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Poems of Coleridge by Coleridge, ed Arthur Symons

C >> Coleridge, ed Arthur Symons >> Poems of Coleridge

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ARTHUR SYMONS.





SELECTIONS FROM THE
POEMS OF COLERIDGE




THE RIME OF THE ANCIENT MARINER

IN SEVEN PARTS

Facile credo, plures esse Naturas invisibiles quam visibiles in rerum
universitate. Sed horum omnium familiam quis nobis enarrabit? et gradus et
cognationes et discrimina et singulorum munera? Quid agunt? quae loca
habitant? Harum rerum notitiam semper ambivit ingenium humanum, nunquam
attigit. Juvat, interea, non diffiteor, quandoque in animo, tanquam in
tabula, majoris et melioris mundi imaginem contemplari: ne mens assuefacta
hodiernae vitae minutiis se contrahat nimis, et tota subsidat in pusillas
cogitationes. Sed veritati interea invigilandum est, modusque servandus, ut
certa ab incertis, diem a nocte, distinguamus.--T. BURNET, _Archaeol.
Phil_. p. 68.


ARGUMENT


How a Ship having passed the Line was driven by storms to the cold Country
towards the South Pole; and how from thence she made her course to the
tropical Latitude of the Great Pacific Ocean; and of the strange things
that befell; and in what manner the Ancyent Marinere came back to his own
Country.


PART I


It is an ancient Mariner,
And he stoppeth one of three.
"By thy long grey beard and glittering eye,
Now wherefore stopp'st thou me?

"The Bridegroom's doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
May'st hear the merry din."

He holds him with his skinny hand,
"There was a ship," quoth he.
"Hold off! unhand me, grey-beard loon!"
Eftsoons his hand dropt he.

He holds him with his glittering eye
The Wedding-Guest stood still,
And listens like a three years' child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

"The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon--"
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

"And now the Storm-blast came, and he
Was tyrannous and strong:
He struck with his o'ertaking wings
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And forward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken--
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As if it had been a Christian soul,
We hailed it in God's name.

It ate the food it ne'er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariners' hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moon-shine."

"God save thee, ancient Mariner!
From the fiends, that plague thee thus!--
Why look'st thou so?"--With my cross-bow
I shot the Albatross.

* * * * *

PART II


The Sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners' hollo!

And I had done a hellish thing,
And it would work 'em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor, dim nor red, like God's own head,
The glorious Sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
'Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropt the breeze, the sails dropt down,
'Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The bloody Sun, at noon,
Right up above the mast did stand,
No bigger than the Moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch's oils,
Burnt green, and blue and white.

And some in dreams assured were ,
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.


PART III


There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye,
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I sucked the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright Sun;
When that strange shape drove suddenly
Betwixt us and the Sun.

And straight the Sun was flecked with bars,
(Heaven's Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the Sun,
Like restless gossameres?

Are those her ribs through which the Sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman's mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Night-mare Life-in-Death was she,
Who thicks man's blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
"The game is done! I've won! I've won!"
Quoth she, and whistles thrice.

The Sun's rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper, o'er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman's face by his lamp gleamed white;
From the sails the dew did drip--
Till clomb above the eastern bar
The horned Moon, with one bright star
Within the nether tip.

One after one, by the star-dogged Moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,--
They fled to bliss or woe!
And every soul, it passed me by,
Like the whizz of my cross-bow!


PART IV


"I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.[1]

I fear thee and thy glittering eye,
And thy skinny hand, so brown."--
Fear not, fear not, thou Wedding-Guest!
This body dropt not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie:
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came, and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the balls like pulses beat;
For the sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan's curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is a curse in a dead man's eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving Moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside--

Her beams bemocked the sultry main,
Like April hoar-frost spread;
But where the ship's huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship,
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.


PART V


Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from Heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light--almost
I thought that I had died in sleep;
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The Moon was at its edge.

The thick black cloud was cleft, and still
The Moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the Moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,!
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all 'gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools--
We were a ghastly crew.

The body of my brother's son
Stood by me, knee to knee:
The body and I pulled at one rope
But he said nought to me.

"I fear thee, ancient Mariner!"
Be calm, thou Wedding-Guest!
'Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned--they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the Sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the sky-lark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now 'twas like all instruments,
Now like a lonely flute;
And now it is an angel's song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe:
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The Sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she 'gan stir,
With a short uneasy motion--
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

"Is it he?" quoth one, "Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow."

