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The Sceptics of the Old Testament: Job Koheleth Agur by Emile Joseph Dillon

E >> Emile Joseph Dillon >> The Sceptics of the Old Testament: Job Koheleth Agur

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Produced by David Starner, Thomas Berger
and the Distributed Prooreaders team.




THE SCEPTICS OF THE OLD TESTAMENT

JOB * KOHELETH * AGUR

with English text translated for the first time from the primitive Hebrew
as restored on the basis of recent philological discoveries.

by

E. J. Dillon

Late Professor of Comparative Philology and Ancient Armenian at the
Imperial University of Kharkoff; Doctor of Oriental Languages of the
University of Louvain; Magistrand of the Oriental Faculty of the Imperial
University of St. Petersburg; Member of the Armenian Academy of Venice;
Membre de la Societe Asiatique de Paris, &c. &c.

* * * * *

_To ALEXANDER VASSILYEVITCH PASCHKOFF, M.A.
THE FOLLOWING PAGES ARE AFFECTIONATELY DEDICATED_

* * * * *

DEDICATORY NOTE

_My Dear Paschkoff,

In the philosophical problems dealt with by the Sceptics of the Old
Testament, you will recognise the theme of our numerous and pleasant
discussions during the past sixteen years. Three of these are indelibly
engraven in my memory, and, if I mistake not, in yours.

The first took place in St. Petersburg one soft Indian-summer's evening,
in a cosy room on the Gagarine Quay, from the windows of which we looked
out with admiration upon the blue expanse of the Neva, as it reflected
the burnished gold of the spire of the Fortress church. At that time we
gazed upon the wavelets of the river and the wonders of the world from
exactly the same angle of vision.

The second of these memorable conversations occurred after the lapse of
nine years. We had met together in the old place, and sauntering out one
bitterly cold December evening resumed the discussion, walking to and fro
on the moonlit bank of the ice-bound river, until evening merged into
night and the moon sank beneath the horizon, leaving us in total
darkness, vainly desirous, like Goethe, of "light, more light."

Our last exchange of views took place after six further years had sped
away, and we stood last August on the summit of the historic Moenchsberg,
overlooking the final resting-place of the great Paracelsus. The long and
interesting discussions which we had on that occasion, just before
setting out in opposite directions, you to the East and I to the West,
neither of us is likely ever to forget.

It is in commemoration of these pleasant conversations, and more
especially of the good old times, now past for ever, when we looked out
upon the wavelets of the Neva and the wonders of the world from the same
angle of vision, that I ask you to allow me to associate your name with
this translation of the primitive texts of the Sceptics of the Old
Testament.

Yours affectionately,

E. J. DILLON.

TREBIZOND, January 3, 1895._

* * * * *

PREFACE

A careful perusal of this first English translation of the primitive text
of "Job," "Koheleth," and the "Sayings of Agur" will, I doubt not,
satisfy the most orthodox reader that I am fully warranted in
characterising their authors as Sceptics. The epithet, I confess, may
prove distasteful to many, but the truth, I trust, will be welcome to
all. It is not easy to understand why any one who firmly believes that
Providence is continually educing good from evil should hesitate to admit
that it may in like manner allow sound moral principles to be enshrined
in doubtful or even erroneous philosophical theories. Or, is trust in God
to be made dependent upon the confirmation or rejection by physical
science of, say, the Old Testament account of the origin of the rainbow?
Agur, "Job" and "Koheleth" had outgrown the intellectual husks which a
narrow, inadequate and erroneous account of God's dealings with man had
caused to form around the minds of their countrymen, and they had the
moral courage to put their words into harmony with their thoughts.
Clearly perceiving that, whatever the sacerdotal class might say to the
contrary, the political strength of the Hebrew people was spent and its
religious ideals exploded, they sought to shift the centre of gravity
from speculative theology to practical morality.

