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The Louisa Alcott Reader by Louisa M. Alcott

L >> Louisa M. Alcott >> The Louisa Alcott Reader

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"How splendid! Who is it for? What is that noise? Where is mamma?" cried
Effie, pale with pleasure and surprise, as she stood looking down the
brilliant little street from her high place.

Before Nurse could answer, the doors at the lower end flew open, and in
marched twenty-four little blue-gowned orphan girls, singing sweetly,
until amazement changed the song to cries of joy and wonder as the shining
spectacle appeared. While they stood staring with round eyes at the
wilderness of pretty things about them, mamma stepped up beside Effie, and
holding her hand fast to give her courage, told the story of the dream in
a few simple words, ending in this way:--

"So my little girl wanted to be a Christmas spirit too, and make this a
happy day for those who had not as many pleasures and comforts as she has.
She likes surprises, and we planned this for you all. She shall play the
good fairy, and give each of you something from this tree, after which
every one will find her own name on a small tree, and can go to enjoy it
in her own way. March by, my dears, and let us fill your hands."

Nobody told them to do it, but all the hands were clapped heartily before
a single child stirred; then one by one they came to look up wonderingly
at the pretty giver of the feast as she leaned down to offer them great
yellow oranges, red apples, bunches of grapes, bonbons, and cakes, till
all were gone, and a double row of smiling faces turned toward her as the
children filed back to their places in the orderly way they had been
taught.

Then each was led to her own tree by the good ladies who had helped mamma
with all their hearts; and the happy hubbub that arose would have
satisfied even Santa Claus himself,--shrieks of joy, dances of delight,
laughter and tears (for some tender little things could not bear so much
pleasure at once, and sobbed with mouths full of candy and hands full of
toys). How they ran to show one another the new treasures! how they peeped
and tasted, pulled and pinched, until the air was full of queer noises,
the floor covered with papers, and the little trees left bare of all but
candles!

"I don't think heaven can be any gooder than this," sighed one small girl,
as she looked about her in a blissful maze, holding her full apron with
one hand, while she luxuriously carried sugar-plums to her mouth with the
other.

"Is that a truly angel up there?" asked another, fascinated by the little
white figure with the wreath on its shining hair, who in some mysterious
way had been the cause of all this merry-making.

"I wish I dared to go and kiss her for this splendid party," said a lame
child, leaning on her crutch, as she stood near the steps, wondering how
it seemed to sit in a mother's lap, as Effie was doing, while she watched
the happy scene before her.

Effie heard her, and remembering Tiny Tim, ran down and put her arms about
the pale child, kissing the wistful face, as she said sweetly, "You may;
but mamma deserves the thanks. She did it all; I only dreamed about it."

Lame Katy felt as if "a truly angel" was embracing her, and could only
stammer out her thanks, while the other children ran to see the pretty
spirit, and touch her soft dress, until she stood in a crowd of blue gowns
laughing as they held up their gifts for her to see and admire.

Mamma leaned down and whispered one word to the older girls; and suddenly
they all took hands to dance round Effie, singing as they skipped.

It was a pretty sight, and the ladies found it hard to break up the happy
revel; but it was late for small people, and too much fun is a mistake. So
the girls fell into line, and marched before Effie and mamma again, to say
goodnight with such grateful little faces that the eyes of those who
looked grew dim with tears. Mamma kissed every one; and many a hungry
childish heart felt as if the touch of those tender lips was their best
gift. Effie shook so many small hands that her own tingled; and when Katy
came she pressed a small doll into Effie's hand, whispering, "You didn't
have a single present, and we had lots. Do keep that; it's the prettiest
thing I got."

"I will," answered Effie, and held it fast until the last smiling face was
gone, the surprise all over, and she safe in her own bed, too tired and
happy for anything but sleep.

"Mamma, it was a beautiful surprise, and I thank you so much! I don't see
how you did it; but I like it best of all the Christmases I ever had, and
mean to make one every year. I had my splendid big present, and here is
the dear little one to keep for love of poor Katy; so even that part of my
wish came true."

And Effie fell asleep with a happy smile on her lips, her one humble gift
still in her hand, and a new love for Christmas in her heart that never
changed through a long life spent in doing good.


[Illustration: "Hollo, what do you want?" he asked, staring at her.]




II.

THE CANDY COUNTRY.


"I shall take mamma's red sun-umbrella, it is so warm, and none of the
children at school will have one like it," said Lily, one day, as she went
through the hall.

