A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

Rose and Roof Tree by George Parsons Lathrop

G >> George Parsons Lathrop >> Rose and Roof Tree

Pages:
1 | 2 | 3


Produced by Michelle Shephard, Eric Eldred, Charles Franks
and the Online Distributed Proofreading Team.




ROSE AND ROOF-TREE:

POEMS



by

GEORGE PARSONS LATHROP




[Illustration: JESSAMINE]




Upon the enchanted ladder of his rhymes,
Round after round and patiently
The poet ever upward climbs.




_DEDICATION_.

_I need give my verse no hint as to whom it sings for. The rose,
knowing her own right, makes servitors of the light-rays to carry her
color. So every line here shall in some sense breathe of thee, and in
its very face bear record of her whom, however unworthily, it seeks to
serve and honor._




CONTENTS.


WINDFALLS.

ROSE AND ROOF-TREE
MUSIC OF GROWTH
A SONG LONG AGO
MELANCHOLY
CONTENTMENT


PART FIRST.

AN APRIL ARIA
THE BOBOLINK
THE SUN-SHOWER
JUNE LONGINGS
A RUNE OF THE RAIN
THE SONG-SPARROW
FAIRHAVEN BAY
CHANT FOR AUTUMN
BEFORE THE SNOW
THE GHOSTS OF GROWTH
THE LILY-POND


PART SECOND.

FIRST GLANCE
"THE SUNSHINE OF THINE EYES"
"WHEN, LOOKING DEEPLY IN THY FACE"
WITHIN A YEAR
THE SINGING WIRE
MOODS OF LOVE:
I. In Absence
II. Heart's Fountain
III. South-Wind Song
IV. The Lover's Year
V. New Worlds
VI. Wedding-Night
LOVE'S DEFEAT
MAY AND MARRIAGE
THE FISHER OF THE CAPE
SAILOR'S SONG
JESSAMINE
GRIEF'S HERO
A FACE IN THE STREET
THE BATHER
HELEN AT THE LOOM
"O WHOLESOME DEATH"
BURIAL-SONG FOR SUMNER
ARISE, AMERICAN!
THE SILENT TIDE




WINDFALLS.


ROSE AND ROOF-TREE.

O wayward rose, why dost thou wreathe so high,
Wasting thyself in sweet-breath'd ecstasy?

"The pulses of the wind my life uplift,
And through my sprays I feel the sunlight sift;

"And all my fibres, in a quick consent
Entwined, aspire to fill their heavenward bent.

"I feel the shaking of the far-off sea,
And all things growing blend their life with me:

"When men and women on me look, there glows
Within my veins a life not of the rose.

"Then let me grow, until I touch the sky,
And let me grow and grow until I die!"

So, every year, the sweet rose shooteth higher,
And scales the roof upon its wings of fire,

And pricks the air, in lovely discontent,
With thorns that question still of its intent.

But when it reached the roof-tree, there it clung,
Nor ever farther up its blossoms flung.

O wayward rose, why hast thou ceased to climb?
Hast thou forgot the ardor of thy prime?

"O hearken!"--thus the rose-spray, listening,--
"With what weird music sweet these full hearts ring!

"What mazy ripples of deep, eddying sound,
Rise, touch the roof-tree old, and drift around,

"Bearing aloft the burden musical
Of joys and griefs from human hearts that fall!

"Green stem and fair, flush'd circle I will lay
Along the roof, and listen here alway;

"For rose and tree, and every leafy growth
That toward the sky unfolds with spiry blowth,

"No purpose hath save this, to breathe a grace
O'er men, and in men's hearts to seek a place.

"Therefore, O poet, thou who gav'st to me
The homage of thy humble sympathy,

"No longer vest thy verse in rose-leaves frail:--
Let the heart's voice loud through thy paan wail!"

* * * * *

Lo, at my feet the wind of autumn throws
A hundred turbulent blossoms of the rose,

Full of the voices of the sea and grove
And air, and full of hidden, murmured love,

And warm with passion through the roof-tree sent;
Dew-drenched with tears;--all in one wild gush spent!



MUSIC OF GROWTH.