The manner in which they adjusted their hopes, fears, and aspirations to
the new conditions, strikes the keynote of their respective characters.
"Job," looking down upon the world from the tranquil heights of genius,
is manful, calm, resigned. "Koheleth," shuddering at the gloom that
envelops and the pain that convulses all living beings, prefers death to
life, and freedom from suffering to "positive" pleasure; while Agur,
revealing the bitterness bred by dispelled illusions and blasted hopes,
administers a severe chastisement to those who first called them into
being. All three[1] reject the dogma of retribution, the doctrine of
eternal life and belief in the coming of a Messiah, over and above which
they at times strip the notion of God of its most essential attributes,
reducing it to the shadow of a mere metaphysical abstraction. This is why
I call them Sceptics.

"Job" and "Koheleth" emphatically deny that there is any proof to be
found of the so-called moral order in the universe, and they
unhesitatingly declare that existence is an evil. They would have us
therefore exchange our hopes for insight, and warn us that even this is
very circumscribed at best. For not only is happiness a mockery, but
knowledge is a will-o'-the-wisp. Mankind resembles the bricklayer and the
hodman who help to raise an imposing edifice without any knowledge of the
general plan. And yet the structure is the outcome of their labour. In
like manner this mysterious world is the work of man--the mirror of his
will. As his will is, so are his acts, and as his acts are, so is his
world. Or as the ancient Hindoos put it:

"Before the gods we bend our necks, and yet
within the toils of Fate
Entangled are the gods themselves. To Fate,
then, be all honour given.
Yet Fate itself can compass nought, 'tis but the
bringer of the meed
For every deed that we perform.
As then our acts shape our rewards, of what
avail are gods or Fate?
Let honour therefore be decerned to deeds
alone."

But what, I have been frequently asked, will be the effect of all this
upon theology? Are we to suppose that the writings of these three
Sceptics were admitted into the Canon by mistake, and if not, shall we
not have to widen our definition of inspiration until it can be made to
include contributions which every Christian must regard as heterodox? An
exhaustive reply to this question would need a theological dissertation,
for which I have neither desire nor leisure. I may say, however, that
eminent theologians representing various Christian denominations--Roman
Catholic, Greek Orthodox, Anglican and Lutheran--have assured me that
they could readily reconcile the dogmas of their respective Churches with
doctrines educible from the primitive text of "Job," "Koheleth," and
Agur, whose ethics they are disposed to identify, in essentials, with the
teachings of the Sermon on the Mount. With the ways and means by which
they effect this reconciliation I am not now concerned.

My object was neither to attack a religious dogma, nor to provoke a
theological controversy, but merely to put the latest results of
philological science within the reach of him who reads as he runs. And I
feel confident that the reader who can appreciate the highest forms of
poetry, or who has anxiously pondered over the problems of God,
immortality, the origin of evil, &c., will peruse the writings of "Job,"
"Koheleth" and Agur with a lively interest, awakened, and sustained not
merely by the extrinsic value which they possess as historical documents,
but by their intrinsic merits as precious contributions to the literature
and philosophy of the world.

E. J. DILLON.

CONSTANTINOPLE, _New Year's Day, 1895._


Footnotes:

[1] In Agur's case, this is but an inference from his first saying, but
an inference which few would think of calling in question.

* * * * *

CONTENTS

THE POEM OF JOB
HEBREW PHILOSOPHY
THE PROBLEM OF THE POEM
JOB'S METHOD OF SOLVING THE PROBLEM
DATE OF THE COMPOSITION
THE TEXT AND ITS RECONSTRUCTION
INTERPOLATIONS
JOB'S THEOLOGICAL AND PHILOSOPHICAL CONCEPTIONS
ANALYSIS OF THE POEM

KOHELETH
CONDITION OF THE TEXT
PRIMITIVE FORM OF THE BOOK
KOHELETH'S THEORY OF LIFE
PRACTICAL WISDOM
KOHELETH'S PHILOSOPHY OF LIFE
SOURCES OF KOHELETH'S PHILOSOPHY

