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The Pawns Count by E. Phillips Oppenheim

E >> E. Phillips Oppenheim >> The Pawns Count

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THE PAWNS COUNT

BY

E. PHILLIPS OPPENHEIM


1918


FOREWORD

"I am for England and England only," John Lutchester, the Englishman,
asserted.

"I am for Japan and Japan only," Nikasti, the Jap, insisted.

"I am for Germany first and America afterwards," Oscar Fischer, the
German-American pronounced.

"I am for America first, America only, America always," Pamela Van
Teyl, the American girl, declared.

They were all right except the German-American.




CHAPTER I


Mefiez-Vous!

Taisez-Vous!

Les Oreilles Ennemies Vous Ecoutent!

The usual little crowd was waiting in the lobby of a fashionable London
restaurant a few minutes before the popular luncheon hour. Pamela Van
Teyl, a very beautiful American girl, dressed in the extreme of
fashion, which she seemed somehow to justify, directed the attention of
her companions to the notice affixed to the wall facing them.

"Except," she declared, "for you poor dears who have been hurt, that is
the first thing I have seen in England which makes me realise that you
are at war."

The younger of her two escorts, Captain Richard Holderness, who wore
the uniform of a well-known cavalry regiment, glanced at the notice a
little impatiently.

"What rot it seems!" he exclaimed. "We get fed up with that sort of
thing in France. It's always the same at every little railway station
and every little inn. 'Mefiez-vous! Taisez-vous!' They might spare us
over here."

John Lutchester, a tall, clean-shaven man, dressed in civilian clothes,
raised his eyeglass and read out the notice languidly.

"Well, I don't know," he observed. "Some of you Service fellows--not
the Regulars, of course--do gas a good deal when you come back. I don't
suppose you any of you know anything, so it doesn't really matter," he
added, glancing at his watch.

"Army's full of Johnnies, who come from God knows where nowadays,"
Holderness assented gloomily. "No wonder they can't keep their mouths
shut."

"Seems to me you need them all," Miss Pamela Van Teyl remarked with a
smile.

"Of course we do," Holderness assented, "and Heaven forbid that any of
us Regulars should say a word against them. Jolly good stuff in them,
too, as the Germans found out last month."

"All the same," Lutchester continued, still studying the notice, "news
does run over London like quicksilver. If you step down to the American
bar here, for instance, you'll find that Charles is one of the
best-informed men about the war in London. He has patrons in the Army,
in the Navy, and in the Flying Corps, and it's astonishing how
communicative they seem to become after the second or third cocktail."

"Cocktail, mark you, Miss Van Teyl," Holderness pointed out. "We poor
Englishmen could keep our tongues from wagging before we acquired some
of your American habits."

"The habits are all right," Pamela retorted. "It's your heads that are
wrong."

"The most valued product of your country," Lutchester murmured, "is
more dangerous to our hearts than to our heads."

She made a little grimace and turned away, holding out her hand to a
new arrival--a tall, broad-shouldered man, with a strong, cold face and
keen, grey eyes, aggressive even behind his gold-rimmed spectacles.
There was a queer change in his face as his eyes met Pamela's. He
seemed suddenly to become more human. His pleasure at seeing her was
certainly more than the usual transatlantic politeness.

"Mr. Fischer," she exclaimed, "they are saying hard things about our
country! Please protect me."

He bowed over her fingers. Then he looked up. His tone was impressive.

"If I thought that you needed protection, Miss Van Teyl--"

"Well, I can assure you that I do," she interrupted, laughing. "You
know my friends, don't you?"

"I think I have that pleasure," the American replied, shaking hands
with Lutchester and Holderness.

"Now we'll get an independent opinion," the former observed, pointing
to the wall. "We were discussing that notice, Mr. Fischer. You're
almost as much a Londoner as a New Yorker. What do you think?--is it
superfluous or not?"

Fischer read it out and smiled.

"Well," he admitted, "in America we don't lay much store by that sort
of thing, but I don't know as we're very good judges about what goes on
over here. I shouldn't call this place, anyway, a hotbed of intrigue.
Excuse me!"

