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A Nonsense Anthology by Collected by Carolyn Wells

C >> Collected by Carolyn Wells >> A Nonsense Anthology

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Now, when he went from Nelly Gray,
His heart so heavy got--
And life was such a burden grown,
It made him take a knot!

So round his melancholy neck
A rope he did entwine,
And, for his second time in life
Enlisted in the Line!

One end he tied around a beam,
And then removed his pegs,
And as his legs were off,--of course,
He soon was off his legs!

And there he hung till he was dead
As any nail in town,--
For though distress had cut him up,
It could not cut him down!

A dozen men sat on his corpse,
To find out why he died--
And they buried Ben in four cross-roads,
With a stake in his inside!

_Thomas Hood_.




THE ELDERLY GENTLEMAN

By the side of a murmuring stream an elderly gentleman sat.
On the top of his head was a wig, and a-top of his wig was his hat.

The wind it blew high and blew strong, as the elderly gentleman sat;
And bore from his head in a trice, and plunged in the river his hat.

The gentleman then took his cane which lay by his side as he sat;
And he dropped in the river his wig, in attempting to get out his
hat.

His breast it grew cold with despair, and full in his eye madness
sat;
So he flung in the river his cane to swim with his wig, and his hat.

Cool reflection at last came across while this elderly gentleman
sat;
So he thought he would follow the stream and look for his cane, wig,
and hat.

His head being thicker than common, o'er-balanced the rest of his
fat;
And in plumped this son of a woman to follow his wig, cane, and hat.

_George Canning_.




MALUM OPUS

Prope ripam fluvii solus
A senex silently sat;
Super capitum ecce his wig,
Et wig super, ecce his hat.

Blew Zephyrus alte, acerbus,
Dum elderly gentleman sat;
Et a capite took up quite torve
Et in rivum projecit his hat.

Tunc soft maledixit the old man,
Tunc stooped from the bank where he sat
Et cum scipio poked in the water,
Conatus servare his hat.

Blew Zephyrus alte, acerbus,
The moment it saw him at that;
Et whisked his novum scratch wig
In flumen, along with his hat.

Ab imo pectore damnavit
In coeruleus eye dolor sat;
Tunc despairingly threw in his cane
Nare cum his wig and his hat.

L'ENVOI

Contra bonos mores, don't swear
It 'est wicked you know (verbum sat),
Si this tale habet no other moral
Mehercle! You're gratus to that!

_James Appleton Morgan_.




_AESTIVATION_

In candent ire the solar splendor flames;
The foles, languescent, pend from arid rames;
His humid front the cive, anheling, wipes,
And dreams of erring on ventiferous ripes.

How dulce to vive occult to mortal eyes,
Dorm on the herb with none to supervise,
Carp the suave berries from the crescent vine,
And bibe the flow from longicaudate kine.

To me also, no verdurous visions come
Save you exiguous pool's confervascum,--
No concave vast repeats the tender hue
That laves my milk-jug with celestial blue.

Me wretched! Let me curr to quercine shades!
Effund your albid hausts, lactiferous maids!
Oh, might I vole to some umbrageous chump,--
Depart,--be off,--excede,--evade,--erump!

_O. W. Holmes_.




A HOLIDAY TASK

_Air--Jullien's Polka_

Qui nunc dancere vult modo
Wants to dance in the fashion, oh!
Discere debet--ought to know,
Kickere floor cum heel et toe
One, two three,
Hop with me,
Whirligig, twirligig, rapide.

Polkam jungere, Virgo, vis,
Will you join the Polka, Miss?
Liberius--most willingly.
Sic agimus--then let us try:
Nunc vide
Skip with me,
Whirlabout, roundabout, celere.

Tum laeva cito, tum dextra
First to the left, and then t' other way;
Aspice retro in vultu,
You look at her, and she looks at you.
Das palmam,
Change hands ma'am
Celere--run away, just in sham.

