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Selections From Poe by J. Montgomery Gambrill

J >> J. Montgomery Gambrill >> Selections From Poe

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It was in this apartment, also, that there stood against the western
wall a gigantic clock of ebony. Its pendulum swung to and fro with a
dull, heavy, monotonous clang; and when the minute-hand made the
circuit of the face, and the hour was to be stricken, there came from
the brazen lungs of the clock a sounct which was clear and loud and
deep and exceedingly musical, but of so peculiars note and emphasis
that, at each lapse of an hour, the musicians of the orchestra were
constrained to pause, momentarily, in their performance, to hearken to
the sound; and thus the waltzers perforce ceased their evolutions; and
there was a brief disconcert of the whole gay company; and, while the
chimes of the clock yet rang, it was observed that the giddiest grew
pale, and the more aged and sedate passed their hands over their brows
as if in confused revery or meditation. But when the echoes had fully
ceased, a light laughter at once pervaded the assembly; the musicians
looked at each other and smiled as if at their own nervousness and
folly, and made whispering vows, each to the other, that the next
chiming of the clock should produce in them no similar emotion; and
then, after the lapse of sixty minutes (which embrace three thousand
and six hundred seconds of the Time that flies) there came yet another
chiming of the clock, and then were the same disconcert and
tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The
tastes of the Prince were peculiar. He had a fine eye for colors and
effects. He disregarded the _decora_ of mere fashion. His plans were
bold and fiery, and his conceptions glowed with barbaric lustre. There
are some who would have thought him mad. His followers felt that he
was not. It was necessary to hear and see and touch him to be _sure_
that he was not.

He had directed, in great part, the movable embellishments of the
seven chambers, upon occasion of this great _fete_; and it was his own
guiding taste which had given character to the masqueraders. Be sure
they were grotesque. There were much glare and glitter and piquancy
and phantasm--much of what has been since seen in _Hernani_. There
were arabesque figures with unsuited limbs and appointments. There
were delirious fancies such as the madman fashions. There was much of
the beautiful, much of the wanton, much of the bizarre, something of
the terrible, and not a little of that which might have excited
disgust. To and fro in the seven chambers there stalked, in fact, a
multitude of dreams. And these--the dreams--writhed in and about,
taking hue from the rooms, and causing the wild music of the orchestra
to seem as the echo of their steps. And, anon, there strikes the ebony
clock which stands in the hall of the velvet. And then, for a moment,
all is still, and all is silent save the voice of the clock. The
dreams are stiff-frozen as they stand. But the echoes of the chime die
away--they have endured but an instant--and a light, half-subdued
laughter floats after them as they depart. And now again the music
swells, and the dreams live, and writhe to and fro more merrily than
ever, taking hue from the many tinted windows through which stream the
rays from the tripods. But to the chamber which lies most westwardly
of the seven, there are now none of the maskers who venture; for the
night is waning away, and there flows a ruddier light through the
blood-colored panes; and the blackness of the sable drapery appalls;
and to him whose foot falls upon the sable carpet, there comes from
the near clock of ebony a muffled peal more solemnly emphatic than any
which reaches _their_ ears who indulge in the more remote gayeties of
the other apartments.

But these other apartments were densely crowded, and in them beat
feverishly the heart of life. And the revel went whirlingly on, until
at length there commenced the sounding of midnight upon the clock. And
then the music ceased, as I have told; and the evolutions of the
waltzers were quieted; and there was an uneasy cessation of all things
as before. But now there were twelve strokes to be sounded by the bell
of the clock; and thus it happened, perhaps, that more of thought
crept, with more of time, into the meditations of the thoughtful among
those who revelled. And thus too it happened, perhaps, that before the
last echoes of the last chime had utterly sunk into silence, there
were many individuals in the crowd who had found leisure to become
aware of the presence of a masked figure which had arrested the
attention of no single individual before. And the rumor of this new
presence having spread itself whisperingly around, there arose at
length from the whole company a buzz, or murmur, expressive of
disapprobation and surprise--then, finally, of terror, of horror, and
of disgust.

