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A Nonsense Anthology by Collected by Carolyn Wells

C >> Collected by Carolyn Wells >> A Nonsense Anthology

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Mournful Cypress, verdant willow,
Gilding my Aurelia's brows,
Morpheus, hovering o'er my pillow,
Hear me pay my dying vows.

Melancholy, smooth Maeander,
Swiftly purling in a round,
On thy margin lovers wander
With thy flowery chaplets crowned.

Thus when Philomela, drooping,
Softly seeks her silent mate,
So the bird of Juno stooping;
Melody resigns to fate.

_Alexander Pope_.




FRANGIPANNI

Untwine those ringlets! Ev'ry dainty clasp
That shines like twisted sunlight in my eye
Is but the coiling of the jewelled asp
That smiles to see men die.

Oh, cobra-curled! Fierce-fanged fair one! Draw
Night's curtain o'er the landscape of thy hair!
I yield! I kneel! I own, I bless thy law
That dooms me to despair.

I mark the crimson ruby of thy lips,
I feel the witching weirdness of thy breath!
I droop! I sink into my soul's eclipse,--
I fall in love with death!

And yet, vouchsafe a moment! I would gaze
Once more into those sweetly-murderous eyes,
Soft glimmering athwart the pearly haze
That smites to dusk the skies.

Hast thou no pity? Must I darkly tread
The unknown paths that lead me wide from thee?
Hast thou no garland for this aching head
That soon so low must be?

No sound? No sigh? No smile? Is _all_ forgot?
Then spin my shroud out of that golden skein
Thou callst thy tresses! _I_ shall stay thee not--
My struggles were but vain!

But shall I see thee far beyond the sun,
When the new dawn lights Empyrean scenes?
What matters now? I know the poem's done,
And wonder what the dickens it all means!

_Anonymous_.




LINES BY A FOND LOVER

Lovely maid, with rapture swelling,
Should these pages meet thine eye,
Clouds of absence soft dispelling;--
Vacant memory heaves a sigh.

As the rose, with fragrance weeping,
Trembles to the tuneful wave,
So my heart shall twine unsleeping,
Till it canopies the grave.

Though another's smile's requited,
Envious fate my doom should be;
Joy forever disunited,
Think, ah! think, at times on me!

Oft, amid the spicy gloaming,
Where the brakes their songs instil,
Fond affection silent roaming,
Loves to linger by the rill--

There, when echo's voice consoling,
Hears the nightingale complain,
Gentle sighs my lips controlling,
Bind my soul in beauty's chain.

Oft in slumber's deep recesses,
I thy mirror'd image see;
Fancy mocks the vain caresses
I would lavish like a bee!

But how vain is glittering sadness!
Hark, I hear distraction's knell!
Torture gilds my heart with madness!
Now forever fare thee well!

_Anonymous_.




FORCING A WAY

How many strive to force a way
Where none can go save those who pay,
To verdant plains of soft delight
The homage of the silent night,
When countless stars from pole to pole
Around the earth unceasing roll
In roseate shadow's silvery hue,
Shine forth and gild the morning dew.

And must we really part for good,
But meet again here where we've stood?
No more delightful trysting-place,
We've watched sweet Nature's smiling face.
No more the landscape's lovely brow,
Exchange our mutual breathing vow.
Then should the twilight draw around
No loving interchange of sound.

Less for renown than innate love,
These to my wish must recreant prove;
Nor whilst an impulse here remain,
Can ever hope the soul to gain;
For memory scanning all the past,
Relaxes her firm bonds at last,
And gives to candor all the grace
The heart can in its temple trace.

_Anonymous_.




THY HEART

Thy heart is like some icy lake,
On whose cold brink I stand;
Oh, buckle on my spirit's skate,
And lead, thou living saint, the way
To where the ice is thin--
That it may break beneath my feet
And let a lover in!

_Anonymous_.




A LOVE-SONG BY A LUNATIC

There's not a spider in the sky,
There's not a glowworm in the sea,
There's not a crab that soars on high,
But bids me dream, dear maid, of thee!

When watery Phoebus ploughs the main,
When fiery Luna gilds the lea,
As flies run up the window-pane,
So fly my thoughts, dear love, to thee!

_Anonymous_.




THE PARTERRE

I don't know any greatest treat
As sit him in a gay parterre,
And sniff one up the perfume sweet
Of every roses buttoning there.