_Gilbert Abbott a Becket_.




PUER EX JERSEY

Puer ex Jersey
Iens ad school;
Vidit in meadow,
Infestum mule.

Ille approaches
O magnus sorrow!
Puer it skyward.
Funus ad morrow.

MORAL

Qui vidit a thing
Non ei well-known,
Est bene for him
Relinqui id alone.

_Anonymous_.




THE LITTLE PEACH

Une petite peche dans un orchard fleurit,
Attendez a mon narration triste!
Une petite peche verdante fleurit.
Grace a chaleur de soleil, et moisture de miste.
Il fleurit, il fleurit,
Attendez a mon narration triste!

Signes dures pour les deux,
Petit Jean et sa soeur Sue,
Et la peche d'une verdante hue,
Qui fleurit, qui fleurit,
Attendez a mon narration triste!

_Anonymous_.




_MONSIEUR McGINTE_

Monsieur McGinte allait en has jusqu'an fond du mer,
Ils ne l'ont pas encore trouve
Je crois qu'il est certainement mouille.
Monsieur McGinte, je le repete, allait jusqu'au fond du mer,
Habille dans sa meilleure costume.

_Anonymous_.




_YE LAYE OF YE WOODPECKORE_

_Picus Erythrocephalus_:

O whither goest thou, pale student
Within the wood so fur?
Art on the chokesome cherry bent?
Dost seek the chestnut burr?

_Pale Student_:

O it is not for the mellow chestnut
That I so far am come,
Nor yet for puckery cherries, but
For Cypripedium.

A blossom hangs the choke-cherry
And eke the chestnut burr,
And thou a silly fowl must be,
Thou red-head wood-peckere.

_Picas Erythrocephalus_:

Turn back, turn back, thou pale student,
Nor in the forest go;
There lurks beneath his bosky tent
The deadly mosquito,

And there the wooden-chuck doth tread,
And from the oak-tree's top
The red, red squirrels on thy head
The frequent acorn drop.

_Pale Student_:

The wooden-chuck is next of kin
Unto the wood-peckere:
I fear not thine ill-boding din,
And why should I fear her?

What though a score of acorns drop
And squirrels' fur be red!
'Tis not so ruddy as thy top--
So scarlet as thy head.

O rarely blooms the Cypripe-
dium upon its stalk;
And like a torch it shines to me
Adown the dark wood-walk.

O joy to pluck it from the ground,
To view the purple sac,
To touch the sessile stigma's round--
And shall I then turn back?

_Picus Erytbrocephalus_:

O black and shining is the log
That feeds the sumptuous weed,
Nor stone is found nor bedded log
Where foot may well proceed.

Midmost it glimmers in the mire
Like Jack o' Lanthorn's spark,
Lighting, with phosphorescent fire,
The green umbrageous dark.

There while thy thirsty glances drink
The fair and baneful plant,
Thy shoon within the ooze shall sink
And eke thine either pant.

_Pale Student_:

Give o'er, give o'er, thou wood-peckore;
The bark upon the tree,
Thou, at thy will, mayst peck and bore
But peck and bore not me.

Full two long hours I've searched about
And 't would in sooth be rum,
If I should now go back without
The Cypripedium.

_Picus Erythrocephalus_:

Farewell! Farewell! But this I tell
To thee, thou pale student,
Ere dews have fell, thou'lt rue it well
That woodward thou didst went:

Then whilst thou blows the drooping nose
And wip'st the pensive eye--
There where the sad _symplocarpus foetidus_ grows,
Then think--O think of I!

Loud flouted there that student wight
Solche warnynge for to hear;
"I scorn, old hen, thy threats of might,
And eke thine ill grammere."

"Go peck the lice (or green or red)
That swarm the bass-wood tree,
But wag no more thine addled head
Nor clack thy tongue at me."

The wood-peck turned to whet her beak,
The student heard her drum,
As through the wood he went to seek
The Cypripedium.

