A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

Wordsworth by F. W. H. Myers

F >> F. W. H. Myers >> Wordsworth

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13


Produced by Distributed Proofreaders




WORDSWORTH

BY F. W. H. MYERS


"From worlds not quickened by the sun
A portion of the gift is won;
An intermingling of Heaven's pomp is spread
On ground which British shepherds tread."






CONTENTS.

CHAPTER I.
BIRTH AND EDUCATION--CAMBRIDGE

CHAPTER II.
RESIDENCE IN LONDON AND IN FRANCE

CHAPTER III.
MISS WORDSWORTH--"LYRICAL BALLADS"--SETTLEMENT AT
GRASMERE

CHAPTER IV.
THE ENGLISH LAKES

CHAPTER V.
MARRIAGE--SOCIETY--HIGHLAND TOUR

CHAPTER VI.
SIR GEORGE BEAUMONT--DEATH OF JOHN WORDSWORTH

CHAPTER VII
"HAPPY WARRIOR" AND PATRIOTIC POEMS

CHAPTER VIII
CHILDREN--LIFE AT RYDAL MOUNT--"THE EXCURSION"

CHAPTER IX
POETIC DICTION--"LAODAMIA"--"EVENING ODE"

CHAPTER X
NATURAL RELIGION

CHAPTER XI
ITALIAN TOUR--"ECCLESIASTICAL SONNETS"--POETICAL VIEWS--
LAUREATESHIP

CHAPTER XII
LETTERS ON THE KENDAL AND WINDERMERE RAILWAY--CONCLUSION




CHAPTER I.


BIRTH AND EDUCATION--CAMBRIDGE.

I cannot, perhaps, more fitly begin this short biography than with
some words in which its subject has expressed his own feelings as to
the spirit in which such a task should be approached. "Silence,"
says Wordsworth, "is a privilege of the grave, a right of the
departed: let him, therefore, who infringes that right by speaking
publicly of, for, or against, those who cannot speak for themselves,
take heed that he opens not his mouth without a sufficient sanction.
Only to philosophy enlightened by the affections does it belong
justly to estimate the claims of the deceased on the one hand, and
of the present age and future generations on the other, and to
strike a balance between them. Such philosophy runs a risk of
becoming extinct among us, if the coarse intrusions into the recesses,
the gross breaches upon the sanctities, of domestic life, to which we
have lately been more and more accustomed, are to be regarded as
indications of a vigorous state of public feeling. The wise and good
respect, as one of the noblest characteristics of Englishmen, that
jealousy of familiar approach which, while it contributes to the
maintenance of private dignity, is one of the most efficacious
guardians of rational public freedom."

In accordance with these views the poet entrusted to his nephew, the
late Bishop of Lincoln, the task of composing memoirs of his life,
in the just confidence that nothing would by such hands be given to
the world which was inconsistent with the dignity either of the
living or of the dead. From those memoirs the facts contained in the
present work have been for the most part drawn. It has, however,
been my fortune, through hereditary friendships, to have access to
many manuscript letters and much oral tradition bearing upon the
poet's private life;[1] and some details and some passages of
letters hitherto unpublished, will appear in these pages. It would
seem, however, that there is but little of public interest, in
Wordsworth's life which has not already been given to the world, and
I have shrunk from narrating such minor personal incidents as he
would himself have thought it needless to dwell upon. I have
endeavoured, in short, to write as though the Subject of this
biography were himself its Auditor, listening, indeed, from some
region where all of truth is discerned, and nothing but truth desired,
but checking by his venerable presence, any such revelation as
public advantage does not call for, and private delicacy would
condemn.

As regards the critical remarks which these pages contain. I have
only to say that I have carefully consulted such notices of the poet
as his personal friends have left us[1], and also, I believe,
nearly every criticism of importance which has appeared on his works.
I find with pleasure that a considerable agreement of opinion exists,--
though less among professed poets or critics, than among men of
eminence in other departments of thought or action whose attention
has been directed to Wordsworth's poems. And although I have felt it
right to express in each case my own views with exactness, I have
been able to feel that I am not obtruding on the reader any merely
fanciful estimate in which better accredited judges would refuse to
concur.

[Footnote 1: I take this opportunity of thanking Mr. William
Wordsworth, the son (now deceased), and Mr. William Wordsworth, the
grandson, of the poet, for help most valuable in enabling me to give
a true impression of the poet's personality.]

