Treasure and Trouble Therewith by Geraldine Bonner

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"Mighty wet weather we're having," he said.

"Terrible. Don't ever remember it worse."

The light of the lantern fell on the horse's mud-caked legs.

"Looks as if you'd rid quite a ways."

"From this side of Jackson."

"That's some ride. Guess y'ain't met many folks."

"Not many. Staying indoors this weather, all that can."

"Belong round here?"

"No--back up toward the Feather."

They were in midstream, the scow advancing with a tremulous motion,
spray springing across its low edges and showering the men. The dog,
who had come to a standstill, his forepaws on the gunnel, his face
toward Garland, suddenly broke into a furious barking. Garland shifted
in his saddle.

"What's got your dog?" he said gruffly. "He ain't afraid, is he?"

"Afraid? Don't know the meanin' of the word. Don't mind him--it's his
way; lived so long with me he acts sort of notional. Some days he'll bark
like now at a passenger and then again he won't take no notice. Just
somethin' about you, can't tell what, but he scents somethin' that makes
him act unfriendly."

"What do you suppose it is?" growled the other.

The ferryman laughed.

"Oh, you can't ever tell about them animals--they got a thinkin' outfit
of their own. Goin' far?"

"To Angels."

"Well, hope you'll get there all right. Sort of black weather to be
traveling specially if you got money on you. Knapp and Garland's bound to
get busy soon."

It was the passenger's turn to laugh.

"I'm not the sort they're after. It's big business for them. Ever
seen 'em?"

"Search me. I guess mebbe I've taken 'em acrost, but how was I to know?"

The scow bumped against its landing and man and horse embarked. There was
an interchange of rough good-nights, interrupted by the dog's frenzied
barking. As the boat pulled out into the stream, the ferryman called back
above the noise of the water:

"Looks like he had somethin' on you. I ain't ever seen him act so ugly
before." Then to the dog, "Quit that, Tim, or I'll bust your jaw."

Garland mounted the slope. The sound of the river behind him was drowned
by the roar of the Lizzie J's mill. Its rampart-like wall towered above
him, cut by the orange squares of windows, the thunder of its stamps, a
giant's feet crushing out the gold, pounding tremendous on the nocturnal
solitude. As the horse snorted upward, digging its hoofs among the
loosened stones, he looked up at it. Millions had been made there;
millions were still making. Men in distant cities were being enriched by
the golden grains beaten free by those giant feet. Once he had thought
that he, too, might ravish the earth's treasure, become as they were by
honest labor.

An unexpected surge of depression suddenly rose upon him. He set it down
to the barking of the dog, for, after the manner of those who lead the
lonely lives of the outlawed, he was superstitious. He believed in signs
and portents, lucky streaks, the superior instinct of animals, and as he
rode he brooded uneasily. Did it simply mean menace, or had the brute
known him for what he was and tried to warn his master?

He muttered an oath and told himself, as he had done often of late, that
he was growing old. Time and disappointment were wearing on the nerve
that had once been unbreakable. In the past he had seen his path going
unimpeded to its goal; now he recognized the possibility of failure, saw
obstructions, crept cautious where he had formerly strode undismayed,
hesitated where he had once leaped. He jerked himself upright and
expelled his breath in an angry snort. This was no time for such musings.
At Sheeps Bar, ten miles farther on, he was to meet Knapp and plan for
the holdup of the stage that tomorrow night would carry treasure to the
Cimarroon Mine at North Fork.

It was after midnight when the few faint lights of Sheeps Bar came into
view. The place was small, a main street flanked by frame houses, a
wooden arcade jutting over the sagging sidewalk. Sleep held it; blank
windowpanes looked over the arcade's roof, the one bright spot the
oblong of light that shone from the transom over the door of the
Planters Hotel. Mindful of dogs he kept to the soft earth near the
sidewalk, shooting glances left and right. But Sheeps Bar was dead;
there was not a stir of life as he passed, not the click of a latch, not
a face at door or window.

Beyond the arcade the town broke into a scattering of detached houses.
The last of these, a one-story cabin staggering to its fall on the edge
of a stream, sent forth a pale ray from a wide, uncurtained window.
Across the pane, painted in blue, were the words "Hop Sing, Chinese
Restaurant," and within the light of a kerosene lamp showed a bare
whitewashed room set forth in tables and having at one end a small
counter and cash register. On the window ledge stood a platter of tomales
and a pile of oranges.

