Treasure and Trouble Therewith by Geraldine Bonner

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She solved that problem; she insisted on staying with the actors. She
liked the life, she could sing, they told her she had a future. She had
fixed and settled everything, even to her name; she would retain that of
Lopez, which she was already known by in Bakersfield. There was nothing
for it but to let her have her way; a man without home, money or
prospects has no authority. But the sense of his own failure, of the
hopelessness of his desire to shelter and enrich her, fell on his
conscience like a foot on a spark and crushed it out. He returned to the
mountains, his hand against all men, already an outlaw, love for his own
all that was left of the original man. That governed him, gave him the
will to act, stimulated his brain, and lent his mind an unfailing
cunning. The meeting with Knapp crystallized into a partnership, but when
Garland the bandit rose on the horizon, no one, least of all Pancha, knew
he was Michaels the miner.

He stood up in the boat and again reconnoitered; he was near the shore.
The country slept under the stars, gray rollings of hills and black
blotches of trees, very still in its somber repose. Dropping back to the
seat, he plied the paddle with extraordinary softness, wary, listening,
alert. Soon, in a week or two, if he could settle the sale, he would be
on his way to San Francisco to tell Pancha he had sold his claim at last
and had bought the ranch. Under his caution the pleasure of this thought
pervaded him with an exquisite satisfaction. He could not forbear its
indulgence and, leaning on the paddle, allowed himself a last, delightful
vision--the ranch house piazza with Pancha--her make-up off--sitting on
the steps at his feet.

That night he slept in the cowshed of an abandoned ranch. A billet of
wood under his head, his repose was deep and dreamless, but in the dawn's
light he woke, suddenly called out of slumber by a thought. It floated on
the surface of his conciousness, vaguely disturbing, then took slow shape
and he sat up feeling in the pockets of his coat. The paper was gone;
Knapp saying he had taken it was not a dream. For a space he sat, coming
to clearer recollection, his partner's voice calling, vaguely heard, its
request unheeded in his preoccupation. He gave a mutter of relief, and
dropping back settled himself into comfort. The paper was as safe there
as in his own pocket and he'd have it again inside of a week. With the
first light in his eyes, he lapsed off again for another hour.

CHAPTER III

MARQUIS DE LAFAYETTE

A few miles below where the stage was held up a branch road breaks from
the main highway and cuts off at right angles across the plain. This is a
ranchers' road. If you follow it southward you come to the region of vast
holdings, acres of trees in parallel lines as straight as if laid with a
tape measure, great, fawn-colored fields, avenues of palm and oleander
leading to white houses where the balconies have striped awnings and
people sit in cushioned wicker chairs.

The other end of it runs through lands of decreasing cultivation
till--after it passes Tito Murano's cottage--it dips to the tules and
that's the end of it. To be sure, a trail--a horse path--breaks away and
makes a detour round the head of the marshes, but this is seldom used, a
bog in winter and in summer riven with dried water-courses and overgrown
with brambles. To get around the tules comfortably you have to strike
farther in and that's a long way.

The last house before you get to Tito Murano's, which doesn't count, is
the Burrage Ranch. In the white mansions among the fruit trees the
Burrage Ranch doesn't count much either. It is old and small, fifty
acres, a postage stamp of a ranch. There is no avenue to the house,
which is close to the road behind a picket fence, and instead of
encircling balconies and striped awnings, it has one small porch with a
sagging top, over which climbs a rose that stretches long festoons to
the gable. In its yard grow two majestic live oaks, hoary giants with
silvered limbs reaching out in a thick-leaved canopy and casting a great
spread of shade.

Old Man Burrage had had the ranch a long time as they reckon time in
California. In his youth he had seen the great epoch in Virginia City,
figured in it in a humble capacity, and emerged from its final _debacle_
with twenty thousand dollars. He should have emerged with more and that
he didn't made him chary of mining. Peace and security exerted their
appeal, and after looking about for a few reflective years, he had
married the prettiest waitress in the Golden Nugget Hotel in Placerville
and settled down to farming. He had settled and settled hard, settled
like a barnacle, so firm and fast that he had never been able to pull
himself loose. Peace he had found but also poverty. If the mineral vein
was capricious, so were the elements, insect pests and the fruit market.
Thirty years after he had bought the ranch he was still there and still
poor with his wife Mary Ellen, his daughter Sadie and his son Mark.

