The Room in the Dragon Volant by J. Sheridan LeFanu

J >> J. Sheridan LeFanu >> The Room in the Dragon Volant

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10

Produced by Suzanne Shell, David Garcia and PG Distributed Proofreaders

THE ROOM IN THE DRAGON VOLANT

By J. Sheridan LeFanu

_Other books by J. Sheridan LeFanu_

The Cock and Anchor
Torlogh O'Brien
The Home by the Churchyard
Uncle Silas
Checkmate
Carmilla
The Wyvern Mystery
Guy Deverell
Ghost Stories and Tales of Mystery
The Chronicles of Golden Friars
In a Glass Darkly
The Purcell Papers
The Watcher and Other Weird Stories
A Chronicle of Golden Friars and Other Stories
Madam Crowl's Ghost and Other Tales of Mystery
Green Tea and Other Stones
Sheridan LeFanu: The Diabolic Genius
Best Ghost Stories of J.S. LeFanu
The Best Horror Stories
The Vampire Lovers and Other Stories
Ghost Stories and Mysteries
The Hours After Midnight
J.S. LeFanu: Ghost Stories and Mysteries
Ghost and Horror Stones
Green Tea and Other Ghost Stories
Carmilla and Other Classic Tales of Mystery

The Room in the Dragon Volant

_Prologue_

_The curious case which I am about to place before you, is referred
to, very pointedly, and more than once, in the extraordinary Essay upon
the Drug of the Dark and the Middle Ages, from the pen of Doctor
Hesselius_.

_This Essay he entitles_ Mortis Imago, _and he, therein, discusses the_
Vinum letiferum, _the_ Beatifica, _the_ Somnus Angelorum, _the_ Hypnus
Sagarum, _the_ Aqua Thessalliae, _and about twenty other infusions and
distillations, well known to the sages of eight hundred years ago, and
two of which are still, he alleges, known to the fraternity of thieves,
and, among them, as police-office inquiries sometimes disclose to this
day, in practical use_.

_The Essay,_ Mortis Imago, _will occupy, as nearly as I can at
present calculate, two volumes, the ninth and tenth, of the collected
papers of Dr. Martin Hesselius_.

_This Essay, I may remark in conclusion, is very curiously enriched by
citations, in great abundance, from medieval verse and prose romance,
some of the most valuable of which, strange to say, are Egyptian_.

_I have selected this particular statement from among many cases
equally striking, but hardly, I think, so effective as mere narratives;
in this irregular form of publication, it is simply as a story that I
present it_.

Chapter I

ON THE ROAD

In the eventful year, 1815, I was exactly three-and-twenty, and had just
succeeded to a very large sum in consols and other securities. The first
fall of Napoleon had thrown the continent open to English excursionists,
anxious, let us suppose, to improve their minds by foreign travel; and
I--the slight check of the "hundred days" removed, by the genius of
Wellington, on the field of Waterloo--was now added to the philosophic
throng.

I was posting up to Paris from Brussels, following, I presume, the route
that the allied army had pursued but a few weeks before--more carriages
than you could believe were pursuing the same line. You could not look
back or forward, without seeing into far perspective the clouds of dust
which marked the line of the long series of vehicles. We were
perpetually passing relays of return-horses, on their way, jaded and
dusty, to the inns from which they had been taken. They were arduous
times for those patient public servants. The whole world seemed posting
up to Paris.

I ought to have noted it more particularly, but my head was so full of
Paris and the future that I passed the intervening scenery with little
patience and less attention; I think, however, that it was about four
miles to the frontier side of a rather picturesque little town, the name
of which, as of many more important places through which I posted in my
hurried journey, I forget, and about two hours before sunset, that we
came up with a carriage in distress.

It was not quite an upset. But the two leaders were lying flat. The
booted postilions had got down, and two servants who seemed very much
at sea in such matters, were by way of assisting them. A pretty little
bonnet and head were popped out of the window of the carriage in
distress. Its _tournure_, and that of the shoulders that also
appeared for a moment, was captivating: I resolved to play the part of
a good Samaritan; stopped my chaise, jumped out, and with my servant lent
a very willing hand in the emergency. Alas! the lady with the pretty
bonnet wore a very thick black veil. I could see nothing but the pattern
of the Brussels lace as she drew back.