"The wind is very high; I'm afraid you'll be blown away if you carry that
big thing," called Nurse from the window, as the red umbrella went bobbing
down the garden walk with a small girl under it.

"I wish it would; I always wanted to go up in a balloon," answered Lily,
as she struggled out of the gate.

She got on very well till she came to the bridge and stopped to look over
the railing at the water running by so fast, and the turtles sunning
themselves on the rocks. Lily was fond of throwing stones at them; it was
so funny to watch them tumble, heels over head, splash into the water.
Now, when she saw three big fellows close by, she stooped for a stone, and
just at that minute a gale of wind nearly took the umbrella out of her
hand. She clutched it fast; and away she went like a thistle-down, right
up in the air, over river and hill, houses and trees, faster and faster,
till her head spun round, her breath was all gone, and she had to let go.
The dear red umbrella flew away like a leaf; and Lily fell down, down,
till she went crash into a tree which grew in such a curious place that
she forgot her fright as she sat looking about her, wondering what part of
the world it could be.

The tree looked as if made of glass or colored sugar; for she could see
through the red cherries, the green leaves, and the brown branches. An
agreeable smell met her nose; and she said at once, as any child would, "I
smell candy!" She picked a cherry and ate it. Oh, how good it was!--all
sugar and no stone. The next discovery was such a delightful one that she
nearly fell off her perch; for by touching her tongue here and there, she
found that the whole tree was made of candy. Think what fun to sit and
break off twigs of barley sugar, candied cherries, and leaves that tasted
like peppermint and sassafras!

Lily rocked and ate till she finished the top of the little tree; then she
climbed down and strolled along, making more surprising and agreeable
discoveries as she went.

What looked like snow under her feet was white sugar; the rocks were lumps
of chocolate, the flowers of all colors and tastes; and every sort of
fruit grew on these delightful trees. Little white houses soon appeared;
and here lived the dainty candy-people, all made of the best sugar, and
painted to look like real people.

Dear little men and women, looking as if they had stepped off of wedding
cakes and bonbons, went about in their gay sugar clothes, laughing and
talking in the sweetest voices. Bits of babies rocked in open-work
cradles, and sugar boys and girls played with sugar toys in the most
natural way. Carriages rolled along the jujube streets, drawn by the red
and yellow barley horses we all love so well; cows fed in the green
fields, and sugar birds sang in the trees.

Lily listened, and in a moment she understood what the song said,--

"Sweet! Sweet!
Come, come and eat,
Dear little girls
With yellow curls;
For here you'll find
Sweets to your mind.
On every tree
Sugar-plums you'll see;
In every dell
Grows the caramel.
Over every wall
Gum-drops fall;
Molasses flows
Where our river goes
Under your feet
Lies sugar sweet;
Over your head
Grow almonds red.
Our lily and rose
Are not for the nose;
Our flowers we pluck
To eat or suck
And, oh! what bliss
When two friends kiss,
For they honey sip
From lip to lip!
And all you meet,
In house or street,
At work or play,
Sweethearts are they.
So, little dear,
Pray feel no fear;
Go where you will;
Eat, eat your fill.
Here is a feast
From west to east;
And you can say,
Ere you go away,
'At last I stand
In dear Candy-land,
And no more can stuff;
For once I've enough.'
Sweet! Sweet!
Tweet! Tweet!
Tweedle-dee!
Tweedle-dee!"

"That is the most interesting song I ever heard," said Lily, clapping her
sticky hands and dancing along toward a fine palace of white cream candy,
with pillars of striped peppermint stick, and a roof of frosting that made
it look like the Milan Cathedral.

"I'll live here, and eat candy all day long, with no tiresome school or
patchwork to spoil my fun," said Lily.

So she ran up the chocolate steps into the pretty rooms, where all the
chairs and tables were of different colored candies, and the beds of spun
sugar. A fountain of lemonade supplied drink; and floors of ice-cream that
never melted kept people and things from sticking together, as they would
have done had it been warm.

For a long while Lily was quite happy, going about tasting so many
different kinds of sweeties, talking to the little people, who were very
amiable, and finding out curious things about them and their country.