In an assembly of phantasms such as I have painted, it may well be
supposed that no ordinary appearance could have excited such
sensation. In truth the masquerade license of the night was nearly
unlimited; but the figure in question had out-Heroded Herod, and gone
beyond the bounds of even the Prince's indefinite decorum. There are
chords in the hearts of the most reckless which cannot be touched
without emotion. Even with the utterly lost, to whom life and death
are equally jests, there are matters of which no jest can be made. The
whole company, indeed, seemed now deeply to feel that in the costume
and bearing of the stranger neither wit nor propriety existed. The
figure was tall and gaunt, and shrouded from head to foot in the
habiliments of the grave. The mask which concealed the visage was made
so nearly to resemble the countenance of a stiffened corpse that the
closest scrutiny must have had difficulty in detecting the cheat. And
yet all this might have been endured, if not approved, by the mad
revellers around. But the mummer had gone so far as to assume the type
of the Red Death. His vesture was dabbled in _blood_--and his broad
brow, with all the features of the face, was besprinkled with the
scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image (which
with a slow and solemn movement, as if more fully to sustain its
_role_, stalked to and fro among the waltzers) he was seen to be
convulsed, in the first moment, with a strong shudder either of terror
or distaste; but, in the next, his brow reddened with rage.

"Who dares?" he demanded hoarsely of the courtiers who stood near
him--"who dares insult us with this blasphemous mockery? Seize him and
unmask him--that we may know whom we have to hang at sunrise, from the
battlements!"

It was in the eastern or blue chamber in which stood the Prince
Prospero as he uttered these words. They rang throughout the seven
rooms loudly and clearly--for the Prince was a bold and robust man,
and the music had become hushed at the waving of his hand.

It was in the blue room where stood the Prince, with a group of pale
courtiers by his side. At first, as he spoke, there was a slight
rushing movement of this group in the direction of the intruder, who
at the moment was also near at hand, and now, with deliberate and
stately step, made closer approach to the speaker. But from a certain
nameless awe with which the mad assumptions of the mummer had inspired
the whole party, there were found none who put forth hand to seize
him; so that, unimpeded, he passed within a yard of the Prince's
person; and, while the vast assembly, as if with one impulse, shrank
from the centres of the rooms to the walls, he made his way
uninterruptedly, but with the same solemn and measured step which had
distinguished him from the first, through the blue chamber to the
purple--through the purple to the green--through the green to the
orange--through this again to the white--and even thence to the
violet, ere a decided movement had been made to arrest him. It was
then, however, that the Prince Prospero, maddening with rage and the
shame of his own momentary cowardice, rushed hurriedly through the six
chambers, while none followed him on account of a deadly terror that
had seized upon all. He bore aloft a drawn dagger, and had approached,
in rapid impetuosity, to within three or four feet of the retreating
figure, when the latter, having attained the extremity of the velvet
apartment, turned suddenly and confronted his pursuer. There was a
sharp cry--and the dagger dropped gleaming upon the sable carpet,
upon which, instantly afterwards, fell prostrate in death the Prince
Prospero. Then, summoning the wild courage of despair, a throng of the
revellers at once threw themselves into the black apartment, and,
seizing the mummer, whose tall figure stood erect and motionless
within the shadow of the ebony clock, gasped in unutterable horror at
finding the grave cerements and corpse-like mask, which they handled
with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come
like a thief in the night. And one by one dropped the revellers in the
blood-bedewed halls of their revel, and died each in the despairing
posture of his fall. And the life of the ebony clock went out with
that of the last of the gay. And the flames of the tripods expired.
And Darkness and Decay and the Red Death held illimitable dominion
over all.


THE GOLD BUG

What ho! what ho! this fellow is dancing mad!
He hath been bitten by the Tarantula.
_All in the Wrong_


Many years ago, I contracted an intimacy with a Mr. William Legrand.
He was of an ancient Huguenot family, and had once been wealthy; but a
series of misfortunes had reduced him to want. To avoid the
mortification consequent upon his disasters, he left New Orleans, the
city of his fore-fathers, and took up his residence at Sullivan's
Island, near Charleston, South Carolina.