Mark's advent had followed the decease of two older boys and his mother
had proclaimed his preciousness by christening him Marquis de Lafayette.
Her other sons had borne the undistinguished appellations of relatives,
but this one, her consolation and her Benjamin, would be decked with the
flower of her fancy. Of the original bearer of the name she knew nothing.
Waiting on table at the Golden Nugget and later bearing children and
helping on the ranch had not left her time for historical study. When her
son, waking to the blight she had so innocently put upon him, asked her
where she had found the name, she had answered, "In a book," but beyond
that could give no data. When, unable to bear his shame, he had
abbreviated it to "Mark D.L." she had been hurt.

Otherwise he had not disappointed her. When she had crowned him with a
title she had felt that a high destiny awaited him and the event proved
it. After a youth on the ranch, Mark, at sixteen, grew restive, at
seventeen announced that he wanted an education and at eighteen packed
his grip and went to work his way through Stanford University. Old Man
Burrage made himself a bore at the crossroads store and the county fair
telling how his boy was waiting on table down to Stanford and doing
typewriting nights. Some boy, that!

When Mark came home on his vacations it was like the return of Ulysses
after his ten years' wandering--they couldn't look at him enough, or get
enough time to listen. His grammar was straightened out, his chin smooth,
the freckles gone from his hands, and yet he was just the same--no fancy
frills about _him_, Old Man Burrage bragged to his cronies. And then came
the coping stone--he told them he was going to be a lawyer. Some of the
neighbors laughed but others grew thoughtful and nodded commendingly.
Even on the balconies of the white houses in the wicker chairs under the
awnings Mark and his aspirations drew forth interested comment. Most of
these people had known him since he was a shock-headed, barefoot kid, and
when they saw him in his store clothes and heard his purified grammar,
they realized that for youth in California belongs the phrase "the world
is my oyster."

Now Mark had graduated and was studying in a large law office in San
Francisco. He was paid twenty dollars a week, was twenty-four years old,
rather silent, five-feet-ten and accounted good-looking. At the time this
story opens he was spending his vacation--pushed on to the summer's end
by a pressure of work in the office--on the ranch with his parents.

It was late afternoon, on the day following the holdup, and he was
sitting in the barn doorway milking the brown cow. The doorway was
shadowed, the blackness of the barn's interior behind it, the scent of
clean hay drifting out and mingling with the scents of baked earth and
tarweed that came from the heated fields. With his cheek against the
cow's side he could see between the lower limbs of the oaks the country
beyond, rust-colored and tan, streaked with blue shadows and the mottled
blackness below the trees. Turning a little further he could look down
the road with the eucalyptus tall on either side, the yellow path barred
by their shade. From the house came a good smell of hot bread and a sound
of voices--Mother and Sadie were getting ready for supper. At intervals
Mother's face, red and round below her sleeked, gray hair, her spectacles
up, her dress turned in at the neck, appeared at the window to take a
refreshing peep at her boy milking the brown cow.

The milk sizzed and foamed in the pail and the milker, his forehead
against the cow's warm pelt, watched it rise on the tin's side. It made a
loud drumming which prevented his hearing a hail from the picket fence.
The hail came again in a husky, dust-choked voice:

"Hello, can you give me a drink?"

This time Mark heard and wheeled on the stool. A tramp was leaning
against the fence looking at him.

Tramps are too familiar in California for curiosity or interest, also
they are unpopular. They have done dreadful things--lonely women in
outlying farms have guns and dogs, the one loaded, the other cultivated
in savagery against the visits of the hobo.

Mark rose unwelcoming, but the fellow did look miserable. He was gaunt
and dirty, long ragged locks of hair falling below the brim of his torn
straw hat, an unkempt straggle of beard growing up his cheeks. His
clothes hung loose on his lean frame, and he looked all the same color,
dust-brown, his hair, his shirt, his coat, even his face, the tan lying
dark over a skin that was sallow. Only his eyes struck a different note.
They were gray, very clear in the sun-burned face, the lids long and
heavy. Their expression interested Mark; it was not the stone-hard, evil
look of the outcast man, but one of an unashamed, smoldering resentment.

