly over the store, where a branch had been bent back and
hitched to clear the outlook, and where a boot heel had crushed the
moss. There one of them raised his nose high into the air, opened his
mouth, and let out a long, deep-chested bay of discovery.




CHAPTER VI


George Lescott had known hospitality of many brands and degrees. He
had been the lionized celebrity in places of fashion. He had been the
guest of equally famous brother artists in the cities of two
hemispheres, and, since sincere painting had been his pole-star, he had
gone where his art's wanderlust beckoned. His most famous canvas,
perhaps, was his "Prayer Toward Mecca," which hangs in the
Metropolitan. It shows, with a power that holds the observer in a
compelling grip, the wonderful colors of a sunset across the desert.
One seems to feel the renewed life that comes to the caravan with the
welcome of the oasis. One seems to hear the grunting of the kneeling
camels and the stirring of the date palms. The Bedouins have spread
their prayer-rugs, and behind them burns the west. Lescott caught in
that, as he had caught in his mountain sketches, the broad spirit of
the thing. To paint that canvas, he had endured days of racking camel
-travel and burning heat and thirst. He had followed the lure of
transitory beauty to remote sections of the world. The present trip was
only one of many like it, which had brought him into touch with varying
peoples and distinctive types of life. He told himself that never had
he found men at once so crude and so courteous as these hosts, who,
facing personal perils, had still time and willingness to regard his
comfort.

They could not speak grammatically; they could hardly offer him the
necessities of life, yet they gave all they had, with a touch of
courtliness.

In a fabric soiled and threadbare, one may sometimes trace the
tarnished design that erstwhile ran in gold through a rich pattern.
Lescott could not but think of some fine old growth gone to seed and
decay, but still bearing at its crest a single beautiful blossom while
it held in its veins a poison.

Such a blossom was Sally. Her scarlet lips and sweet, grave eyes might
have been the inheritance gift of some remote ancestress whose feet,
instead of being bare and brown, had trod in high-heeled, satin
slippers. When Lord Fairfax governed the Province of Virginia, that
first Sally, in the stateliness of panniered brocades and powdered
hair, may have tripped a measure to the harpsichord or spinet. Certain
it is she trod with no more untrammeled grace than her wild descendant.
For the nation's most untamed and untaught fragment is, after all, an
unamalgamated stock of British and Scottish bronze, which now and then
strikes back to its beginning and sends forth a pure peal from its
corroded bell-metal. In all America is no other element whose blood is
so purely what the Nation's was at birth.

The coming of the kinsmen, who would stay until the present danger
passed, had filled the house. The four beds in the cabin proper were
full, and some slept on floor mattresses. Lescott, because a guest and
wounded, was given a small room aside. Samson, however, shared his
quarters in order to perform any service that an injured man might
require. It had been a full and unusual day for the painter, and its
incidents crowded in on him in retrospect and drove off the possibility
of sleep. Samson, too, seemed wakeful, and in the isolation of the dark
room the two men fell into conversation, which almost lasted out the
night. Samson went into the confessional. This was the first human
being he had ever met to whom he could unburden his soul.

The thirst to taste what knowledge lay beyond the hills; the unnamed
wanderlust that had at times brought him a restiveness so poignant as
to be agonizing; the undefined attuning of his heart to the beauty of
sky and hill; these matters he had hitherto kept locked in guilty
silence. To the men of his clan these were eccentricities bordering on
the abnormal; frailties to be passed over with charity, as one would
pass over the infirmities of an afflicted child. To Samson they looked
as to a sort of feud Messiah. His destiny was stern, and held no place
for dreams. For him, they could see only danger in an insatiable hunger
for learning. In a weak man, a school-teacher or parson sort of a man,
that might be natural, but this young cock of their walk was being
reared for the pit--for conflict. What was important in him was
stamina, and sharp strength of spur. These qualities he had proven from
infancy. Weakening proclivities must be eliminated.

So, the boy had been forced to keep throttled impulses that, for being
throttled, had smoldered and set on fire the inner depths of his soul.
During long nights, he had secretly digested every available book. Yet,
in order to vindicate himself from the unspoken accusation of growing
weak, of forgetting his destiny, he had courted trouble, and sought
combat. He was too close to his people's point of view for perspective.
He shared their idea that the thinking man weakens himself as a
fighting man. He had never heard of a Cyrano de Bergerac, or an Aramis.
Now had come some one with whom he could talk: a man who had traveled
and followed, without shame, the beckoning of Learning and Beauty. At
once, the silent boy found himself talking intimately, and the artist
found himself studying one of the strangest human paradoxes he had yet
seen.

In a cove, or lowland pocket, stretching into the mountainside, lay
the small and meager farm of the Widow Miller. The Widow Miller was a
"South"; that is to say she fell, by tie of marriage, under the
protection of the clan-head. She lived alone with her fourteen-year-old
son and her sixteen-year-old daughter. The daughter was Sally. At
sixteen, the woman's figure had been as pliantly slim, her step as
light as was her daughter's now. At forty, she was withered. Her face
was hard, and her lips had forgotten how to smile. Her shoulders
sagged, and she was an old woman, who smoked her pipe, and taught her
children that rudimentary code of virtue to which the mountains
subscribe. She believed in a brimstone hell and a personal devil. She
believed that the whale had swallowed Jonah, but she thought that "Thou
shalt not kill" was an edict enunciated by the Almighty with mental
reservations.

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John Crace digests A Question of Upbringing by Anthony Powell

My English teacher is wearing a barrister's wig. He turns and points towards me as I sit trembling in the dock. "Members of the jury, I put it to you that this man, Tom Robinson, is innocent," he says, rather lugubriously. I want to protest. I want to shout that no, I am not Tom Robinson, but yes, I am innocent! But the words won't come out.

Then I wake up. It's another literary dream – one that's troubled me ever since I studied Harper Lee's To Kill a Mockingbird for GCSE.

Most of the time I'm disappointed to leave my literary dreams, waking to realise that I'm not really ensconced with with the boozing Welsh pensioners from Kingsley Amis's The Old Devils or haven't really been thrashing Harry Potter's Quidditch team. I remember with fondness a skiing trip with William Shakespeare and the delightful discovery that Don DeLillo was serving drinks behind the bar in my local pub.

It's not all sunshine, though. Tom Wolfe once ruined a trip to New York, shouting at me across Fifth Avenue: "You're not even familiar with my work – get outta town, asshole!" But that's nothing on Howard Jacobson. I spent a summer discovering his novels during my waking hours and bumping into him in my sleep. I'd see him in a local restaurant and tell him how much I was enjoying his novels. "Oh right," he'd snap, "that old chestnut, huh?" When I met him for real last year he was, in fact, charm personified. I didn't tell him about the dreams.

But enough about my subconscious, what about yours? It's Friday: forget about work and tell me all about your literary dreams. Don't hold back – it's not like we'll read anything into it.

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John Crace digests The Catcher in the Rye by JD Salinger
1000 novels is a seven-part series free with the Guardian and the Observer. Each day covers a different genre: love, crime, comedy, family & the self, state of the nation, sci-fi & fantasy and travel & adventure.

John Crace digests Love in a Cold Climate by Nancy Mitford

John Crace cuts Holden Caulfield's struggles with the phonies down to size

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