The other was a softer voice,
As soft as honey-dew:
Quoth he, "The man hath penance done,
And penance more will do."


PART VI


FIRST VOICE

"But tell me, tell me! speak again,
Thy soft response renewing--
What makes that ship drive on so fast?
What is the ocean doing?"

SECOND VOICE

"Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the Moon is cast--

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him."

FIRST VOICE

"But why drives on that ship so fast,
Without or wave or wind?"

SECOND VOICE

"The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner's trance is abated."

I woke, and we were sailing on
As in a gentle weather:
'Twas night, calm night, the moon was high,
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the Moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapt: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen--

Like one, that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows, a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring--
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze--
On me alone it blew.

Oh! dream of joy! is this indeed
The light-house top I see?
Is this the hill? is this the kirk?
Is this mine own countree?

We drifted o'er the harbour-bar,
And I with sobs did pray--
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the Moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck--
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart--
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot's cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot's boy,
I heard them coming fast:
Dear Lord in Heaven! it was a joy
The dead men could not blast.

I saw a third--I heard his voice:
It is the Hermit good!
He singeth loud his godly hymns
That he makes in the wood.
He'll shrieve my soul, he'll wash away
The Albatross's blood.


PART VII


This Hermit good lives in that wood
Which slopes down to the sea.
How loudly his sweet voice he rears!
He loves to talk with marineres
That come from a far countree.

He kneels at morn, and noon, and eve--
He hath a cushion plump:
It is the moss that wholly hides
The rotted old oak-stump.

The skiff-boat neared: I heard them talk,'
"Why, this is strange, I trow!
Where are those lights so many and fair,
That signal made but now?"

"Strange, by my faith!" the Hermit said--
"And they answered not our cheer!
The planks looked warped! and see those sails,
How thin they are and sere!
I never saw aught like to them,
Unless perchance it were

Brown skeletons of leaves that lag
My forest-brook along;
When the ivy-tod is heavy with snow,
And the owlet whoops to the wolf below,
That eats the she-wolf's young."

"Dear Lord! it hath a fiendish look-
(The Pilot made reply)
I am a-feared"--"Push on, push on!"
Said the Hermit cheerily.

The boat came closer to the ship,
But I nor spake nor stirred;
The boat came close beneath the ship,
And straight a sound was heard.

Under the water it rumbled on,
Still louder and more dread:
It reached the ship, it split the bay;
The ship went down like lead.

Stunned by that loud and dreadful sound,
Which sky and ocean smote,
Like one that hath been seven days drowned
My body lay afloat;
But swift as dreams, myself I found
Within the Pilot's boat.

Upon the whirl, where sank the ship,
The boat spun round and round;
And all was still, save that the hill
Was telling of the sound.

I moved my lips--the Pilot shrieked
And fell down in a fit;
The holy Hermit raised his eyes,
And prayed where he did sit.

I took the oars: the Pilot's boy,
Who now doth crazy go,
Laughed loud and long, and all the while
His eyes went to and fro.
"Ha! ha!" quoth he, "full plain I see,
The Devil knows how to row."

And now, all in my own countree,
I stood on the firm land!
The Hermit stepped forth from the boat,
And scarcely he could stand.

"O shrieve me, shrieve me, holy man!"
The Hermit crossed his brow.
"Say quick," quoth he, "I bid thee say
What manner of man art thou?"

Forthwith this frame of mine was wrenched
With a woful agony,
Which forced me to begin my tale;
And then it left me free.

Since then, at an uncertain hour,
That agony returns:
And till my ghastly tale is told,
This heart within me burns.

I pass, like night, from land to land;
I have strange power of speech;
That moment that his face I see,
I know the man that must hear me:
To him my tale I teach.

What loud uproar bursts from that door!
The wedding-guests are there:
But in the garden-bower the bride
And bride-maids singing are:
And hark the little vesper bell,
Which biddeth me to prayer!

O Wedding-Guest! this soul hath been
Alone on a wide wide sea:
So lonely 'twas, that God himself
Scarce seemed there to be.

O sweeter than the marriage-feast,
Tis sweeter far to me,
To walk together to the kirk
With a goodly company!--

To walk together to the kirk,
And all together pray,
While each to his great Father bends,
Old men, and babes, and loving friends,
And youths and maidens gay!