Garland drew up, listened, then dropped off his horse and led it toward
the hovel. Before he reached it a side door opened and a head was
thrust out. A whispered hail passed and the owner of the head
emerged--a Chinaman, shadow-thin and shadow-noiseless. He slipped
through the wet grass and with an "All 'ighty, boss," that might have
been a murmur of the stirred leaves, took the horse and disappeared
with it toward a rear shed.

Garland went to the cabin. The room which he entered opened into the
restaurant and was the Chinaman's den. Its only furniture was a bunk with
a coil of dirty blankets, a chair and table, on which stood an adding
machine, the balls running on wires. Near it was the ink well and bamboo
pen and small squares of paper covered with Chinese characters. One door
led into the restaurant and another into the kitchen. In this room, lit
by a wall lamp, its window giving on a tangled growth of shrubs, sat
Knapp sprawled before the stove.

Their greetings were brief, and drawing up to the table they began the
plans for the next night's work. Through the window the air came cool and
moist, fighting with the odors of cooking and the rank, stifling Chinese
smell. On the silence without rose the horses' soft whinnyings to one
another and then the Chinaman's returning passage through the grass and
the rasp of the closing door. He put a bottle and glasses before the men,
slipped speechless into the restaurant, and returned, an animated shadow,
with the lamp in his hand. This he set on the table in his own room, and
sitting before it, began moving the balls in the adding machine. Upon the
low voices in the kitchen, the dry click of the shifted balls broke in
sharp staccato, followed by pauses when, with a hand as delicate as a
woman's, he traced the Chinese characters on the paper.

It was he who heard first. His hand, raised to move a line of the balls,
hung suspended, his eyes riveted in an agate-bright stare on the wall
opposite. He half rose; his meager body stiffened as if the muscles had
suddenly become steel; his face turned in wild question to the room
beyond. He was up and had hissed a terrified, "Look out, boss, someone
come!" when a rending blow fell on the door.

For a breath there was stillness, then pandemonium--a sudden burst of
action following on a moment of paralysis, an explosion of sound and
movement. It all came together--the breaking in of the door, the
rat-like rush of the men, the crash of falling furniture, of shivered
glass, of dark, scrambling figures, and the blinding flash of a
revolver. The Chinaman's face, ape-like in its terror, showed above the
blankets of his bunk, Knapp lay on the ground caught by the falling
table, and in the window jagged edges of glass and a trail of blood on
the sill showed the way Garland had gone. In the doorway the sheriff
stood with his leveled revolver, while the voices and trampling of men
came from the shrubs outside.

CHAPTER XV

THE LAST DINNER

It was depressing weather, rain, rain, and then again rain. For two weeks
now, off and on, people had looked out through windows lashed with fine
spears or glazed with watery skins which endlessly slipped down the pane.
Muddy pools collected and spread across the street, the cars that drove
through them sending the water in fan-like spurts from their wheels. Down
the high, cobbled hills rivulets felt their way and grass sprouted
between the granite blocks. A gray wall shut in the city, which showed
dimly under the downpour, gardens blossoming, roof shining beyond roof,
wet wall dripping on wet wall.

From his parlor window in the Argonaut Hotel, Boye Mayer looked down on
the street's swimming length, and then up at the sky's leaden pall. It
was not raining now but there was no knowing when it might begin again.
He yawned and stretched, then looked at his watch--half-past four. What
should he do for the rest of the afternoon?

Several times during the last month this problem of time to be passed
had presented itself. The rain had cut him off from stately promenades
on the sunny side of the street and the diversions of San Francisco had
grown stale from familiarity. The bloom of his adventure was tarnished;
he was becoming used to riches, and comfort had lost its first, fine,
careless rapture. It was not that he was actually bored, but he saw, as
things were going, he might eventually become so, especially if the
rain continued. So far, the green tables and Pancha had held _off_ this
undesired state, but like all attractive pastimes both had their
dangers. His luck at the green tables had been so bad that he had
resolved to give them up, and that made the menace of boredom loom
larger. Life in San Francisco in the height of the wet season, with
cards denied him and Pancha only to be visited occasionally, was not
what it had promised to be.

