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The Spartan Twins by Lucy (Fitch) Perkins

L >> Lucy (Fitch) Perkins >> The Spartan Twins

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Meanwhile Lydia, Chloe, and the other women prepared an out-of-door
feast. A calf had been killed and cut up for cooking, and in the
afternoon a huge fire was built. Lydia had charge of the cooking. She set
great pieces of meat before the fire to roast, and told the children to
sit by and turn them often to keep them from burning. Dion and Daphne
also brought wood for the fire, while the slave women mixed cakes of meal
and baked them in the ashes, or went to the spring for water, or carried
refreshing drinks to the workers in the field.

It was sundown when the last sheaf was stacked and Melas gave the signal
to stop work. Chloe at once brought cool water from the spring to the
tired harvesters, and when they had washed their hot hands and faces,
Melas made a rude altar of stones, kindled a fire upon it, and, calling
the people together, offered upon it a handful of the new grain and made
a prayer of thanks to Demeter, the Goddess of the fields, for the rich
harvest. When this was done, the feast was ready. The meat and cakes and
wine were passed to the men by the women, and when they had been well
served, the women too sat down under a tree and ate their supper. It was
a gay party. After supper there were jokes and songs, and Dromas played
upon his shepherd's pipe, until the night came on and the moon showed her
round face over the crest of the hills.

Then Lycias, the oldest slave of all, began to tell stories. He had seen
the battle of Salamis, and he told how he had watched the Persian ships
go down, one after another, before the victorious Greeks. "And the King
sat right on the high rocks north of the Piraeus and saw 'em go down," he
chuckled. "It was a great sight."

When Lycias had finished his story, Dromas told the tale of how the God
Pan had appeared to a shepherd he knew, as he was watching his sheep
along on the hills. "It's all true," he declared, as the story ended. "I
knew the man myself. All sorts of things happen when you're out alone on
the hillsides."

The fire, meanwhile, had died down to a heap of brands and gleaming
coals, and Melas told the Twins to bring some wood to replenish it. They
had been gone only a short time on this errand when the group around the
fire was amazed to see them come darting back into the circle, all out of
breath and with eyes as big as saucers.

"What is it?" cried Lydia, springing to her feet.

"We don't know," gasped Dion. "It's big--and black--and there's two of
it. It's right out by the brush-pile."

"We were just going to get an armful of brush," added Daphne, "when all
of a sudden there it was--right beside us! We didn't wait to see it any
more. We just ran like everything!"

Lydia poked the coals into a blaze and peered out into the surrounding
darkness.

"It was wolves, I'll go bail," cried Lycias, and he started at once to
climb a tree.

"Wolves!" shrieked Chloe, and got behind her mistress. The Twins were
already holding to her skirts.

"Wolves!" howled the slaves, "a whole pack of them!" and as there was
nothing for them to climb, each hastily tried to get behind some one
else. In the struggle Dromas got crowded back and sat down on a hot coal.
He hadn't many clothes on, so he got up very quickly, and the next howl
he gave was not wholly on account of wolves. Only Lydia and Melas stood
their ground beside the fire. Melas waved a burning brand in the air and
shouted at the top of his lungs, "Fools! Rabbits! Don't you know wolves
won't come near a fire?" but nothing soothed the frightened slaves.
Something was coming, and if it wasn't wolves, they thought it was likely
to be a worse creature. They could see two black figures bounding along
in the moonlight, and behind them came a huge dog, barking with all his
might. Bang into the row of cowering slaves they ran, and the biggest
black thing roared "baa," and the little one bleated "maa," right into
Dromas' ear. The "whole pack of wolves" was just the old black ewe and
her little black lamb. Argos was chasing them and when he came tearing
into the circle about the fire and saw the sheep safe with Dromas, he sat
down panting, with his tongue hanging out, and looked very much pleased
with himself. Dromas seized the lamb in his arms.

"It's a fine young ram," he cried, "and it's nothing short of a miracle
that the wolves haven't got it, and its mother too, long before this!'

"I always said that old ewe was bewitched," quavered Lycias. "It's magic,
I say. And the lamb is as black as Erebus too. No good will come of
this!"

"Come, come! We must take them up to the farm-yard at once," said Melas,
"before the old sheep takes it into her head to run away again. Dromas,
you and Argos attend to her, and I'll carry the lamb myself."

