A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

National Epics by Kate Milner Rabb

K >> Kate Milner Rabb >> National Epics

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31



Dragg'd from her bower, by murd'rous ruffian hands,
Before the frowning king fair Inez stands;
Her tears of artless innocence, her air
So mild, so lovely, and her face so fair,
Mov'd the stern monarch; when, with eager zeal,
Her fierce destroyers urg'd the public weal;
Dread rage again the tyrant's soul possess'd,
And his dark brow his cruel thoughts confess'd;
O'er her fair face a sudden paleness spread,
Her throbbing heart with gen'rous anguish bled,
Anguish to view her lover's hopeless woes,

And all the mother in her bosom rose.
Her beauteous eyes, in trembling tear-drops drown'd,
To heaven she lifted (for her hands were bound);
Then, on her infants turn'd the piteous glance,
The look of bleeding woe; the babes advance,
Smiling in innocence of infant age,
Unaw'd, unconscious of their grandsire's rage;
To whom, as bursting sorrow gave the flow,
The native heart-sprung eloquence of woe,
The lovely captive thus:--"O monarch, hear,
If e'er to thee the name of man was dear,
If prowling tigers, or the wolf's wild brood
(Inspired by nature with the lust of blood),
Have yet been mov'd the weeping babe to spare,
Nor left, but tended with a nurse's care,
As Rome's great founders to the world were given;
Shall thou, who wear'st the sacred stamp of Heaven
The human form divine, shalt thou deny
That aid, that pity, which e'en beasts supply!
Oh, that thy heart were, as thy looks declare,
Of human mould, superfluous were my prayer;
Thou couldst not, then, a helpless damsel slay,
Whose sole offence in fond affection lay,
In faith to him who first his love confess'd,
Who first to love allur'd her virgin breast.
In these my babes shalt thou thine image see,
And, still tremendous, hurl thy rage on me?
Me, for their sakes, if yet thou wilt not spare,
Oh, let these infants prove thy pious care!
Yet, Pity's lenient current ever flows
From that brave breast where genuine valor glows;
That thou art brave, let vanquish'd Afric tell,
Then let thy pity o'er my anguish swell;
Ah, let my woes, unconscious of a crime,
Procure mine exile to some barb'rous clime:
Give me to wander o'er the burning plains
Of Libya's deserts, or the wild domains
Of Scythia's snow-clad rocks, and frozen shore;
There let me, hopeless of return, deplore:
Where ghastly horror fills the dreary vale,
Where shrieks and howlings die on every gale,
The lion's roaring, and the tiger's yell,
There with my infant race, consigned to dwell,
There let me try that piety to find,
In vain by me implor'd from human kind:
There, in some dreary cavern's rocky womb,
Amid the horrors of sepulchral gloom,
For him whose love I mourn, my love shall glow,
The sigh shall murmur, and the tear shall flow:
All my fond wish, and all my hope, to rear
These infant pledges of a love so dear,
Amidst my griefs a soothing glad employ,
Amidst my fears a woful, hopeless joy."

In tears she utter'd--as the frozen snow
Touch'd by the spring's mild ray, begins to flow,
So just began to melt his stubborn soul,
As mild-ray'd Pity o'er the tyrant stole;
But destiny forbade: with eager zeal
(Again pretended for the public weal),
Her fierce accusers urg'd her speedy doom;
Again, dark rage diffus'd its horrid gloom
O'er stern Alonzo's brow: swift at the sign,
Their swords, unsheath'd, around her brandish'd shine.
O foul disgrace, of knighthood lasting stain,
By men of arms a helpless lady slain!

Thus Pyrrhus, burning with unmanly ire,
Fulfilled the mandate of his furious sire;
Disdainful of the frantic matron's prayer,
On fair Polyxena, her last fond care,
He rush'd, his blade yet warm with Priam's gore,
And dash'd the daughter on the sacred floor;
While mildly she her raving mother eyed,
Resigned her bosom to the sword, and died.
Thus Inez, while her eyes to heaven appeal,
Resigns her bosom to the murd'ring steel:
That snowy neck, whose matchless form sustain'd
The loveliest face, where all the graces reign'd,
Whose charms so long the gallant prince enflam'd,
That her pale corse was Lisbon's queen proclaim'd,
That snowy neck was stain'd with spouting gore,
Another sword her lovely bosom tore.
The flowers that glisten'd with her tears bedew'd,
Now shrunk and languished with her blood embru'd.
As when a rose ere-while of bloom so gay,
Thrown from the careless virgin's breast away,
Lies faded on the plain, the living red,
The snowy white, and all its fragrance fled;
So from her cheeks the roses died away,
And pale in death the beauteous Inez lay:
With dreadful smiles, and crimson'd with her blood,
Round the wan victim the stern murd'rers stood,
Unmindful of the sure, though future hour,
Sacred to vengeance and her lover's power.