A lean old gentleman, almost at the same time, stuck his head out of the
window. An invalid he seemed, for although the day was hot he wore a
black muffler which came up to his ears and nose, quite covering the
lower part of his face, an arrangement which he disturbed by pulling it
down for a moment, and poured forth a torrent of French thanks, as he
uncovered his black wig, and gesticulated with grateful animation.

One of my very few accomplishments, besides boxing, which was cultivated
by all Englishmen at that time, was French; and I replied, I hope and
believe grammatically. Many bows being exchanged, the old gentleman's
head went in again, and the demure, pretty little bonnet once more
appeared.

The lady must have heard me speak to my servant, for she framed her
little speech in such pretty, broken English, and in a voice so sweet,
that I more than ever cursed the black veil that baulked my romantic
curiosity.

The arms that were emblazoned on the panel were peculiar; I remember
especially one device--it was the figure of a stork, painted in carmine,
upon what the heralds call a "field or." The bird was standing upon one
leg, and in the other claw held a stone. This is, I believe, the emblem
of vigilance. Its oddity struck me, and remained impressed upon my
memory. There were supporters besides, but I forget what they were. The
courtly manners of these people, the style of their servants, the
elegance of their traveling carriage, and the supporters to their arms,
satisfied me that they were noble.

The lady, you may be sure, was not the less interesting on that account.
What a fascination a title exercises upon the imagination! I do not mean
on that of snobs or moral flunkies. Superiority of rank is a powerful
and genuine influence in love. The idea of superior refinement is
associated with it. The careless notice of the squire tells more upon
the heart of the pretty milk-maid than years of honest Dobbin's manly
devotion, and so on and up. It is an unjust world!

But in this case there was something more. I was conscious of being
good-looking. I really believe I was; and there could be no mistake
about my being nearly six feet high. Why need this lady have thanked me?
Had not her husband, for such I assumed him to be, thanked me quite
enough and for both? I was instinctively aware that the lady was looking
on me with no unwilling eyes; and, through her veil, I felt the power of
her gaze.

She was now rolling away, with a train of dust behind her wheels in the
golden sunlight, and a wise young gentleman followed her with ardent
eyes and sighed profoundly as the distance increased.

I told the postilions on no account to pass the carriage, but to keep it
steadily in view, and to pull up at whatever posting-house it should
stop at. We were soon in the little town, and the carriage we followed
drew up at the Belle Étoile, a comfortable old inn. They got out of the
carriage and entered the house.

At a leisurely pace we followed. I got down, and mounted the steps
listlessly, like a man quite apathetic and careless.

Audacious as I was, I did not care to inquire in what room I should find
them. I peeped into the apartment to my right, and then into that on my
left. _My_ people were not there. I ascended the stairs. A
drawing-room door stood open. I entered with the most innocent air in
the world. It was a spacious room, and, beside myself, contained but one
living figure--a very pretty and lady-like one. There was the very
bonnet with which I had fallen in love. The lady stood with her back
toward me. I could not tell whether the envious veil was raised; she was
reading a letter.

I stood for a minute in fixed attention, gazing upon her, in vague hope
that she might turn about and give me an opportunity of seeing her
features. She did not; but with a step or two she placed herself before
a little cabriole-table, which stood against the wall, from which rose
a tall mirror in a tarnished frame.

I might, indeed, have mistaken it for a picture; for it now reflected a
half-length portrait of a singularly beautiful woman.

She was looking down upon a letter which she held in her slender
fingers, and in which she seemed absorbed.

The face was oval, melancholy, sweet. It had in it, nevertheless, a
faint and undefinably sensual quality also. Nothing could exceed the
delicacy of its features, or the brilliancy of its tints. The eyes,
indeed, were lowered, so that I could not see their color; nothing but
their long lashes and delicate eyebrows. She continued reading. She must
have been deeply interested; I never saw a living form so motionless--I
gazed on a tinted statue.

Being at that time blessed with long and keen vision, I saw this
beautiful face with perfect distinctness. I saw even the blue veins that
traced their wanderings on the whiteness of her full throat.

I ought to have retreated as noiselessly as I came in, before my
presence was detected. But I was too much interested to move from the
spot, for a few moments longer; and while they were passing, she raised
her eyes. Those eyes were large, and of that hue which modern poets term
"violet."

These splendid melancholy eyes were turned upon me from the glass, with
a haughty stare, and hastily the lady lowered her black veil, and turned
about.

I fancied that she hoped I had not seen her. I was watching every look
and movement, the minutest, with an attention as intense as if an ordeal
involving my life depended on them.