Music is in all growing things;
And underneath the silky wings
Of smallest insects there is stirred
A pulse of air that must be heard.
Earth's silence lives, and throbs, and sings.

If poet from the vibrant strings
Of his poor heart a measure flings,
Laugh not, that he no trumpet blows:
It may be that Heaven hears and knows
His language of low listenings.



A SONG LONG AGO.

Through the pauses of thy fervid singing
Fell crystal sound
That thy fingers from the keys were flinging
Lightly around:
I felt the vine-like harmonies close clinging
About my soul;
And to my eyes, as fruit of their sweet bringing,
The full tear stole!



MELANCHOLY.


Daughter of my nobler hope
That dying gave thee birth,
Sweet Melancholy!
For memory of the dead,
In her dear stead,
'Bide thou with me,
Sweet Melancholy!
As purple shadows to the tree,
When the last sun-rays sadly slope
Athwart the bare and darkening earth,
Art thou to me,
Sweet Melancholy!



CONTENTMENT.

Glad hours have been when I have seen
Life's scope and each dry day's intent
United; so that I could stand
In silence, covering with my hand
The circle of the universe,
Balance the blessing and the curse,
And trust in deeds without chagrin,
Free from to-morrow and yesterday--content.




PART FIRST.


AN APRIL ARIA.

When the mornings dankly fall
With a dim forethought of rain,
And the robins richly call
To their mates mercurial,
And the tree-boughs creak and strain
In the wind;
When the river's rough with foam,
And the new-made clearings smoke,
And the clouds that go and come
Shine and darken frolicsome,
And the frogs at evening croak
Undefined
Mysteries of monotone,
And by melting beds of snow
Wind-flowers blossom all alone;
Then I know
That the bitter winter's dead.
Over his head
The damp sod breaks so mellow,--
Its mosses tipped with points of yellow,--
I cannot but be glad;
Yet this sweet mood will borrow
Something of a sweeter sorrow,
To touch and turn me sad.



THE BOBOLINK.

How sweetly sang the bobolink,
When thou, my Love, wast nigh!
His liquid music from the brink
Of some cloud-fountain seemed to sink,
Built in the blue-domed sky.

How sadly sings the bobolink!
No more my Love is nigh:
Yet rise, my spirit, rise, and drink
Once more from that cloud-fountain's brink,--
Once more before I die!



THE SUN-SHOWER.

A penciled shade the sky doth sweep,
And transient glooms creep in to sleep
Amid the orchard;
Fantastic breezes pull the trees
Hither and yon, to vagaries
Of aspect tortured.

Then, like the downcast dreamy fringe
Of eyelids, when dim gates unhinge
That locked their tears,
Falls on the hills a mist of rain,--
So faint, it seems to fade again;
Yet swiftly nears.

Now sparkles the air, all steely-bright,
With drops swept down in arrow-flight,
Keen, quivering lines.
Ceased in a breath the showery sound;
And teasingly, now, as I look around,
Sweet sunlight shines!



JUNE LONGINGS.

Lo, all about the lofty blue are blown
Light vapors white, like thistle-down,
That from their softened silver heaps opaque
Scatter delicate flake by flake,
Upon the wide loom of the heavens weaving
Forms of fancies past believing,
And, with fantastic show of mute despair,
As for some sweet hope hurt beyond repair,
Melt in the silent voids of sunny air.

All day the cooing brooklet runs in tune:
Half sunk i' th' blue, the powdery moon
Shows whitely. Hark, the bobolink's note! I hear it,
Far and faint as a fairy spirit!
Yet all these pass, and as some blithe bird, winging,
Leaves a heart-ache for his singing,
A frustrate passion haunts me evermore
For that which closest dwells to beauty's core.
O Love, canst thou this heart of hope restore?



A RUNE OF THE RAIN.

I.

O many-toned rain!
O myriad sweet voices of the rain!
How welcome is its delicate overture
At evening, when the glowing-moistur'd west
Seals all things with cool promise of night's rest!