The same quality was in his manner. The request for water was neither
fawningly nor piteously made. It was surly, a right churlishly
demanded. Mark moved to the pump and filled the glass standing there.
The tramp leaning on the pickets looked at him, his glance traveling
morose over the muscular back and fine shoulders, the straight nape,
the dark head with its crown of thick, coarse hair. As Mark advanced
with the glass he continued his scrutiny, when, suddenly meeting the
young man's eyes, his own shifted and he said in that husky voice,
hoarse from a parched throat:

"It's the devil walking in the heat on these rotten dusty roads."

The other nodded and handed him the glass. He drained it, tilting his
head till the sinews in his haggard throat showed below his beard. Then
he handed it back with a muttered thanks.

"Been walking far?" said Mark.

The tramp moved away from the pickets, jerking his head toward the road
behind him. For the first time Mark noticed that he had a basket on his
arm, containing a folded blanket.

"From the fruit farms down there. I've been working my way up fruit
picking. But it's a dog's job; better starve while you're about it. Thank
you. So long."

It was evident he wanted no further parley, for he started off down the
road. Mark stood looking after him. He noticed that he was tall and
walked with a long stride, not the lazy shuffle of the hobo. Also he had
caught a quality of education in the husky voice. Under its coarsened
inflections there was an echo of something cultured, not fitting with his
present appearance, a voice that might once have known very different
conditions. Possibly a dangerous chap, Mark thought; had an ugly look, a
secret, forbidding sort of face. When the educated kind dropped they were
apt to fall further and come down harder than the others. He threw the
glass into the bushes and went in to wash up. Before he was called to
supper he had forgotten all about the man.

In the cool of the evening the Burrages sat on the porch, rather crowded
for the space was small. Mark, on the bottom step, smoked a pipe and
watched the eucalyptus leaves printed in pointed black groupings against
the Prussian-blue sky. This was the time when the family, released from
its labors, sat back comfortably and listened to the favored one while he
told of the city by the sea. Old Man Burrage had a way of suddenly asking
questions about people he had known in the brave days of the Comstock,
some dead now, others trailing clouds of glory eastward this many years.

Tonight he was minded to hear about the children of George Alston whom
Mark had met. Long ago in Virginia City Old Man Burrage had often seen
George Alston, talked with him when he was manager of the Silver Queen
and one of the big men of that age of giants. Mother piped up
there--_she_ wasn't going to be beaten. Many's the time she'd waited on
George Alston when he and the others would come riding over the Sierras
on their long-tailed horses--a bunch of them together galloping into
Placerville like the Pony Express coming into Sacramento.

"And some of 'em," said the old woman, rocking in easeful reminiscence,
"would be as fresh with me as if I'd given 'em encouragement. But George
Alston, never--he'd treat me as respectful as if I was the first lady in
the land. Halting behind to have a neighborly chat and the rest of them
throwin' their money on the table and off through the dining room
hollerin' for their horses."

Her son, on the lower step, stirred as if uncomfortable. These memories,
once prone to rouse a tender amusement, now carried their secret sting.

"He was the real thing," the farmer gravely commented. "There wasn't many
like him."

Sadie, who was not interested in a man dead ten years ago, pushed the
conversation on to her own generation.

"His daughters are grown up. They must be young ladies now."

Mark answered:

"Yes--Miss Chrystie's just eighteen, came of age this summer. The other
one's a few years older."

"Up in Virginia," said the farmer, "George Alston was a bachelor. Every
woman was out with her lariat after him but he give 'em all the slip.
And afterward, when he went back East to see his folks, a little girl in
his home town got him--a girl a lot younger than him. She died after a
few years."

There was regret in his tone, not so much for the untimely demise of the
lady as for the fact that George Alston had not found his mate in
California.

"What are they like?" said Sadie--"pretty?"

Mark had his back toward her. She could see the shape of it, pale in its
light-colored shirt, against the dark filigree of shrubs at the bottom
of the steps. His answer sounded indifferent between puffs of his pipe:

"Yes, I guess so. Miss Chrystie's a big, fine sort of girl, with yellow
hair and lots of color. She's nearly as tall as I am. The other, Miss
Lorry--well, she's small."

"They'd ought to have a heap of money," said the farmer. "But when he
died I heard he hadn't cut up as rich as you'd think. Folks said he was
too honest."

"They've got enough--four hundred thousand each."

"Well, well, well," said Mother with a lazy laugh, "that'd do _me_."

Her husband wouldn't have it.

"Lord, that's small for him," he mourned. "But I'm not surprised. He
wouldn't 'a' stood for what some of the rest of 'em did."

"Is the house grand?" asked Sadie.

