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Pan by Knut Hamsun

K >> Knut Hamsun >> Pan

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"The women are too fat," said Glahn.

And I too thought the women were too fat. Perhaps it was not Glahn at
all, but myself, who thought so first; but I will not dispute his
claim--I am willing to give him the credit. As a matter of fact, not all
the women were ugly, though their faces were fat and swollen. I had met
a girl in the village, a young half-Tamil with long hair and snow-white
teeth; she was the prettiest of them all. I came upon her one evening at
the edge of a rice field. She lay flat on her face in the high grass,
kicking her legs in the air. She could talk to me, and we did talk, too,
as long as I pleased. Glahn sat that evening in the middle of our
village outside a hut with two other girls, very young--not more than
ten years old, perhaps. He sat there talking nonsense to them, and
drinking rice beer; that was the sort of thing he liked.

A couple of days later, we went out shooting. We passed by tea gardens,
rice fields, and grass plains; we left the village behind us and went in
the direction of the river, and came into forests of strange foreign
trees, bamboo and mango, tamarind, teak and salt trees, oil--and
gum-bearing plants--Heaven knows what they all were; we had, between us,
but little knowledge of the things. But there was very little water in
the river, and so it remained until the rainy season. We shot wild
pigeons and partridges, and saw a couple of panthers one afternoon;
parrots, too, flew over our heads. Glahn was a terribly accurate shot;
he never missed. But that was merely because his gun was better than
mine; many times I too shot terribly accurately. I never boasted of it,
but Glahn would often say: "I'll get that fellow in the tail," or "that
one in the head." He would say that before he fired; and when the bird
fell, sure enough, it was hit in the tail or the head as he had said.
When we came upon the two panthers, Glahn was all for attacking them too
with his shot-gun, but I persuaded him to give it up, as it was getting
dusk, and we had no more than two or three cartridges left. He boasted
of that too--of having had the courage to attack panthers with a
shot-gun.

"I am sorry I did not fire at them after all," he said to me. "What do
you want to be so infernally cautious for? Do you want to go on living?"
"I'm glad you consider me wiser than yourself," I answered.

"Well, don't let us quarrel over a trifle," he said.

Those were his words, not mine; if he had wished to quarrel, I for my
part had no wish to prevent him. I was beginning to feel some dislike
for him for his incautious behavior, and for his manner with women. Only
the night before, I had been walking quietly along with Maggie, the
Tamil girl that was my friend, and we were both as happy as could be.
Glahn sits outside his hut, and nods and smiles to us as we pass. It was
then that Maggie saw him for the first time, and she was very
inquisitive about him. So great an impression had he made on her that,
when it was time to go, we went each our own way; she did not go back
home with me.

Glahn would have put this by as of no importance when I spoke to him
about it. But I did not forget it. And it was not to me that he nodded
and smiled as we passed by the hut! it was to Maggie.

"What's that she chews?" he asked me.

"I don't know," I answered. "She chews--I suppose that's what her teeth
are for."

And it was no news to me either that Maggie was always chewing
something; I had noticed it long before. But it was not betel she was
chewing, for her teeth were quite white; she had, however, a habit of
chewing all sorts of other things--putting them in her mouth and chewing
as if they were something nice. Anything would do--a piece of money, a
scrap of paper, feathers--she would chew it all the same. Still, it was
nothing to reproach her for, seeing that she was the prettiest girl in
the village, anyway. Glahn was jealous of me, that was all.

I was friends again with Maggie, though, next evening, and we saw
nothing of Glahn.



III


A week passed, and we went out shooting every day, and shot a heap of
game. One morning, just as we were entering the forest, Glahn gripped me
by the arm and whispered: "Stop!" At the same moment he threw up his
rifle and fired. It was a young leopard he had shot, I might have fired
myself, but Glahn kept the honour to himself and fired first. Now he'll
boast of that later on, I said to myself. We went up to the dead beast.
It was stone dead, the left flank all torn up and the bullet in its
back.