O Sun, couldst thou so foul a crime behold,
Nor veil thine head in darkness, as of old
A sudden night unwonted horror cast
O'er that dire banquet, where the sire's repast
The son's torn limbs supplied!--Yet you, ye vales!
Ye distant forests, and ye flow'ry dales!
When pale and sinking to the dreadful fall,
You heard her quiv'ring lips on Pedro call;
Your faithful echoes caught the parting sound,
And Pedro! Pedro! mournful, sigh'd around.
Nor less the wood-nymphs of Mondego's groves
Bewail'd the memory of her hapless loves:
Her griefs they wept, and, to a plaintive rill
Transform'd their tears, which weeps and murmurs still.
To give immortal pity to her woe
They taught the riv'let through her bowers to flow,
And still, through violet-beds, the fountain pours
Its plaintive wailing, and is named Amours.
Nor long her blood for vengeance cried in vain:
Her gallant lord begins his awful reign,
In vain her murderers for refuge fly,
Spain's wildest hills no place of rest supply.
The injur'd lover's and the monarch's ire,
And stern-brow'd Justice in their doom conspire:
In hissing flames they die, and yield their souls in fire.
_Mickle's Translation, Canto III._




THE SPIRIT OF THE CAPE.


Vasco de Gama relates the incidents of his voyage from Portugal to the
King of Melinda. The southern cross had appeared in the heavens and the
fleet was approaching the southern point of Africa. While at anchor in a
bay the Portuguese aroused the hostility of the savages, and hastily set
sail.

"Now, prosp'rous gales the bending canvas swell'd;
From these rude shores our fearless course we held:
Beneath the glist'ning wave the god of day
Had now five times withdrawn the parting ray,
When o'er the prow a sudden darkness spread,
And, slowly floating o'er the mast's tall head
A black cloud hover'd: nor appear'd from far
The moon's pale glimpse, nor faintly twinkling star;
So deep a gloom the low'ring vapor cast,
Transfix'd with awe the bravest stood aghast.
Meanwhile, a hollow bursting roar resounds,
As when hoarse surges lash their rocky mounds;
Nor had the black'ning wave nor frowning heav'n
The wonted signs of gath'ring tempest giv'n.
Amazed we stood. 'O thou, our fortune's guide,
Avert this omen, mighty God!' I cried;
'Or, through forbidden climes adventurous stray'd,
Have we the secrets of the deep survey'd,
Which these wide solitudes of seas and sky
Were doom'd to hide from man's unhallow'd eye?
Whate'er this prodigy, it threatens more
Than midnight tempests, and the mingled roar,
When sea and sky combine to rock the marble shore.'

"I spoke, when rising through the darken'd air,
Appall'd, we saw a hideous phantom glare;
High and enormous o'er the flood he tower'd,
And 'thwart our way with sullen aspect lower'd:
An earthy paleness o'er his cheeks was spread,
Erect uprose his hairs of wither'd red;
Writhing to speak, his sable lips disclose,
Sharp and disjoin'd, his gnashing teeth's blue rows;
His haggard beard flow'd quiv'ring on the wind,
Revenge and horror in his mien combin'd;
His clouded front, by with'ring lightnings scar'd,
The inward anguish of his soul declar'd.
His red eyes, glowing from their dusky caves,
Shot livid fires: far echoing o'er the waves
His voice resounded, as the cavern'd shore
With hollow groan repeats the tempest's roar.
Cold gliding horrors thrill'd each hero's breast,
Our bristling hair and tott'ring knees confess'd
Wild dread, the while with visage ghastly wan,
His black lips trembling, thus the fiend began:--

"'O you, the boldest of the nations, fir'd
By daring pride, by lust of fame inspir'd,
Who, scornful of the bow'rs of sweet repose,
Through these my waves advance your fearless prows,
Regardless of the length'ning wat'ry way,
And all the storms that own my sov'reign sway,
Who, mid surrounding rocks and shelves explore
Where never hero brav'd my rage before;
Ye sons of Lusus, who with eyes profane
Have view'd the secrets of my awful reign,
Have passed the bounds which jealous Nature drew
To veil her secret shrine from mortal view;
Hear from my lips what direful woes attend,
And, bursting soon, shall o'er your race descend.