Without further preface I now begin my story of Wordsworth's life,
in words which he himself dictated to his intended biographer.
"I was born," he said, "at Cockermouth, in Cumberland, on April 7th,
1770, the second son of John Wordsworth, attorney-at-law--as
lawyers of this class were then called--and law-agent to Sir James
Lowther, afterwards Earl of Lonsdale. My mother was Anne, only
daughter of William Cookson, mercer, of Penrith, and of Dorothy,
born Crackanthorp, of the ancient family of that name, who from the
times of Edward the Third had lived in Newbiggen Hall, Westmoreland.
My grandfather was the first of the name of Wordsworth who came into
Westmoreland, where he purchased the small estate of Sockbridge. He
was descended from a family who had been settled at Peniston, in
Yorkshire, near the sources of the Don, probably before the Norman
Conquest. Their names appear on different occasions in all the
transactions, personal and public, connected with that parish; and I
possess, through the kindness of Colonel Beaumont, an almery, made in
1525, at the expense of a William Wordsworth, as is expressed in a
Latin inscription carved upon it, which carries the pedigree of the
family back four generations from himself. The time of my infancy
and early boyhood was passed, partly at Cockermouth, and partly with
my mother's parents at Penrith, where my mother, in the year 1778,
died of a decline, brought on by a cold, in consequence of being put,
at a friend's house in London, in what used to be called 'a best
bedroom.' My father never recovered his usual cheerfulness of mind
after this loss, and died when I was in my fourteenth year, a
schoolboy, just returned from Hawkshead, whither I had been sent with
my elder brother Richard, in my ninth year."

"I remember my mother only in some few situations, one of which was
her pinning a nosegay to my breast, when I was going to say the
catechism in the church, as was customary before Easter. An intimate
friend of hers told me that she once said to her, that the only one
of her five children about whose future life she was anxious was
William; and he, she said, would be remarkable, either for good or
for evil. The cause of this was, that I was of a stiff, moody, and
violent temper; so much so that I remember going once into the
attics of my grandfather's house at Penrith, upon some indignity
having been put upon me, with an intention of destroying myself with
one of the foils, which I knew was kept there. I took the foil in
hand, but my heart failed. Upon another occasion, while I was at my
grandfather's house at Penrith, along with my eldest brother, Richard,
we were whipping tops together in the large drawing-room, on which
the carpet was only laid down upon particular occasions. The walls
were hung round with family pictures, and I said to my brother,
'Dare you strike your whip through that old lady's petticoat?' He
replied, 'No, I won't.' 'Then', said I, 'here goes!' and I struck my
lash through her hooped petticoat; for which, no doubt, though I have
forgotten it, I was properly punished. But, possibly from some want
of judgment in punishments inflicted, I had become perverse and
obstinate in defying chastisement, and rather proud of it than
otherwise."

"Of my earliest days at school I have little to say, but that they
were very happy ones, chiefly because I was left at liberty then,
and in the vacations, to read whatever books I liked. For example, I
read all Fielding's works, _Don Quixote, Gil Bias_, and any part of
Swift that I liked--_Gulliver's Travels_, and the _Tale of the Tub_,
being both much to my taste. It may be, perhaps, as well to mention,
that the first verses which I wrote were a task imposed by my master;
the subject, _The Summer Vacation_; and of my own accord I added
others upon _Return to School_. There was nothing remarkable in
either poem; but I was called upon, among other scholars, to write
verses upon the completion of the second centenary from the
foundation of the school in 1585 by Archbishop Sandys. These verses
were much admired--far more than they deserved, for they were but a
tame imitation of Pope's versification, and a little in his style."

But it was not from exercises of this kind that Wordsworth's
school-days drew their inspiration. No years of his life, perhaps,
were richer in strong impressions; but they were impressions derived
neither from books nor from companions, but from the majesty and
loveliness of the scenes around him;--from Nature, his life-long
mistress, loved with the first heats of youth. To her influence we
shall again recur; it will be most convenient first to trace
Wordsworth's progress through the curriculum of ordinary education.