AGUR THE AGNOSTIC
AGUR, SON OF YAKEH
FORM AND CONTENTS OF THE SAYINGS OF AGUR
DATE OF COMPOSITION
AGUR'S PHILOSOPHY

THE POEM OF JOB (TRANSLATION OF THE RESTORED TEXT)

THE SPEAKER (TRANSLATION OF THE RESTORED TEXT)

THE SAYINGS OF AGUR (TRANSLATION OF THE RESTORED TEXT)

INDEX




THE POEM OF JOB

* * * * *

HEBREW PHILOSOPHY

According to a theory which was still in vogue a few years ago, the
ancient races of mankind were distinguished from each other no less by
their intellectual equipment than by their physical peculiarities. Thus
the Semites were supposed to be characterised, among other things, by an
inborn aptitude for historical narrative and an utter lack of the mental
suppleness, ingenuity, and sharp incisive vision indispensable for the
study of the problems of philosophy; while their neighbours, the Aryans,
devoid of historical talent, were held to be richly endowed with all the
essential qualities of mind needed for the cultivation of epic poetry and
abstruse metaphysics. This theory has since been abandoned, and many of
the alleged facts that once seemed to support it have been shown to be
unwarranted assumptions. Thus, the conclusive proof, supplied by Biblical
criticism, of the untrustworthiness of the historical books of the Old
Testament, has removed one alleged difference between Aryans and Semites,
while the discoveries which led to the reconstruction of the primitive
poem of Job and of the treatise of Koheleth have undermined the basis of
the other. For these two works deal exclusively with philosophical
problems, and, together with the Books of Proverbs and Jesus Sirach, are
the only remains that have come down to us of the ethical and
metaphysical speculations of the ancient Hebrews whose descendants have
so materially contributed to further this much-maligned branch of human
knowledge. And if we may judge by what we know of these two books, we
have ample grounds for regretting that numerous other philosophical
treatises which were written between the fourth and the first centuries
B.C. were deemed too abstruse, too irrelevant, or too heterodox to find a
place in the Jewish Canon.[2] For the Book of Job is an unrivalled
masterpiece, the work of one in whom poetry was no mere special faculty
cultivated apart from his other gifts, but the outcome of the harmonious
wholeness of healthy human nature, in which upright living, untrammelled
thought, deep mental vision, and luxuriant imagination combined to form
the individual. Hence the poem is a true reflex of the author's mind: it
dissolves and blends in harmonious union elements that appeared not
merely heterogeneous, but wholly incompatible, and realises, with the
concreteness of history, the seemingly unattainable idea which Lucretius
had the mind to conceive but lacked the artistic hand to execute; in a
word, it is the fruit of the intimate union of that philosophy which,
reckless of results, dares to clip even angels' wings, and of the art
which possesses the secret of painting its unfading pictures with the
delicate tints of the rainbow. Rich fancy and profound thought co-operate
to produce a _tertium quid_--a visible proof that the beautiful is
one with the true--for which neither literature nor philosophy possesses
a name. It is no wonder, then, that this unique poem, which gives
adequate utterance to abstract thought, truly and forcibly states the
doubts and misgivings which harrow the souls of thinking men of all ages
and nations, and helps them to lift a corner of the veil of delusion and
get a glimpse of the darkness of the everlasting Night beyond, should
appeal to the reader of the nineteenth century with much greater force
than to the Jews of olden times, who were accustomed to gauge the
sublimity of imaginative poetry and the depth of philosophic speculation
by the standard of orthodoxy and the bias of nationality.