At first it would allure
The earth to kinder mood,
With dainty flattering
Of soft, sweet pattering:
Faintly now you hear the tramp
Of the fine drops falling damp
On the dry, sun-seasoned ground
And the thirsty leaves around.
But anon, imbued
With a sudden, bounding access
Of passion, it relaxes
All timider persuasion,
And, with nor pretext nor occasion,
Its wooing redoubles;
And pounds the ground, and bubbles
In sputtering spray,
Flinging itself in a fury
Of flashing white away;
Till the dusty road
Flings a perfume dank abroad,
And the grass, and the wide-hung trees,
The vines, the flowers in their beds,
The vivid corn that to the breeze
Rustles along the garden-rows,
Visibly lift their heads,--
And, as the shower wilder grows,
Upleap with answering kisses to the rain.

Then, the slow and pleasant murmur
Of its subsiding,
As the pulse of the storm beats firmer,
And the steady rain
Drops into a cadenced chiding.
Deep-breathing rain,
The sad and ghostly noise
Wherewith thou dost complain,--
Thy plaintive, spiritual voice,
Heard thus at close of day
Through vaults of twilight-gray,--
Doth vex me with sweet pain!
And still my soul is fain
To know the secret of that yearning
Which in thine utterance I hear returning.

Hush, oh hush!
Break not the dreamy rush
Of the rain:
Touch not the marring doubt
Words bring, to the certainty
Of its soft refrain,
But let the flying fringes flout
Their gouts against the pane,
And the gurgling throat of the water-spout
Groan in the eaves amain.

The earth is wedded to the shower.
Darkness and awe, gird round the bridal-hour!


II.

O many-toned rain!
It hath caught the strain
Of a wilder tune,
Ere the same night's noon,
When dreams and sleep forsake me,
And sudden dread doth wake me,
To hear the booming drums of heaven beat
The long roll to battle; when the knotted cloud,
With an echoing loud,
Bursts asunder
At the sudden resurrection of the thunder;
And the fountains of the air,
Unsealed again sweep, ruining, everywhere,
To wrap the world in a watery winding-sheet.


III.

O myriad sweet voices of the rain!
When the airy war doth wane,
And the storm to the east hath flown,
Cloaked close in the whirling wind,
There's a voice still left behind
In each heavy-hearted tree,
Charged with tearful memory
Of the vanished rain:
From their leafy lashes wet
Drip the dews of fresh regret
For the lover that's gone!
All else is still.
But the stars are listening;
And low o'er the wooded hill
Hangs, upon listless wing
Outspread, a shape of damp, blue cloud,
Watching, like a bird of evil
That knows no mercy nor reprieval,
The slow and silent death of the pallid moon.


IV.

But soon, returning duly,
Dawn whitens the wet hill-tops bluely.
To her vision pure and cold
The night's wild tale is told
On the glistening leaf, in the mid-road pool,
The garden mold turned dark and cool,
And the meadow's trampled acres.
But hark, how fresh the song of the winged music-makers!
For now the moanings bitter,
Left by the rain, make harmony
With the swallow's matin-twitter,
And the robin's note, like the wind's in a tree:
The infant morning breathes sweet breath,
And with it is blent
The wistful, wild, moist scent
Of the grass in the marsh which the sea nourisheth:
And behold!
The last reluctant drop of the storm,
Wrung from the roof, is smitten warm
And turned to gold;
For in its veins doth run
The very blood of the bold, unsullied sun!



THE SONG-SPARROW.

Glimmers gray the leafless thicket
Close beside my garden gate,
Where, so light, from post to picket
Hops the sparrow, blithe, sedate;
Who, with meekly folded wing,
Comes to sun himself and sing.

It was there, perhaps, last year,
That his little house he built;
For he seems to perk and peer,
And to twitter, too, and tilt
The bare branches in between,
With a fond, familiar mien.

Once, I know, there was a nest,
Held there by the sideward thrust
Of those twigs that touch his breast;
Though 'tis gone now. Some rude gust
Caught it, over-full of snow,--
Bent the bush,--and robbed it so

Thus our highest holds are lost,
By the ruthless winter's wind,
When, with swift-dismantling frost,
The green woods we dwelt in, thinn'd
Of their leafage, grow too cold
For frail hopes of summer's mold.