It only want my charming miss
Who make to blush the self red rose;
Oh! I have envy of to kiss
The end's tip of her splendid nose.

Oh! I have envy of to be
What grass 'neath her pantoffle push,
And too much happy seemeth me
The margaret which her vestige crush.

But I will meet her nose at nose,
And take occasion for her hairs,
And indicate her all my woes,
That she in fine agree my prayers.

THE ENVOY
I don't know any greatest treat
As sit him in a gay parterre,
With Madame who is too more sweet
Than every roses buttoning there.

_E.H. Palmer_




TO MOLLIDUSTA

When gooseberries grow on the stem of a daisy,
And plum-puddings roll on the tide to the shore,
And julep is made from the curls of a jazey,
Oh, then, Mollidusta, I'll love thee no more.

When steamboats no more on the Thames shall be going,
And a cast-iron bridge reach Vauxhall from the Nore,
And the Grand Junction waterworks cease to be flowing,
Oh, then, Mollidusta, I'll love thee no more.

_Planche_.




JOHN JONES

_At the Piano_

I

Love me and leave me; what love bids retrieve me? can June's fist
grasp May?
Leave me and love me; hopes eyed once above me like spring's
sprouts, decay;
Fall as the snow falls, when summer leaves grow false--cards
packed for storm's play!

II

Nay, say Decay's self be but last May's elf, wing shifted, eye
sheathed--
Changeling in April's crib rocked, who lets 'scape rills locked
fast since frost breathed--
Skin cast (think!) adder-like, now bloom bursts bladder-like,--
bloom frost bequeathed?

III

Ah, how can fear sit and hear as love hears it grief's heart's
cracked grate's screech?
Chance lets the gate sway that opens on hate's way and shews on
shame's beach
Crouched like an imp sly change watch sweet love's shrimps lie, a
toothful in each.

IV

Time feels his tooth slip on husks wet from Truth's lip, which
drops them and grins--
Shells where no throb stirs of life left in lobsters since joy
thrilled their fins--
Hues of the pawn's tail or comb that makes dawn stale, so red for
our sins!

V

Leaves love last year smelt now feel dead love's tears melt--flies
caught in time's mesh!
Salt are the dews in which new time breeds new sin, brews blood
and stews flesh;
Next year may see dead more germs than this weeded and reared them
afresh.

Old times left perish, new time to cherish; life just shifts its
tune;
As, when the day dies, half afraid, eyes the growth of the moon;
Love me and save me, take me or waive me; death takes one so soon!

_A.C. Swinburne_.




_THE OWL AND THE PUSSY-CAT_

The Owl and the Pussy-Cat went to sea
In a beautiful pea-green boat:
They took some honey, and plenty of money
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
"Oh, lovely Pussy, oh, Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!"

Pussy said to the Owl, "You elegant fowl,
How charmingly sweet you sing!
Oh, let us be married; too long we have tarried:
But what shall we do for a ring?"
They sailed away for a year and a day,
To the land where the bong-tree grows;
And there in the wood a Piggy-wig stood,
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

"Dear Pig, are you willing to sell for one shilling
Your ring?" Said the Piggy, "I will."
So they took it away and were married next day
By the Turkey who lives on the hill.
They dined on mince and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

_Edward Lear_.




A BALLADE OF THE NURSERIE

She hid herself in the _soiree_ kettle
Out of her Ma's way, wise, wee maid!
Wan was her lip as the lily's petal,
Sad was the smile that over it played.
Why doth she warble not? Is she afraid
Of the hound that howls, or the moaning mole?
Can it be on an errand she hath delayed?
Hush thee, hush thee, dear little soul!

The nightingale sings to the nodding nettle
In the gloom o' the gloaming athwart the glade:
The zephyr sighs soft on Popocatapetl,
And Auster is taking it cool in the shade:
Sing, hey, for a _gutta serenade_!
Not mine to stir up a storied pole,
No noses snip with a bluggy blade--
Hush thee, hush thee, dear little soul!

Shall I bribe with a store of minted metal?
With Everton toffee thee persuade?
That thou in a kettle thyself shouldst settle,
When grandly and gaudily all arrayed!
Thy flounces 'ill foul and fangles fade.
Come out, and Algernon Charles 'ill roll
Thee safe and snug in Plutonian plaid--
Hush thee, hush thee, dear little soul!