Chapter II

THE INN-YARD OF THE BELLE ÉTOILE

The face was, indeed, one to fall in love with at first sight. Those
sentiments that take such sudden possession of young men were now
dominating my curiosity. My audacity faltered before her; and I felt
that my presence in this room was probably an impertinence. This point
she quickly settled, for the same very sweet voice I had heard before,
now said coldly, and this time in French, "Monsieur cannot be aware that
this apartment is not public."

I bowed very low, faltered some apologies, and backed to the door.

I suppose I looked penitent, and embarrassed. I certainly felt so; for
the lady said, by way it seemed of softening matters, "I am happy,
however, to have an opportunity of again thanking Monsieur for the
assistance, so prompt and effectual, which he had the goodness to render
us today."

It was more the altered tone in which it was spoken, than the speech
itself, that encouraged me. It was also true that she need not have
recognized me; and if she had, she certainly was not obliged to thank me
over again.

All this was indescribably flattering, and all the more so that it
followed so quickly on her slight reproof. The tone in which she spoke
had become low and timid, and I observed that she turned her head
quickly towards a second door of the room; I fancied that the gentleman
in the black wig, a jealous husband perhaps, might reappear through it.
Almost at the same moment, a voice at once reedy and nasal was heard
snarling some directions to a servant, and evidently approaching. It was
the voice that had thanked me so profusely, from the carriage windows,
about an hour before.

"Monsieur will have the goodness to retire," said the lady, in a tone
that resembled entreaty, at the same time gently waving her hand toward
the door through which I had entered. Bowing again very low, I stepped
back, and closed the door.

I ran down the stairs, very much elated. I saw the host of the Belle
Étoile which, as I said, was the sign and designation of my inn.

I described the apartment I had just quitted, said I liked it, and asked
whether I could have it.

He was extremely troubled, but that apartment and two adjoining rooms
were engaged.

"By whom?"

"People of distinction."

"But who are they? They must have names or titles."

"Undoubtedly, Monsieur, but such a stream is rolling into Paris, that we
have ceased to inquire the names or titles of our guests--we designate
them simply by the rooms they occupy."

"What stay do they make?"

"Even that, Monsieur, I cannot answer. It does not interest us. Our
rooms, while this continues, can never be, for a moment, disengaged."

"I should have liked those rooms so much! Is one of them a sleeping
apartment?"

"Yes, sir, and Monsieur will observe that people do not usually engage
bedrooms unless they mean to stay the night."

"Well, I can, I suppose, have some rooms, any, I don't care in what part
of the house?"

"Certainly, Monsieur can have two apartments. They are the last at
present disengaged."

I took them instantly.

It was plain these people meant to make a stay here; at least they would
not go till morning. I began to feel that I was all but engaged in an
adventure.

I took possession of my rooms, and looked out of the window, which I
found commanded the inn-yard. Many horses were being liberated from the
traces, hot and weary, and others fresh from the stables being put to. A
great many vehicles--some private carriages, others, like mine, of that
public class which is equivalent to our old English post-chaise, were
standing on the pavement, waiting their turn for relays. Fussy servants
were to-ing and fro-ing, and idle ones lounging or laughing, and the
scene, on the whole, was animated and amusing.

Among these objects, I thought I recognized the traveling carriage, and
one of the servants of the "persons of distinction" about whom I was,
just then, so profoundly interested.

I therefore ran down the stairs, made my way to the back door; and so,
behold me, in a moment, upon the uneven pavement, among all these sights
and sounds which in such a place attend upon a period of extraordinary
crush and traffic. By this time the sun was near its setting, and threw
its golden beams on the red brick chimneys of the offices, and made the
two barrels, that figured as pigeon-houses, on the tops of poles, look
as if they were on fire. Everything in this light becomes picturesque;
and things interest us which, in the sober grey of morning, are dull
enough.

After a little search I lighted upon the very carriage of which I was in
quest. A servant was locking one of the doors, for it was made with the
security of lock and key. I paused near, looking at the panel of the
door.

"A very pretty device that red stork!" I observed, pointing to the
shield on the door, "and no doubt indicates a distinguished family?"

The servant looked at me for a moment, as he placed the little key in
his pocket, and said with a slightly sarcastic bow and smile, "Monsieur
is at liberty to conjecture."

Nothing daunted, I forthwith administered that laxative which, on
occasion, acts so happily upon the tongue--I mean a "tip."