But if we, with spring-days mellow,
Wake to woeful wrecks of change,
And the sparrow's ritornello
Scaling still its old sweet range;
Can we do a better thing
Than, with him, still build and sing?

Oh, my sparrow, thou dost breed
Thought in me beyond all telling;
Shootest through me sunlight, seed,
And fruitful blessing, with that welling
Ripple of ecstatic rest,
Gurgling ever from thy breast!

And thy breezy carol spurs
Vital motion in my blood,
Such as in the sapwood stirs,
Swells and shapes the pointed bud
Of the lilac; and besets
The hollows thick with violets.

Yet I know not any charm
That can make the fleeting time
Of thy sylvan, faint alarm
Suit itself to human rhyme:
And my yearning rhythmic word,
Does thee grievous wrong, dear bird.

So, however thou hast wrought
This wild joy on heart and brain,
It is better left untaught.
Take thou up the song again:
There is nothing sad afloat
On the tide that swells thy throat!


FAIRHAVEN BAY.

I push on through the shaggy wood,
I round the hill: 't is here it stood;
And there, beyond the crumbled walls,
The shining Concord slowly crawls,

Yet seems to make a passing stay,
And gently spreads its lilied bay,
Curbed by this green and reedy shore,
Up toward the ancient homestead's door.

But dumbly sits the shattered house,
And makes no answer: man and mouse
Long since forsook it, and decay
Chokes its deep heart with ashes gray.

On what was once a garden-ground
Dull red-bloomed sorrels now abound;
And boldly whistles the shy quail
Within the vacant pasture's pale.

Ah, strange and savage, where he shines,
The sun seems staring through those pines
That once the vanished home could bless
With intimate, sweet loneliness.

The ignorant, elastic sod
The feet of them that daily trod
Its roods hath utterly forgot:
The very fire-place knows them not.

For, in the weedy cellar, thick
The ruined chimney's mass of brick
Lies strown. Wide heaven, with such an ease
Dost thou, too, lose the thought of these?

Yet I, although I know not who
Lived here, in years that voiceless grew
Ere I was born,--and never can,--
Am moved, because I am a man.

Oh glorious gift of brotherhood!
Oh sweet elixir in the blood,
That makes us live with those long dead,
Or hope for those that shall be bred

Hereafter! No regret can rob
My heart of this delicious throb;
No thought of fortunes haply wrecked,
Nor pang for nature's wild neglect.

And, though the hearth be cracked and cold,
Though ruin all the place enfold,
These ashes that have lost their name
Shall warm my life with lasting flame!


CHANT FOR AUTUMN.

Veiled in visionary haze,
Behold, the ethereal autumn days
Draw near again!
In broad array,
With a low, laborious hum
These ministers of plenty come,
That seem to linger, while they steal away.

O strange, sweet charm
Of peaceful pain,
When yonder mountain's bended arm
Seems wafting o'er the harvest-plain
A message to the heart that grieves,
And round us, here, a sad-hued rain
Of leaves that loosen without number
Showering falls in yellow, umber,
Red, or russet, 'thwart the stream!
Now pale Sorrow shall encumber
All too soon these lands, I deem;
Yet who at heart believes
The autumn, a false friend,
Can bring us fatal harm?
Ah, mist-hung avenues in dream
Not more uncertainly extend
Than the season that receives
A summer's latest gleam!

But the days of death advance:
They tarry not, nor turn!
I will gather the ashes of summer
In my heart, as an urn.

Oh draw thou nearer,
Thou
Spirit of the distant height,
Whither now that slender flight
Of swallows, winging, guides my sight!
The hill cloth seem to me
A fading memory
Of long delight,
And in its distant blue
Half hideth from my view
This shrinking season that must now retire;
And so shall hold it, hopeful, a desire
And knowledge old as night and always new.
Draw nigher! And, with bended brow,
I will be thy reverer
Through the long winter's term!

So, when the snows hold firm,
And the brook is dumb;
When sharp winds come
To flay the hill-tops bleak,
And whistle down the creek;
While the unhappy worm
Crawls deeper down into the ground,
To 'scape Frost's jailer on his round;
Thy form to me shall speak
From the wide valley's bound,
Recall the waving of the last bird's wing,
And help me hope for spring.