ENVOI

When nap is none and raiment frayed,
And winter crowns the puddered poll,
A kettle sings ane soote ballade--
Hush thee, hush thee, dear little soul.

_John Twig_.




_A BALLAD OF HIGH ENDEAVOR_

Ah Night! blind germ of days to be,
Ah me! ah me!
(Sweet Venus, mother!)
What wail of smitten strings hear we?
(Ah me! ah me!
_Hey diddle dee_!)

Ravished by clouds our Lady Moon,
Ah me! ah me!
(Sweet Venus, mother!)
Sinks swooning in a lady-swoon
(Ah me! ah me!
_Dum diddle dee_!)

What profits it to rise i' the dark?
Ah me! ah me!
(Sweet Venus, mother!)
If love but over-soar its mark
(Ah me! ah me!
_Hey diddle dee_!)

What boots to fall again forlorn?
Ah me! ah me!
(Sweet Venus, mother!)
Scorned by the grinning hound of scorn,
(Ah me! ah me!
_Dum diddle dee_!)

Art thou not greater who art less?
Ah me! ah me!
(Sweet Venus, mother!)
Low love fulfilled of low success?
(Ah me! ah me!
_Hey diddle dee_!)

_Anonymous_.




THE LUGUBRIOUS WHING-WHANG

Out on the margin of moonshine land,
Tickle me, love, in these lonesome ribs,
Out where the whing-whang loves to stand,
Writing his name with his tail on the sand,
And wiping it out with his oogerish hand;
Tickle me, love, in these lonesome ribs.

Is it the gibber of gungs and keeks?
Tickle me, love, in these lonesome ribs,
Or what _is_ the sound the whing-whang seeks,
Crouching low by the winding creeks,
And holding his breath for weeks and weeks?
Tickle me, love, in these lonesome ribs.

Aroint him the wraithest of wraithly things!
Tickle me, love, in these lonesome ribs,
'Tis a fair whing-whangess with phosphor rings,
And bridal jewels of fangs and stings,

_James W. Riley_




OH! WEARY MOTHER

The lilies lie in my lady's bower,
(Oh! weary mother, drive the cows to roost;)
They faintly droop for a little hour;
My lady's head droops like a flower.

She took the porcelain in her hand,
(Oh! weary mother, drive the cows to roost;)
She poured; I drank at her command;
Drank deep, and now--you understand!
(Oh! weary mother, drive the cows to roost.)

_Barry Pain_.




SWISS AIR

I'm a gay tra, la, la,
With my fal, lal, la, la,
And my bright--
And my light--
Tra, la, le. [_Repeat_.]

Then laugh, ha, ha, ha,
And ring, ting, ling, ling,
And sing, fal, la, la,
La, la, le. [_Repeat_.]

_Bret Harte_.




_THE BULBUL_

The bulbul hummeth like a book
Upon the pooh-pooh tree,
And now and then he takes a look
At you and me,
At me and you.
Kuchi!
Kuchoo!

_Owen Seaman_.




_BALLAD_

_With an Ancient Refrain_

O stoodent A has gone and spent,
With a hey-lililu and a how-low-lan
All his money to a Cent,
And the birk and the broom blooms bonny.

His Creditors he could not pay,
With a hey-lililu and a how-low-lan,
And Prison proved a shock to A,
And the birk and the broom blooms bonny.

_Anonymous_.




OH, MY GERALDINE

Oh, my Geraldine,
No flow'r was ever seen so toodle um.
You are my lum ti toodle lay,
Pretty, pretty queen,
Is rum ti Geraldine and something teen,
More sweet than tiddle lum in May.
Like the star so bright
That somethings all the night,
My Geraldine!
You're fair as the rum ti lum ti sheen,
Hark! there is what--ho!
From something--um, you know,
Dear, what I mean.
Oh! rum! tum!! tum!!! my Geraldine.

_F.C. Burnand_.




BUZ, QUOTH THE BLUE FLY

Buz, quoth the blue fly,
Hum, quoth the bee,
Buz and hum they cry,
And so do we:
In his ear, in his nose, thus, do you see?
He ate the dormouse, else it was he.

_Ben Jonson
in "The Masque of Oberon_."




A SONG ON KING WILLIAM III

As I walked by myself,
And talked to myself,
Myself said unto me,
Look to thyself,
Take care of thyself,
For nobody cares for thee.