"'With every bounding keel that dares my rage,
Eternal war my rocks and storms shall wage,
The next proud fleet that through my drear domain,
With daring search shall hoist the streaming vane,
That gallant navy, by my whirlwinds toss'd,
And raging seas, shall perish on my coast:
Then he, who first my secret reign descried,
A naked corpse, wide floating o'er the tide,
Shall drive--Unless my heart's full raptures fail,
O Lusus! oft shall thou thy children wail;
Each year thy shipwreck'd sons thou shalt deplore,
Each year thy sheeted masts shall strew my shore.

"'With trophies plum'd behold a hero come,
Ye dreary wilds, prepare his yawning tomb.
Though smiling fortune bless'd his youthful morn,
Though glory's rays his laurell'd brows adorn,
Full oft though he beheld with sparkling eye
The Turkish moons in wild confusion fly,
While he, proud victor, thunder'd in the rear,
All, all his mighty fame shall vanish here.
Quiloa's sons, and thine, Mombaz, shall see
Their conqueror bend his laurell'd head to me;
While, proudly mingling with the tempest's sound,
Their shouts of joy from every cliff rebound.

"'The howling blast, ye slumb'ring storms prepare,
A youthful lover and his beauteous fair
Triumphant sail from India's ravag'd land;
His evil angel leads him to my strand.
Through the torn hulk the dashing waves shall roar,
The shatter'd wrecks shall blacken all my shore.
Themselves escaped, despoil'd by savage hands,
Shall, naked, wander o'er the burning sands,
Spar'd by the waves far deeper woes to bear,
Woes, e'en by me, acknowledg'd with a tear.
Their infant race, the promis'd heirs of joy,
Shall now, no more, a hundred hands employ;
By cruel want, beneath the parents' eye,
In these wide wastes their infant race shall die;
Through dreary wilds, where never pilgrim trod
Where caverns yawn, and rocky fragments nod,
The hapless lover and his bride shall stray,
By night unshelter'd, and forlorn by day.
In vain the lover o'er the trackless plain
Shall dart his eyes, and cheer his spouse in vain.
Her tender limbs, and breast of mountain snow,
Where, ne'er before, intruding blast might blow,
Parch'd by the sun, and shrivell'd by the cold
Of dewy night, shall he, fond man, behold.
Thus, wand'ring wide, a thousand ills o'er past,
In fond embraces they shall sink at last;
While pitying tears their dying eyes o'erflow,
And the last sigh shall wail each other's woe.

"'Some few, the sad companions of their fate,
Shall yet survive, protected by my hate,
On Tagus' banks the dismal tale to tell,
How, blasted by my frown, your heroes fell.'

"He paus'd, in act still further to disclose
A long, a dreary prophecy of woes:
When springing onward, loud my voice resounds,
And midst his rage the threat'ning shade confounds.

"'What art thou, horrid form that rid'st the air?
By Heaven's eternal light, stern fiend, declare.'
His lips he writhes, his eyes far round he throws,
And, from his breast, deep hollow groans arose,
Sternly askance he stood: with wounded pride
And anguish torn, 'In me, behold,' he cried,
While dark-red sparkles from his eyeballs roll'd,
'In me the Spirit of the Cape behold,
That rock, by you the Cape of Tempests nam'd,
By Neptune's rage, in horrid earthquakes fram'd,
When Jove's red bolts o'er Titan's offspring flam'd.
With wide-stretch'd piles I guard the pathless strand,
And Afric's southern mound, unmov'd, I stand:
Nor Roman prow, nor daring Tyrian oar
Ere dash'd the white wave foaming to my shore;
Nor Greece nor Carthage ever spread the sail
On these my seas, to catch the trading gale.
You, you alone have dar'd to plough my main,
And with the human voice disturb my lonesome reign."

"He spoke, and deep a lengthen'd sigh he drew,
A doleful sound, and vanish'd from the view:
The frighten'd billows gave a rolling swell,
And, distant far, prolong'd the dismal yell,
Faint and more faint the howling echoes die,
And the black cloud dispersing, leaves the sky.
High to the angel-host, whose guardian care
Had ever round us watch'd, my hands I rear,
And Heaven's dread King implore: 'As o'er our head
The fiend dissolv'd, an empty shadow fled;
So may his curses, by the winds of heav'n,
Far o'er the deep, their idle sport, be driv'n!'"