He had thought of leaving, going to the South, and then decided against
it. There were several reasons why it was better for him to stay. One was
the money in Sacramento. This had become an intruding matter of worry and
indecision. It was not only that the store was so greatly diminished--his
losses had made astonishing inroads in it--but he feared its discovery
and he hated his trips there. He always spent a night in the place, on a
stone-hard bed in a dirty, unaired room, and in his shabby clothes was
forced to patronize cheap eating houses where the fare sickened him. He
managed it very adroitly, carrying in his old suitcase the hat, coat,
shoes and tie he had bought in Sacramento, changing into them in the
men's washroom in the Sacramento depot, and emerging therefrom the Harry
Romaine who rented room 19 in the Whatcheer House.

Of course there was danger of detection, and faced by this and the memory
of his discomfort on the train down, he told himself he would certainly
move the money. But back in the Argonaut Hotel his resolution weakened.
Where would he move it to? He could bank it in San Francisco, but here
again there were perils, of a kind he dreaded even more than the
Sacramento trips. There was that question of references, and he feared
the eyes of men, honest men, business men. He kept away from them; they
were shrewd, bitterly hostile to such as he. So he invariably slipped
back into a state where he said he must do something, waited until he had
only a few dollars left, then, cursing and groaning, pulled the old
clothes out of his trunk, packed his battered suitcase and told Ned
Murphy he was going into the interior "on business."

But outside all these lesser boredoms and anxieties there was another
bigger than all the rest and growing every day: After the money was
gone, what?

It was a question that, in the past, he would have sheered away from as a
horse shies from an obstacle intruding on a pleasant road. But time had
taught him [Note: last word, 'far-righted' must be a typo] many
things--the picaroon was becoming far-sighted; the grasshopper had
learned of the ant. The spring of his youth was gone; the renewal of the
old struggle too horrible to contemplate. And he would have to
contemplate it or decide on something to forestall it. That was what he
had been thinking about for the past week, shut up in his hotel room, his
hands deep in his pockets, his eyes morosely fixed on space.

At the Alston dinner an idea had germinated in his mind. It was only a
seed at first, then it began to grow and had now assumed a definite
shape. At first he had toyed with it, viewed it from different angles as
something fantastic and irrelevant, but nevertheless having a piquancy of
its own. Then his ill-luck and that necessary facing of the situation
made him regard it more closely, compelled him to award it a serious
consideration. He did not like it; it had almost no point of appeal; it
was not the sort of thing, had chance been kinder, he would ever have
contemplated. But it was inescapable, the angel with the flaming sword
planted in his path.

Reluctant, with dragging feet, he had gone to call on the Alston girls.
There had been several visits before that in return for continued
hospitalities; but this was the first of what might be called a second
series, the first after the acceptance of his idea. It had driven him to
it, hounded him on like Orestes hounded by the furies. When he got there
he saw behind the hounding the hand of fate, for instead of finding both
sisters at home or both sisters out, he found Chrystie in and alone. She
had talked bashfully, a shy-eyed novice with blush-rose cheeks and
fingers feeling cold in the pressure of farewell. The hand of fate
pointed to her. If it had been the other sister the hand would have
pointed in vain. From the start he had felt the fundamental thing in
Lorry--character, brain, vision, whatever you like to call it--upon which
his flatteries and blandishments would have been fruitless, arrows
falling blunted against a glittering armor. But this child, this
blushing, perturbed, unformed creature, as soft and fiberless as a skein
of her own hair, was fruit for his plucking.

That was his idea.

He had brooded on it all the week, hearing the rain drumming on the roof
outside, smoking countless cigarettes, harassed, balky and beaten. He
thought of it now, his hands deep in his pockets, his chest hollowed, his
sullen eyes surveying the hill opposite, up which a cable car crawled
like a large wet beetle. He watched the car till it dipped over the
summit and there was nothing to see but the two shining rails, and the
glistening roofs and the shrouded distance. It was like his idea,
inexpressibly dreary, a forlorn, monotonous, gray shutting out what once
had been a bright, engaging prospect.

He looked again at his watch--not yet half past five--at least an hour to
pass before dinner. The green tables began to call, and he turned from
the window to the dusk of the room, tempted and restless. He must do
something or he would answer the call, and he searched his resources for
a diversion at once enlivening and inexpensive. The search brought up on
Pancha. She and her mysteries were always amusing; her love flattered
him; blues and boredom died in her presence. Dangerous she could be, but
dangerous he would not let her be--his was the master mind, cold,
self-governing, and self-sure. One more swing around the circle with
Pancha and then good-by. Soon he "would give his bridle rein a shake
beside the river shore." At that he laughed--"river shore" aptly
described San Francisco under present conditions--and laughing went to
the telephone and called her up. He caught her at rehearsal and made a
rendezvous for dinner in the banquet room at Solari's.