Now I do not like being gripped by the arm, so I said:

"I could have managed that shot myself."

Glahn looked at me.

I said: "You think perhaps I couldn't have done it?"

Still Glahn made no answer. Instead, he showed his childishness once
more, shooting the dead leopard again, this time through the head. I
looked at him in utter astonishment.

"Well, you know," he explains, "I shouldn't like to have it said that I
shot a leopard in the flank." "You are very amiable this evening," I
said.

It was too much for his vanity to have made such a poor shot; he must
always be first. What a fool he was! But it was no business of mine,
anyway. I was not going to show him up.

In the evening, when we came back to the village with the dead leopard,
a lot of the natives came out to look at it. Glahn simply said we had
shot it that morning, and made no sort of fuss about it himself at the
time. Maggie came up too.

"Who shot it?" she asked.

And Glahn answered:

"You can see for yourself--twice hit. We shot it this morning when we
went out." And he turned the beast over and showed her the two bullet
wounds, both that in the flank and that in the head. "That's where mine
went," he said, pointing to the side--in his idiotic fashion he wanted
me to have the credit of having shot it in the head. I did not trouble
to correct him; I said nothing. After that, Glahn began treating the
natives with rice beer--gave them any amount of it, as many as cared to
drink.

"Both shot it," said Maggie to herself; but she was looking at Glahn all
the time.

I drew her aside with me and said:

"What are you looking at him all the time for? I am here too, I
suppose?"

"Yes," she said. "And listen: I am coming this evening."

It was the day after this that Glahn got the letter. There came a letter
for him, sent up by express messenger from the river station, and it had
made a detour of a hundred and eighty miles. The letter was in a
woman's hand, and I thought to my self that perhaps it was from that
former friend of his, the noble lady. Glahn laughed nervously when he
had read it, and gave the messenger extra money for bringing it. But it
was not long before he turned silent and gloomy, and did nothing but sit
staring straight before him. That evening he got drunk--sat drinking
with an old dwarf of a native and his son, and clung hold of me too, and
did all he could to make me drink as well.

Then he laughed out loud and said:

"Here we are, the two of us, miles away in the middle of all India
shooting game--what? Desperately funny, isn't it? And hurrah for all the
lands and kingdoms of the earth, and hurrah for all the pretty women,
married or unmarried, far and near. Hoho! Nice thing for a man when a
married woman proposes to him, isn't it--a married woman?"

"A countess," I said ironically. I said it very scornfully, and that cut
him. He grinned like a dog because it hurt him. Then suddenly he
wrinkled his forehead and began blinking his eyes, and thinking hard if
he hadn't said too much--so mighty serious was he about his bit of a
secret. But just then a lot of children came running over to our hut and
crying out: "Tigers, ohoi, the tigers!" A child had been snapped up by a
tiger quite close to the village, in a thicket between it and the river.

That was enough for Glahn, drunk as he was, and cut up about something
into the bargain. He picked up his rifle and raced off at once to the
thicket--didn't even put on his hat. But why did he take his rifle
instead of a shot-gun, if he was really as plucky as all that? He had to
wade across the river, and that was rather a risky thing in itself--but
then, the river was nearly dry now, till the rains. A little later I
heard two shots, and then, close on them, a third. Three shots at a
single beast, I thought; why, a lion would have fallen for two, and this
was only a tiger! But even those three shots were no use: the child was
torn to bits and half eaten by the time Glahn come up. If he hadn't been
drunk he wouldn't have made the attempt to save it.

He spent the night drinking and rioting in the hut next door. For two
days he was never sober for a minute, and he had found a lot of
companions, too, to drink with him. He begged me in vain to take part in
the orgy. He was no longer careful of what he said, and taunted me with
being jealous of him.

"Your jealousy makes you blind," he said.

My jealousy? I, jealous of him?