It was due to the liberality of Wordsworth's two uncles, Richard
Wordsworth and Christopher Crackanthorp (under whose care he and his
brothers were placed at there father's death, in 1783), that his
education was prolonged beyond his school-days. For Sir James
Lowther, afterwards Lord Lonsdale,--whose agent Wordsworth's father,
Mr. John Wordsworth, was--becoming aware that his agent had about
5000L at the bank, and wishing, partly on political grounds, to
make his power over him absolute, had forcibly borrowed this sum of
him, and then refused to repay it. After Mr. John Wordsworth's death
much of the remaining fortune which he left behind him was wasted in
efforts to compel Lord Lonsdale to refund this sum; out it was never
recovered till his death in 1801, when his successor repaid 8500L
to the Wordsworths, being a full acquittal, with interest, of
the original debt. The fortunes of the Wordsworth family were,
therefore, at a low ebb in 1787, and much credit is due to the
uncles who discerned the talents of William and Christopher, and
bestowed a Cambridge education on the future Poet Laureate, and the
future Master of Trinity.

In October, 1787, then, Wordsworth went up as an undergraduate to St.
John's College, Cambridge. The first court of this College, in the
south-western corner of which were Wordsworth's rooms, is divided
only by a narrow lane from the Chapel of Trinity College, and his
first memories are of the Trinity clock, telling the hours "twice
over, with a male and female voice", of the pealing organ, and of
the prospect when

From my pillow looking forth, by light
Of moon or favouring stars I could behold
The antechapel, where the statue stood
Of Newton with his prism and silent face.
The marble index of a mind for ever
Voyaging through strange seas of Thought, alone.

For the most part the recollections which Wordsworth brought away
from Cambridge are such as had already found expression more than
once in English literature; for it has been the fortune of that
ancient University to receive in her bosom most of that long line of
poets who form the peculiar glory of our English speech. Spenser,
Ben Jonson, and Marlowe; Dryden, Cowley, and Waller; Milton, George
Herbert, and Gray--to mention only the most familiar names--had owed
allegiance to that mother who received Wordsworth now, and Coleridge
and Byron immediately after him. "Not obvious, not obtrusive, she;"
but yet her sober dignity has often seemed no unworthy setting for
minds, like Wordsworth's, meditative without languor, and energies
advancing without shock or storm. Never, perhaps, has the spirit of
Cambridge been more truly caught than in Milton's _Penseroso_; for
this poem obviously reflects the seat of learning which the poet had
lately left, just as the _Allegro_ depicts the cheerful rusticity of
the Buckinghamshire village which was his now home. And thus the
_Penseroso_ was understood by Gray, who, in his _Installation Ode_,
introduces Milton among the bards and sages who lean from heaven,

To bless the place where, on their opening soul,
First the genuine ardour stole.

"'Twas Milton struck the deep-toned shell," and invoked with the old
affection the scenes which witnessed his best and early years:

Ye brown o'er-arching groves,
That contemplation loves,
Where willowy Camus lingers with delight!
Oft at the blush of dawn

I trod your level lawn.
Oft wooed the gleam of Cynthia silver-bright
In cloisters dim, far from the haunts of Folly,
With Freedom by my side, and soft-eyed Melancholy.

And Wordsworth also "on the dry smooth-shaven green" paced on
solitary evenings "to the far-off curfew's sound," beneath those
groves of forest-trees among which "Philomel still deigns a song"
and the spirit of contemplation lingers still; whether the silent
avenues stand in the summer twilight filled with fragrance of the
lime, or the long rows of chestnut engirdle the autumn river-lawns
with walls of golden glow, or the tall elms cluster in garden or
_Wilderness_ into towering citadels of green. Beneath one
exquisite ash-tree, wreathed with ivy, and hung in autumn with
yellow tassels from every spray, Wordsworth used to linger long
"Scarcely Spenser's self," he tells us,

Could have more tranquil visions in his youth,
Or could more bright appearances create
Of human forms with superhuman powers,
Than I beheld loitering on calm clear nights
Alone, beneath this fairy work of earth.

And there was another element in Wordsworth's life at Cambridge more
peculiarly his own--that exultation which a boy born among the
mountains may feel when he perceives that the delight in the
external world which the mountains have taught him has not perished
by uprooting, nor waned for want of nourishment in field or fen; that
even here, where nature is unadorned, and scenery, as it were,
reduced to its elements,--where the prospect is but the plain
surface of the earth, stretched wide beneath an open heaven,--even
here he can still feel the early glow, can take delight in that
broad and tranquil greenness, and in the august procession of the day.