"I suppose it is; it's big enough, lots of bay windows and rooms and
piazzas. It's on Pine Street, near town, with a garden round it full of
palms and trees."

"Do they have parties there?"

"No--at least I never heard of any. They're quiet sort of girls, don't go
out much. Just live there with an old lady--Mrs. Tisdale--some relative
of their mother's."

Sadie was disappointed. Having been led to expect so much from these
children of wealth, she felt cheated and was inclined to criticize. She
rather grumbled about their being so quiet. Mother disagreed:

"It sounds as if they were nice and genteel. Not the flashy, fashionable
kind. And their mother dying when they were so young--that makes a
difference."

"It was Crowder got you acquainted with them?" said the old man.

Charlie Crowder was a college chum of Mark's who had spent several
vacations on the ranch and who was regarded by the Burrages as a fount of
wisdom. Mark from the steps said yes, Crowder had taken him to the house.

There was a pause after this, the parents sunk in gratified musings. The
farmer, the simple, unaspiring male, saw no further than the fact of Mark
a guest in George Alston's home, but Mother had far-reaching fancies,
glimpsed future possibilities. It was she who broke the silence,
observing casually as if all doors must be open to her brilliant son,

"I'm glad you know them, honey. There's no better companions for a young
man making his way, than quiet, refined girls."

Sadie saw it as astonishing. She could hardly encompass the thought of
her brother, a few years ago working on the ranch like a hired man, now
moving in the glittering spheres that she read about in the Sunday
edition of the _Sacramento Courier._

"Do you go there often?" she asked.

"Oh, now and again. I haven't much time for calling."

It was Mark who turned the conversation, difficult at first. The farmer
was tractable, but Mother and Sadie showed a tendency to cling to the
Alston sisters. He finally diverted their attention by telling them
about Pancha Lopez, the greaser girl, who was the new leading woman at
the Albion Opera House, and a friend of Charlie Crowder's. Mother forgot
the Alstons.

"You don't know _her_, do you, Mark?" she said uneasily.

"No, Mother, I've only seen her act."

The farmer stirred and rumbled warningly out of the darkness,

"And you don't want to, son. A hard-working boy don't want to waste his
time lallygaggin' round with actresses."

When they dispersed for the night, Mother noticed that Mark was
abstracted, almost as if he was depressed. No one else saw it; eyes and
tongues were heavy at bedtime on the ranch. Sadie, dragging up the stairs
to be awake tomorrow at sunrise, might have been depressed but she
wasn't. And the farmer and his wife, creaking about in their stuffy room
over the kitchen, their old bones stiff with fatigue, were elated.

A part of the attic, lighted by one window in the gable, had been Mark's
den since he was eight. Here was the table with its hacked edge where he
had done his "homework" when he went to the public school up the road,
his shelf of books, the line of pegs for his clothes, the rifle his
father had given him when he shot fifty rabbits in one month. He lit the
lamp and looked about, his eyes seeing it as mean and unlovely, and his
heart reproaching him that he should see it so.

He sat down by the table and tried to read, but the book fell to his
knees and he stared, thought-tranced, at the pegs along the wall. What he
thought of was the eldest Alston girl, Lorry, the one he had described as
"small." Usually he did not permit himself to do this, but tonight the
talk on the porch, his people's naive pleasure that he should know one so
fine and far-removed, called up her image--dominant, imperious, not to be
denied. With the lamplight gilding his brooding face, the back-growing
crest of dark hair, the thick eyebrows, the resolute mouth, lip pressed
on lip in an out-thrust curve, he sat motionless, seeing her against the
background of her home.

Details of its wealth came to him, costly elegancies of her
surroundings--the long parlor with its receding vista to a dining room
where silver shone grandly, rich, still curtains, pictures, statues; the
Chinese servants offering delicate food, coming at the touch of a bell,
opening doors, carrying trays. It was not really as imposing as Mark
thought. There were people who sniffed at the Alstons' way of living, in
that queer, old-fashioned house far down town with the antiquated,
lumbering furniture their father had bought when he married. But Mark had
not the advantage of a comparative standard. Her setting gained its
splendor not only from his inexperience, but by comparison with his own.
He saw their two homes in contrast, just as he saw her in contrast with
the other girls he had known, her fortune in contrast with his twenty
dollars a week. It brought him a new, sharp pain, pain that he should
have seen the difference, that he had acknowledged it, that what had once
seemed good and fitting now looked poor and humble. He loved his people
and hugged the love to him with a fierce loyalty, but it could not hide
the fact that they were not as her people. It was the first jar to his
glad confidence, the first blow in his proud fight for power and place,
the first time the thought of his poverty had come with a humiliating
sting. He was sore and angry with himself and would have liked to be
angry with her. But he couldn't--she was so sweet!