"Good Lord!" I said, "I jealous of you? What's there for me to be
jealous about?"

"No, no, of course you're not jealous of me," he answered. "I saw Maggie
this evening, by the way. She was chewing something, as usual."

I made no answer; I simply walked off.



IV


We began going out shooting again. Glahn felt he had wronged me, and
begged my pardon.

"And I'm dead sick of the whole thing," he said. "I only wish you'd make
a slip one day and put a bullet in my throat." It was that letter from
the Countess again, perhaps, that was smouldering in his mind. I
answered:

"As a man soweth, so shall he also reap."

Day by day he grew more silent and gloomy. He had given up drinking
now, and didn't say a word, either; his cheeks grew hollow.

One day I heard talking and laughter outside my window; Glahn had turned
cheerful again, and he stood there talking out loud to Maggie. He was
getting in all his fascinating tricks. Maggie must have come straight
from her hut, and Glahn had been watching and waiting for her. They
even had the nerve to stand there making up together right outside my
glass window.

I felt a trembling in all my limbs. I cocked my gun; then I let the
hammer down again. I went outside and took Maggie by the arm; we walked
out of the village in silence; Glahn went back into the hut again at
once.

"What were you talking with him again for?" I asked Maggie.

She made no answer.

I was thoroughly desperate. My heart beat so I could hardly breathe. I
had never seen Maggie look so lovely as she did then--never seen a real
white girl so beautiful. And I forgot she was a Tamil--forgot everything
for her sake.

"Answer me," I said. "What were you talking to him for?"

"I like him best," she said.

"You like him better than me?"

"Yes."

Oh, indeed! She liked him better than me, though I was at least as good
a man! Hadn't I always been kind to her, and given her money and
presents? And what had he done?

"He makes fun of you; he says you're always chewing things," I said.

She did not understand that, and I explained it better; how she had a
habit of putting everything in her mouth and chewing it, and how Glahn
laughed at her for it. That made more impression on her than all the
rest I said.

"Look here, Maggie," I went on, "you shall be mine for always. Wouldn't
you like that? I've been thinking it over. You shall go with me when I
leave here; I will marry you, do you hear? and we'll go to our own
country and live there. You'd like that, wouldn't you?"

And that impressed her too. Maggie grew lively and talked a lot as we
walked. She only mentioned Glahn once; she asked:

"And will Glahn go with us when we go away?"

"No," I said. "He won't. Are you sorry about that?"

"No, no," she said quickly. "I am glad."

She said no more about him, and I felt easier. And Maggie went home
with me, too, when I asked her.

When she went, a couple of hours later, I climbed up the ladder to
Glahn's room and knocked at the thin reed door. He was in. I said:

"I came to tell you that perhaps we'd better not go out shooting
to-morrow."

"Why not?" said Glahn.

"Because I'm not so sure but I might make a little mistake and put a
bullet in your throat."

Glahn did not answer, and I went down again. After that warning he
would hardly dare to go out to-morrow--but what did he want to get
Maggie out under my window for, and fool with her there at the top of
his voice? Why didn't he go back home again, if the letter really asked
him, instead of going about as he often did, clenching his teeth and
shouting at the empty air: "Never, never! I'll be drawn and quartered
first"?

But the morning after I had warned him, as I said, there was Glahn the
same as ever, standing by my bed, calling out:

"Up with you, comrade! It's a lovely day; we must go out and shoot
something. That was all nonsense you said yesterday."

It was no more than four o'clock, but I got up at once and got ready to
go with him, in spite of my warning. I loaded my gun before starting
out, and I let him see that I did. And it was not at all a lovely day,
as he had said; it was raining, which showed that he was only trying to
irritate me the more. But I took no notice, and went with him, saying
nothing.