The servant looked at the Napoleon in his hand, and then in my face,
with a sincere expression of surprise. "Monsieur is very generous!"

"Not worth mentioning--who are the lady and gentleman who came here in
this carriage, and whom, you may remember, I and my servant assisted
today in an emergency, when their horses had come to the ground?"

"They are the Count, and the young lady we call the Countess--but I know
not, she may be his daughter."

"Can you tell me where they live?"

"Upon my honor, Monsieur, I am unable--I know not."

"Not know where your master lives! Surely you know something more about
him than his name?"

"Nothing worth relating, Monsieur; in fact, I was hired in Brussels, on
the very day they started. Monsieur Picard, my fellow-servant, Monsieur
the Comte's gentleman, he has been years in his service, and knows
everything; but he never speaks except to communicate an order. From him
I have learned nothing. We are going to Paris, however, and there I
shall speedily pick up all about them. At present I am as ignorant of
all that as Monsieur himself."

"And where is Monsieur Picard?"

"He has gone to the cutler's to get his razors set. But I do not think
he will tell anything."

This was a poor harvest for my golden sowing. The man, I think, spoke
truth, and would honestly have betrayed the secrets of the family, if he
had possessed any. I took my leave politely; and mounting the stairs
again, I found myself once more in my room.

Forthwith I summoned my servant. Though I had brought him with me from
England, he was a native of France--a useful fellow, sharp, bustling,
and, of course, quite familiar with the ways and tricks of his
countrymen.

"St. Clair, shut the door; come here. I can't rest till I have made out
something about those people of rank who have got the apartments under
mine. Here are fifteen francs; make out the servants we assisted today
have them to a _petit souper_, and come back and tell me their
entire history. I have, this moment, seen one of them who knows nothing,
and has communicated it. The other, whose name I forget, is the unknown
nobleman's valet, and knows everything. Him you must pump. It is, of
course, the venerable peer, and not the young lady who accompanies him,
that interests me--you understand? Begone! fly! and return with all the
details I sigh for, and every circumstance that can possibly interest
me."

It was a commission which admirably suited the tastes and spirits of my
worthy St. Clair, to whom, you will have observed, I had accustomed
myself to talk with the peculiar familiarity which the old French comedy
establishes between master and valet.

I am sure he laughed at me in secret; but nothing could be more polite
and deferential.

With several wise looks, nods and shrugs, he withdrew; and looking down
from my window, I saw him with incredible quickness enter the yard,
where I soon lost sight of him among the carriages.

Chapter III

DEATH AND LOVE TOGETHER MATED

When the day drags, when a man is solitary, and in a fever of impatience
and suspense; when the minute hand of his watch travels as slowly as the
hour hand used to do, and the hour hand has lost all appreciable motion;
when he yawns, and beats the devil's tattoo, and flattens his handsome
nose against the window, and whistles tunes he hates, and, in short,
does not know what to do with himself, it is deeply to be regretted that
he cannot make a solemn dinner of three courses more than once in a day.
The laws of matter, to which we are slaves, deny us that resource.

But in the times I speak of, supper was still a substantial meal, and
its hour was approaching. This was consolatory. Three-quarters of an
hour, however, still interposed. How was I to dispose of that interval?

I had two or three idle books, it is true, as companions-companions; but
there are many moods in which one cannot read. My novel lay with my rug
and walking-stick on the sofa, and I did not care if the heroine and the
hero were both drowned together in the water barrel that I saw in the
inn-yard under my window. I took a turn or two up and down my room, and
sighed, looking at myself in the glass, adjusted my great white
"choker," folded and tied after Brummel, the immortal "Beau," put on a
buff waist-coat and my blue swallow-tailed coat with gilt buttons; I
deluged my pocket-handkerchief with Eau-de-Cologne (we had not then the
variety of bouquets with which the genius of perfumery has since blessed
us) I arranged my hair, on which I piqued myself, and which I loved to
groom in those days. That dark-brown _chevelure_, with a natural
curl, is now represented by a few dozen perfectly white hairs, and its
place--a smooth, bald, pink head--knows it no more. But let us forget
these mortifications. It was then rich, thick, and dark-brown. I was
making a very careful toilet. I took my unexceptionable hat from its
case, and placed it lightly on my wise head, as nearly as memory and
practice enabled me to do so, at that very slight inclination which the
immortal person I have mentioned was wont to give to his. A pair of
light French gloves and a rather club-like knotted walking-stick, such
as just then came into vogue for a year or two again in England, in the
phraseology of Sir Walter Scott's romances "completed my equipment."