He moved off to greet some incoming guests--a well-known stockbroker
and his partner. Lutchester looked after him curiously.

"Is Mr. Fischer one of your typical millionaires, Miss Van Teyl?" he
asked.

She shrugged her shoulders.

"We have no typical millionaires," she assured him. "They come from all
classes and all States."

"Fischer is a Westerner, isn't he?"

Pamela nodded, but did not pursue the conversation. Her eyes were fixed
upon a girl who had just entered, and who was looking a little
doubtfully around, a girl plainly but smartly dressed, with fluffy
light hair, dark eyes, and a very pleasant expression. Pamela, who was
critical of her own sex, found the newcomer attractive.

"Is that, by any chance, one of our missing guests, Captain
Holderness?" she inquired, turning towards him. "I don't know why, but
I have an idea that it is your sister."

"By Jove, yes!" the young man assented, stepping forward. "Here we are,
Molly, and at last you are going to meet Miss Van Teyl. I've bored
Molly stiff, talking about you," he explained, as Pamela held out her
hand.

The girls, who stood talking together for a moment, presented rather a
striking contrast. Molly Holderness was pretty but usual. Pamela was
beautiful and unusual. She had the long, slim body of a New York girl,
the complexion and eyes of a Southerner, the savoir faire of a
Frenchwoman. She was extraordinarily cosmopolitan, and yet
extraordinarily American. She impressed every one, as she did Molly
Holderness at that moment, with a sense of charm. One could almost
accept as truth her own statement--that she valued her looks chiefly
because they helped people to forget that she had brains.

"I won't admit that I have ever been bored, Miss Van Teyl," Molly
Holderness assured her, "but Dick has certainly told me all sorts of
wonderful things about you--how kind you were in New York, and what a
delightful surprise it was to see you down at the hospital at Nice. I
am afraid he must have been a terrible crock then."

"Got well in no time as soon as Miss Van Teyl came along," Holderness
declared. "It was a bit dreary down there at first. None of my lot were
sent south, and a familiar face means a good deal when you've got your
lungs full of that rotten gas and are feeling like nothing on earth. I
wonder where that idiot Sandy is. I told him to be here a quarter of an
hour before you others--thought we might have had a quiet chat first.
Will you stand by the girls for a moment, Lutchester, while I have a
look round?" he added.

He hobbled away, one of the thousands who were thronging the streets
and public places of London--brave, simple-minded young men, all of
them, with tangled recollections in their brains of blood and fire and
hell, and a game leg or a lost arm to remind them that the whole thing
was not a nightmare. He looked a little disconsolately around, and was
on the point of rejoining the others when the friend for whom he was
searching came hurriedly through the turnstile doors.

"Sandy, old chap," Holderness exclaimed, with an air of relief, "here
you are at last!"

"Cheero, Dick!" was the light-hearted reply. "Fearfully sorry I'm late,
but listen--just listen for one moment."

The newcomer threw his hat and coat to the attendant. He was a rather
short, freckled young man, with a broad, high forehead and
light-coloured hair. His eyes just now were filled with the enthusiasm
which trembled in his tone.

"Dick," he continued, gripping his friend's arm tightly, "I'm late, I
know, but I've great news. I've motored straight up from Salisbury
Plain. I've done it! I swear to you, Dick, I've done it!"

"Done what?" Holderness demanded, a little bewildered.

"I've perfected my explosive--the thing I was telling you about last
week," was the triumphant reply. "The whole world's struggling for it,
Dick. The German chemists have been working night and day for three
years, just for one little formula, and I've got it! One of my shells,
which fell in a wood at daylight this morning, killed every living
thing within a mile of it. The bark fell off the trees, and the
labourers in a field beyond threw down their implements and ran for
their lives. It's the principle of intensification. The poison feeds on
its own vapours. The formula--I've got it in my pocket-book--"

"Look here, old fellow," Holderness interrupted, "it's all splendid, of
course, and I'm dying to hear you talk about it, but come along now and
be introduced to Miss Van Teyl. Molly's over there, waiting, and we're
all half starved."