This island is a very singular one. It consists of little else than
the sea sand, and is about three miles long. Its breadth at no point
exceeds a quarter of a mile. It is separated from the mainland by a
scarcely perceptible creek, oozing its way through a wilderness of
reeds and slime, a favorite resort of the marsh-hen. The vegetation,
as might be supposed, is scant, or at least dwarfish. No trees of any
magnitude are to be seen. Near the western extremity, where Fort
Moultrie stands, and where are some miserable frame buildings,
tenanted during summer by the fugitives from Charleston dust and
fever, may be found, indeed, the bristly palmetto; but the whole
island, with the exception of this western point, and a line of hard
white beach on the seacoast, is covered with a dense undergrowth of
the sweet myrtle, so much prized by the horticulturists of England.
The shrub here often attains the height of fifteen or twenty feet, and
forms an almost impenetrable coppice, burdening the air with its
fragrance.

In the utmost recesses of this coppice, not far from the eastern or
more remote end of the island, Legrand had built himself a small hut,
which he occupied when I first, by mere accident, made his
acquaintance. This soon ripened into, friendship--for there was much
in the recluse to excite interest and esteem. I found him well
educated, with unusual powers of mind, but infected with misanthropy,
and subject to perverse moods of alternate enthusiasm and melancholy.
He had with him many books, but rarely employed them. His chief
amusements were gunning and fishing, or sauntering along the beach and
through the myrtles in quest of shells or entomological
specimens;--his collection of the latter might have been envied by a
Swammerdamm. In these excursions he was usually accompanied by an old
negro, called Jupiter, who had been manumitted before the reverses of
the family, but who could be induced, neither by threats nor by
promises, to abandon what he considered his right of attendance upon
the footsteps of his young "Massa Will." It is not improbable that the
relatives of Legrand, conceiving him to be somewhat unsettled in
intellect, had contrived to instil this obstinacy into Jupiter, with a
view to the supervision and guardianship of the wanderer.

The winters in the latitude of Sullivan's Island are seldom very
severe, and in the fall of the year it is a rare event indeed when a
fire is considered necessary. About the middle of October, 18--, there
occurred, however, a day of remarkable chilliness. Just before sunset
I scrambled my way through the evergreens to the hut of my friend,
whom I had not visited for several weeks--my residence being at that
time in Charleston, a distance of nine miles from the island, while
the facilities of passage and re-passage were very far behind those of
the present day. Upon reaching the hut I rapped, as was my custom,
and, getting no reply, sought for the key where I knew it was
secreted, unlocked the door and went in. A fine fire was blazing upon
the hearth. It was a novelty, and by no means an ungrateful one. I
threw off an overcoat, took an armchair by the crackling logs, and
awaited patiently the arrival of my hosts.

Soon after dark they arrived, and gave me a most cordial
welcome. Jupiter, grinning from ear to ear, bustled about to prepare
some marsh-hens for supper. Legrand was in one of his fits--how else
shall I term them?--of enthusiasm. He had found an unknown bivalve,
forming a new genus, and, more than this, he had hunted down and
secured, with Jupiter's assistance, a _scarabaeus_ which he believed to
be totally new, but in respect to which he wished to have my opinion
on the morrow.

"And why not to-night?" I asked, rubbing my hands over the blaze, and
wishing the whole tribe of _scarabaei_ at the devil.

"Ah, if I had only known you were here!" said Legrand, "but it's so
long since I saw you; and how could I foresee that you would pay me a
visit this very night of all others? As I was coming home I met
Lieutenant G----, from the fort, and, very foolishly, I lent him the
bug; so it will be impossible for you to see it until the
morning. Stay here to-night, and I will send Jup down for it at
sunrise. It is the loveliest thing in creation!"

"What?--sunrise?"

"Nonsense! no!--the bug. It is of a brilliant gold color--about the
size of a large hickory-nut--with two jet black spots near one
extremity of the back, and another, somewhat longer, at the other. The
_antennae_ are--"

"Dey aint _no_ tin in him, Massa Will, I keep a tellin on you," here
interrupted Jupiter; "de bug is a goole-bug, solid, ebery bit of him,
inside and all, sep him wing--neber-feel half so hebby a bug in my
life."