Solari's was a small Italian restaurant in the business quarter which had
gained fame by the patronage of the local illuminati known to press and
public as "Bohemians." They foregathered nightly there, the plate glass
window giving a view of them, conspicuously herded at a large central
table, to interested passersby. To the right of the window was a door,
giving on a narrow staircase which led up to the second floor and what
Solari called his "banquet room." Here on state occasions the Bohemians
entertained celebrities, secretly fretted by the absence of their
accustomed audience. They had decorated the walls with samples of their
art, and when Eastern visitors came to Solari's, they were always taken
up there, and expected to say that San Francisco reminded them of Paris.
Mayer liked the place and had dined there several times with Pancha,
always in the banquet room. There were newspaper men among the Bohemians
who would have found material in the simultaneous appearance of the
picturesque Mr. Mayer and the Albion's star.

He had ordered the dinner, had the fire lighted and the table spread when
she came. She had run up the stairs and was out of breath, bringing in a
whiff of the night's fresh dampness, and childishly glad to be there. She
made no attempt to hide it, laughing as she slid out of her coat and
tossed her hat on a chair. With her feet in their worn, high-heeled shoes
held out to the fire, her hands rosily transparent against the blaze, she
filled the room with a new magic and charm, sent waves of well-being
through it. They warmed and lifted Mayer from his worries, and he was
nearly as glad that he had asked her to come as she was to obey his
summons. In his relief that she was able to dissipate his gloom, he
forgot his caution and laughed with her, the laugh of the lover rejoicing
in the sight of his lady.

The dinner was good and they were merry over it. Under the shaded light
above the table he could see her color fluctuate and the quick droop of
her eyes as they met his, and these evidences of his power added to his
enjoyment. The inhibition he had put upon himself was for the time
lifted, and he spoke softly, caressingly, words that made the rose in her
cheeks burn deeper and her voice tremble in its low response. Always
keener in his chase of money than of women, his cold blood was warmed and
he permitted himself to grow tender, safe in the thought that this would
be their last dinner.

At seven she had to go, frankly reluctant, making no pretense to hide
her disinclination. She rose and went to where her coat lay over a
chair, but he was before her, and snatching it up held it spread for her
enveloping. With her arms outstretched she slid into it, then felt him
suddenly clasp her. Weakened, like a body from which the strength has
fled, she drooped against him, her head fallen back on his shoulder. He
leaned his cheek against hers, rubbing it softly, then bending lower
till he found her lips.

Out of his arms she steadied herself with a hand on the mantelpiece, the
room blurred, no breath left her for speech. For a moment the place was
noiseless save for the small, friendly sounds of the fire. Then she asked
the woman's eternal question,

"Do you love me?"

"What do you think?" he said, surprised to hear his voice shaken
and husky.

"Oh, Boye," she cried and turned on him, clasping her hands against her
heart, a figure of tragic intensity, "is it true? Do you mean it?"

He nodded, silent because he was not sure of what to say.

"It's not a lie? It's not just to get me because I'm Pancha Lopez who's
never had a lover?"

"My dear girl!" he gave his foreign shrug. "Why all this unbelief?"

"Because it's natural, because I can't help it. I want to trust, I want
to believe--but I'm afraid, I'm afraid of being hurt." She raised her
clasped hands and covered her face with them. From behind their shield
her voice came muffled and broken, "I couldn't stand that. I've never
cared before, I never thought I would--anyway not like this. It's come
and got me--it's got me down to the depths of my heart."

"Why, Pancha," he said, exceedingly uneasy, sorry now he'd asked her,
sorry he'd come. "What's the sense of talking that way--don't be so
tragic. This isn't the stage of the Albion."

"No, it's not." She dropped her hands and faced him. "It's real
life--it's _my_ real life. It's the first I've ever had." And suddenly
she went to him, caught his arm, and pressing against it looked with
impassioned eyes into his.

"Do you love me--not just to flirt and pay compliments, but truly--to
want me more than any woman in the world? Tell me the truth."

Her eyes held his, against his arm he could feel the beating of her
heart. Just at that moment the truth was the last thing he could tell.

"Little fool," he said softly, "I love you more than you deserve."