"So am I," was the cheerful answer. "Hullo, Lutchester, how are you?
Just one moment. I must get a wash, I motored straight through, and I'm
choked with dust. Where do I go?"

"I'll show you," Lutchester volunteered. "Hurry up."

The two men sprang up the stairs towards the dressing-room, and
Holderness strolled back to where his sister and Pamela were talking to
a small, dark young man, with rather high cheek-bones and olive
complexion. Pamela turned around with a smile.

"I have found an old friend," she told him. "Baron Sunyea--Captain
Holderness. Baron Sunyea used to be in the Japanese Embassy at
Washington."

The two men shook hands.

"I was interested," the Japanese said slowly, "in your conversation
just now about that notice. Your young friend was telling you news very
loudly indeed, it seemed to me, which you would not like known across
the North Sea. Am I not right?"

"In a sense you are, of course," Holderness admitted, "but here at
Henry's--why, the place is like a club. Where are the enemies' ears to
come from, I should like to know?"

"Where we least expect to find them, as a rule," was the grave reply.

"Quite right," Lutchester, who had just rejoined them, agreed. "They
still say, you know, that our home Secret Service is just as bad as our
foreign Secret Service is good."

Holderness smiled in somewhat superior fashion.

"Can't say that I have much faith in that spy talk," he declared. "No
doubt there was any quantity of espionage before the war, but it's
pretty well weeded out now. I say, how good civilisation is!" he went
on, his eyes dwelling lovingly on the interior of the restaurant.
"Tophole, isn't it, Lutchester--these smart girls, with their furs and
violets and perfumes, the little note of music in the distance, the
cheerful clatter of plates, the smiling faces of the waiters, and the
undercurrent of pleasant voices. Don't laugh at me, please, Miss Van
Teyl. I've three weeks more of it, by George--perhaps more. I don't go
up before my Board till Thursday fortnight. Dash it, I wish Sandy would
hurry up!"

"You never told me how you got your wound," Pamela observed, as the
conversation flagged for a moment.

"Can't even remember," was the careless reply. "We were all scrapping
away as hard as we could one afternoon, and nearly a dozen of us got
the knock, all at the same time. It's quite all right now, though,
except for the stiffness. It was the gas did me in.... What a fellow
Sandy is! You people must be starving."

They waited for another five minutes. Then Holderness limped towards
the stairs with a little imprecation. Lutchester stopped him.

"Don't you go, Holderness," he begged. "I'll find him and bring him
down by the scruff of the neck."

He strode up the stairs on a mission which ended in unexpected failure.
Presently he returned, a slight frown upon his forehead.

"I am awfully sorry," he announced, "but I can't find him anywhere. I
left him washing his hands, and he said he'd be down in a moment. Are
you quite sure that we haven't missed him?"

"There hasn't been a sign of him," Molly declared promptly. "I am so
hungry that my eyes have been glued upon the staircase all the time."

Pamela, who had slipped away a few moments before, rejoined them with a
little expression of surprise.

"Isn't Captain Graham here yet?" she asked incredulously.

"Not a sign of him," Holderness replied. "Queer set out, isn't it? We
won't wait a moment longer. Take my sister and Miss Van Teyl in, will
you?" he went on, laying his hand on Lutchester's shoulder. "Ferrani
will look after you. I'll follow directly."

The chief maitre d'hotel advanced to meet them with a gesture of
invitation, and led them to a table arranged for five. The restaurant
was crowded, and the coloured band, from the space against the wall on
their left, was playing a lively one-step. Ferrani was buttonholed by
an important client as they crossed the threshold, and they lingered
for a moment, waiting for his guidance. Whilst they stood there, a
curious thing happened. The leader of the orchestra seemed to draw his
fingers recklessly across the strings of his instrument and to produce
a discord which was almost appalling. A half-pained, half-amused
exclamation rippled down the room. For a moment the music ceased. The
conductor, who was responsible for the disturbance, was sitting
motionless, his hand hanging down by his side. His features remained
imperturbable, but the gleam of his white teeth, and a livid little
streak under his eyes gave to his usually good-humoured face an utterly
altered, almost a malignant expression. Ferrani stepped across and
spoke to him for a moment angrily. The man took up his instrument,
waved his hand, and the music re-commenced in a subdued note. Pamela
turned to the chief maitre d'hotel, who had now re-joined them.