Alas! and for that pale student:
The evening bell did ring,
And down the walk the Freshmen went
Unto the prayer-meeting;

Upon the fence loud rose the song,
The weak, weak tea was o'er--
Ha! who is he that sneaks along
Into South Middle's door?

The mud was on his shoon, and O!
The briar was in his thumb,
His staff was in his hand but no--
No Cypripedium.

_Henry A. Beers_.




_COLLUSION BETWEEN A ALEGAITER AND A WATER-SNAIK_

There is a niland on a river lying,
Which runs into Gautimaly, a warm country,
Lying near the Tropicks, covered with sand;
Hear and their a symptum of a Wilow,
Hanging of its umberagious limbs & branches
Over the clear streme meandering far below.
This was the home of the now silent Alegaiter,
When not in his other element confine'd:
Here he wood set upon his eggs asleep
With 1 ey observant of flis and other passing
Objects: a while it kept a going on so:
Fereles of danger was the happy Alegaiter!
But a las! in a nevil our he was fourced to
Wake! that dreme of Blis was two sweet for him.
1 morning the sun arose with unusool splender
Whitch allso did our Alegaiter, coming from the water,
His scails a flinging of the rais of the son back,
To the fountain-head which tha originly sprung from,
But having not had nothing to eat for some time, he
Was slepy and gap'd, in a short time, widely.
Unfoalding soon a welth of perl-white teth,
The rais of the son soon shet his sinister ey
Because of their mutool splendor and warmth.
The evil Our (which I sed) was now come;
Evidently a good chans for a water-snaik
Of the large specie, which soon appeared
Into the horison, near the bank where reposed
Calmly in slepe the Alegaiter before spoken of.
About 60 feet was his Length (not the 'gaiter)
And he was aperiently a well-proportioned snaik.
When he was all ashore he glared upon
The iland with approval, but was soon
"Astonished with the view and lost to wonder" (from Wats)
(For jest then he began to see the Alegaiter)
Being a nateral enemy of his'n, he worked hisself
Into a fury, also a ni position.
Before the Alegaiter well could ope
His eye (in other words perceive his danger)
The Snaik had enveloped his body just 19
Times with "foalds voluminous and vast" (from Milton)
And had tore off several scails in the confusion,
Besides squeazing him awfully into his stomoc.
Just then, by a fortinate turn in his affairs,
He ceazed into his mouth the careless tale
Of the unreflecting water-snaik! Grown desperate
He, finding that his tale was fast squesed
Terrible while they roaled all over the iland.

It was a well-conduckted Affair; no noise
Disturbed the harmony of the seen, ecsept
Onct when a Willow was snaped into by the roaling.
Eeach of the combatence hadn't a minit for holering.
So the conflick was naterally tremenjous!
But soon by grate force the tail was bit complete-
Ly of; but the eggzeration was too much
For his delicate Constitootion; he felt a compression
Onto his chest and generally over his body;
When he ecspressed his breathing, it was with
Grate difficulty that he felt inspired again onct more.
Of course this state must suffer a revolootion.
So the alegaiter give but one yel, and egspired.
The water-snaik realed hisself off, & survay'd
For say 10 minits, the condition of
His fo: then wondering what made his tail hurt,
He slowly went off for to cool.

_J. W. Morris_.




_ODD TO A KROKIS_

Selestial apoley which Didest inspire.
the souls of burns and pop with sackred fir.
Kast thy Mantil over me When i shal sing,
the praiz Of A sweat flower who grows in spring
Which has of late kome under the Fokis.
of My eyes. It is called a krokis.
Sweat lovly prety littil sweat Thing,
you bloometh before The lairicks on High sing,
thy lefs are neithir Red Nor yelly.
but Just betwixt the two you hardy felly.

i fear youl yet be Nippit with the frost.
As Maney a one has known to there kost.
you should have not kome out in such a hurrey.
As this is only the Month of Febrywurrey.
and you may expick yet Much bad wethir.
when all your blads will krunkil up like Burnt leather.
alas. alas. theres Men which tries to rime,
who have like you kome out befor there time.
The Moril of My peese depend upon it.
is good so here i End my odd or sonit.