All this attention to effect, preparatory to a mere lounge in the yard,
or on the steps of the Belle Étoile, was a simple act of devotion to the
wonderful eyes which I had that evening beheld for the first time, and
never, never could forget! In plain terms, it was all done in the vague,
very vague hope that those eyes might behold the unexceptionable get-up
of a melancholy slave, and retain the image, not altogether without
secret approbation.

As I completed my preparations the light failed me; the last level
streak of sunlight disappeared, and a fading twilight only remained. I
sighed in unison with the pensive hour, and threw open the window,
intending to look out for a moment before going downstairs. I perceived
instantly that the window underneath mine was also open, for I heard two
voices in conversation, although I could not distinguish what they were
saying.

The male voice was peculiar; it was, as I told you, reedy and nasal. I
knew it, of course, instantly. The answering voice spoke in those sweet
tones which I recognized only too easily. The dialogue was only for a
minute; the repulsive male voice laughed, I fancied, with a kind of
devilish satire, and retired from the window, so that I almost ceased to
hear it.

The other voice remained nearer the window, but not so near as at first.

It was not an altercation; there was evidently nothing the least
exciting in the colloquy. What would I not have given that it had been a
quarrel--a violent one--and I the redresser of wrongs, and the defender
of insulted beauty! Alas! so far as I could pronounce upon the character
of the tones I heard, they might be as tranquil a pair as any in
existence. In a moment more the lady began to sing an odd little
chanson. I need not remind you how much farther the voice is heard
singing than speaking. I could distinguish the words. The voice was of
that exquisitely sweet kind which is called, I believe, a
semi-contralto; it had something pathetic, and something, I fancied, a
little mocking in its tones. I venture a clumsy, but adequate
translation of the words:

"Death and Love, together mated,
Watch and wait in ambuscade;
At early morn, or else belated,
They meet and mark the man or maid.

Burning sigh, or breath that freezes,
Numbs or maddens man or maid;
Death or Love the victim seizes,
Breathing from their ambuscade."

"Enough, Madame!" said the old voice, with sudden severity. "We do not
desire, I believe, to amuse the grooms and hostlers in the yard with our
music."

The lady's voice laughed gaily.

"You desire to quarrel, Madame!" And the old man, I presume, shut down
the window. Down it went, at all events, with a rattle that might easily
have broken the glass.

Of all thin partitions, glass is the most effectual excluder of sound. I
heard no more, not even the subdued hum of the colloquy.

What a charming voice this Countess had! How it melted, swelled, and
trembled! How it moved, and even agitated me! What a pity that a hoarse
old jackdaw should have power to crow down such a Philomel! "Alas! what
a life it is!" I moralized, wisely. "That beautiful Countess, with the
patience of an angel and the beauty of a Venus and the accomplishments
of all the Muses, a slave! She knows perfectly who occupies the
apartments over hers; she heard me raise my window. One may conjecture
pretty well for whom that music was intended--aye, old gentleman, and
for whom you suspected it to be intended."

In a very agreeable flutter I left my room and, descending the stairs,
passed the Count's door very much at my leisure. There was just a chance
that the beautiful songstress might emerge. I dropped my stick on the
lobby, near their door, and you may be sure it took me some little time
to pick it up! Fortune, nevertheless, did not favor me. I could not stay
on the lobby all night picking up my stick, so I went down to the hall.

I consulted the clock, and found that there remained but a quarter of an
hour to the moment of supper.

Everyone was roughing it now, every inn in confusion; people might do at
such a juncture what they never did before. Was it just possible that,
for once, the Count and Countess would take their chairs at the
table-d'hôte?

Chapter IV

MONSIEUR DROQVILLE

Full of this exciting hope I sauntered out upon the steps of the Belle
Étoile. It was now night, and a pleasant moonlight over everything. I
had entered more into my romance since my arrival, and this poetic light
heightened the sentiment. What a drama if she turned out to be the
Count's daughter, and in love with me! What a delightful--_tragedy_
if she turned out to be the Count's wife! In this luxurious mood I was
accosted by a tall and very elegantly made gentleman, who appeared to be
about fifty. His air was courtly and graceful, and there was in his
whole manner and appearance something so distinguished that it was
impossible not to suspect him of being a person of rank.

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10