"Well, suppose it is, Jup," replied Legrand, somewhat more earnestly,
it seemed to me, than the case demanded, "is that any reason for your
letting the birds burn? The color"--here he turned to me--"is really
almost enough to warrant Jupiter's idea. You never saw a more
brilliant metallic lustre than the scales emit--but of this you cannot
judge till to-morrow. In the meantime I can give you some idea of the
shape." Saying this, he seated himself at a small table, on which were
a pen and ink, but no paper. He looked for some in a drawer, but found
none.

"Never mind," said he at length, "this will answer;" and he drew from
his waistcoat pocket a scrap of what I took to be very dirty foolscap,
and made upon it a rough drawing with the pen. While he did this, I
retained my seat by the fire, for I was still chilly. When the design
was complete, he handed it to me without rising. As I received it, a
low growl was heard, succeeded by a scratching at the door. Jupiter
opened it, and a large Newfoundland, belonging to Legrand, rushed in,
leaped upon my shoulders, and loaded me with caresses; for I had shown
him much attention during previous visits. When his gambols were
over, I looked at the paper, and, to speak the truth, found myself not
a little puzzled at what my friend had depicted.

"Well!" I said, after contemplating it for some minutes, "this _is_ a
strange _scarabaeus_, I must confess; new to me: never saw anything
like it before--unless it was a skull, or a death's-head, which it
more nearly resembles than anything else that has come under _my_
observation."

"A death's-head!" echoed Legrand--"oh--yes--well, it has something of
that appearance upon paper, no doubt. The two upper black spots look
like eyes, eh? and the longer one at the bottom like a mouth--and then
the shape of the whole is oval."

"Perhaps so," said I; "but, Legrand, I fear you are no artist. I must
wait until I see the beetle itself, if I am to form any idea of its
personal appearance."

"We'll, I don't know," said he, a little nettled, "I draw
tolerably--_should_ do it at least--have had good masters, and flatter
myself that I am not quite a blockhead."

"But, my dear fellow, you are joking then," said I; "this is a very
passable _skull_,--indeed, I may say that it is a very _excellent_
skull, according to the vulgar notions about such specimens of
physiology--and your _scarabaeus_ must be the queerest _scarabaeus_
in the world if it resembles it. Why, we may get up a very thrilling
bit of superstition upon this hint. I presume you will call the bug
_scarabaeus caput hominis_, or something of that kind--there are
many similar titles in the Natural Histories. But where are the
_antennae_ you spoke of?" "The _antennae_!" said Legrand, who seemed
to be getting unaccountably warm upon the subject; "I am sure you must
see the _antennae_. I made them as distinct as they are in the
original insect, and I presume that is sufficient."

"Well, well," I said, "perhaps you have--still I don't see them;" and
I handed him the paper without additional remark, not wishing to
ruffle his temper, but I was much surprised at the turn affairs had
taken; his ill humor puzzled me--and as for the drawing of the
beetle, there were positively _no antennae_ visible, and the whole
_did_ bear a very close resemblance to the ordinary cuts of a
death's-head.

He received the paper very peevishly, and was about to crumple it,
apparently to throw it in the fire, when a casual glance at the design
seemed suddenly to rivet his attention. In an instant his face grew
violently red--in another as excessively pale. For some minutes he
continued to scrutinize the drawing minutely where he sat. At length
he arose, took a candle from the table, and proceeded to seat himself
upon a sea-chest in the farthest corner of the room. Here again he
made an anxious examination of the paper; turning it in all
directions. He said nothing, however, and his conduct greatly
astonished me; yet I thought it prudent not to exacerbate the growing
moodiness of his temper by any comment. Presently he took from his
coat pocket a wallet, placed the paper carefully in it, and deposited
both in a writing-desk, which he locked. He now grew more composed in
his demeanor; but his original air of enthusiasm had quite
disappeared. Yet he seemed not so much sulky as abstracted. As the
evening wore away he became more and more absorbed in revery, from
which no sallies of mine could arouse him. It had been my intention to
pass the night at the hut, as I had frequently done before, but,
seeing my host in this mood, I deemed it proper to take leave. He did
not press me to remain, but, as I departed, he shook my hand with even
more than his usual cordiality.