_Anonymous_.




_SOME VERSES TO SNAIX_

Prodiggus reptile! long and skaly kuss!
You are the dadrattedest biggest thing I ever
Seed that cud ty itself into a double bo-
Not, and cum all strate again in a
Minnit or so, without winkin or seemin
To experience any particular pane
In the diafram.

Stoopenjus inseck! marvelous annimile!
You are no doubt seven thousand yeres
Old, and hav a considerable of a
Family sneekin round thru the tall
Gras in Africa, a eetin up little greezy
Niggers, and wishin they was biggir.

I wonder how big yu was when yu
Was a inphant about 2 fete long. I
Expec yu was a purty good size, and
Lived on phrogs, and lizzerds, and polly-
Wogs and sutch things.

You are havin' a nice time now, ennyhow--
Don't have nothing to do but lay oph.
And etc kats and rabbits, and stic
Out yure tung and twist yur tale.
I wunder if yu ever swollered a man
Without takin oph his butes. If there was
Brass buttins on his kote, I spose
Yu had ter swaller a lot of buttin-
Wholes, and a shu--hamer to nock
The soals oph of the boots and drive in
The tax, so that they wouldn't kut yure
Inside. I wunder if vittles taste
Good all the way down. I expec so--
At leest, fur 6 or 7 fete.

You are so mighty long, I shud thynk
If your tale was kold, yure hed
Woodent no it till the next day,
But it's hard tu tell: snaix is snaix.

_Anonymous_.




_A GREAT MAN_

Ye muses, pour the pitying tear
For Pollio snatch'd away:
For had he liv'd another year!
--He had not dy'd to-day.

O, were he born to bless mankind,
In virtuous times of yore,
Heroes themselves had fallen behind!
--Whene'er he went before.

How sad the groves and plains appear,
And sympathetic sheep:
Even pitying hills would drop a tear!
--If hills could learn to weep.

His bounty in exalted strain
Each bard might well display:
Since none implor'd relief in vain!
--That went reliev'd away.

And hark! I hear the tuneful throng;
His obsequies forbid.
He still shall live, shall live as long
--As ever dead man did.

_Oliver Goldsmith_.




_AN ELEGY_

_On the Glory of her Sex, Mrs. Mary Blaize_

Good people all, with one accord,
Lament for Madam Blaize,
Who never wanted a good word--
From those who spoke her praise.

The needy seldom pass'd her door,
And always found her kind;
She freely lent to all the poor--
Who left a pledge behind.

She strove the neighborhood to please
With manners wondrous winning;
And never follow'd wicked ways--
Unless when she was sinning.

At church, in silks and satins new,
With hoop of monstrous size,
She never slumber'd in her pew--
But when she shut her eyes.

Her love was sought, I do aver,
By twenty beaux and more;
The King himself has follow'd her--
When she has walk'd before.

But now, her wealth and finery fled,
Her hangers-on cut short all;
The doctors found, when she was dead--
Her last disorder mortal.

Let us lament, in sorrow sore,
For Kent Street well may say,
That had she lived a twelvemonth more--
She had not died to-day.

_Oliver Goldsmith_.




_PARSON GRAY_

A quiet home had Parson Gray,
Secluded in a vale;
His daughters all were feminine,
And all his sons were male.

How faithfully did Parson Gray
The bread of life dispense--
Well "posted" in theology,
And post and rail his fence.

'Gainst all the vices of the age
He manfully did battle;
His chickens were a biped breed,
And quadruped his cattle.

No clock more punctually went,
He ne'er delayed a minute--
Nor ever empty was his purse,
When he had money in it.