CHAPTER IV

THE DERELICT

The tramp walked down the road, first on the grizzled grass, then, the
earth under it baked to an iron hardness, back on the softened dust. He
passed Tito Murano's cottage with dogs and chickens and little Muranos
sporting about the kitchen door and then noticed a diminishing of trees
and a sudden widening of the prospect. From here the road dwindled to a
trail that sloped to the marsh which spread before him. He sat down on a
bank by the roadside and looked at it.

Under the high, unsullied heavens it lay like an unrolled map,
green-painted, divisions and subdivisions marked by the fine tracings of
streams. His eye traveled down its length to where in a line,
ruler-straight, it met the sky, then shifted to its upper end, a jagged
point reaching to the hills. He had heard of it on the ranches where he
had been picking fruit--"It's easy traveling till you reach the tules,
but it's some pull round _them_." He gauged the distance round the point,
and oaths, picturesque and fluent, came from him. He had sixteen dollars
in the lining of his coat, and for days as he tramped and worked, he saw
this hoard expended in San Francisco--a bath, clean linen, and a dinner,
a dinner in a rotisserie with a pint of red wine and a cigar. He saw no
further than that--sixteen dollars' worth of comfort and good living.

Now he was like a child deprived of its candy. He ached with fatigue, his
feet were blistered, his throat dry as a kiln. Throwing off his hat, he
leaned forward, his elbows on his knees, and cursed the marsh as if it
were a living thing, cursed it with a slow, unctuous zest, spat out upon
it the venom and wrath that had accumulated within him.

Seeing him thus, his hat off, sullen indifference replaced by a malign
animation, he was a very different being from the man who had accosted
Mark. A dangerous chap beyond doubt, dangerous from a dark soul and a
stored power of malevolence. His face, vitalized with rage, was handsome;
a narrow forehead, the hair receding from the temples, a high-bridged
nose with wide-cut nostrils, lips thin and fine, moving flexibly as they
muttered. It matched with what the voice had told Mark, was not the face
of the brutalized hobo or low-bred vagrant, but beneath its hair and dirt
showed as the mask of a man who might have fallen from high places. Even
his curses went to prove it. They were not the dull profanities of the
loafer, but were varied, colorful, imaginative, such curses as might come
from one who had read and remembered.

Suddenly they stopped and his glance deflected, alert and
apprehensive--his ear had caught a low crooning of song. It came from a
small boy who, a little wooden boat in his hand, was advancing up the
slope. This was Tito Murano, Junior, Tito's first-born, nine years old,
softly footing it home after a joyous hour along the edge of the tules.

Tito's mother was Irish, but the Latin strain had flowered forth strong
in her son. He was bronze-brown, with a black bullet head and eyes like
shoe buttons. A pair of cotton trousers and a rag of shirt clothed him
and his feet were bare and caked with mud. A happy day behind him and the
prospect of supper made his heart light and he gave forth its joy in
fresh, bird-sweet carolings.

He did not see the tramp and a sharp, "Hey, there, kid," made him halt,
startled, gripping the treasured boat against his breast. Then he made
out the man, and stood staring, poised to run.

"Is there any way of getting across this infernal place?" The tramp's
hand swept the prospect.

Bashfulness held Tito speechless, and he stood rubbing one foot across
the other.

The man's eyes narrowed with a curious, ugly look.

"Are you deaf?" he said very quietly.

A muttered negative came from the child. The question contained a quality
of scorn that he felt and resented.

"I want to cross the marsh, get to the railway. What's the best
way to go?"

Tito's arm made a sweeping gesture round the head of the tules.

"That. There's a trail. You go round."

"Good God--that's _miles_. How do people go, the people here, when they
want to get to the other side?"

"That way." Tito repeated his gesture. "But they don't go often, and they
mostly rides."

The man gave a groaning oath, picked up his hat, then cast it from him
with fury, and, planting his elbows on his knees, dropped his forehead on
his hands. Tito was sorry for him, and advanced charily, his heart full
of sympathy.

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