The Book of Job, from which Pope Gregory the Great fancied he could piece
together the entire system of Catholic theology, and which Thomas of
Aquin regarded as a sober history, is now known to be a regular poem,
but, as Tennyson truly remarked, "the greatest poem whether of ancient or
modern times," and the diction of which even Luther instinctively felt to
be "magnificent and sublime as no other book of Scripture." And it is
exclusively in this light, as one of the masterpieces of the world's
literature, that it will be considered in the following pages. Whatever
religious significance it may be supposed to possess over and above, as
one of the canonical books of the Hebrew and Christian Scriptures, will,
it is hoped, remain unaffected by this treatment, which is least of all
controversial. The flowers that yield honey to the bee likewise delight
the bee-keeper with their perfume and the poet with their colours, and
there is no adequate reason why the magic verse which strikes a
responsive chord in the soul of lovers of high art, and starts a new
train of ideas in the minds of serious thinkers, should thereby lose any
of the healing virtues it may have heretofore possessed for the suffering
souls of the believing.

But viewed even as a mere work of art, it would be hopeless to endeavour
to press it into the frame of any one of the received categories of
literary composition, as is evident from the fact that authorised and
unauthorised opinion on the subject has touched every extreme, and still
continues oscillating to-day. Many commentators still treat it as a
curious chapter of old-world history narrated with scrupulous fidelity by
the hero or an eye-witness, others as a philosophical dialogue; several
scholars regard it as a genuine drama, while not a few enthusiastically
aver that it is the only epic poem ever written by a Hebrew. In truth, it
partakes of the nature of each and every one of these categories, and is
yet circumscribed by the laws and limits of none of them. In form, it is
most nearly akin to the drama, with which we should be disposed to
identify it if the characters of the prologue and epilogue were
introduced as _dramatis personae_ in action. But their doing and
enduring are presupposed as accomplished facts, and employed merely as a
foil to the dialogues, which alone are the work of the author. Perhaps
the least erroneous way succinctly to describe what in fact is a
_unicum_ would be to call it a psychological drama.

Koheleth, or the Preacher, is likewise a literary puzzle which for
centuries has baffled the efforts of commentators and aroused the
misgivings of theologians. Regarded by many as a _vade mecum_ of
materialists, by some as an eloquent sermon on the fear of God, and by
others as a summary of sceptical philosophy, it is impossible to analyse
and classify it without having first eliminated all those numerous
later-date insertions which, without improving the author's theology,
utterly obscure his meaning and entirely spoil his work. When, by the aid
of text criticism, we have succeeded in weeding it of the parasitic
growth of ages, we have still to allow for the changing of places of
numerous authentic passages either by accident or design, the effects of
which are oftentimes quite as misleading as those of the deliberate
interpolations. The work thus restored, although one, coherent and
logical, is still susceptible of various interpretations, according to
the point of view of the reader, none of which, however, can ignore the
significant fact that the sceptically ideal basis of Koheleth's
metaphysics is identical with that of Buddha, Kant, and Schopenhauer, and
admirably harmonises with the ethics of Job and the pessimism of the New
Testament.

The Sayings of Agur, on the contrary, tell their own interesting story,
without need of note or commentary, to him who possesses a fair knowledge
of Hebrew grammar, and an average allowance of mother wit. The lively
versifier, the keenness of whose sense of humour is excelled only by the
bitterness of his satire, could ill afford to be obscure. A member of the
literary fraternity which boasts the names of Lucian and Voltaire, a firm
believer in the force of common sense and rudimentary logic, Agur
ridicules the theologians of his day with a malicious cruelty which is
explained, if not warranted, by the pretensions of omniscience and the
practice of intolerance that provoked it. The unanswerable argument which
Jahveh considered sufficient to silence his servant Job, Agur deems
effective against the dogmatical doctors of his own day:

"Who has ascended into heaven and come down again?

* * * * *

Such an one would I question about God: What is his name?"


Footnotes:

[2] Job and Ecclesiastes were inserted in the Jewish and, one may add,
the Christian Canon, solely on the strength of passages which the
authors of these compositions never even saw, and which flatly
contradict the main theses of their works.