With sacred horror thrill'd, Melinda's lord
Held up the eager hand, and caught the word.
"Oh, wondrous faith of ancient days," he cries,
"Concealed in mystic lore and dark disguise!
Taught by their sires, our hoary fathers tell,
On these rude shores a giant spectre fell,
What time from heaven the rebel band were thrown:
And oft the wand'ring swain has heard his moan.
While o'er the wave the clouded moon appears
To hide her weeping face, his voice he rears
O'er the wild storm. Deep in the days of yore,
A holy pilgrim trod the nightly shore;
Stern groans he heard; by ghostly spells controll'd,
His fate, mysterious, thus the spectre told:

"'By forceful Titan's warm embrace compress'd,
The rock-ribb'd mother, Earth, his love confess'd:
The hundred-handed giant at a birth,
And me, she bore, nor slept my hopes on earth;
My heart avow'd my sire's ethereal flame;
Great Adamastor, then, my dreaded name.
In my bold brother's glorious toils engaged,
Tremendous war against the gods I waged:
Yet, not to reach the throne of heaven I try,
With mountain pil'd on mountain to the sky;
To me the conquest of the seas befell,
In his green realm the second Jove to quell.
Nor did ambition all my passions hold,
'Twas love that prompted an attempt so bold.
Ah me, one summer in the cool of day,
I saw the Nereids on the sandy bay,
With lovely Thetis from the wave advance
In mirthful frolic, and the naked dance.
In all her charms reveal'd the goddess trod,
With fiercest fires my struggling bosom glow'd;
Yet, yet I feel them burning in my heart,
And hopeless, languish with the raging smart.
For her, each goddess of the heavens I scorn'd,
For her alone my fervent ardor burn'd.
In vain I woo'd her to the lover's bed,
From my grim form, with horror, mute she fled.
Madd'ning with love, by force I ween to gain
The silver goddess of the blue domain;
To the hoar mother of the Nereid band
I tell my purpose, and her aid command:
By fear impell'd, old Doris tried to move,
And win the spouse of Peleus to my love.
The silver goddess with a smile replies,
'What nymph can yield her charms a giant's prize!
Yet, from the horrors of a war to save,
And guard in peace our empire of the wave,
Whate'er with honor he may hope to gain,
That, let him hope his wish shall soon attain.'
The promis'd grace infus'd a bolder fire,
And shook my mighty limbs with fierce desire.
But ah, what error spreads its dreadful night,
What phantoms hover o'er the lover's sight!

"The war resign'd, my steps by Doris led,
While gentle eve her shadowy mantle spread,
Before my steps the snowy Thetis shone
In all her charms, all naked, and alone.
Swift as the wind with open arms I sprung,
And, round her waist with joy delirious clung:
In all the transports of the warm embrace,
A hundred kisses on her angel face,
On all its various charms my rage bestows,
And, on her cheek, my cheek enraptur'd glows.
When oh, what anguish while my shame I tell!
What fix'd despair, what rage my bosom swell!
Here was no goddess, here no heavenly charms,
A rugged mountain fill'd my eager arms,
Whose rocky top, o'erhung with matted brier,
Received the kisses of my am'rous fire.
Wak'd from my dream, cold horror freez'd my blood;
Fix'd as a rock, before the rock I stood;
'O fairest goddess of the ocean train,
Behold the triumph of thy proud disdain;
Yet why,' I cried, 'with all I wish'd decoy,
And, when exulting in the dream of joy,
A horrid mountain to mine arms convey?'
Madd'ning I spoke, and furious sprung away.
Far to the south I sought the world unknown,
Where I, unheard, unscorn'd, might wail alone,
My foul dishonor, and my tears to hide,
And shun the triumph of the goddess' pride.
My brothers, now, by Jove's red arm o'erthrown,
Beneath huge mountains pil'd on mountains groan;
And I, who taught each echo to deplore,
And tell my sorrows to the desert shore,
I felt the hand of Jove my crimes pursue,
My stiff'ning flesh to earthy ridges grew,
And my huge bones, no more by marrow warm'd,
To horrid piles, and ribs of rock transform'd,
Yon dark-brow'd cape of monstrous size became,
Where, round me still, in triumph o'er my shame,
The silv'ry Thetis bids her surges roar,
And waft my groans along the dreary shore.'"