His piety was ne'er denied;
His truths hit saint and sinner;
At morn he always breakfasted;
He always dined at dinner.

He ne'er by any luck was grieved,
By any care perplexed--
No filcher he, though when he preached,
He always "took" a text.

As faithful characters he drew
As mortal ever saw;
But ah! poor parson! when he died,
His breath he could not draw!

_Oliver Goldsmith_.




_AN ELEGY ON THE DEATH OF A MAD DOG_

Good people all, of every sort,
Give ear unto my song;
And if you find it wondrous short,--
It cannot hold you long.

In Islington there was a man,
Of whom the world might say
That still a godly race he ran,--
Whene'er he went to pray.

A kind and gentle heart he had,
To comfort friends and foes;
The naked every day he clad,--
When he put on his clothes.

And in that town a dog was found,
As many dogs there be,
Both mongrel, puppy, whelp, and hound,
And curs of low degree.

The dog and man at first were friends;
But when a pique began,
The dog, to gain some private ends,
Went mad, and bit the man.

Around from all the neighboring streets,
The wondering neighbors ran,
And swore the dog had lost his wits
To bite so good a man.

The wound it seemed both sore and sad
To every Christian eye;
And while they swore the dog was mad
They swore the man would die.

But soon a wonder came to light,
That showed the rogues they lied;
The man recovered of the bite,
The dog it was that died.

_Oliver Goldsmith_.




_THE WONDERFUL OLD MAN_

There was an old man
Who lived on a common
And, if fame speaks true,
He was born of a woman.
Perhaps you will laugh,
But for truth I've been told
He once was an infant
Tho' age made him old.

Whene'er he was hungry
He longed for some meat;
And if he could get it
'T was said he would eat.
When thirsty he'd drink
If you gave him a pot,
And what he drank mostly
Ran down his throat.

He seldom or never
Could see without light,
And yet I've been told he
Could hear in the night.
He has oft been awake
In the daytime, 't is said,
And has fallen asleep
As he lay in his bed.

'T is reported his tongue
Always moved when he talk'd,
And he stirred both his arms
And his legs when he walk'd;
And his gait was so odd
Had you seen him you 'd burst,
For one leg or t' other
Would always be first.

His face was the drollest
That ever was seen,
For if 't was not washed
It seldom was clean;
His teeth he expos'd when
He happened to grin,
And his mouth stood across
'Twixt his nose and his chin.

When this whimsical chap
Had a river to pass,
If he couldn't get over
He stayed where he was.
'T is said he ne'er ventured
To quit the dry ground,
Yet so great was his luck
He never was drowned.

At last he fell sick,
As old chronicles tell,
And then, as folks say,
He was not very well.
But what was as strange
In so weak a condition,
As he could not give fees
He could get no physician.

What wonder he died!
Yet 't is said that his death
Was occasioned at last
By the loss of his breath.
But peace to his bones
Which in ashes now moulder.
Had he lived a day longer
He'd have been a day older.

_Anonymous_




_A CHRONICLE_

Once--but no matter when--
There lived--no matter where--
A man, whose name--but then
I need not that declare.

He--well, he had been born,
And so he was alive;
His age--I details scorn--
Was somethingty and five.

He lived--how many years
I truly can't decide;
But this one fact appears
He lived--until he died.

"He died," I have averred,
But cannot prove 't was so,
But that he was interred,
At any rate, I know.

I fancy he'd a son,
I hear he had a wife:
Perhaps he'd more than one,
I know not, on my life!

But whether he was rich,
Or whether he was poor,
Or neither--both--or which,
I cannot say, I'm sure.

I can't recall his name,
Or what he used to do:
But then--well, such is fame!
'T will so serve me and you.

And that is why I thus,
About this unknown man
Would fain create a fuss,
To rescue, if I can.