I answered myself,
And said to myself,
In the self-same repartee,
Look to thyself,
Or not look to thyself,
The selfsame thing will be.

_Anonymous_.




THERE WAS A MONKEY

There was a monkey climbed up a tree,
When he fell down, then down fell he.

There was a crow sat on a stone,
When he was gone, then there was none.

There was an old wife did eat an apple,
When she had eat two, she had eat a couple.

There was a horse going to the mill,
When he went on, he stood not still.

There was a butcher cut his thumb,
When it did bleed, then blood did come.

There was a lackey ran a race,
When he ran fast, he ran apace.

There was a cobbler clouting shoon,
When they were mended, they were done.

There was a chandler making candle,
When he them strip, he did them handle.

There was a navy went into Spain,
When it returned, it came again.

_Anonymous, 1626_.




THE GUINEA PIG

There was a little Guinea-pig,
Who, being little, was not big;
He always walked upon his feet,
And never fasted when he eat.

When from a place he ran away,
He never at that place did stay;
And while he ran, as I am told,
He ne'er stood still for young or old.

He often squeaked, and sometimes vi'lent,
And when he squeaked he ne'er was silent:
Though ne'er instructed by a cat,
He knew a mouse was not a rat.

One day, as I am certified,
He took a whim, and fairly died;
And as I'm told by men of sense,
He never has been living since!

_Anonymous_.




THREE CHILDREN

Three children sliding on the ice
Upon a summer's day,
As it fell out they all fell in,
The rest they ran away.

Now, had these children been at home,
Or sliding on dry ground,
Ten thousand pounds to one penny
They had not all been drowned.

You parents all that children have,
And you too that have none,
If you would have them safe abroad
Pray keep them safe at home.

_London, 1662_




_IF_

If all the land were apple-pie,
And all the sea were ink;
And all the trees were bread and cheese,
What should we do for drink?

_Anonymous_.




_A RIDDLE_

The man in the wilderness asked of me
How many strawberries grew in the sea.
I answered him as I thought good,
As many as red herrings grow in the wood.

_Anonymous_.




_THREE JOVIAL HUNTSMEN_

There were three jovial huntsmen,
As I have heard them say,
And they would go a-hunting
All on a summer's day.

All the day they hunted,
And nothing could they find
But a ship a-sailing,
A-sailing with the wind.

One said it was a ship,
The other said Nay;
The third said it was a house
With the chimney blown away.

And all the night they hunted,
And nothing could they find;
But the moon a-gliding,
A-gliding with the wind.

One said it was the moon,
The other said Nay;
The third said it was a cheese,
And half o't cut away.

_Anonymous_.




THREE ACRES OF LAND

My father left me three acres of land,
Sing ivy, sing ivy;
My father left me three acres of land,
Sing holly, go whistle, and ivy!

I ploughed it with a ram's horn,
Sing ivy, sing ivy;
And sowed it all over with one peppercorn.
Sing holly, go whistle, and ivy!

I harrowed it with a bramble bush,
Sing ivy, sing ivy;
And reaped it with my little penknife,
Sing holly, go whistle, and ivy!

I got the mice to carry it to the barn,
Sing ivy, sing ivy;
And thrashed it with a goose's quill,
Sing holly, go whistle, and ivy!

I got the cat to carry it to the mill,
Sing ivy, sing ivy;
The miller he swore he would have her paw,
And the cat she swore she would scratch his face,
Sing holly, go whistle, and ivy!

_Anonymous_.




MASTER AND MAN

Master I have, and I am his man,
Gallop a dreary dun;
Master I have, and I am his man,
And I'll get a wife as fast as I can;
With a heighly gaily gamberally,
Higgledy piggledy, niggledy, niggledy,
Gallop a dreary dun.

_Anonymous_.




HYDER IDDLE

Hyder iddle diddle dell,
A yard of pudding is not an ell;
Not forgetting tweedle-dye,
A tailor's goose will never fly.

_Anonymous_.




KING ARTHUR

When good King Arthur ruled the land,
He was a goodly king:
He stole three pecks of barley meal,
To make a bag-pudding.

A bag-pudding the king did make,
And stuffed it well with plums;
And in it put great lumps of fat,
As big as my two thumbs.

The king and queen did eat thereof,
And noblemen beside;
And what they could not eat that night,
The queen next morning fried.

_Anonymous_.