"We will all go," said Lydia. "It is time for bed anyway." So the remains
of the feast were gathered up, the fire was put out, and the whole
company trailed back over the hill to the farm-house, Melas at the head
of the procession, carrying the lamb in his arms. When the old sheep was
corraled once more with the flock, and the slaves had gone home to their
huts, Melas came in from the farm-yard with the lamb. He seemed strangely
excited.

"Light the fire on the hearth, wife," he said to Lydia. "There's
something queer about this lamb."

Lydia uncovered the coals, laid on some wood, and blew the fire to a
blaze. By its light Melas examined the lamb carefully. Then he said to
Lydia, who stood near with the Twins, "This ram has but one horn!"

"It can't be!" gasped Lydia. "Whoever heard of a ram with only one horn?"

"Feel it," said Melas briefly. Lydia felt it.

"By all the Gods," she cried, "here is a strange thing!"

"Let us feel," begged Dion and Daphne. They both felt. There was only one
little budding horn to be found, and that was right in the middle of the
lamb's forehead.

"What does it mean?" cried Lydia. "Is it a miracle? Is it a portent? Does
it mean good luck or bad luck?"

"I don't know," said Melas. "Only a priest could tell that."

"Then take it to a priest," said Lydia.

"It is not my sheep," said Melas. "It belongs to Pericles."

"Then you must take it to him and let him decide what shall be done with
it," cried Lydia. "And go soon, I beg of you. I don't wish to have the
creature in the house. It may be bewitched. It may bring all kinds of bad
luck to us."

"It is just as likely to bring good luck as bad," said Melas.

"Is Father really going to take the lamb to Athens?" asked Dion.

"Yes," answered Melas, with surprising promptness, "to-morrow."

"Oh," cried Dion and Daphne at the same instant, "_please_ let me go
too."

"No," said Lydia at once, but Melas said, "Not so fast, wife. Seek
guidance of the Gods. The children would learn much from such a journey,
and their chances for learning are few. We should be gone but two days,
if the sea is calm."

Lydia was silent for a moment while the Twins stood by breathless with
suspense. At last she said, "Well,--if the Gods so will,--we will seek an
omen. You could spend the night at the house of my brother, Phaon, the
stone-cutter, I suppose. I have seen him but seldom since he married his
Athenian wife, but no doubt he would make you welcome for the night."

She rose slowly as she spoke, and threw a handful of grain upon the
family altar, at the same time praying to Hermes, the God of travelers,
for guidance. Then she ran round the court with her hands over her ears,
and as she came back to the group beside the hearth, suddenly uncovered
them again. The Twins were talking together in low tones.

"Oh, do you suppose they will let _me_ go?" Daphne was saying to Dion,
and just at that moment Lydia took her hands from her ears. "Go" was the
first word she heard.

"The omen is favorable," cried Lydia. "You are to go! I prayed to Hermes,
then closed my ears, well knowing that the first word I should hear when
I uncovered them would be the answer to my prayer. That word was 'Go.'
Hasten to bed, my children, for you must make an early start to-morrow."

Daphne could scarcely believe her ears. Not a word had been said about
her staying at home because she was a girl! She flew upstairs to bed lest
some one should suddenly think of it.




V

THE TWINS GO TO ATHENS


In the gray dawn of the following morning Lydia stood in the doorway of
her house and watched the three figures disappear down the road toward
the little seaport town of Ambelaca. Melas walked ahead, carrying the
lamb wrapped in his cloak, and the Twins followed, bearing between them a
basket in which Lydia had carefully packed two dressed fowls, some fresh
eggs, and a cheese, to be taken to the home of Pericles, besides bread
and cheese for Melas and the children. The Twins were so excited they
would have danced along the road instead of walking if it hadn't been
for the basket, but every time Daphne got too lively, Dion said,
"Remember the eggs," and every time Dion forgot and skipped, Daphne said
the same thing to him.

They had gone nearly a mile in this way, when the road took them to the
crest of a hill, from the top of which it seemed as if they could see the
whole world. Just below them lay the little seaport town of Ambelaca, and
beyond it the blue waters of the bay sparkled and danced in the morning
breeze. On the farther side of the bay they could see the white buildings
of the Piraeus, and beyond that in the distance was a chain of blue
mountains over which the sun was just peeping. That sight was so
beautiful that the children set down their basket, and Melas too stood
still to gaze.