BEFORE THE SNOW.

Autumn is gone: through the blue woodlands bare
Shatters the windy rain. A thousand leaves,
Like birds that fly the mournful Northern air,
Flutter away from the old forest's eaves.

Autumn is gone: as yonder silent rill,
Slow eddying o'er thick leaf-heaps lately shed,
My spirit, as I walk, moves awed and still,
By thronging fancies wild and wistful led.

Autumn is gone: alas, how long ago
The grapes were plucked, and garnered was the grain!
How soon death settles on us, and the snow
Wraps with its white alike our graves, our gain!

Yea, autumn's gone! Yet it robs not my mood
Of that which makes moods dear,--some shoot of spring
Still sweet within me; or thoughts of yonder wood
We walked in,--memory's rare environing.

And, though they die, the seasons only take
A ruined substance. All that's best remains
In the essential vision that can make
One light for life, love, death, their joys, their pains.



THE GHOSTS OF GROWTH.

Last night it snowed; and Nature fell asleep.
Forest and field lie tranced in gracious dreams
Of growth, for ghosts of leaves long dead, me-seems,
Hover about the boughs; and wild winds sweep
O'er whitened fields full many a hoary heap
From the storm-harvest mown by ice-bound streams!
With beauty of crushed clouds the cold earth teems,
And winter a tranquil-seeming truce would keep.

But such ethereal slumber may not bide
The ascending sun's bright scorn--not long, I fear;
And all its visions on the golden tide
Of mid-noon gliding off, must disappear.
Fair dreams, farewell! So in life's stir and pride
You fade, and leave the treasure of a tear!



THE LILY-POND.

Some fairy spirit with his wand,
I think, has hovered o'er the dell,
And spread this film upon the pond,
And touched it with this drowsy spell.

For here the musing soul is merged
In moods no other scene can bring,
And sweeter seems the air when scourged
With wandering wild-bees' murmuring.

One ripple streaks the little lake,
Sharp purple-blue; the birches, thin
And silvery, crowd the edge, yet break
To let a straying sunbeam in.

How came we through the yielding wood,
That day, to this sweet-rustling shore?
Oh, there together while we stood,
A butterfly was wafted o'er,

In sleepy light; and even now
His glimmering beauty doth return
Upon me, when the soft winds blow,
And lilies toward the sunlight yearn.

The yielding wood? And yet 't was both
To yield unto our happy march;
Doubtful it seemed, at times, if both
Could pass its green, elastic arch.

Yet there, at last, upon the marge
We found ourselves, and there, behold,
In hosts the lilies, white and large,
Lay close, with hearts of downy gold!

Deep in the weedy waters spread
The rootlets of the placid bloom:
So sprung my love's flower, that was bred
In deep, still waters of heart's-gloom.

So sprung; and so that morn was nursed
To live in light, and on the pool
Wherein its roots were deep immersed
Burst into beauty broad and cool.

Few words were said; a moment passed;
I know not how it came--that awe
And ardor of a glance that cast
Our love in universal law!

But all at once a bird sang loud,
From dead twigs of the gleamy beech;
His notes dropped dewy, as out of a cloud,
A blessing on our married speech.

Ah, Love! how fresh and rare, even now,
That moment and that mood return
Upon me, when the soft winds blow,
And lilies toward the sunlight yearn!




PART SECOND.


FIRST GLANCE.

A budding mouth and warm blue eyes;
A laughing face;--and laughing hair,
So ruddy does it rise
From off that forehead fair;

Frank fervor in whate'er she said,
And a shy grace when she was still;
A bright, elastic tread;
Enthusiastic will;

These wrought the magic of a maid
As sweet and sad as the sun in spring,
Joyous, yet half-afraid
Her joyousness to sing.

What weighs the unworthiness of earth
When beauty such as this finds birth?
Rare maid, to look on thee
Gives all things harmony!



"THE SUNSHINE OF THINE EYES."

The sunshine of thine eyes,
(Oh still, celestial beam!)
Whatever it touches it fills
With the life of its lambent gleam.