_Mickle's Translation, Canto V_.





THE JERUSALEM DELIVERED.


The Gerusalemme Liberata, or Jerusalem Delivered, was written by Torquato
Tasso, who was born at Sorrento, March 11, 1544. He was educated at
Naples, Urbino, Rome, Venice, Padua, and Bologna. In 1572 he attached
himself to the court of Ferrara, which he had visited in 1565 in the suite
of the Cardinal d'Este, and by whose duke he had been treated with great
consideration. Here his pastoral drama "Aminta" was written and performed,
and here he began to write his epic. The duke, angry because of Tasso's
affection for his sister Eleanora, and fearful lest the poet should
dedicate his poem to the Medicis, whom he visited in 1575, and into whose
service he was asked to enter, kept him under strict surveillance, and
pretended to regard him as insane. Feigning sympathy and a desire to
restore his mind, he had the unfortunate poet confined in a mad-house.
Tasso escaped several times, but each time returned in the hope of a
reconciliation with the duke. During his confinement his poem was
published without his permission: first in 1580, a very imperfect version;
in 1581, a genuine one. This at once brought him great fame; but while its
publishers made a fortune, Tasso received nothing. Neither did the duke
relent, although powerful influences were brought to bear on him. Tasso
was not released until 1586, and then, broken in health, he passed the
rest of his life in Rome and Naples, living on charity, though treated
with great honor. He died in Rome, April 25, 1595, just before he was to
have been crowned at the capitol.

The Jerusalem Delivered has for its subject the first Crusade, and the
events recorded in its twenty cantos comprise the happenings in the camp
of the Crusaders during forty days of the campaign of 1099. Its metre is
the _octava rima_, the eight lined rhymed stanza.

Tasso was not so successful in the delineation of character and in the
description of actions as in the interpretation of feeling, being by
nature a lyric rather than an epic poet. But his happy choice of
subject,--for the Crusades were still fresh in the memory of the people,
and chivalry was a thing of the present--his zeal for the Christian cause,
his impassioned delineations of love, and his exquisitely poetical
treatment of his whole theme, rendered his epic irresistible.




BIBLIOGRAPHY AND CRITICISM, THE JERUSALEM DELIVERED.


J. Black's Life of Tasso (with a historical and critical account of his
writings), 2 vols. 1810;

E. J. Hasell's Tasso, 1882;

Rev. Robert Milman's Life of Tasso, 2 vols. 1850;

Dennistown's Memoirs of the Dukes of Urbino, 1851, iii., 292-316;

Hallam's Introduction to the Literature of Europe in the 15th, 16th, and
17th Centuries, 1839, ii., 192-199;

Leigh Hunt's Stories from Italian Poets, 1888, ii., 289-474;

Longfellow's Poets and Poetry of Europe, 1845, pp. 568-577;

Sismondi's Literature of the South of Europe, Ed. 2, 1846, i., 359-391;

J. A. Symonds's Renaissance in Italy, 1886, vol. 2, chapters 7-8;

Edin. Rev., Oct. 1850, xcii., 294-302;

Blackwood, 1845, lvii., 401-414;

Quarterly Review, Jan. 1857, ci., 59-68.




STANDARD ENGLISH TRANSLATIONS, THE JERUSALEM DELIVERED.


Jerusalem Delivered, Tr. from the Italian by John Hoole. First American
from Eighth London Edition, 2 vols., 1810;

Jerusalem Delivered, Tr. into English Spenserian verse with life of the
author by J. H. Wiffen. New ed., 1883;

Jerusalem Delivered, Tr. by Sir John Kingston James, 2 vols., 1884;

Jerusalem Delivered, Tr. into the metre of the original by C. L. Smith,
1876-79;

Jerusalem Delivered, Tr. by Sir Edward Fairfax and edited by Prof. Henry
Morley, 1889.




THE STORY OF THE JERUSALEM DELIVERED.


The Eternal Father looked down from His lofty throne upon the Christian
powers in Syria. In the six years they had spent in the East they had
taken Nice and Antioch. Now, while inactive in winter quarters, Bohemond
was strengthening himself in Antioch, and the other chiefs were thinking
of glory or love; but Godfrey, to whom renown was the meanest of glories,
was burning to win Jerusalem and restore it to the faith. Inspired by
Gabriel, despatched by the Eternal Father, Godfrey called a council, and
with an eloquence and fire more than mortal, roused the Christians to
action. "We came not here to raise empires; the period has come when all
the world is waiting for our next step. Now is the propitious moment. If
we delay longer, Egypt will step in to the aid of our Syrian foe!"