"What an extraordinary breakdown!" she exclaimed. "Is your leader a man
of nerves?"

"Never have I heard such a thing in all my days," Ferrani assured them
fervently. "Joseph is one of the most wonderful performers in the
world. His control over his instrument is marvellous.... Captain
Holderness asked particularly for this table."

They seated themselves at the table reserved for them against the wall.
Their cicerone was withdrawing with a low bow, but Pamela leaned over
to speak to him.

"Your music," she told him, "is quite wonderful. The orchestra consists
entirely of Americans, I suppose?"

"Entirely, madam," Ferrani assented. "They are real Southern darkies,
from Joseph, the leader, down to little Peter, who blows the
motor-horn."

Pamela's interest in the matter remained unabated.

"I tell you it makes one feel almost homesick to hear them play," she
went on, with a little sigh. "Did they come direct from the States?"

Ferrani shook his head.

"From Paris, madam. Before that, for a little time, they were at the
Winter Garden in Berlin. They made quite a European tour of it before
they arrived here."

"And he is the leader--the man whom you call Joseph," Pamela observed.
"A broad, good-humoured face--not much intelligence, I should imagine."

Ferrani's protest was vigorous and gesticulatory. He evidently had
ideas of his own concerning Joseph.

"More, perhaps, than you would think, madam," he declared. "He knows
how to make a bargain, believe me. It cost us more than I would like to
tell you to get these fellows here."

Pamela looked him in the eyes.

"Be careful, Monsieur Ferrani," she advised, "that it does not cost you
more to get rid of them."

She leaned back in her place, apparently tired of the subject, and
Ferrani, a little puzzled, made his bow and withdrew. The music was
once more in full swing. Their luncheon was served, and Lutchester did
his best to entertain his companions. Their eyes, however, every few
seconds strayed towards the door. There was no sign of the missing
guest.




CHAPTER II


Molly Holderness, for whom Graham's absence possessed, perhaps, more
significance than the others, relapsed very soon into a strained and
anxious silence. Pamela and Lutchester, on the other hand, divided
their attention between a very excellent luncheon and an even flow of
personal, almost inquisitorial conversation.

"You will find," Pamela warned her companion almost as they took their
places, "that I am a very curious person. I am more interested in
people than in events. Tell me something about your work at the War
Office?"

"I am not at the War Office," he replied.

"Well, what is it that you do, then?" she asked. "Captain Holderness
told me that you had been out in France, fighting, but that you had
some sort of official position at home now."

"I am at the Ministry of Munitions," he explained.

"Well, tell me about that, then?" she suggested. "Is it as exciting as
fighting?"

He shook his head.

"It has advantages," he admitted, "but I should scarcely say that
excitement figured amongst them."

She looked at him thoughtfully. Lutchester was a little over
thirty-five years of age, tall and of sinewy build. His colouring was
neutral, his complexion inclined to be pale, his mouth straight and
firm, his grey eyes rather deep-set. Without possessing any of the
stereotyped qualifications, he was sufficiently good-looking.

"I wonder you didn't prefer soldiering," she observed.

He smiled for a moment, and Pamela felt unreasonably annoyed at the
twinkle in his eyes.

"I am not a soldier by profession," he said, "but I went out with the
Expeditionary Force and had a year of it. They kept me here, after a
slight wound, to take up my old work again."

"Your old work," she repeated. "I didn't know there was such a thing as
a Ministry of Munitions before the war."

He deliberately changed the conversation, directing Pamela's attention
to the crowded condition of the room.

"Gay scene, isn't it?" he remarked.

"Very!" she assented drily.

"Do you come here to dance?" he inquired.

She shook her head.

"You must remember that I have been living in Paris for some months,"
she told him. "You won't be annoyed if I tell you that the way you
English people are taking the war simply maddens me. Your young
soldiers talk about it as though it were a sort of picnic, your
middle-aged clubmen seem to think that it was invented to give them a
fresh interest in their newspapers, and the rest of you seem to think
of nothing but the money you are making. And Paris.... No, I don't
think I should care to dance here!"