* * * * *

THE PROBLEM OF THE POEM

Purged of all later interpolations and restored as far as possible to the
form it received from the hand of its author, the poem of Job is the most
striking presentation of the most obscure and fascinating problem that
ever puzzled and tortured the human intellect: how to reconcile the
existence of evil, not merely with the fundamental dogmas of the ancient
Jewish faith, but with any form of Theism whatever. Stated in the terms
in which the poet--whom for convenience sake we shall identify with his
hero[3] manifestly conceived it, it is this: Can God be the creator of
all things and yet not be responsible for evil?

The Infinite Being who laid the earth's foundation, "shut in the sea with
doors," whose voice is thunder and whose creatures are all things that
have being, is, we trust, moral and good. But it is His omnipotence that
strikes us most forcibly. Almighty in theory, He is all active in fact,
and nothing that happens in the universe is brought about even indirectly
by any one but Himself. There are no second causes at work, no chance, no
laws of nature, no subordinate agents, nothing that is not the immediate
manifestation of His free will.[4] This is evident to our senses. But
what is equally obvious is that His acts do not tally with His attribute
of goodness, and that no facts known or imaginable can help us to bridge
over the abyss between the infinite justice ascribed to Him and the
crying wrongs that confront us in His universe, whithersoever we turn.[5]
His rule is such a congeries of evils that even the just man often
welcomes death as a release, and Job himself with difficulty overcame the
temptation to end his sufferings by suicide. All the cut-and-dried
explanations of God's conduct offered by His human advocates merely
render the problem more complicated. His professional apologists are
"weavers of lies," and contend for Him "with deception," and, worse than
all else, He Himself has never revealed to His creatures any truth more
soothing than the fact they set out with, that the problem is for ever
insoluble. Wisdom "is hid from the eyes of all living,"[6] and the dead
are in "the land of darkness and of gloom,"[7] whence there is no issue.

The theological views prevalent in the days of the poet, as expounded by
the three friends of Job, instead of suggesting some way out of the
difficulty were in flagrant contradiction with fact. They appealed to the
traditional theory and insisted on having that accepted as the reality.
And it was one of the saddest theories ever invented. Virtue was at best
a mere matter of business, one of the crudest forms of utilitarianism, a
bargain between Jahveh and His creatures. As asceticism in ancient India
was rewarded with the spiritual gift of working miracles, so upright
living was followed in Judea by material wealth, prosperity, a numerous
progeny and all the good things that seem to make life worth living. Such
at least was the theory, and those who were satisfied with their lot had
little temptation to find fault with it for the sake of those who were
not. In sober reality, however, the obligation was very one-sided:
Jahveh, who occasionally failed to carry out His threats, observed or
repudiated His solemn promises as He thought fit, whereas those among His
creatures who faithfully fulfilled their part of the contract were never
sure of receiving their stipulated wage in the promised coin. And at that
time none other was current: there was no future life looming in the dim
distance with intensified rewards and punishments wherewith to redress
the balance of this. And it sadly needed redressing. The victims of
seeming injustice naturally felt that they were being hardly dealt with.
And as if to make confusion worse confounded, their neighbours, who had
ridden roughshod over all law, human and divine, were frequently exempt
from misfortune, lived on the fat of the land, and enjoyed a monopoly of
the divine blessings. To Job, whose consciousness of his own
righteousness was clearer and less questionable than the justice of his
Creator, this theory of retribution seemed unworthy of belief.

The creation of this good God, then, is largely leavened with evil for
which--all things being the work of His hands--He, and He alone, is
answerable. There was no devil in those olden times upon whose broad
shoulders the responsibility for sickness, suffering, misery and death
could be conveniently shifted. The Satan or Adversary is still one of the
sons of God who, like all his brethren, has free access to the council
chamber of the Most High, where he is wont to take a critical, somewhat
cynical but not wholly incorrect view of motives and of men. In the
government of the world he has neither hand nor part, and his
interference in the affairs of Job is the result of a special permission
accorded him by the Creator. God alone is the author of good _and of
evil_,[8] and the thesis to be demonstrated by His professional
apologists consists in showing that the former is the outflow of His
mercy, and the latter the necessary effect of His justice acting upon the
depraved will of His creatures. But the proof was not forthcoming.
Personal suffering might reasonably be explained in many cases as the
meet and inevitable wage for wrong-doing; but assuredly not in all. Job
himself was a striking instance of unmerited punishment. Even Jahveh
solemnly declares him to be just and perfect; and Job was admittedly no
solitary exception; he was the type of a numerous class of righteous,
wronged and wretched mortals, unnamed and unknown:

"Omnes illacrymabiles....
ignotique longa
Nocte, carent quia vate sacro."