IN THE DUMPS

We're all in the dumps,
For diamonds are trumps;
The kittens are gone to St. Paul's!
The babies are bit,
The moon's in a fit,
And the houses are built without walls.

_Anonymous_.




TWEEDLE-DUM AND TWEEDLE-DEE

Tweedle-dum and Tweedle-dee
Resolved to have a battle,
For Tweedle-dum said Tweedle-dee
Had spoiled his nice new rattle.
Just then flew by a monstrous crow,
As big as a tar-barrel,
Which frightened both the heroes so
They quite forgot their quarrel.

_Anonymous_.




MARTIN TO HIS MAN

Martin said to his man,
Fie! man, fie!
Oh, Martin said to his man,
Who's the fool now?
Martin said to his man,
Fill thou the cup, and I the can;
Thou hast well drunken, man:
Who's the fool now?

I see a sheep shearing corn,
Fie! man, fie!
I see a sheep shearing corn,
Who's the fool now?
I see a sheep shearing corn,
And a cuckoo blow his horn;
Thou hast well drunken, man:
Who's the fool now?

I see a man in the moon,
Fie! man, fie!
I see a man in the moon,
Who's the fool now?
I see a man in the moon,
Clouting of St. Peter's shoon,
Thou hast well drunken, man:
Who's the fool now?

I see a hare chase a hound,
Fie! man, fie!
I see a hare chase a hound,
Who's the fool now?
I see a hare chase a hound,
Twenty mile above the ground;
Thou hast well drunken, man:
Who's the fool now?

I see a goose ring a hog,
Fie! man, fie!
I see a goose ring a hog,
Who's the fool now?
I see a goose ring a hog,
And a snail that bit a dog;
Thou hast well drunken, man:
Who's the fool now?

I see a mouse catch the cat,
Fie! man, fie!
I see a mouse catch the cat,
Who's the fool now?
I see a mouse catch the cat,
And the cheese to eat the rat;
Thou hast well drunken, man:
Who's the fool now?

From _Deuteromelia
printed in the reign of James I_.




_THE YONGHY-BONGHY-BO_

I

On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
Lived the Yonghy-Bonghy-Bo.
Two old chairs, and half a candle,
One old jug without a handle,--
These were all his worldly goods:
In the middle of the woods,
These were all the worldly goods
Of the Yonghy-Bonghy-Bo,
Of the Yonghy-Bonghy-Bo.

II

Once, among the Bong-trees walking
Where the early pumpkins blow,
To a little heap of stones
Came the Yonghy-Bonghy-Bo.
There he heard a Lady talking,
To some milk-white Hens of Dorking,--
"'Tis the Lady Jingly Jones!
On that little heap of stones
Sits the Lady Jingly Jones!"
Said the Yonghy-Bonghy-Bo,
Said the Yonghy-Bonghy-Bo.


III

"Lady Jingly! Lady Jingly!
Sitting where the pumpkins blow,
Will you come and be my wife?"
Said the Yonghy-Bonghy-Bo,
"I am tired of living singly,--
On this coast so wild and shingly,--
I'm a-weary of my life;
If you'll come and be my wife,
Quite serene would be my life!"
Said the Yonghy-Bonghy-Bo,
Said the Yonghy-Bonghy-Bo.


IV

"On this Coast of Coromandel
Shrimps and watercresses grow,
Prawns are plentiful and cheap,"
Said the Yonghy-Bonghy-Bo.
"You shall have my chairs and candle,
And my jug without a handle!
Gaze upon the rolling deep
(Fish is plentiful and cheap):
As the sea, my love is deep!"
Said the Yonghy-Bonghy-Bo,
Said the Yonghy-Bonghy-Bo.

Lady Jingly answered sadly,
And her tears began to flow,--
"Your proposal comes too late,
Mr. Yonghy-Bonghy-Bo!
I would be your wife most gladly!"
(Here she twirled her fingers madly,)
"But in England I've a mate!
Yes! you've asked me far too late,
For in England I've a mate,
Mr. Yonghy-Bonghy-Bo!
Mr. Yonghy-Bonghy-Bo!"


VI

Mr. Jones (his name is Handel,--
Handel Jones, Esquire & Co.)
Dorking fowls delights to send,
Mr. Yonghy-Bonghy-Bo!
Keep, oh, keep your chairs and candle,
And your jug without a handle,--
I can merely be your friend!
Should my Jones more Dorkings send,
I will give you three, my friend!
Mr. Yonghy-Bonghy-Bo!
Mr. Yonghy-Bonghy-Bo!