Godfrey was unanimously elected chief, and immediate arrangements were
made for the setting out to Jerusalem. Godfrey first reviewed the army. A
thousand men marched under the lilied banner of Clotharius; a thousand
more from the Norman meads under Robert; from Orange and Puy, troops came
under the priests William and Ademar. Baldwin led his own and Godfrey's
bands, and Guelpho, allied to the house of Este, brought his strong
Carinthians. Other troops of horse and foot were led by William of
England. After him came the young Tancred, the flower of chivalry,
blighted now, alas! by unrequited love. He had seen by chance the pagan
maid Clorinda, the Amazon, drinking at a pool in the forest, and had
forgot all else in his love for her. After him came the small Greek force
under Tatine; next, the invincible Adventurers under Dudon, bravest of
men. Following these were Otho, Edward and his sweet bride Gildippe, who,
unwilling to be separated from her husband, fought at his side, and,
excellent above all others, the young Rinaldo, whose glorious deeds were
yet but a promise of his great future. While but a boy he had escaped from
the care of his foster mother, Queen Matilda, and hastened to join the
Crusaders. The review was closed by the array of foot soldiers led by
Raymond, Stephen of Amboise, Alcasto, and Camillus. The pageant having
passed by, Godfrey despatched a messenger to summon Sweno the Dane, who
with his forces was still tarrying in Greece, and at once set out for
Jerusalem.

Swift rumor had conveyed the tidings of his approach to Aladine, King of
Jerusalem, a merciless tyrant, who, enraged, immediately laid heavier
taxes upon the unfortunate Christians in his city. Ismeno, a sorcerer,
once a Christian, but now a pagan who practised all black arts, penetrated
to the presence of the king and advised him to steal from the temple of
the Christians an image of the Virgin and put it in his mosque, assuring
him that he would thus render his city impregnable. This was done, and
Ismeno wrought his spells about the image, but the next morning it had
disappeared. After a fruitless search for the image and the offender, the
angry king sentenced all the Franks to death. The beautiful maid
Sophronia, determined to save her people, assumed the guilt, and was
sentenced to be burned. As she stood chained to the stake, her lover,
Olindo, to whom she had ever been cold, saw her, and in agony at her
sacrifice, declared to the king that Sophronia had lied and that he was
the purloiner of the image. The cruel monarch ordered him also to be tied
to the stake, that they might die together; and the flames had just been
applied when the two were saved by the Amazon Clorinda, who convinced the
king that the Christians were innocent and that Allah himself, incensed at
the desecration, had snatched away the image.

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31

Saba Salman on a living library project showing why you shouldn't judge a book by its cover

The original manuscript of one of the most important American novels of the last century, Jack Kerouac's On the Road, went on display in the UK for the first time yesterday.

Kerouac wrote it in just three weeks, furiously tapping away on his typewriter on 3.6-metre (12ft) reels of paper.

The scroll, of eight reels taped together, was unfurled at the Barber Institute in Birmingham, 50 years after the novel was published in Britain.

"We're very excited," said the exhibition's curator Dick Ellis. He said there had been a lot of competition to get the scroll, which is on something of a world tour. "This is an iconic manuscript. It is a record of the huge effort Kerouac put into composing it."

About six metres of the scroll will be on display in a cabinet and while visitors will have to tilt their heads, Ellis believes they will get a much deeper knowledge of Kerouac.

It comes to Birmingham courtesy of Jim Irsay, owner of the Indianapolis Colts football team, who bought it for $2.4m in 2001. In the published novel, there are paragraph breaks but in the scroll, there are none. Kerouac did not have the time. The exhibition runs until January 28.

guardian.co.uk © Guardian News & Media Limited 2008 | Use of this content is subject to our Terms & Conditions | More Feeds

If you think books have dumbed down …
Alison Flood: Today we can take our laptops on the road, but could we use them to produce On The Road?

The Digested Read: Everyday Drinking by Kingsley Amis
Penny Anderson: Think back to what was setting the tills ringing in the 1970s

Copyright (c) 2007. booksboost.com. All rights reserved.