All that day we wandered round through the forest, each lost in his own
thoughts. We shot nothing--lost one chance after another, through
thinking of other things than sport. About noon, Glahn began walking a
bit ahead of me, as if to give me a better chance of doing what I liked
with him. He walked right across the muzzle of my gun; but I bore with
that too. We came back that evening. Nothing had happened. I thought to
myself: "Perhaps he'll be more careful now, and leave Maggie alone."

"This has been the longest day of my life," said Glahn when we got back
to the hut.

Nothing more was said on either side.

The next few days he was in the blackest humor, seemingly all about the
same letter. "I can't stand it; no, it's more than I can bear," he would
say sometimes in the night; we could hear it all through the hut. His
ill temper carried him so far that he would not even answer the most
friendly questions when our landlady spoke to him; and he used to groan
in his sleep. He must have a deal on his conscience, I thought--but why
in the name of goodness didn't he go home? Just pride, no doubt; he
would not go back when he had been turned off once.

I met Maggie every evening, and Glahn talked with her no more. I noticed
that she had given up chewing things altogether; she never chewed now. I
was pleased at that, and thought: She's given up chewing things; that is
one failing the less, and I love her twice as much as I did before!

One day she asked about Glahn--asked very cautiously. Was he not well?
Had he gone away?

"If he's not dead, or gone away," I said, "he's lying at home, no doubt.
It's all one to me. He's beyond all bearing now."

But just then, coming up to the hut, we saw Glahn lying on a mat on the
ground, hands at the back of his neck, staring up at the sky.

"There he is," I said.

Maggie went straight up to him, before I could stop her, and said in a
pleased sort of voice:

"I don't chew things now--nothing at all. No feathers or money or bits
of paper--you can see for yourself."

Glahn scarcely looked at her. He lay still. Maggie and I went on. When
I reproached her with having broken her promise and spoken to Glahn
again, she answered that she had only meant to show him he was wrong.

"That's right--show him he's wrong," I said. "But do you mean it was
for his sake you stopped chewing things?"

She didn't answer. What, wouldn't she answer?

"Do you hear? Tell me, was it for his sake?"

And I could not think otherwise. Why should she do anything for Glahn's
sake?

That evening Maggie promised to come to me, and she did.



V


She came at ten o'clock. I heard her voice outside; she was talking
loud to a child whom she led by the hand. Why did she not come in, and
what had she brought the child for? I watched her, and it struck me that
she was giving a signal by talking out loud to the child; I noticed,
too, that she kept her eyes fixed on the attic--on Glahn's window up
there. Had he nodded to her, I wondered, or beckoned to her from inside
when he heard her talking outside? Anyhow, I had sense enough myself to
know there was no need to look up aloft when talking to a child on the
ground.

I was going out to take her by the arm. But just then she let go the
child's hand, left the child standing there, and came in herself,
through the door to the hut. She stepped into the passage. Well, there
she was at last; I would take care to give her a good talking to when
she came!

Well, I stood there and heard Maggie step into the passage. There was no
mistake: she was close outside my door. But instead of coming in to me,
I heard her step up the ladder--up to the attic--to Glahn's hole up
there. I heard it only too well. I threw my door open wide, but Maggie
had gone up already. That was ten o'clock.

I went in, sat down in my room, and took my gun and loaded it. At twelve
o'clock I went up the ladder and listened at Glahn's door. I could hear
Maggie in there; I went down again. At one I went up again; all was
quiet this time. I waited outside the door. Three o'clock, four o'clock,
five. Good, I thought to myself. But a little after, I heard a noise and
movement below in the hut, in my landlady's room; and I had to go down
again quickly, so as not to let her find me there. I might have
listened much more, but I had to go.

In the passage I said to myself: "See, here she went: she must have
touched my door with her arm as she passed, but she did not open the
door: she went up the ladder, and here is the ladder itself--those four
steps, she has trodden them."

My bed still lay untouched, and I did not lie down now, but sat by the
window, fingering my rifle now and again. My heart was not beating--it
was trembling.