The babies were made of plain sugar, but the grown people had different
flavors. The young ladies were flavored with violet, rose, and orange; the
gentlemen were apt to have cordials of some sort inside of them, as she
found when she ate one now and then slyly, and got her tongue bitten by
the hot, strong taste as a punishment The old people tasted of peppermint,
clove, and such comfortable things, good for pain; but the old maids had
lemon, hoarhound, flag-root, and all sorts of sour, bitter things in them,
and did not get eaten much. Lily soon learned to know the characters of
her new friends by a single taste, and some she never touched but once.
The dear babies melted in her mouth, and the delicately flavored young
ladies she was very fond of. Dr. Ginger was called to her more than once
when so much candy made her teeth ache, and she found him a very hot-
tempered little man; but he stopped the pain, so she was glad to see him.

A lime-drop boy and a little pink checker-berry girl were her favorite
playmates; and they had fine times making mud-pies by scraping the
chocolate rocks and mixing this dust with honey from the wells near by.
These they could eat; and Lily thought this much better than throwing away
the pies, as she had to do at home. They had candy-pulls very often, and
made swings of long loops of molasses candy, and bird's-nests with almond
eggs, out of which came birds who sang sweetly. They played football with
big bull's-eyes, sailed in sugar boats on lakes of syrup, fished in rivers
of molasses, and rode the barley horses all over the country.

Lily discovered that it never rained, but snowed white sugar. There was no
sun, as it would have been too hot; but a large yellow lozenge made a nice
moon, and red and white comfits were the stars.

The people all lived on sugar, and never quarrelled. No one was ill; and
if any got broken, as sometimes happened with such brittle creatures, they
just stuck the parts together and were all right again. The way they grew
old was to get thinner and thinner till there was danger of their
vanishing. Then the friends of the old person put him in a neat coffin,
and carried him to the great golden urn which stood in their largest
temple, always full of a certain fine syrup; and here he was dipped and
dipped till he was stout and strong again, and went home to enjoy himself
for a long time as good as new.

This was very interesting to Lily, and she went to many funerals. But the
weddings were better still; for the lovely white brides were so sweet Lily
longed to eat them. The feasts were delicious; and everybody went in their
best clothes, and danced at the ball till they got so warm half-a-dozen
would stick together and have to be taken to the ice-cream room to cool
off. Then the little pair would drive away in a fine carriage with white
horses to a new palace in some other part of the country, and Lily would
have another pleasant place to visit.

But by and by, when she had seen everything, and eaten so much sweet stuff
that at last she longed for plain bread and butter, she began to get
cross, as children always do when they live on candy; and the little
people wished she would go away, for they were afraid of her. No wonder,
when she would catch up a dear sugar baby and eat him, or break some
respectable old grandmamma all into bits because she reproved her for
naughty ways. Lily calmly sat down on the biggest church, crushing it
flat, and even tried to poke the moon out of the sky in a pet one day. The
king ordered her to go home; but she said, "I won't!" and bit his head
off, crown and all.

Such a wail went up at this awful deed that she ran away out of the city,
fearing some one would put poison in her candy, since she had no other
food.

"I suppose I shall get somewhere if I keep walking; and I can't starve,
though I hate the sight of this horrid stuff," she said to herself, as she
hurried over the mountains of Gibraltar Rock that divided the city of
Saccharissa from the great desert of brown sugar that lay beyond.

Lily marched bravely on for a long time, and saw at last a great smoke in
the sky, smelt a spicy smell, and felt a hot wind blowing toward her.

"I wonder if there are sugar savages here, roasting and eating some poor
traveller like me," she said, thinking of Robinson Crusoe and other
wanderers in strange lands.

She crept carefully along till she saw a settlement of little huts very
like mushrooms, for they were made of cookies set on lumps of the brown
sugar; and queer people, looking as if made of gingerbread, were working
very busily round several stoves which seemed to bake at a great rate.

"I'll creep nearer and see what sort of people they are before I show
myself," said Lily, going into a grove of spice-trees, and sitting down on
a stone which proved to be the plummy sort of cake we used to call
Brighton Rock.

Presently one of the tallest men came striding toward the trees with a
pan, evidently after spice; and before she could run, he saw Lily.

"Hollo, what do you want?" he asked, staring at her with his black currant
eyes, while he briskly picked the bark off a cinnamon-tree.

"I'm travelling, and would like to know what place this is, if you
please," answered Lily, very politely, being a little frightened.

"Cake-land. Where do you come from?" asked the gingerbread man, in a crisp
tone of voice.

"I was blown into the Candy country, and have been there a long time; but
I got tired of it, and ran away to find something better."