"Those blue mountains beyond the Piraeus are the hills of Athens," said
Melas. "The one with the flat top is the sacred hill of the Acropolis.
And right down there," he added, pointing to a white house on a near-by
hill-top, overlooking the sea, "is the house of Euripides, the Poet. He
has come from the noise and confusion of the city to find a quiet refuge
upon Salamis."

"Does he write real poetry?" asked Daphne.

"They say he does," answered Melas, "though I never read any of it
myself."

"I wish I could write," sighed Daphne, "even if it wasn't poetry! Even if
it were only curses to hang around a scarecrow's neck. I'd like to
write!"

"Girls don't need to know how to write," said Melas. "It doesn't make
them any better housekeepers. I don't even see how Dion is going to
learn. There are no schools in Salamis."

"Oh dear!" thought Daphne, "there it is again." But she said nothing and
followed Melas down the hill and into the village street.

Soon they found themselves at the dock where the boat was tied. There
were already passengers on board when the Twins and their Father arrived.
There were two farmers with baskets of eggs and vegetables, and there was
an old woman with a large bundle of bread. Next to her sat a fisherman
with a basket of eels. They were all going to the market in the Piraeus
to sell their produce. Melas with the lamb in his arms climbed in beside
one of the farmers and sat facing the fisherman. Dion sat next to him
with the basket on his knee, and Daphne had to sit beside the fisherman
and the eels. The eels squirmed frightfully, and Daphne squirmed too
every time she looked at them. She was afraid one might get out and wrap
itself around her legs. They did look so horribly like snakes, and Daphne
felt about snakes just as most girls do. However, she knew it was useless
to say anything. There was no other seat for her, and so she remembered
that she was a Spartan and tried not to look at them.

When they were all seated, the rowers took their places on the
rowing-benches, the captain gave the signal, and off they went over the
blue waters toward the distant shore. For a time everything went
smoothly. There was no sound but the rattling of the oarlocks, the chant
of the rowers as they dipped their oars, and the rippling of the water
against the sides of the boat. Up to this time the black lamb had lain
quietly in Melas' arms, but now something seemed to disturb him. He
lifted his head, gave a sudden bleat, and somehow flung himself out of
Melas' arms directly into the basket of eels! Such a squirming as there
was then! The eels squirmed, and the lamb squirmed, and if his legs had
not been securely tied together he undoubtedly would have flopped right
into the water, and then this story would never have been written.

The fisherman gave an angry roar. "Keep your miserable lamb out of my eel
basket," he shouted.

Melas had not waited to be told. He had already seized the lamb, but it
struggled hard to get away, and between the lamb and the eels there was a
disturbance that threatened to upset the boat.

"Sit still," roared the captain. "Have you no sense? Do you all want to
go to the bottom?"

"May Poseidon defend us!" cried the old woman with the bread. "I've no
wish to be made into eel-bait."

"Nor I," said one of the farmers angrily. "You'd better kill your lambs
before you take them to market," he said to Melas; "it will be safer for
the rest of us."

"The lamb is not for market," Melas answered. "I would not dare kill it.
It bears a portent on its brow!"

"A portent?" gasped the old woman.

"May all the Gods defend us! What portent?" Melas pointed to the horn.
"It has but one horn," he said.

They all became still at once. They all looked at the lamb. They all felt
of his horn. Their eyes grew big.

"There was never such a thing known," said the farmer.

"Whose is the lamb?" asked another. "Is it yours?"

"No," said Melas, "it belongs to Pericles the Archon. It was born on his
farm. I am taking it to him so that he may decide what to do with it."

"A portent on the farm of Pericles?" cried the old woman. "I'll warrant
it will be read as favoring him, since he already has a world at his
feet. May the Gods forgive me, but it seems to me they are often more
partial than just."

"Hush, woman," said one of the farmers. "Speak no ill of the Gods, not
until we are safe on the land at any rate."

The woman snapped her mouth shut. The farmers and the fisherman settled
themselves as far away as possible from the Twins and Melas, and nothing
more was said until the boat touched the other shore, and all the
passengers scrambled out upon the dock. The farmers and the fisherman and
the old woman all hastened away to the marketplace, and when they reached
it, they must have kept their tongues busy, for as Melas and the Twins
passed through it on their way to Athens a few moments later, they were
followed by a crowd of curious people who wanted to see the lamb and who
had a great deal to say about what such a miracle might mean.