It was about a month after this (and during the interval I had seen
nothing of Legrand) when I received a visit, at Charleston, from his
man, Jupiter. I had never seen the good old negro look so dispirited,
and I feared that some serious disaster had befallen my friend.

"Well, Jup," said I, "what is the matter now?--how is your master?"

"Why, to speak de troof, massa, him not so berry well as mought be."

"Not well! I am truly sorry to hear it. What does he complain of?"

"Dar! dat's it!--him neber plain of notin--but him berry sick for all
dat."

"_Very_ sick, Jupiter!--why didn't you say so at once? Is he confined
to bed?"

"No, dat he aint!--he aint find nowhar--dat's just whar de shoe
pinch--my mind is got to be berry hebby bout poor Massa Will."

"Jupiter, I should like to understand what it is you are talking
about. You say your master is sick. Hasn't he told you what ails
him?"

"Why, massa, taint worf while for to git mad bout de matter--Massa
Will say noffin at all aint de matter wid him--but den what make him
go about looking dis here way, wid he head down and he soldiers up,
and as white as a gose? And den he keep a syphon all de time--"

"Keeps a what, Jupiter?"

"Keeps a syphon wid de figgurs on de slate--de queerest figgurs I
ebber did see. Ise gittin to be skeered, I tell you. Hab for to keep
mighty tight eye pon him noovers. Todder day he gib me slip fore de
sun up and was gone de whole ob de blessed day. I had a big stick
ready cut for to gib him d------d good beating when he did come--but
Ise sich a fool dat I hadn't de heart arter all--he look so berry
poorly."

"Eh?--what?--ah yes!--upon the whole I think you had better not be too
severe with the poor fellow--don't flog him, Jupiter--he can't very
well stand it--but can you form no idea of what has occasioned this
illness, or rather this change of conduct? Has anything unpleasant
happened since I saw you?"

"No, massa, dey aint bin noffin onpleasant _since_ den--it 'twas
_fore_ den I'm feared--'twas de berry day you was dare."

"How? what do you mean?"

"Why, massa, I mean de bug--dare now."

"The what?"

"De bug--I'm berry sartin dat Massa Will bin bit somewhere bout de
head by dat goole-bug."

"And what cause have you, Jupiter, for such a supposition?"

"Claws enuff, massa, and mouff too. I nebber did see sich a d------d
bug--he kick and he bite ebery ting what cum near him. Massa Will
cotch him fuss, but had for to let him go gin mighty quick, I tell
you--den was de time he must ha got de bite. I didn't like de look ob
de bug mouff, myself, no how, so I wouldn't take hold ob him wid my
finger, but I cotch him wid a piece ob paper dat I found. I rap him up
in de paper and stuff piece of it in he mouff--dat was de way."

"And you think, then, that your master was really bitten by the
beetle, and that the bite made him sick?"

"I don't tink noffin about it--I nose it. What make him dream bout de
goole so much, if taint cause he bit by de goole-bug? Ise heerd bout
dem goole-bugs fore dis."

"But how do you know he dreams about gold?"

"How I know? why, cause he talk about it in he sleep--dat's how I
nose."

"Well, Jup, perhaps you are right; but to what fortunate circumstance
am I to attribute the honor of a visit from you to-day?"

"What de matter, massa?"

"Did you bring any message from Mr. Legrand?"

"No, massa, I bring dis here pissel;" and here Jupiter handed me a
note which ran thus:


"MY DEAR ----, Why have I not seen you for so long a time? I hope you
have not been so foolish as to take offence at any little _brusquerie_
of mine; but no, that is improbable.

"Since I saw you I have had great cause for anxiety. I have something
to tell you, yet scarcely know how to tell it, or whether I should
tell it at all.