From dark oblivion's blow,
Some record of his lot:
But, ah! I do not know
Who--where--when--why--or what.

MORAL

In this brief pedigree
A moral we should find--
But what it ought to be
Has quite escaped my mind!

_Anonymous_.




_ON THE OXFORD CARRIER_

Here lieth one, who did most truly prove
That he could never die while he could move;
So hung his destiny never to rot
While he might still jog on and keep his trot;
Made of sphere metal, never to decay
Until his revolution was at stay.
Time numbers motion, yet (without a crime
'Gainst old truth) motion number'd out his time,
And like an engine moved with wheel and weight,
His principles being ceased, he ended straight.
Rest, that gives all men life, gave him his death,
And too much breathing put him out of breath;
Nor were it contradiction to affirm,
Too long vacation hasten'd on his term.
Merely to drive the time away he sicken'd,
Fainted, and died, nor would with ale be quicken'd;
"Nay," quoth he, on his swooning bed outstretch'd,
"If I mayn't carry, sure I'll ne'er be fetch'd,
But vow, though the cross doctors all stood hearers,
For one carrier put down to make six bearers."
Ease was his chief disease; and to judge right,
He died for heaviness that his cart went light:
His leisure told him that his time was come,
And lack of load made his life burdensome.
That even to his last breath (there be that say't),
As he were press'd to death, he cried, "More weight;"
But, had his doings lasted as they were,
He had been an immortal carrier.
Obedient to the moon he spent his date
In course reciprocal, and had his fate
Link'd to the mutual flowing of the seas,
Yet (strange to think) his wane was his increase:
His letters are deliver'd all, and gone,
Only remains the superscription.

_John Milton_.




_NEPHELIDIA_

From the depth of the dreamy decline of the dawn
through a notable nimbus of nebulous noonshine,
Pallid and pink as the palm of the flag-flower
that flickers with fear of the flies as they float,
Are they looks of our lovers that lustrously lean from a marvel
of mystic miraculous moonshine,
These that we feel in the blood of our blushes that thicken and
threaten with sobs from the throat?
Thicken and thrill as a theatre thronged at appeal of an actor's
appalled agitation,
Fainter with fear of the fires of the future than pale with the
promise of pride in the past;
Flushed with the famishing fulness of fever that reddens with
radiance of rathe recreation,
Gaunt as the ghastliest of glimpses that gleam through the gloom
of the gloaming when ghosts go aghast?
Nay, for the nick of the tick of the time is a tremulous touch
on the temples of terror,
Strained as the sinews yet strenuous with strife of the dead who
is dumb as the dust-heaps of death:
Surely no soul is it, sweet as the spasm of erotic emotional
exquisite error,
Bathed in the balms of beatified bliss, beatific itself by
beatitude's breath.
Surely no spirit or sense of a soul that was soft to the spirit
and soul of our senses
Sweetens the stress of suspiring suspicion that sobs in the
semblance and sound of a sigh;
Only this oracle opens Olympian, in mystical moods and
triangular tenses--
Life is the lust of a lamp for the light that is dark till the
dawn of the day when we die.
Mild is the mirk and monotonous music of memory melodiously mute
as it may be,
While the hope in the heart of a hero is bruised by the breach of
men's rapiers resigned to the rod;
Made meek as a mother whose bosom--beats bound with the bliss--
bringing bulk of a balm--breathing baby,
As they grope through the grave-yards of creeds, under skies
growing green'at a groan for the grimness of God.
Blank is the book of his bounty beholden of old and its binding
is blacker than bluer:
Out of blue into black is the scheme of the skies, and their
dews are the wine of the bloodshed of things;
Till the darkling desire of delight shall be free as a fawn that
is freed from the fangs that pursue her,
Till the heart-beats of hell shall be hushed by a hymn from the
hunt that has harried the kernel of kings.

Pages:
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These are high times for Gordon Brown. He has been praised for saving the global financial system, and received a welcome respite from his electoral troubles at the Glenrothes byelection.