Half an hour later I heard Maggie's footstep on the ladder again. I lay
close up to the window and saw her walk out of the hut. She was wearing
her little short cotton petticoat, that did not even reach to her knees,
and over her shoulders a woolen scarf borrowed from Glahn. She walked
slowly, as she always did, and did not so much as glance towards my
window. Then she disappeared behind the huts.

A little after came Glahn, with his rifle under his arm, all ready to go
out. He looked gloomy, and did not even say good-morning. I noticed,
though, that he had got himself up and taken special care about his
dress.

I got ready at once and went with him. Neither of us said a word. The
first two birds we shot were mangled horribly, through shooting them
with the rifle; but we cooked them under a tree as best we could, and
ate in silence. So the day wore on till noon.

Glahn called out to me:

"Sure your gun is loaded? We might come across something unexpectedly.
Load it, anyhow."

"It is loaded," I answered.

Then he disappeared a moment into the bush. I felt it would be a
pleasure to shoot him then--pick him off and shoot him down like a dog.
There was no hurry; he could still enjoy the thought of it for a bit. He
knew well enough what I had in mind: that was why he had asked if my gun
were loaded. Even to-day he could not refrain from giving way to his
beastly pride. He had dressed himself up and put on a new shirt; his
manner was, lordly beyond all bounds.

About one o'clock he stopped, pale and angry, in front of me, and said:

"I can't stand this! Look and see if you're loaded, man--if you've
anything in your gun."

"Kindly look after your own gun," I answered. But I knew well enough
why he kept asking about mine.

And he turned away again. My answer had so effectively put him in his
place that he actually seemed cowed: he even hung his head as he walked
off.

After a while I shot a pigeon, and loaded again. While I was doing so,
I caught sight of Glahn standing half hidden behind a tree, watching me
to see if I really loaded. A little later he started singing a hymn--and
a wedding hymn into the bargain. Singing wedding hymns, and putting on
his best clothes, I thought to myself--that's his way of being extra
fascinating to-day. Even before he had finished the hymn he began
walking softly in front of me, hanging his head, and still singing as he
walked. He was keeping right in front of the muzzle of my gun again, as
if thinking to himself: Now it is coming, and that is why I am singing
this wedding hymn! But it did not come yet, and when he had finished his
singing he had to look back at me.

"We shan't get much to-day anyhow, by the look of it," he said, with a
smile, as if excusing himself, and asking pardon of me for singing while
we were out after game. But even at that moment his smile was beautiful.
It was as if he were weeping inwardly, and his lips trembled, too, for
all that he boasted of being able to smile at such a solemn moment.

I was no woman, and he saw well enough that he made no impression on me.
He grew impatient, his face paled, he circled round me with hasty steps,
showing up now to the left, now to the right of me, and stopping every
now and then to wait for me to come up.

About five, I heard a shot all of a sudden, and a bullet sang past my
left ear. I looked up. There was Glahn standing motionless a few paces
off, staring at me; his smoking rifle lay along his arm. Had he tried to
shoot me? I said:

"You missed that time. You've been shooting badly of late."

But he had not been shooting badly. He never missed. He had only been
trying to irritate me.

"Then take your revenge, damn you!" he shouted back.

"All in good time," I said, clenching my teeth.

We stood there looking at each other. And suddenly Glahn shrugged his
shoulders and called out "Coward" to me. And why should he call me a
coward? I threw my rifle to my shoulder--aimed full in his face--fired.

As a man soweth...

Now, there is no need, I insist, for the Glahns to make further
inquiry about this man. It annoys me to be constantly seeing their
advertisements offering such and such reward for information about a
dead man. Thomas Glahn was killed by accident--shot by accident when
out on a hunting trip in India. The court entered his name, with the
particulars of his end, in a register with pierced and threaded
leaves. And in that register it says that he is dead--_dead_, I tell
you--and what is more, that he was killed by accident.


THE END






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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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