VII

"Though you've such a tiny body,
And your head so large doth grow,--
Though your hat may blow away,
Mr. Yonghy-Bonghy-Bo!
Though you're such a Hoddy Doddy,
Yet I wish that I could modi-
fy the words I needs must say!
Will you please to go away?
That is all I have to say,
Mr. Yonghy-Bonghy-Bo!
Mr. Yonghy-Bonghy-Bo!"


VIII

Down the slippery slopes of Myrtle,
Where the early pumpkins blow,
To the calm and silent sea
Fled the Yonghy-Bonghy-Bo.
There, beyond the Bay of Gurtle,
Lay a large and lively Turtle.
"You're the Cove," he said, "for me:
On your back beyond the sea,
Turtle, you shall carry me!"
Said the Yonghy-Bonghy-Bo,
Said the Yonghy-Bonghy-Bo.

IX

Through the silent roaring ocean
Did the Turtle swiftly go;
Holding fast upon his shell
Rode the Yonghy-Bonghy-Bo.
With a sad primaeval motion
Toward the sunset isles of Boshen
Still the Turtle bore him well,
Holding fast upon his shell.
"Lady Jingly Jones, farewell!"
Sang the Yonghy-Bonghy-Bo,
Sang the Yonghy-Bonghy-Bo.

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To rub salt into his wounds, the reviews have been rotten. The Independent bemoaned Brown's "robotic neutrality", "engine-drone monotone" and "mealy-mouthed avoidance of 'controversial' issues". Writing in the Spectator, the author James Delingpole went further, describing Wartime Courage as a "leaden, clunken-fisted cuttings job". Brown has an "automaton-like inability either to empathise with his subject ... or to work out which details needed emphasising and which could be safely excluded".

Brown's subjects - which include the Chariots of Fire legend Eric Liddell and Violette Szabo, who worked undercover for the Special Operations Executive during the second world war - were intrinsically thrilling, said Delingpole. Which "makes it all the less excusable that Brown has made them seem so dull".

And that's not all. "His opening and closing essays are waffly, trite and, in so far as they attempt to make political capital from the achievements of people who have nothing whatsoever to do with him or his grisly ideology, offensive," complained Delingpole, who admitted that as a "starving author" he resented "the allocation by the publishing industry of time, money, space and attention to people who can barely write and anyway have well remunerated day jobs".

Not everyone hated it, however. The Jewish Chronicle's reviewer was a lone fan, saying all of the stories in the book were "well told" and made "compelling reading". "Finding time to write this book does the prime minister credit."

The book was due to be published in April, but did not hit the shops until November. A spokeswoman for Bloomsbury, the prime minister's publisher, denied it had been held back because of his low popularity ratings in the spring.

"The reason it was delayed was because he hadn't finished writing it - he didn't have a ghostwriter," said Bloomsbury's publicity director, Katie Bond.

Neill Denny, editor-in-chief of the publishing trade magazine the Bookseller, said that while he was surprised Brown's book had sold so badly, it was not the most tempting proposition.

Denny said: "It would be different if he had written his memoirs. That could be political dynamite. We've had half the story of the Blair years, but Brown's point of view could be fascinating."

But he added: "It is not disastrously bad. Hardback books do not sell in huge quantities any more. When the Booker longlist came out last year, of the 13 books, half had sold less than 1,000 copies."

Gordon Brown's first book on the subject of bravery, Courage: Eight Stories, which was published by Bloomsbury last year, has sold 4,469 copies in the UK, according to Nielsen BookScan.

The Conservatives may be falling back in the polls, but they are easily winning the book war: William Hague's biography of William Pitt the Younger has sold more than 78,000 copies since 2004.

PM's weighty tome

Tirpitz and Godfrey Place

On 11 September six X-craft set out for the thousand-mile journey. Each midget submarine had two crews: one for the passage out - on which they were towed by six larger submarines - and one operational crew to carry out the final attack. Two of the midget submarines broke adrift, one being eventually recovered, the other sinking with all hands. On 19 September the four remaining vessels approached the target area, still under tow. Towing problems delayed HM Submarine Stubborn and her charge X-7 when a floating mine - part of the outer defences of Altafjord - became caught on the tow-line and was then impaled on the bows of the midget submarine. [Godfrey] Place, the commander of X-7, went out on its forward casing and cleared the mine away with his foot.