The sunshine of thine eyes,
Oh let it fall on me!
Though I be but a mote of the air,
I could turn to gold for thee!



"WHEN, LOOKING DEEPLY IN THY FACE."

When, looking deeply in thy face,
I catch the undergleam of grace
That grows beneath the outward glance,
Long looking, lost as in a trance
Of long desires that fleet and meet
Around me like the fresh and sweet
White showers of rain which, vanishing,
'Neath heaven's blue arches whirl, in spring;
Suddenly then I seem to know
Of some new fountain's overflow
In grassy basins, with a sound
That leads my fancy, past all bound,
Into a region of retreat
From this my life's bewildered heat.
Oh if my soul might always draw
From those deep fountains full of awe,
The current of my days should rise
Unto the level of thine eyes!



WITHIN A YEAR

I.

Lips that are met in love's
Devotion sweet,
While parting lovers passionately greet,
And earth through heaven's arc more swiftly moves--
Oh, will they be less dear
Within a year?


II.

Eyes in whose shadow-spell
Far off I read
That which to lovers taking loving heed
Dear women's eyes full soon and plainly tell--
Oh, will you give such cheer
This time a year?


III.

Behold! the dark year goes,
Nor will reveal
Aught of its purpose, if for woe or weal,
Swift as a stream that o'er the mill-weir flows:
Mayhap the end draws near
Within the year!


IV.

Yet, darling, once more touch
Those lips to mine.
Set on my life that talisman divine;
Absence, new friends, I fear not overmuch----
Even Death, should he appear
Within the year!



THE SINGING WIRE.

Hark to that faint, ethereal twang
That from the bosom of the breeze
Has caught its rise and fall: there rang
Aolian harmonies!

I looked; again the mournful, chords,
In random rhythm lightly flung
From off the wire, came shaped in words;
And thus, meseemed, they sung.

"I, messenger of many fates,
Strung to the tones of woe or weal,
Fine nerve that thrills and palpitates
With all men know or feel,--

"Oh, is it strange that I should wail?
Leave me my tearless, sad refrain,
When in the pine-top wakes the gale
That breathes of coming rain.

"There is a spirit in the post;
It, too, was once a murmuring tree;
Its sapless, sad, and withered ghost
Echoes my melody.

"Come close, and lay your listening ear
Against the bare and branchless wood.
Say, croons it not, so low and clear,
As if it understood?"

I listened to the branchless pole
That held aloft the singing wire;
I heard its muffled music roll,
And stirred with sweet desire:

"O wire more soft than seasoned lute,
Hast thou no sunlit word for me?
Though long to me so coyly mute,
Sure she may speak through thee!"

I listened; but it was in vain.
At first, the wind's old, wayward will
Drew forth the tearless, sad refrain:
That ceased, and all was still.

But suddenly some kindling shock
Struck flashing through the wire: a bird,
Poised on it, screamed and flew; the flock
Rose with him, wheeled, and whirred.

Then to my soul there came this sense:
"Her heart has answered unto thine;
She comes, to-night. Go, hie thee hence!
Meet her: no more repine!"

Mayhap the fancy was far-fetched;
And yet, mayhap, it hinted true.
Ere moonrise, Love, a hand was stretched
In mine, that gave me--you!

And so more dear to me has grown,
Than rarest tones swept from the lyre,
The minor-movement of that moan
In yonder singing wire.

Nor care I for the will of states.
Or aught besides, that smites that string,
Since then so close it knit our fates,
What time the bird took wing!



MOODS OF LOVE.


I.

IN ABSENCE.

My love for thee is like a winged seed
Blown from the heart of thy rare beauty's flower,
And deftly guided by some breezy power
To fall and rest, where I should never heed,
In deepest caves of memory. There, indeed,
With virtue rife of many a sunny hoar,--
Ev'n making cold neglect and darkness dower
Its roots with life,--swiftly it 'gan to breed,
Till now wide-branching tendrils it outspreads
Like circling arms, to prison its own prison,
Fretting the walls with blooms by myriads,
And blazoning in my brain full summer-season:
Thy face, whose dearness presence had not taught.
In absence multiplies, and fills all thought.