But not everything is rosy for the prime minister. His latest book, Wartime Courage: Stories of Extraordinary Courage by Ordinary People in World War Two, has sold just 193 copies in the fortnight it has been on sale.

In the same two weeks, Jordan - Pushed to the Limit, the latest instalment of the glamour model's autobiography, sold 4,446 copies, despite having been on sale for 10 months. Wartime Courage currently ranks at 10,646 in the Amazon UK sales chart.

To rub salt into his wounds, the reviews have been rotten. The Independent bemoaned Brown's "robotic neutrality", "engine-drone monotone" and "mealy-mouthed avoidance of 'controversial' issues". Writing in the Spectator, the author James Delingpole went further, describing Wartime Courage as a "leaden, clunken-fisted cuttings job". Brown has an "automaton-like inability either to empathise with his subject ... or to work out which details needed emphasising and which could be safely excluded".

Brown's subjects - which include the Chariots of Fire legend Eric Liddell and Violette Szabo, who worked undercover for the Special Operations Executive during the second world war - were intrinsically thrilling, said Delingpole. Which "makes it all the less excusable that Brown has made them seem so dull".

And that's not all. "His opening and closing essays are waffly, trite and, in so far as they attempt to make political capital from the achievements of people who have nothing whatsoever to do with him or his grisly ideology, offensive," complained Delingpole, who admitted that as a "starving author" he resented "the allocation by the publishing industry of time, money, space and attention to people who can barely write and anyway have well remunerated day jobs".

Not everyone hated it, however. The Jewish Chronicle's reviewer was a lone fan, saying all of the stories in the book were "well told" and made "compelling reading". "Finding time to write this book does the prime minister credit."

The book was due to be published in April, but did not hit the shops until November. A spokeswoman for Bloomsbury, the prime minister's publisher, denied it had been held back because of his low popularity ratings in the spring.

"The reason it was delayed was because he hadn't finished writing it - he didn't have a ghostwriter," said Bloomsbury's publicity director, Katie Bond.

Neill Denny, editor-in-chief of the publishing trade magazine the Bookseller, said that while he was surprised Brown's book had sold so badly, it was not the most tempting proposition.

Denny said: "It would be different if he had written his memoirs. That could be political dynamite. We've had half the story of the Blair years, but Brown's point of view could be fascinating."

But he added: "It is not disastrously bad. Hardback books do not sell in huge quantities any more. When the Booker longlist came out last year, of the 13 books, half had sold less than 1,000 copies."

Gordon Brown's first book on the subject of bravery, Courage: Eight Stories, which was published by Bloomsbury last year, has sold 4,469 copies in the UK, according to Nielsen BookScan.

The Conservatives may be falling back in the polls, but they are easily winning the book war: William Hague's biography of William Pitt the Younger has sold more than 78,000 copies since 2004.

PM's weighty tome

Tirpitz and Godfrey Place

On 11 September six X-craft set out for the thousand-mile journey. Each midget submarine had two crews: one for the passage out - on which they were towed by six larger submarines - and one operational crew to carry out the final attack. Two of the midget submarines broke adrift, one being eventually recovered, the other sinking with all hands. On 19 September the four remaining vessels approached the target area, still under tow. Towing problems delayed HM Submarine Stubborn and her charge X-7 when a floating mine - part of the outer defences of Altafjord - became caught on the tow-line and was then impaled on the bows of the midget submarine. [Godfrey] Place, the commander of X-7, went out on its forward casing and cleared the mine away with his foot.

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Why shouldn't Sarah Palin get a book deal?

To the untrained eye the damage is barely visible. Yet within the handbound pages of books charting how Europeans travelled to Mesopotamia, Persia and the Mogul empire from the 16th century onwards, the damage caused by one Iranian academic to a priceless British Library collection is irreversible.