Her breath came with a sob; she drooped her head and, resting her face
against his shoulder, was still.

Over her head he looked at the fire, with his free hand gently caressing
her arm. He did not want to say any more. What he wanted was to get away,
slide out of range of her eyes and her questions. It was his own fault
that the interview had developed in a manner undesired and unintended,
but that did not make him any the less anxious to end it. Presently she
lifted her head and drew back from him. Stealing a look at her, he saw
she was pale and that her eyes were wet. She put her fingers on them,
pressing on the lids, her lips set close, her breast shaken.

In dread of another emotional outburst he looked at his watch and said in
a brisk, matter-of-fact tone,

"Look here, young woman, this is awfully jolly, but I don't want to be
the means of making trouble for you at the Albion. Won't you be late?"

She started and came to life, throwing a bewildered glance about her
for her hat.

"Yes, I'd forgotten. I must hurry. It takes me an hour to make up."

Immensely relieved, he handed her the hat, saw her put it on with
indifferent pulls and pats, and followed her to the door. At the top of
the stairs he pushed by her with a laughing,

"Here, let me go first. It's my job to lead."

She drew aside, and as he passed her he caught her eyes, lighted with a
soul-deep tenderness, the woman's look of surrender. Then as he descended
a step below her, she leaned down and brushed her cheek along his
shoulder, a touch light as the passage of a bird's wing.

"It's my job to follow where you lead," she whispered.

They went down the narrow staircase crowded close together, arm against
arm, silent. In the doorway she turned to him.

"Don't come with me. I want to be alone. I want to understand what's
happened to me. You can think of me going through the streets and saying
over and over, 'I'm happy, I'm happy, I'm happy--' And you can think
it's because of you I'm saying it."

She was gone, a small, dark figure, flitting away against the glistening
splotches of light that broke on the street's wet vista.

Not knowing what else to do, Mayer walked home. He was angry with
everything--with Pancha, with himself, with life. He thought of her
without pity, savage toward her because he had to put her away from him.
Joy came to him with outstretched hands, and he had to turn his back on
it; it made him furious. He was exasperated with himself because so much
of his money was gone, and he had to do what he didn't want to do. The
money instead of making things easier had messed them into an enraging
tangle. Life always went against him--he saw the past as governed by a
malevolent fate whose business had been a continual creating of pitfalls
for his unwary feet.

One thing was certain, he must have done with Pancha. Fortunately for
him, it would not be hard. He would give his bridle rein a shake beside
the river shore, and let the fact that he had gone sink into her, not in
a break of brutal suddenness, but by slow, illuminating degrees. For if
he was to carry out his idea--and there was nothing else to be
done--there must be no entanglements with such as Pancha. He must be
foot-loose and free, no woman clinging to that shaken bridle rein with
passionate, restraining hands.

Cross and dispirited he entered the hotel and mounted to his room. He
was beginning to hate it, its hideous hotel furniture, the memory of
hours of ennui spent there. Against his doorsill the evening paper lay,
and picking it up he let himself in and lighted the gas. On the mantel
the small nickel clock seemed to start out at him, insolently
proclaiming the hour, half past seven. He groaned in desperation and
cast the paper on the table. It had been folded once over, and as it
struck the marble, fell open. Across the front page in glaring black
letters he read the words,

"Knapp, the bandit, caught at Sheeps Bar."

CHAPTER XVI

THROUGH A GLASS DARKLY

That night Mayer could not sleep. He kept assuring himself there was
nothing to fear, yet he did fear. Dark possibilities rose on his
imagination--in his excitement at finding the treasure he might have
left something, some betraying mark or object. Was there any way in
which the bandits could have obtained a clew to his identity; could they
have guessed, or discovered by some underground channel of espionage,
that he was the man who had robbed them? Over and over he told himself
it was impossible, but he could not lift from his spirit a dread that
made him toss in restless torment. With the daylight, his nerves
steadied, and a perusal of the morning papers still further calmed him.
Only one man had been caught--Knapp. Garland had broken through the
window, and with the darkness and his knowledge of the country to aid
him, had made his escape. The sheriff's bullet had not done its work; no
man seriously wounded could have eluded the speed and vigilance of the
pursuit. A posse was now out beating the hills, but with the long
stretch of night in his favor he had slipped through their fingers and
was safe somewhere in the chaparral or the mountains beyond. If his
friends could not help him, a force more implacable than sheriff or
deputy would bring him to justice: hunger.

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