Melas paid little attention to them, but hastened on his way, and soon
they reached the eastern edge of the town and started along the paved
road which ran from the Piraeus to Athens proper. This road was nearly
five miles long and ran between two high walls of stone some distance
apart. The curious crowd left them at this point and the three walked on
alone through olive orchards and past little vineyards, toward Athens.

"Nobody could get lost on this road," said Dion to his Father, "not even
if he tried! He couldn't get over the walls."

"What are the walls for?" asked Daphne. "It seems silly to build high
walls like this right out in the country."

"Not so silly when you think about it," answered Melas. "These walls were
built by Pericles, so that if any enemy should make an invasion, Athens
would always have a safe access to the sea. Without that she could be
starved within her own walls in a very short time."

"Pericles must be almost as powerful and wise as the Gods themselves, I
should think," said Daphne.

"He does all these things by the help of the Gods, without doubt," said
Melas.

When they were halfway on their journey to the city, Dion suddenly let
down his side of the basket with a thump.

"Remember the eggs!" cried Daphne sharply, but Dion did not seem to hear.

"Look! Look!" he cried and pointed toward the east. There against the
sky, on the top of the sacred mountain, stood a gigantic figure shining
in the sun.

"What is it?" cried both children at once.

"That is the bronze statue of Athena, the Goddess who gives protection to
Athens," said Melas.

"Did Pericles make that too?" asked Daphne.

Melas laughed. "No," he said; "you must not think Pericles made
everything you may see in Athens. Great as he is, he is not a sculptor."

"Oh, oh," cried Dion, "I want to see the Gorgon's head with snaky locks.
Don't you remember the Stranger said it was on the breastplate of the
statue?"

"Ugh," said Daphne, shuddering. "I don't believe I'd like it. It must
look just like eels."

"Come, come," said Melas. "At this rate you won't have a chance. The day
will be gone before we know it."

The Twins picked up the basket, and the three marched on toward the city,
and it was not long before they had entered the gate and were passing
along closely built-up streets to the home of the greatest man in Athens.

"This is the place," said Melas at last, stopping at one of the houses.

"This isn't Pericles' house, is it?" cried Daphne. "Why, I thought it
would be the biggest house in Athens, and it looks just like the others."

"Pericles does not put on much style," said Melas, as he lifted the
knocker on the door. "He is too great to need display. He cares more
about fine public buildings for the city than about making his neighbors
envious by living better than they do. Just get the idea out of your head
that greatness means wealth and luxury, or you are no true Spartans, nor
even good Athenians."

As he said this, Melas let the knocker fall. The door was immediately
opened by a porter, who looked surprised when he saw Melas and the Twins.

"What brings you in from the farm?" he said.

"I wish to see your mistress, the wife of Pericles," said Melas, with
dignity. "I have business of importance."

"Come in, come in," said the porter, grinning good-naturedly; "and you,
too, little boys," he added graciously to the Twins, and led the way into
the house. Dion was just opening his mouth to explain that Daphne wasn't
a boy, but Daphne poked him in the ribs and shook her head at him. "Let
him think so," she said, jerking her chiton up shorter through her
girdle.

They were ushered through a passageway into the court of the house, and
there the porter left them while he went to call his mistress. The house,
though little different from the other houses of well-to-do Athenians,
was still much finer than anything the Twins had ever seen. The floor was
of marble, and the altar of Zeus which stood in the center of the court
was beautifully carved. The doorways which opened into the various rooms
of the house were hung with blue curtains. A room opening into the court
at the back had a hearth-fire in the middle of it, much like that in the
children's own home. Soon a door in the back of the house opened, and
Telesippe, the wife of Pericles, appeared. She was a large coarse-looking
woman, and with her were three boys, her own two and Alcibiades, a
handsome lad, who was a ward of Pericles and a member of his family.

Melas approached her and opened his cloak.

"Why, Melas, what have you there?" cried Telesippe in amazement, as she
saw the little black rain.

"A portent, Madam," said Melas with solemnity. "This ram, born on your
husband's farm, is a prodigy, it has but one horn. I have brought it to
you, that the omen might be interpreted. I trust it may prove a favorable
one."

Telesippe looked at the lamb and turned pale. She struck her hands
together. The porter and another slave at once appeared.

"Go to the temple and bring Lampon, the priest," she said to the slave;
and to the porter she added, "and you, the moment the priest arrives,
call your master."