"Sensible child!" and the man smiled till Lily thought his cheeks would
crumble. "You'll get on better here with us Brownies than with the lazy
Bonbons, who never work and are all for show. They won't own us, though we
are all related through our grandparents Sugar and Molasses. We are busy
folks; so they turn up their noses and don't speak when we meet at
parties. Poor creatures, silly and sweet and unsubstantial! I pity 'em."

"Could I make you a visit? I'd like to see how you live, and what you do.
I'm sure it must be interesting," said Lily, picking herself up after a
tumble, having eaten nearly all the stone, she was so hungry.

"I know you will. Come on! I can talk while I work." And the funny
gingerbread man trotted off toward his kitchen, full of pans, rolling-
pins, and molasses jugs.

"Sit down. I shall be at leisure as soon as this batch is baked. There are
still some wise people down below who like gingerbread, and I have my
hands full," he said, dashing about, stirring, rolling out, and slapping
the brown dough into pans, which he whisked into the oven and out again so
fast that Lily knew there must be magic about it somewhere.

Every now and then he threw her a delicious cooky warm from the oven. She
liked the queer fellow, and presently began to talk, being very curious
about this country.

"What is your name, sir?"

"Ginger Snap."

Lily thought it a good one; for he was very quick, and she fancied he
could be short and sharp if he liked.

"Where does all this cake go to?" she asked, after watching the other
kitchens full of workers, who were all of different kinds of cake, and
each set of cooks made its own sort.

"I'll show you by and by," answered Snap, beginning to pile up the heaps
of gingerbread on a little car that ran along a track leading to some
unknown storeroom, Lily thought.

"Don't you get tired of doing this all the time?"

"Yes; but I want to be promoted, and I never shall be till I've done my
best, and won the prize here."

"Oh, tell me about it! What is the prize, and how are you promoted? Is
this a cooking-school?"

"Yes; the prize for best gingerbread is a cake of condensed yeast. That
puts a soul into me, and I begin to rise till I am able to go over the
hills yonder into the blessed land of bread, and be one of the happy
creatures who are always wholesome, always needed, and without which the
world below would be in a bad way."

"Bless me! that is the queerest thing I've heard yet. But I don't wonder
you want to go; I'm tired of sweets myself, and long for a good piece of
bread, though I used to want cake and candy at home."

"Ah, my dear, you'll learn a good deal here; and you are lucky not to have
got into the clutches of Giant Dyspepsia, who always gets people if they
eat too much of such rubbish and scorn wholesome bread. I leave my ginger
behind when I go, and get white and round and beautiful, as you will see.
The Gingerbread family have never been as foolish as some of the other
cakes. Wedding is the worst; such extravagance in the way of wine and
spice and fruit I never saw, and such a mess to eat when it's done! I
don't wonder people get sick; serves 'em right." And Snap flung down a pan
with such a bang that it made Lily jump.

"Sponge cake isn't bad, is it? Mamma lets me eat it, but I like frosted
pound better," she said, looking over to the next kitchen, where piles of
that sort of cake were being iced.

"Poor stuff. No substance. Ladies' fingers will do for babies, but pound
has too much butter ever to be healthy. Let it alone, and eat cookies or
seed-cakes, my dear. Now, come along; I'm ready." And Snap trundled away
his car-load at a great pace.

Lily ran behind to pick up whatever fell, and looked about her as she
went, for this was certainly a very queer country. Lakes of eggs all
beaten up, and hot springs of saleratus foamed here and there ready for
use. The earth was brown sugar or ground spice; and the only fruits were
raisins, dried currants, citron, and lemon peel. It was a very busy place;
for every one cooked all the time, and never failed and never seemed
tired, though they got so hot that they only wore sheets of paper for
clothes. There were piles of it to put over the cake, so that it shouldn't
burn; and they made cook's white caps and aprons of it, and looked very
nice. A large clock made of a flat pancake, with cloves to mark the hours
and two toothpicks for hands, showed them how long to bake things; and in
one place an ice wall was built round a lake of butter, which they cut in
lumps as they wanted it.

"Here we are. Now, stand away while I pitch 'em down," said Snap, stopping
at last before a hole in the ground where a dumbwaiter hung ready, with a
name over it.

There were many holes all round, and many waiters, each with its name; and
Lily was amazed when she read "Weber," "Copeland," "Dooling," and others,
which she knew very well.

Over Snap's place was the name "Newmarch;" and Lily said, "Why, that's
where mamma gets her hard gingerbread, and Weber's is where we go for ice-
cream. Do _you_ make cake for them?"