Farewell, farewell! but this I tell
To thee, thou Wedding-Guest!
He prayeth well, who loveth well
Both man and bird and beast.

He prayeth best, who loveth best
All things both great and small;
For the dear God who loveth us,
He made and loveth all.

The Mariner, whose eye is bright,
Whose beard with age is hoar,
Is gone: and now the Wedding-Guest
Turned from the bridegroom's door.

He went like one that hath been stunned,
And is of sense forlorn:
A sadder and a wiser man,
He rose the morrow morn.

1797-1798.

[Footnote 1: For the last two lines of this stanza,
I am indebted to Mr. Wordsworth. It was on a delightful
walk from Nether Stowey
to Dulverton, with him and his sister, in the autumn of 1797,
that this poem was planned, and in part composed. [Note of
S. T. C., first printed in _Sibylline Leaves_.]]




CHRISTABEL


PART THE FIRST

'Tis the middle of night by the castle clock,
And the owls have awakened the crowing cock,"
Tu--whit!--Tu--whoo!
And hark, again! the crowing cock,
How drowsily it crew.

Sir Leoline; the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
'Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that's far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak
But moss and rarest misletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.--
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady's cheek--
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

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In the same two weeks, Jordan - Pushed to the Limit, the latest instalment of the glamour model's autobiography, sold 4,446 copies, despite having been on sale for 10 months. Wartime Courage currently ranks at 10,646 in the Amazon UK sales chart.

To rub salt into his wounds, the reviews have been rotten. The Independent bemoaned Brown's "robotic neutrality", "engine-drone monotone" and "mealy-mouthed avoidance of 'controversial' issues". Writing in the Spectator, the author James Delingpole went further, describing Wartime Courage as a "leaden, clunken-fisted cuttings job". Brown has an "automaton-like inability either to empathise with his subject ... or to work out which details needed emphasising and which could be safely excluded".

Brown's subjects - which include the Chariots of Fire legend Eric Liddell and Violette Szabo, who worked undercover for the Special Operations Executive during the second world war - were intrinsically thrilling, said Delingpole. Which "makes it all the less excusable that Brown has made them seem so dull".

And that's not all. "His opening and closing essays are waffly, trite and, in so far as they attempt to make political capital from the achievements of people who have nothing whatsoever to do with him or his grisly ideology, offensive," complained Delingpole, who admitted that as a "starving author" he resented "the allocation by the publishing industry of time, money, space and attention to people who can barely write and anyway have well remunerated day jobs".

Not everyone hated it, however. The Jewish Chronicle's reviewer was a lone fan, saying all of the stories in the book were "well told" and made "compelling reading". "Finding time to write this book does the prime minister credit."

The book was due to be published in April, but did not hit the shops until November. A spokeswoman for Bloomsbury, the prime minister's publisher, denied it had been held back because of his low popularity ratings in the spring.

"The reason it was delayed was because he hadn't finished writing it - he didn't have a ghostwriter," said Bloomsbury's publicity director, Katie Bond.

Neill Denny, editor-in-chief of the publishing trade magazine the Bookseller, said that while he was surprised Brown's book had sold so badly, it was not the most tempting proposition.

Denny said: "It would be different if he had written his memoirs. That could be political dynamite. We've had half the story of the Blair years, but Brown's point of view could be fascinating."

But he added: "It is not disastrously bad. Hardback books do not sell in huge quantities any more. When the Booker longlist came out last year, of the 13 books, half had sold less than 1,000 copies."

Gordon Brown's first book on the subject of bravery, Courage: Eight Stories, which was published by Bloomsbury last year, has sold 4,469 copies in the UK, according to Nielsen BookScan.

The Conservatives may be falling back in the polls, but they are easily winning the book war: William Hague's biography of William Pitt the Younger has sold more than 78,000 copies since 2004.

PM's weighty tome

Tirpitz and Godfrey Place

On 11 September six X-craft set out for the thousand-mile journey. Each midget submarine had two crews: one for the passage out - on which they were towed by six larger submarines - and one operational crew to carry out the final attack. Two of the midget submarines broke adrift, one being eventually recovered, the other sinking with all hands. On 19 September the four remaining vessels approached the target area, still under tow. Towing problems delayed HM Submarine Stubborn and her charge X-7 when a floating mine - part of the outer defences of Altafjord - became caught on the tow-line and was then impaled on the bows of the midget submarine. [Godfrey] Place, the commander of X-7, went out on its forward casing and cleared the mine away with his foot.