As if awakened, summoned, roused, constrained,
I looked for universal things; perused
The common countenance of earth and sky--
Earth, nowhere unembellished by some trace
Of that first Paradise whence man was driven;
And sky, whose beauty and bounty are expressed
By the proud name she bears--the name of Heaven.

Nor is it only in these open-air scenes that Wordsworth has added to
the long tradition a memory of his own. The "storied windows richly
dight," which have passed into a proverb in Milton's song, cast in
King's College Chapel the same "soft chequerings" upon their
framework of stone while Wordsworth watched through the pauses of
the anthem the winter afternoon's departing glow:

Martyr, or King, or sainted Eremite,
Whoe'er ye be that thus, yourselves unseen,
Imbue your prison-bars with solemn sheen,
Shine on, until ye fade with coming Night.

From those shadowy seats whence Milton had heard "the pealing organ
blow to the full-voiced choir below," Wordsworth too gazed upon--

That branching roof
Self-poised, and scooped into ten thousand cells
Where light and shade repose, where music dwells
Lingering, and wandering on as both to die--
Like thoughts whose very sweetness yieldeth proof
That they were born for immortality.

Thus much, and more, there was of ennobling and unchangeable in the
very aspect and structure of that ancient University, by which
Wordsworth's mind was bent towards a kindred greatness. But of
active moral and intellectual life there was at that time little to
be found within her walls. The floodtide of her new life had not yet
set in: she was still slumbering, as she had slumbered long, content
to add to her majesty by the mere lapse of generations, and
increment of her ancestral calm. Even had the intellectual life of
the place been more stirring, it is doubtful how far Wordsworth
would have been welcomed, or deserved, to be welcomed, by
authorities or students. He began residence at seventeen, and his
northern nature was late to flower. There seems, in fact, to have
been even less of visible promise about him than we should have
expected; but rather something untamed and insubordinate, something
heady and self-confident; an independence that seemed only rusticity,
and an indolent ignorance which assumed too readily the tones of
scorn. He was as yet a creature of the lakes and mountains, and love
for Nature was only slowly leading him to love and reverence for man.
Nay, such attraction as he had hitherto felt for the human race had
been interwoven with her influence in a way so strange that to many
minds it will seem a childish fancy not worth recounting. The
objects of his boyish idealization had been Cumbrian shepherds--a
race whose personality seems to melt into Nature's--who are united
as intimately with moor and mountain as the petrel with the sea.

A rambling schoolboy, thus
I felt his presence in his own domain
As of a lord and master--or a power,
Or genius, under Nature, under God;
Presiding; and severest solitude
Had more commanding looks when he was there.
When up the lonely brooks on rainy days
Angling I went, or trod the trackless hills
By mists bewildered, suddenly mine eyes
Have glanced upon him distant a few steps,
In size a giant, stalking through thick fog,
His sheep like Greenland bears; or, as he stepped
Beyond the boundary line of some hill-shadow,
His form hath flashed upon me, glorified
By the deep radiance of the setting sun;
Or him have I descried in distant sky,
A solitary object and sublime,
Above all height! Like an aerial cross
Stationed alone upon a spiry rock
Of the Chartreuse, for worship. Thus was man
Ennobled outwardly before my sight;
And thus my heart was early introduced
To an unconscious love and reverence
Of human nature; hence the human form
To me became an index of delight,
Of grace and honour, power and worthiness.

"This sanctity of Nature given to man,"--this interfusion of human
interest with the sublimity of moor and hill,--formed a typical
introduction to the manner in which Wordsworth regarded mankind to
the end,--depicting him as set, as it were, amid impersonal
influences, which make his passion and struggle but a little thing;
as when painters give but a strip of their canvas to the fields and
cities of men, and overhang the narrowed landscape with the space
and serenity of heaven.

To this distant perception of man--of man "purified, removed, and to
a distance that was fit"--was added, in his first summer vacation, a
somewhat closer interest in the small joys and sorrows of the
villagers of Hawkshead,--a new sympathy for the old Dame in whose
house the poet still lodged, for "the quiet woodman in the woods,"
and even for the "frank-hearted maids of rocky Cumberland," with
whom he now delighted to spend an occasional evening in dancing and
country mirth. And since the events in this poet's life are for the
most part inward and unseen, and depend upon some stock and
coincidence between the operations of his spirit and the cosmorama
of the external world, he has recorded with especial emphasis a
certain sunrise which met him as he walked homewards from one of
these scenes of rustic gaiety,--a sunrise which may be said to have
begun that poetic career which a sunset was to close:

Ah! Need I say, dear Friend! That to the brim
My heart was full; I made no vows, but vows
Were then made for me; bond unknown to me
Was given, that I should be, else sinning greatly,
A dedicated Spirit.