Job is ready to admit that God, no doubt, is just and good in theory, but
he cannot dissemble the obvious fact that His works in the universe are
neither; indeed, if we may judge the tree by its fruits, His
_regime_ is the rule of an oriental and almighty despot whose will
and pleasure is the sole moral law. And that will is too often
undistinguishable from malice of the blackest kind. Thus

"He destroyeth the upright and the wicked,
When his scourge slayeth at unawares.
He scoffeth at the trial of the innocent;
The earth is given into the hand of the wicked."

In a word, the poet proclaims that the current theories of traditional
theology were disembodied, not incarnate in the moral order of the world,
had, in fact, nowhere taken root.

The two most specious arguments with which it was sought to prop up this
tottering theological system consisted in maintaining that the wicked are
often punished and the good recompensed in their offspring--a kind of
spiritual entail in which the tenant for life is denied the usufruct for
the sake of heirs he never knew--and that such individual claims as were
left unadjusted by this curious arrangement were merged in those of the
community at large and should be held to be settled in full as long as
the weal of the nation was assured. In other words, the individual sows
and his offspring or the nation reaps the harvest. But Job rejects both
pleas as illusory and immoral, besides which, they leave the frequent
prosperity of the unrighteous unexplained. "Wherefore," he asks, "do the
wicked live, become old, yea wax mighty in strength?" The reply that the
fathers having eaten sour grapes, the children's teeth will be set on
edge, is, he contends, no answer to the objection; it merely intensifies
it. For he who sows should reap, and he who sins should suffer. After
death the most terrible punishment meted out to the posterity of
criminals is powerless to affect their mouldering dust. That, surely,
cannot be accepted as a vindication of justice, human or divine.

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Alex Ross: Winner of the Guardian first book award
Stuart Evers: They made a real difference to Britain's literary culture, and it would be a terrible shame if they got forgotten in the age of Amazon

Congratulations to Alex Ross, winner of the Guardian first book award
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The arcane first book that's also a bestseller

Congratulations to Alex Ross, the deserving winner of the 2008 Guardian first book award. There's been a massed chorus of appreciation for this work already, so I shan't add much, except to say that what I particular enjoy about it is the connections it makes between musics and musicians. I'm the sort of person who goes to a lot of concerts, plays the violin, has some kind of grasp of how the history of music works – but frankly, it's all a bit fragmented and vague, since I have never studied the history of music properly and I can't really do the textbook musicological stuff. As I was reading Ross's book, it dawned on me that most of my knowledge of 20th-century music was based on reading the occasional Grove essay – and mostly, reading programme notes. What Ross's book does brilliantly is knit all these odd and isolated bits of knowledge together, so that everything starts to synthesise rather wonderfully, and you get to know what Sibelius thought of Stravinsky, say (not much – "stillborn affectations" was the phrase employed); or that Alban Berg was lionised by George Gershwin; or that David Bowie referenced Philip Glass and vice versa. That, and then the material is set against its historical and political background, such that this is a book for history-lovers as much as music-lovers.

By the way, there's a pungent criticism of the new-music scene by Hans Eisler in 1928, as quoted by Ross. How much have things changed, I wonder?

"The big music festivals have become downright stock exchanges, where the value of the works is assessed and contracts for the coming season are settled. Yet all this noise is carried out in the vacuum of a bell glass, so to speak, so that not a sound can be heard outside. An empty officiousness celebrates orgies of inbreeding, while there is a complete lack of interest or participation of a public of any kind."

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