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Why shouldn't Sarah Palin get a book deal?

To the untrained eye the damage is barely visible. Yet within the handbound pages of books charting how Europeans travelled to Mesopotamia, Persia and the Mogul empire from the 16th century onwards, the damage caused by one Iranian academic to a priceless British Library collection is irreversible.

Leading scholars at the library are at a loss to explain why Farhad Hakimzadeh, a Harvard-educated businessman, publisher and intellectual, took a scalpel to the leaves of 150 books that have been in the nation's collection for centuries. The monetary damage he caused over seven years is in the region of £400,000 but Dr Kristian Jensen, head of the British and early printed collections at the library, said no price could be placed upon the books and maps that he had defaced and stolen.

"These are historic objects which have been damaged forever," said Jensen. "You cannot undo what he has done and it has compromised a piece of historical evidence which charts the early engagement of Europeans with what we now know as the Middle East and China.

"It makes me extremely angry. This is someone who is extremely rich who has damaged and destroyed something that belongs to everybody."

Hakimzadeh, 60, faces a jail sentence today when he appears at Wood Green magistrates court in London. The Iranian-born academic fled his country after the fall of the Shah and holds a US passport. He has pleaded guilty to 14 specimen charges of stealing maps, pages and illustrations from 10 books at the British Library and four from the Bodleian Library in Oxford dating back to 1998.

When police searched his home in Knightsbridge, west London, last July they discovered some of the missing maps, pages and pictures inserted into less valuable editions of the same books he owned.

Academics at the library were forced to turn detective in June 2006 after a reader who had taken out a copy of Sir Thomas Herbert's book A Relation of Some Yeares Travaille, Begunne Anno 1626 suggested some of its pages had been removed.

Careful examination by experts at the library proved him to be correct and the staff mounted a delicate operation to find out who had been damaging the book and whether other items had suffered the same fate.

Using electronic records, they found all the British Library members who had taken out the book and then examined other works these people had had contact with. They discovered that other works detailing the same periods in history and covering European engagement to the area from modern-day Syria to Bangladesh were also damaged.

Pages had been sliced away close to the spine of the books and maps, one of them worth £32,000, had been removed from chapters, leaving barely noticeable indentations in the paper marking where they had been.

"It was only the books taken out by Hakimzadeh which showed a consistent pattern of damage," said Jensen.

They discovered that Hakimzadeh had taken out 842 books and of these at least 150 had been mutilated. Some of the stolen pages were discovered but many have been lost forever.

The library wrote to Hakimzadeh, who at the time was chief executive of the Iran Heritage Foundation, a charity he formed in 1995 to promote and perserve the history, languages and culture of Iran. He replied saying he had no idea that there was any damage to the books. It was at this point that the library went to the police with the details of the investigation.

Forensic scientists analysed the damaged books and police officers called at Hakimzadeh's Knightsbridge home, where he lived with his wife.

"Some pages were found loose and others had been inserted into books in his own collection," said Jensen, who acccompanied the officers. "Hakimzadeh is eminently characteristic of our traditional groups of readers: he has a profound knowledge of the field. From my point of view, that makes it worse because he actually knew the importance of what he was damaging. What he did was use the cover of serious scholarly purpose to steal historic pieces and abuse our trust."

The library has launched a civil action to sue Hakimzadeh for full compensation.

Defaced books

The rare books that were defaced by Hakimzadeh include:

Historia de la China From the writings of Father Matteo Ricci, an Italian Jesuit who travelled to China in 1582 and became the first western traveller to settle there. First published in Latin in 1615. This copy was printed in Spain in 1621. Ricci learned to speak and write Chinese and his work was the first important and reliable European description of the country.

Novus Orbis An anthology of works by Simon Grynaeus, professor of Greek at Basle. Hakimzadeh removed an engraving of a world map drawn by Hans Holbein the Younger, court painter to Henry VIII.

Mithridates By the English dramatist Nathaniel Lee. Published in 1693.

Ost-indian-und Persianische Reisen By Johann Gottlieb Worm, the German philosopher who accompanied an envoy of the Dutch East India Company sent to the Safavid court in Persia in 1717. He travelled to Isfahan from India via Bandar. Published in 1745.

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