Lutchester nodded, but Pamela fancied somehow or other that his
attitude was not wholly sympathetic. His tone, with its slight note of
admonition, irritated her.

"You must be careful," he said, "not to be too much misled by
externals."

Pamela opened her lips for a quick reply, but checked herself.

Captain Holderness and Ferrani had entered the room and were
approaching their table, talking earnestly. The latter especially was
looking perplexed and anxious.

"It's the queerest thing I ever knew," Holderness pronounced. "We've
searched every hole and corner upstairs, and there isn't a sign of
Sandy."

"Have you tried the bar?" Lutchester inquired.

"Both the bar and the grillroom," Ferrani assured him.

"If he had been suddenly taken ill--" Molly murmured.

"But there is no place in which he could have been taken ill which we
have not searched," Ferrani reminded her.

"And besides," Holderness intervened, "Sandy was in the very pink of
health, and bubbling over with high-spirits."

"One noticed that," Lutchester remarked, a little drily.

"He might almost have been called garrulous," Pamela agreed.

Ferrani took grave leave of them, and Holderness seated himself at the
table.

"Well, let's get on with luncheon, anyway," he advised. "It's no good
bothering. The best thing we can do is to conclude that the impossible
has happened--that Sandy has met with some pals and will be here
presently."

"Or possibly," Lutchester suggested, "that he has done what certainly
seems the most reasonable thing--gone straight off to the War Office
with his formula and forgotten all about us. Let us return the
compliment and forget all about him."

They finished their luncheon a little more cheerfully. As the
cigarettes were handed round, Pamela's eyes looked longingly at a tray
of Turkish coffee which was passing.

"I'm a rotten host," Holderness declared, "but, to tell you the truth,
this queer prank of Sandy's has driven everything else out of my mind.
Here, Hassan!"

The coloured man in gorgeous oriental livery turned at once with a
smile. He approached the table, bowing to each of them in turn. Pamela
watched him intently, and, as his eyes met hers, Hassan's hands began
to shake.

"The waiter is bringing us ordinary coffee," Holderness explained.
"Please countermand it and bring us Turkish coffee for four."

The man had lost his savoir faire. His wonderful smile had turned into
something sickly, his bland speech of thanks into a mumble. He turned
away almost sheepishly.

"Hassan doesn't seem to like us to-day," Molly remarked.

"I should have said that he was drunk," her brother observed, looking
after him curiously.

There was certainly something the matter with Hassan, for it was at
least a quarter of an hour before he reappeared and served his
specially prepared concoction with the usual ceremony but with more
restraint. Molly and the two men, after Hassan had sprinkled the
contents of his mysterious little flask into their coffee, gave him
their hands for the customary salute. When he came to Pamela he
hesitated. She shook her head and he fell back, bowing respectfully,
his hand tracing cabalistic signs across his heart. For a moment before
he departed, he raised his eyes and glanced at her. It was like the
mute appeal of some hurt or frightened animal.

"You don't approve of Hassan's little ceremony?" Lutchester asked her.

She shrugged her shoulders.

"In America," she observed, "I think we look upon coloured people of
any sort a little differently. Well, we've certainly given your friend
a chance," she went on, glancing at the little jewelled watch upon her
wrist, "We've outstayed almost every one here."

Their host paid the bill, and they strolled reluctantly towards the
door, Holderness and Pamela a few steps behind.

"Now what are your sister and Mr. Lutchester studying again?" the
latter inquired, as they reached the lobby.

Molly had paused once more before the notice on the wall, which seemed
somehow to have fascinated her. She read it out, lingering on every
word:

MEFIEZ-VOUS!
TAISEZ-VOUS!
LES OREILLES ENNEMIES VOUS
ECOUTENT!

Holderness listened with a frown. Then he turned suddenly to
Lutchester, who was standing by his side.

"It would be too ridiculous, wouldn't it--you couldn't in any way
connect the idea behind that notice with Sandy's disappearance?"