His second long vacation brought him a further gain in human
affections. His sister, of whom he had seen little for some years,
was with him once more at Penrith, and with her another maiden,

By her exulting outside look of youth
And placid under-countenance, first endeared;

whose presence now laid the foundation of a love which was to be
renewed and perfected when his need for it was full, and was to be
his support and solace to his life's end. His third long vacation he
spent in a walking tour in Switzerland. Of this, now the commonest
relaxation of studious youth, he speaks as of an "unprecedented
course," indicating "a hardy slight of college studies and their set
rewards." And it seems, indeed, probable that Wordsworth and his
friend Jones were actually the first undergraduates who ever spent
their summer in this way. The pages of the _Prelude_ which narrate
this excursion, and especially the description of the crossing of
the Simplon,--

The immeasurable height
Of woods decaying, never to be decayed,--

form one of the most impressive parts of that singular
autobiographical poem, which, at first sight so tedious and insipid,
seems to gather force and meaning with each fresh perusal. These
pages, which carry up to the verge of manhood the story of
Wordsworth's career, contain, perhaps, as strong and simple a
picture as we shall anywhere find of hardy English youth,--its proud
self-sufficingness and careless independence of all human things.
Excitement, and thought, and joy, seem to come at once at its bidding;
and the chequered and struggling existence of adult men seems
something which it need never enter, and hardly deigns to comprehend.

Wordsworth and his friend encountered on this tour many a stirring
symbol of the expectancy that was running through the nations of
Europe. They landed at Calais "on the very eve of that great federal
day" when the Trees of Liberty were planted all over France. They
met on their return

The Brabant armies on the fret
For battle in the cause of liberty.

But the exulting pulse that ran through the poet's veins could
hardly yet pause to sympathize deeply even with what in the world's
life appealed most directly to ardent youth.

A stripling, scarcely of the household then
Of social life, I looked upon these things
As from a distance; heard, and saw, and felt--
Was touched, but with no intimate concern.
I seemed to move along them as a bird
Moves through the air--or as a fish pursues
Its sport, or feeds in its proper element.
I wanted not that joy, I did not need
Such help. The ever-living universe,
Turn where I might, was opening out its glories;
And the independent spirit of pure youth
Called forth at every season new delights,
Spread round my steps like sunshine o'er green fields.




CHAPTER II.


RESIDENCE IN LONDON AND IN FRANCE.

Wordsworth took his B.A. degree in January, 1791, and quitted
Cambridge with no fixed intentions as to his future career.
"He did not feel himself," he said long afterwards, "good enough for
the Church; he felt that his mind was not properly disciplined for
that holy office, and that the struggle between his conscience and
his impulses would have made life a torture. He also shrank from the
law. He had studied military history with great interest, and the
strategy of war; and he always fancied that he had talents for
command; and he at one time thought of a military life; but then he
was without connexions, and he felt if he were ordered to the West
Indies his talents would not save him from the yellow fever, and he
gave that up." He therefore repaired to London, and lived there for
a time on a small allowance and with no definite aim. His relations
with the great city were of a very slight and external kind. He had
few acquaintances, and spent his time mainly in rambling about the
streets. His descriptions of this phase of his life have little
interest. There is some flatness in an enumeration of the
nationalities observable in a London crowd, concluding thus:--

Malays, Lascars, the Tartar, the Chinese,
And Negro Ladies in white muslin gowns.

But Wordsworth's limitations were inseparably connected with his
strength. And just as the flat scenery of Cambridgeshire had only
served to intensify his love for such elements of beauty and
grandeur as still were present in sky and fen, even so the
bewilderment of London taught him to recognize with an intenser joy
such fragments of things rustic, such aspects of things eternal, as
were to be found amidst that rush and roar. To the frailer spirit of
Hartley Coleridge the weight of London might seem a load impossible
to shake off. "And what hath Nature," he plaintively asked,--

And what hath Nature but the blank void sky
And the thronged river toiling to the main?

But Wordsworth saw more than this. He became, as one may say, the
poet not of London considered as London, but of London considered as
a part of the country. Like his own _Farmer of Tilsbury Vale_--

In the throng of the Town like a Stranger is he,
Like one whose own Country's far over the sea;
And Nature, while through the great city be hies,
Full ten times a day takes his heart by surprise.