"I have not been quite well for some days past, and poor old Jup
annoys me, almost beyond endurance, by his well-meant attentions.
Would you believe it?--he had prepared a huge stick, the other day,
with which to chastise me for giving him the slip, and spending the
day, _solus_, among the hills on the mainland. I verily believe that
my ill looks alone saved me a flogging.

"I have made no addition to my cabinet since we met.

"If you can, in any way, make it convenient, come over with Jupiter.
_Do_ come. I wish to see you _to-night_, upon business of importance.
I assure you that it is of the _highest_ importance.

"Ever yours,
"WILLIAM LEGRAND."


There was something in the tone of this note which gave me great
uneasiness. Its whole style differed materially from that of Legrand.
What could he be dreaming of? What new crotchet possessed his
excitable brain? What "business of the highest importance" could _he_
possibly have to transact? Jupiter's account of him boded no good. I
dreaded lest the continued pressure of misfortune had, at length,
fairly unsettled the reason of my friend. Without a moment's
hesitation, therefore, I prepared to accompany the negro.

Upon reaching the wharf, I noticed a scythe and three spades, all
apparently new, lying in the bottom of the boat in which we were to
embark.

"What is the meaning of all this, Jup?" I inquired.

"Him syfe, massa, and spade."

"Very true; but what are they doing here?

"Him de syfe and de spade what Massa Will sis pon my buying for him in
de town, and de debbil's own lot of money I had to gib for em."

"But what, in the name of all that is mysterious, is your 'Massa Will'
going to do with scythes and spades?"

"Dat's more dan _I_ know, and debbil take me if I don't blieve 'tis
more dan he know, too. But it's all cum ob de bug."

Finding that no satisfaction was to be obtained of Jupiter, whose
whole intellect seemed to be absorbed by "de bug," I now stepped into
the boat and made sail. With a fair and strong breeze we soon ran into
the little cove to the northward of Fort Moultrie, and a walk of some
two miles brought us to the hut. It was about three in the afternoon
when we arrived. Legrand had been awaiting us in eager expectation.
He grasped my hand with a nervous _empressement_, which alarmed me and
strengthened the suspicions already entertained. His countenance was
pale even to ghastliness, and his deep-set eyes glared with unnatural
lustre. After some inquiries respecting his health, I asked him, not
knowing what better to say, if he had yet obtained the _scarabaeus_
from Lieutenant G----.

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Murder One closing so did we commit this crime?

Barack Obama is teaming up with Spider-Man in a new comic from Marvel, which will see the future president exchanging a fist-bump with Peter Parker's alter ego.

The five-page story takes place in Washington DC on inauguration day, when one of Spidey's oldest enemies, the Chameleon, attempts to stop Obama's swearing-in ceremony. Fortunately, Peter Parker is covering the event as a photographer, and jumps in to save the day.

"Ya hear that, Chameleon? The president-elect here just appointed me ... secretary of shuttin' you up," Spider-Man says as he thwacks the Chameleon in the face. "I hope this doesn't ruin the inauguration for you," he tells Obama, as the Chameleon is led away by security officials. "Honestly, I'm more upset by the Chameleon's shockingly deficient understanding of the electoral process," Obama replies.

Spidey then cedes the limelight to Obama. "This is your day, after all, and I know it wouldn't look good to be seen palling around with me," he says, in a nod to Sarah Palin's comment that the then presidential candidate had been "palling around with terrorists".

The story, written by Zeb Wells and illustrated by Todd Nauck and Frank D'Armata, will appear as a bonus feature in Amazing Spider-Man 583, which goes on sale on 14 January.

"When we heard that president-elect Obama is a collector of Spider-Man comics, we knew that these two historic figures had to meet in our comics' Marvel Universe," said Marvel's editor-in-chief Joe Quesada. "A Spider-Man fan moving into the Oval Office is an event that must be commemorated in the pages of Amazing Spider-Man."

In October, graphic novel biographies of Obama and his then rival John McCain were published by IDW. April will see Michelle Obama appearing in the Female Force comic book series.

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