"I was wondering about that myself," Lutchester confessed. "To tell you
the truth, I have been wondering all luncheon-time. If ever a man broke
the letter and the spirit of that simple warning I should say your
excitable young friend, Captain Graham, did."

"But here at Henry's," Holderness protested, "with friends on every
side! Isn't it a little too ridiculous! We'll wait until the last
person is out of the place, anyway," he added.

The crowd soon began to thin. Ferrani, seeing them still waiting,
approached with a little bow.

"Your friend," he asked, "he has not arrived, eh?"

"No sign of him," Holderness replied gloomily.

"What about his hat and coat?" Ferrani inquired, with a sudden
inspiration.

"Great idea," Holderness assented, turning towards the cloakroom
attendant. "Don't you remember my friend, James?" he went on. "He
arrived about half-past one, and threw his coat and hat over to you."

The attendant nodded and glanced towards an empty peg.

"I remember him quite well, sir," he acknowledged. "Number sixty-seven
was his number."

"Where are his things, then?"

"Gone, sir," the man replied.

"Do you remember his asking for them?"

The attendant shook his head.

"Can't say that I do, sir," he acknowledged, "but they've gone right
enough."

A party of outgoing guests claimed the man's attention. Holderness
turned away.

"This thing is getting on my nerves," he declared. "Does it seem likely
that Sandy should chuck his luncheon without a word of explanation,
come out and get his coat and hat and walk off? And, besides, where was
he all the time we were looking for him?"

It was unanswerable, inexplicable. They all looked at one another
almost helplessly. Pamela held out her hand.

"Well," she announced, "I am sorry, but I'm afraid that I must go. I
have a great many things to attend to this afternoon."

"You are going away soon?" Lutchester inquired.

She hesitated, and at that moment Mr. Fischer, who had been saying
farewell to his guests, turned towards her.

"You are not thinking of the trip home yet, Miss Van Teyl?" he asked.

"Oh, I don't know," she answered a little evasively. "I'm out of humour
with London just now."

"Perhaps we shall be fellow-passengers on Thursday?" he ventured. "I am
going over on the _New York_."

"I never make plans," she told him.

"In any case," Mr. Fischer continued, "I shall anticipate our early
meeting in New York. I heard from your brother only yesterday."

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Alex Ross: Winner of the Guardian first book award
Stuart Evers: They made a real difference to Britain's literary culture, and it would be a terrible shame if they got forgotten in the age of Amazon

Congratulations to Alex Ross, winner of the Guardian first book award
One of only seven copies of The Tales of Beedle the Bard handwritten by JK Rowling is unveiled at the New York Public Library as the mass market edition goes on sale around the world

The arcane first book that's also a bestseller

Congratulations to Alex Ross, the deserving winner of the 2008 Guardian first book award. There's been a massed chorus of appreciation for this work already, so I shan't add much, except to say that what I particular enjoy about it is the connections it makes between musics and musicians. I'm the sort of person who goes to a lot of concerts, plays the violin, has some kind of grasp of how the history of music works – but frankly, it's all a bit fragmented and vague, since I have never studied the history of music properly and I can't really do the textbook musicological stuff. As I was reading Ross's book, it dawned on me that most of my knowledge of 20th-century music was based on reading the occasional Grove essay – and mostly, reading programme notes. What Ross's book does brilliantly is knit all these odd and isolated bits of knowledge together, so that everything starts to synthesise rather wonderfully, and you get to know what Sibelius thought of Stravinsky, say (not much – "stillborn affectations" was the phrase employed); or that Alban Berg was lionised by George Gershwin; or that David Bowie referenced Philip Glass and vice versa. That, and then the material is set against its historical and political background, such that this is a book for history-lovers as much as music-lovers.

By the way, there's a pungent criticism of the new-music scene by Hans Eisler in 1928, as quoted by Ross. How much have things changed, I wonder?

"The big music festivals have become downright stock exchanges, where the value of the works is assessed and contracts for the coming season are settled. Yet all this noise is carried out in the vacuum of a bell glass, so to speak, so that not a sound can be heard outside. An empty officiousness celebrates orgies of inbreeding, while there is a complete lack of interest or participation of a public of any kind."

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