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13

Elliott Kastner obituary

John Makinson says that if people want to read using new technology, that's what publishers must give them

Penguin this week celebrates its 75th year and is marking the anniversary by repackaging a series of seminal books from the 1960s to the 1980s. Although the company might afford itself a brief look backwards, it feels as though there is little room for nostalgia in book publishing now, as the industry turns its face firmly – and apprehensively – to the future.

Amazon last week announced sales of ebooks on its US site had outnumbered hardbacks for the first time, stunning casual observers, even if it had not been entirely unexpected in the trade.

The launch of the iPad has added a sense of urgency. Where music went first, books are set to follow, although Penguin and other publishers would hope without the same devastating effects. Amazon this week launched a cheaper, more lightweight version of its Kindle ebook reader and a digital store on its UK site, while others, including Google, are muscling in. Digital book sales are still less than 1% of Penguin, but the direction of the market is clear. In the US, digital books already account for 6% of consumer sales.

Penguin chief executive John Makinson says he is a convert. The day after we meet he is on his way to India, as part of David Cameron's delegation, and had loaded titles on to his iPad, including a manuscript by John le Carré and some Portuguese classics (in English) ahead of Penguin launching a range in Brazil. He is also reading Lord Mandelson's diary. It simply makes sense, he says, instead of carting an armful of books in your carry-on luggage.

Innovation

"It does redefine what we do as publishers and I feel, compared with most of my counterparts, more optimistic about what this means for us," he says. "Of course there are issues around copyright protection and there are worries around pricing and around piracy, royalty rates and so on, but there is also this huge opportunity to do more as publishers."

Publishing, he says, must embrace innovation: "I am keen on the idea that every book that we put on to an iPad has an author interview, a video interview, at the beginning. I have no idea whether this is a good idea or not. There has to be a culture of experimentation, which doesn't come naturally to book publishers. We publish a lot of historians, for example. They love the idea of using documentary footage to illustrate whatever it is they're writing about."

The very definition of a book is up for grabs he says, although the company has just published a version of Ken Follett's The Pillars of the Earth for the iPad in the US that might provide clues – and horrify traditionalists. It includes scenes from a TV adaptation embedded in the text, as well as extras including the show's music soundtrack and Follett's video diary during the making of the series.

For now, Makinson says, digital books are expanding the market; hardback sales in the US are up this year, despite the march of ebooks. Piracy is not yet a significant issue and lessons have been learned from the music business.

"You have to give the consumer what the consumer wants – you can't tell the consumer to go away. So we didn't participate in this experiment where a number of publishers deferred publication of the ebook until a certain number of months after the hardcover publication. I thought that was a very bad idea. If the consumer wants to buy a book in an electronic format now, you should let the consumer have it."

He has added confidence, because with tablets such as the iPad, consumers are used to paying a subscription to the wireless operator and for "apps", creating a more benign environment than the wild west of the PC, where users are used to getting everything for free.

Penguin's profits more than doubled to £44m in the first half of the year. The company gained market share, but one reason for the dramatic improvement was the outsourcing of some design and production to India last year; the company now has around 100 designers in Delhi making books for Dorling Kindersley, belying the idea that Britain can at least live off its creative industries. Makinson defends the decision and says DK is now back in profit, which means it can reinvest in Britain: "We can't pretend we can do everything here. In order to be internationally competitive, some work needs to be done in other places."

About 8% of the publisher's sales are from its classics, including Jane Austen and Charles Dickens, and revenues are still growing, despite much of the copyright being in the public domain. It is launching the range in Mandarin, Korean and Portuguese. But it is not all highbrow. What would Penguin's founder, Sir Allen Lane, whose aim was to publish quality paperbacks for the masses, have made of Penguin putting out books "by" Peter Andre or Ant & Dec?

"Allen Lane's view was that we should publish good writing of all kinds for all audiences at affordable prices," Makinson says. "I'm not saying he would necessarily have approved every single publishing decision we take, but would he have approved of Penguin being a very democratic publishing company, publishing for lots of different tastes? I think he would definitely have approved."