II.

HEART'S FOUNTAIN.

Her moods are like the fountain's, changing ever,
That spouts aloft a sudden, watery dome,
Only to fall again in shattering foam,
Just where the wedded jets themselves dissever,
And palpitating downward, downward quiver,
Unfolded like a swift ethereal flower,
That sheds white petals in a blinding shower,
And straightway soars anew with blithe endeavor.

The sun may kindle it with healthful fire;
Upon it falls the cloud-gray's leaden load;
At night the stars shall haunt the whirling spire:
Yet these have but a transient garb bestowed.
So her glad life, whate'er the hours impart,
Plays still 'twixt heaven's cope and her own clear heart.

Pages:
1 | 2 | 3

Scottish book of the year goes to Kieron Smith, Boy by James Kelman

The barrister Constance Briscoe has won the libel case brought against her by her mother, Carmen Briscoe-Mitchell, over her bestselling misery memoir Ugly, in which she accused Briscoe-Mitchell of childhood cruelty and neglect.

Briscoe-Mitchell claimed the allegations were "a piece of fiction", and sued Briscoe and her publishers Hodder & Stoughton for libel.

A 10-day hearing at the high court in London concluded earlier today with a unanimous verdict from the jury after more than a day's deliberation. Speaking outside the court, Briscoe, a part-time judge, said she was "very happy" with the verdict.

"It is sad that my mother still feels the need to pursue me. Now I just want to get on with my career," she said. "I can quite understand why my family went into collective denial, but whilst child abuse may be committed behind closed doors, it should never be swept under the carpet."

The hearing saw Briscoe tell Mr Justice Tugendhat and a jury how her mother beat her with a stick for wetting the bed, called her a "dirty little whore" and drove her to attempt suicide by drinking bleach.

Briscoe's account of her upbringing was published in 2006 and has sold more than 400,000 copies in the UK.

guardian.co.uk © Guardian News & Media Limited 2008 | Use of this content is subject to our Terms & Conditions | More Feeds

Would you have your ashes scattered in Jane Austen's garden?
American film producer to publish version of the Bible in which God says it is better to be gay than straight

The royal family doesn't need a poet

The power of Jane Austen never ceases to amaze: the myriad film and TV adaptations, the biopics, the spin-off self-help books, the novels about Austen book clubs and Austen obsessives and even, next spring, the publication of a book about "how Jane Austen conquered the world" (Jane's Fame, by Clare Harman). And now comes the just-too-weird story that deceased fans of Jane Austen have been banned from having their ashes scattered in her garden. In a letter to the Jane Austen Society, Louise West, the collections manager of Jane Austen's House Museum, wrote: "While we understand many admirers of Jane Austen would love to have ashes laid here, it is something we do not allow. It is distressing for visitors to see mounds of human ash, particularly so for our gardener. Also, it is of no benefit to the garden!" (Or is it? Surely a small quantity of fresh ashes judiciously placed beneath a hydrangea bush is just the ticket?)

Anyway, leaving aside the Gardeners' Question Time minutiae, what on earth is going on here? I like an Austen novel as much as the next person – I probably reread my way through the complete works every couple of years – but I am baffled as to why one would want to be laid to rest among the flowerbeds of Chawton. The only explanation is the currently unstoppable power of the Austen cult, fuelled by Colin Firth in a wet blouse, by Andrew Davies's adaptations, and by Hollywood. I'm all for enjoying books, but the cult of Austen has reached ridiculous proportions. In a post-feminist world that should know better, she seems to be adored as the comforting provider of romantic, happy-endings nonsense instead of the sharp and acerbic social satirist she deserves to be seen as.

(Does anyone actually believe her, by the way, when she foretells a happy marriage for Darcey and Elizabeth? I fear a woman as interesting as Elizabeth would be sorely disappointed with this standard-issue British Repressed Public-school Man - hopeless emotionally, and probably hopeless in bed.)

guardian.co.uk © Guardian News & Media Limited 2008 | Use of this content is subject to our Terms & Conditions | More Feeds

Copyright (c) 2007. booksboost.com. All rights reserved.