Leading scholars at the library are at a loss to explain why Farhad Hakimzadeh, a Harvard-educated businessman, publisher and intellectual, took a scalpel to the leaves of 150 books that have been in the nation's collection for centuries. The monetary damage he caused over seven years is in the region of £400,000 but Dr Kristian Jensen, head of the British and early printed collections at the library, said no price could be placed upon the books and maps that he had defaced and stolen.

"These are historic objects which have been damaged forever," said Jensen. "You cannot undo what he has done and it has compromised a piece of historical evidence which charts the early engagement of Europeans with what we now know as the Middle East and China.

"It makes me extremely angry. This is someone who is extremely rich who has damaged and destroyed something that belongs to everybody."

Hakimzadeh, 60, faces a jail sentence today when he appears at Wood Green magistrates court in London. The Iranian-born academic fled his country after the fall of the Shah and holds a US passport. He has pleaded guilty to 14 specimen charges of stealing maps, pages and illustrations from 10 books at the British Library and four from the Bodleian Library in Oxford dating back to 1998.

When police searched his home in Knightsbridge, west London, last July they discovered some of the missing maps, pages and pictures inserted into less valuable editions of the same books he owned.

Academics at the library were forced to turn detective in June 2006 after a reader who had taken out a copy of Sir Thomas Herbert's book A Relation of Some Yeares Travaille, Begunne Anno 1626 suggested some of its pages had been removed.

Careful examination by experts at the library proved him to be correct and the staff mounted a delicate operation to find out who had been damaging the book and whether other items had suffered the same fate.

Using electronic records, they found all the British Library members who had taken out the book and then examined other works these people had had contact with. They discovered that other works detailing the same periods in history and covering European engagement to the area from modern-day Syria to Bangladesh were also damaged.

Pages had been sliced away close to the spine of the books and maps, one of them worth £32,000, had been removed from chapters, leaving barely noticeable indentations in the paper marking where they had been.

"It was only the books taken out by Hakimzadeh which showed a consistent pattern of damage," said Jensen.

They discovered that Hakimzadeh had taken out 842 books and of these at least 150 had been mutilated. Some of the stolen pages were discovered but many have been lost forever.

The library wrote to Hakimzadeh, who at the time was chief executive of the Iran Heritage Foundation, a charity he formed in 1995 to promote and perserve the history, languages and culture of Iran. He replied saying he had no idea that there was any damage to the books. It was at this point that the library went to the police with the details of the investigation.

Forensic scientists analysed the damaged books and police officers called at Hakimzadeh's Knightsbridge home, where he lived with his wife.

"Some pages were found loose and others had been inserted into books in his own collection," said Jensen, who acccompanied the officers. "Hakimzadeh is eminently characteristic of our traditional groups of readers: he has a profound knowledge of the field. From my point of view, that makes it worse because he actually knew the importance of what he was damaging. What he did was use the cover of serious scholarly purpose to steal historic pieces and abuse our trust."

The library has launched a civil action to sue Hakimzadeh for full compensation.

Defaced books

The rare books that were defaced by Hakimzadeh include:

Historia de la China From the writings of Father Matteo Ricci, an Italian Jesuit who travelled to China in 1582 and became the first western traveller to settle there. First published in Latin in 1615. This copy was printed in Spain in 1621. Ricci learned to speak and write Chinese and his work was the first important and reliable European description of the country.

Novus Orbis An anthology of works by Simon Grynaeus, professor of Greek at Basle. Hakimzadeh removed an engraving of a world map drawn by Hans Holbein the Younger, court painter to Henry VIII.

Mithridates By the English dramatist Nathaniel Lee. Published in 1693.

Ost-indian-und Persianische Reisen By Johann Gottlieb Worm, the German philosopher who accompanied an envoy of the Dutch East India Company sent to the Safavid court in Persia in 1717. He travelled to Isfahan from India via Bandar. Published in 1745.

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