Makinson has long been mentioned as a successor to Dame Marjorie Scardino, who runs Pearson, Penguin's parent company. Her departure has been a perennial question, though she has defied the investment community's chattering classes by staying in her post for well over a decade. She has also confounded expectations by keeping Penguin and the Financial Times in a group dominated by educational publishing. Makinson says it now makes more sense than ever for Penguin to remain part of the group, as the digital era draws each division closer.

He says there will still be the need for publishers in the digital world: "I used to have this discussion with [Hitchhiker's Guide to the Galaxy author] Douglas Adams. He created this thing called the digital village, an online publishing platform. Douglas's argument was, 'all of my friends will come along and publish on digital village and you the publishers will be disintermediated, you will be irrelevant'. Well, it hasn't happened. I am not aware of any successful direct to consumer publishing model that exists.

"The reason it doesn't work is that the publishers do actually perform quite a useful service: they edit the book, then they publicise it." In the physical world, they make sure it is stocked in bookshops, he adds.

Clubbable

Makinson, 55, perhaps feels more adaptable than some of his counterparts because he arrived at Penguin as an outsider. A clubbable character, he has taken an unusual career path, from a journalist on the Financial Times, to working for the Saatchis, setting up his own investment consultancy, running the Financial Times and then becoming Pearson finance director, despite having no training as an accountant.

But his passion for books is evident. Five years ago, he and his brother bought a bookshop in the small Norfolk town of Holt. For an out-of-the-way independent, the Holt Bookshop attracts a starry line-up of authors for events, including Stephen Fry, due to talk about his new autobiography, which, perhaps not surprisingly, is published by Penguin.

"We are all terribly sentimental about books," Makinson insists. "It is terribly important to me that we sell lots of wonderful books in my little independent in Norfolk, and when I talk about digital I do sometimes worry that it looks as though I am neglecting all this," he points to the books on the shelves behind him, "which I am not."

CV

Born: 1954, Derby.

Education: Graduated from Cambridge with honours in English and History.

Career: 1976-1979, journalist, Reuters; 1979-1986, journalist, Financial Times; 1986-1989, vice-chairman, Saatchi & Saatchi; 1989-1994, co-founder of capital markets advisory firm Makinson Cowell; 1994-1996, managing director, Financial Times; 1996-2002, finance director, Pearson; 2002-present, chairman and chief executive Penguin Books.

Other interests: chairman of the Institute for Public Policy Research, a director of the National Theatre and of the International Rescue Committee, a humanitarian organisation.

Family: Married with two daughters.


guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

The nostalgia narrative now aches to a different tune | John Freeman

Late-flowering writer of biographies and children's books

Verily Anderson, who has died aged 95, published more than 30 books – memoirs, biographies, children's stories and work ranging from personal reminiscences to Shakespeare scholarship and 10 Brownie books. She was a late starter: her breakthrough as a writer came in 1956, at the age of 41, when she published Spam Tomorrow, a deft and frequently uproarious account of her wartime experiences on the home front. Critics hailed it as a new kind of memoir, one of the first to explore the lives of women in wartime.

Before the success of Spam Tomorrow, she led a life that was colourful but frequently impecunious. Born in Edgbaston, Birmingham, the fourth of five children of the Rev Rosslyn Bruce and his wife Rachel (nee Gurney), Verily was always certain that she wanted to be a writer. As children, she and her brothers edited and wrote a nursery magazine which they called the News of the World. Verily's haphazard schooling ranged from a few years at Edgbaston high school for girls to being taught at home by her mother, to a brief and unsuccessful stint at the Royal College of Music in London. She said she worked at "100 different jobs" (including writing advertising copy, illustrating sweet papers and working as a chauffeur) before the outbreak of the second world war, when she enlisted with the First Aid Nursing Yeomanry, on the grounds that if there were going to be a war, it would be "less frightening to be in the middle of things".

During the war she met Donald Anderson, a writer who specialised in military history. They married in 1940 and had five children. With his encouragement, she made a precarious living as a freelance writer, while papering her lavatory walls with rejection slips received from publishers for her book projects. Her persistence was at last rewarded with the success of Spam Tomorrow – and a further half-decade on the bestseller lists. These years included a film adaptation of her 1958 memoir, Beware of Children, called No Kidding and starring Leslie Phillips and Geraldine McEwan (1960).