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Why shouldn't Sarah Palin get a book deal?

To the untrained eye the damage is barely visible. Yet within the handbound pages of books charting how Europeans travelled to Mesopotamia, Persia and the Mogul empire from the 16th century onwards, the damage caused by one Iranian academic to a priceless British Library collection is irreversible.

Leading scholars at the library are at a loss to explain why Farhad Hakimzadeh, a Harvard-educated businessman, publisher and intellectual, took a scalpel to the leaves of 150 books that have been in the nation's collection for centuries. The monetary damage he caused over seven years is in the region of £400,000 but Dr Kristian Jensen, head of the British and early printed collections at the library, said no price could be placed upon the books and maps that he had defaced and stolen.

"These are historic objects which have been damaged forever," said Jensen. "You cannot undo what he has done and it has compromised a piece of historical evidence which charts the early engagement of Europeans with what we now know as the Middle East and China.

"It makes me extremely angry. This is someone who is extremely rich who has damaged and destroyed something that belongs to everybody."

Hakimzadeh, 60, faces a jail sentence today when he appears at Wood Green magistrates court in London. The Iranian-born academic fled his country after the fall of the Shah and holds a US passport. He has pleaded guilty to 14 specimen charges of stealing maps, pages and illustrations from 10 books at the British Library and four from the Bodleian Library in Oxford dating back to 1998.

When police searched his home in Knightsbridge, west London, last July they discovered some of the missing maps, pages and pictures inserted into less valuable editions of the same books he owned.

Academics at the library were forced to turn detective in June 2006 after a reader who had taken out a copy of Sir Thomas Herbert's book A Relation of Some Yeares Travaille, Begunne Anno 1626 suggested some of its pages had been removed.

Careful examination by experts at the library proved him to be correct and the staff mounted a delicate operation to find out who had been damaging the book and whether other items had suffered the same fate.

Using electronic records, they found all the British Library members who had taken out the book and then examined other works these people had had contact with. They discovered that other works detailing the same periods in history and covering European engagement to the area from modern-day Syria to Bangladesh were also damaged.

Pages had been sliced away close to the spine of the books and maps, one of them worth £32,000, had been removed from chapters, leaving barely noticeable indentations in the paper marking where they had been.

"It was only the books taken out by Hakimzadeh which showed a consistent pattern of damage," said Jensen.

They discovered that Hakimzadeh had taken out 842 books and of these at least 150 had been mutilated. Some of the stolen pages were discovered but many have been lost forever.

The library wrote to Hakimzadeh, who at the time was chief executive of the Iran Heritage Foundation, a charity he formed in 1995 to promote and perserve the history, languages and culture of Iran. He replied saying he had no idea that there was any damage to the books. It was at this point that the library went to the police with the details of the investigation.

Forensic scientists analysed the damaged books and police officers called at Hakimzadeh's Knightsbridge home, where he lived with his wife.

"Some pages were found loose and others had been inserted into books in his own collection," said Jensen, who acccompanied the officers. "Hakimzadeh is eminently characteristic of our traditional groups of readers: he has a profound knowledge of the field. From my point of view, that makes it worse because he actually knew the importance of what he was damaging. What he did was use the cover of serious scholarly purpose to steal historic pieces and abuse our trust."

The library has launched a civil action to sue Hakimzadeh for full compensation.

Defaced books

The rare books that were defaced by Hakimzadeh include:

Historia de la China From the writings of Father Matteo Ricci, an Italian Jesuit who travelled to China in 1582 and became the first western traveller to settle there. First published in Latin in 1615. This copy was printed in Spain in 1621. Ricci learned to speak and write Chinese and his work was the first important and reliable European description of the country.

Novus Orbis An anthology of works by Simon Grynaeus, professor of Greek at Basle. Hakimzadeh removed an engraving of a world map drawn by Hans Holbein the Younger, court painter to Henry VIII.

Mithridates By the English dramatist Nathaniel Lee. Published in 1693.

Ost-indian-und Persianische Reisen By Johann Gottlieb Worm, the German philosopher who accompanied an envoy of the Dutch East India Company sent to the Safavid court in Persia in 1717. He travelled to Isfahan from India via Bandar. Published in 1745.

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