"Yes, but no one knows it. It's one of the secrets of the trade. We cook
for all the confectioners, and people think the good things come out of
the cellars under their saloons. Good joke, isn't it?" And Snap laughed
till a crack came in his neck and made him cough.

Lily was so surprised she sat down on a warm queen's cake that happened to
be near, and watched Snap send down load after load of gingerbread to be
eaten by children, who would have liked it much better if they had only
known where it came from, as she did.

As she sat, the clatter of many spoons, the smell of many dinners, and the
sound of many voices calling, "One vanilla, two strawberries, and a
Charlotte Russe," "Three stews, cup coffee, dry toast," "Roast chicken and
apple without," came up the next hole, which was marked "Copeland."

"Dear me! it seems as if I was there," said Lily, longing to hop down, but
afraid of the bump at the other end.

"I'm done. Come along, I'll ride you back," called Snap, tossing the last
cooky after the dumb-waiter as it went slowly out of sight with its spicy
load.

"I wish you'd teach me to cook. It looks great fun, and mamma wants me to
learn; only our cook hates to have me mess round, and is so cross that I
don't like to try at home," said Lily, as she went trundling back.

"Better wait till you get to Bread-land, and learn to make that. It's a
great art, and worth knowing. Don't waste your time on cake, though plain
gingerbread isn't bad to have in the house. I'll teach you that in a
jiffy, if the clock doesn't strike my hour too soon," answered Snap,
helping her down.

"What hour?"

"Why, of my freedom. I never know when I've done my task till I'm called
by the chimes and go to get my soul," said Snap, turning his currant eyes
anxiously to the clock.

"I hope you _will_ have time." And Lily fell to work with all her
might, after Snap had put on her a paper apron and a cap like his.

It was not hard; for when she was going to make a mistake a spark flew out
of the fire and burnt her in time to remind her to look at the receipt,
which was a sheet of gingerbread in a frame of pie-crust hung up before
her, with the directions written while it was soft and baked in. The third
sheet she made came out of the oven spicy, light, and brown; and Snap,
giving it one poke, said, "That's all right. Now you know. Here's your
reward"

He handed her a receipt-book made of thin sheets of sugar-gingerbread held
together by a gelatine binding, with her name stamped on the back, and
each leaf crimped with a cake-cutter in the most elegant manner.

Lily was charmed with it, but had no time to read all it contained; for
just then the clock began to strike, and a chime of bells to ring,--

"Gingerbread,
Go to the head.
Your task is done;
A soul is won.
Take it and go
Where muffins grow,
Where sweet loaves rise
To the very skies,
And biscuits fair
Perfume the air.
Away, away!
Make no delay;
In the sea of flour
Plunge this hour.
Safe in your breast
Let the yeast-cake rest,
Till you rise in joy,
A white bread boy!"

"Ha, ha! I'm free! I'm free!" cried Snap, catching up the silver-covered
square that seemed to fall from heaven; and running to a great white sea
of flour, he went in head first, holding the yeast-cake clasped to his
breast as if his life depended on it.

Lily watched breathlessly, while a curious working and bubbling went on,
as if Snap was tumbling about down there like a small earthquake. The
other cake-folk stood round the shore with her; for it was a great event,
and all were glad that the dear fellow was promoted so soon. Suddenly a
cry was heard, and up rose a beautiful white figure on the farther side of
the sea. It moved its hand, as if saying "Good-by," and ran over the hills
so fast they had only time to see how plump and fair he was, with a little
knob on the top of his head like a crown.

"He's gone to the happy land, and we shall miss him; but we'll follow his
example and soon find him again," said a gentle Sponge cake, with a sigh,
as all went back to their work; while Lily hurried after Snap, eager to
see the new country, which was the best of all.

A delicious odor of fresh bread blew up from the valley as she stood on
the hill-top and looked down on the peaceful scene below. Fields of yellow
grain waved in the breeze; hop-vines grew from tree to tree; and many
windmills whirled their white sails as they ground the different grains
into fresh, sweet meal, for the loaves of bread that built the houses like
bricks and paved the streets, or in many shapes formed the people,
furniture, and animals. A river of milk flowed through the peaceful land,
and fountains of yeast rose and fell with a pleasant foam and fizz. The
ground was a mixture of many meals, and the paths were golden Indian,
which gave a very gay look to the scene. Buckwheat flowers bloomed on
their rosy stems, and tall corn-stalks rustled their leaves in the warm
air that came from the ovens hidden in the hillsides; for bread needs a
slow fire, and an obliging volcano did the baking here.

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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