Donald died in 1956, and by the mid-60s Verily was again struggling financially. She was rescued by the actor Joyce Grenfell. They had struck up a friendship when Verily interviewed Grenfell for the BBC. Grenfell was so shocked at the conditions she found Verily living in that she bought her a home in Northrepps, a village in Norfolk, where she stayed for the rest of her life, writing dozens more books (including the critically acclaimed The Northrepps Grandchildren in 1968) and glorying in the role of matriarch to an ever-expanding family of children, grandchildren and great-grandchildren. When Verily married Paul Paget, architect and surveyor to the fabric of St Paul's Cathedral, in 1971, Grenfell was matron of honour.

In 2008 I conducted what turned out to be Verily's last interview. Letting myself in after some fruitless bell-ringing, I followed the sounds of a piano to her study door. "Oh my dear," she said, looking up at my knock. "There you are. Now – shall we have a gin, before we start?"

I had already heard all about Verily through her daughter, my friend the writer Janie Hampton, and so had a good idea what to expect. Janie's main piece of advice on hearing that we were going to meet was: "Whatever you do, don't let her pick you up from the station – she's half-blind." She also said: "Don't eat any of the cake she offers. She's always got some, and it's always about five weeks old."

Verily did have cake and it was past its best – but Verily definitely was not. She regaled me with anecdotes. I came away with the image of a woman with a twinkle in her eye, who after eight decades of writing was still full of energy and enthusing about her latest project. This – a memoir of the time she spent at Herstmonceux Castle, Sussex, in the 1930s and 40s – was completed the day before she died.

Verily is survived by her children, Marian, Rachel, Eddie, Janie and Alexandra, 16 grandchildren, 14 great-grandchildren – and Alfie, her beloved RNIB guide-dog.

• Verily Anderson, writer, born 12 January 1915, died 16 July 2010


guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Tom Stoppard returns to BBC with Ford Madox Ford adaptation

The American literary genre of you can't go home again – that fertile ground farmed by Faulkner, Twain and Kerouac – has in the last half-century found a new voice abroad

At six foot, six inches tall, Thomas Wolfe had trouble entering most rooms. But he also had a problem with going back through them, especially if they led to the past. He had told too many truths – and too many lies – about where he came from in North Carolina.

In his posthumous 1940 novel, You Can't Go Home Again, he gave Americans a literary catchphrase for the pain so many of us who wind up far from where we grew up feel acutely.

After all, in the case of many Americans, if you leave the provinces only to return home, you are marked as a failure. At the very least, you run the risk of finding that flight has spoiled any fond memories you managed to smuggle out.

Think of the successful ad-man hero of John Updike's The Farm, who returns to his family's crumbling Pennsylvania farm for an emotionally fraught visit, or Quentin Compson of William Faulkner's Absalom, Absalom, shivering in his dorm room at Harvard, who begins his defence of the American south with the ringing endorsement, "I don't hate it ... I don't hate it."

This thread of conflicted nostalgia is strongest in America's most autobiographical novelists, especially the ones who had to leave to write but continuously dial back the past in their work: writers such as Jack Kerouac, who frantically travelled America, but wrote most of his later books about Lowell, while living with his mother in Queens and Florida.

Then there's Mark Twain, whose autobiography appears in the new issue of Granta, who rose out of Missouri and saw the world, but settled in Hartford, Connecticut in a white mansion that everyone around him could see looked exactly like a river steamboat.

But like so many things America feels it has invented, from democracy to baseball, the you-can-never-go-home again narrative is hardly unique to it. In fact, in the last half-century (and especially in the last 20 years, as diaspora writers from the Dominican Republic to Nigeria to India and Pakistan have emerged as some of our most vigorous storytellers), nostalgia – which is a combination of "returning home" and "ache" – has taken on a different texture.

In Granta's new issue, there's a story by the Sudanese writer Leila Aboulela, about a young man who has come to London from Khartoum to study mathematics. His mother, who worries he will never return, arranges for him to marry a devout Muslim wife – a move which backfires when she comes to London and reminds him of everything he left behind. Chimamanda Adichie, meanwhile, has a story about a Nigerian "big man" whose life is turned upside down when his ex-girlfriend announces she has come back to Lagos. As he speculates about the reasons for her return, Adichie's hero worries whether he has sacrificed something essential in his rise to the top.

In stories like these, not to mention the novels of Monica Ali or Kiran Desai or Uzma Aslam Khan, the export duty to elsewhere is high. The past isn't just the past – it's another country. And for reasons political and personal, there is no going back.


guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Copyright (c) 2007. booksboost.com. All rights reserved.