The slave instantly disappeared, and the porter went back to his post by
the entrance. Although Telesippe was evidently disturbed and anxious
about the portent, she now turned her attention to the basket, which Dion
and Daphne had placed before her, and when their luncheon had been taken
out, she called a slave woman and gave the fowl and the eggs and cheese
into her care.

The three boys, meanwhile, crowded around Melas and the lamb and asked
questions of all sorts about it and about the farm. It seemed but a short
time when the porter opened the door once more and ushered in the priest.
The Twins had never seen a priest, since there were none on the island,
and they looked with awe upon this man who could read omens and interpret
dreams. He was a tall, spare man with piercing dark eyes. He was dressed
in a long white robe, and wore a wreath of laurel upon his brow, and his
black hair fell over his neck in long, straggling locks.

No sooner had he entered the court and taken his place beside the
altar than the blue curtains of a door at the right parted and a tall
noble-looking man entered the room. Dion and Daphne knew at once that it
must be Pericles. No other man, they thought, could look so majestic.
Their knees shook under them, and they felt just as you would feel if you
were suddenly to meet the President of the United States. Pericles was
not alone. A man also tall, and wearing a long white cloak, followed
him through the curtains and joined the group about the altar.

"The Stranger!" gasped Daphne to Dion in a whisper. "Don't you remember?
He said he knew Pericles!"

The Stranger spoke to Melas and laid his hand playfully upon the heads of
the Twins.

"These are old friends of mine," he said to Pericles. "I stayed at their
house one night last spring."

Pericles had already greeted the priest. Now he smiled pleasantly at the
children, and spoke to Melas.

"I hear a miracle has occurred on my farm," he said.

For answer Melas showed the lamb, which now began to jump and wriggle in
his arms.

"There can be no doubt that the portent concerns the Great Archon," said
the priest solemnly. "See how the ram leaps the moment he appears!"

Pericles beckoned to the Stranger. "What do you think of this,
Anaxagoras?" he said, smiling.

"I am no soothsayer," answered the Stranger, smiling too. "The priest is
the one to expound the riddle."

Lampon now came forward, and, with an air of importance, pulled a few
hairs from the lamb's fleece, and laid them upon the live coals of the
altar. He watched the hair curl up as it burned and bent his ear to
listen. "It burns with a crackling sound," he said; "the omen is
therefore favorable to your house, O Pericles. Instead of two horns, the
animal has but one! Instead of two factions in Athens, one favorable to
Pericles, one opposed, there will henceforth be but one! All the city
will unite under the leadership of Pericles the Olympian."

"The Gods be praised!" exclaimed Telesippe, with fervor.

The priest clapped his hands and bowed his head, and Dion saw him peer
cautiously through the tangled locks which fell over his face to see how
Pericles had taken this prophecy. The Great Archon was standing quietly
beside Anaxagoras, and neither one gave any sign of being impressed by
the oracle. The priest scowled under his wreath.

"What shall be done with the ram?" asked Telesippe, when Lampon again
lifted his head.

"Let it be sent to the temple as an offering. Since it is black it must
be sacrificed to the Gods of the lower world," answered the priest.

Telesippe at once called a slave. Melas gave the ram into his hands; the
priest received a present of money from Pericles, and, followed by the
slave with the ram, disappeared through the doorway.

"You did well to bring the ram to me at once," said Pericles to Melas
when the door closed behind the priest. "Take this present for your
pains," and he placed a gold-piece in Melas' hand. "And these little
boys," he added, smiling pleasantly at the Twins, "they too have done
their share in bringing the portent. They must have a reward as well." He
gave them each a coin, and, when he had received their thanks, at once
left the house, followed by Anaxagoras. The Twins and Melas then said
good-bye to Telesippe and the boys and took their leave.

When they turned the corner into the next street, Melas said with a sigh,
"There, that's off my mind. And I hope there will be no more miracles for
a while."

"If it would take us to the house of Pericles every time, I'd like them
at least once a week!" cried Dion, looking longingly at the coin Pericles
had given him.

"So would I," Daphne added fervently. "Even if Pericles didn't give us
anything at all, I'd come to Athens just to look at him! He looks just
like the Gods. I know he does."

Melas laughed. "You're just like the Athenians," he said, "They call him
the Olympian because they feel the same way about him. Give me your
coins," he added. "I will put them in my purse for safe-keeping."

"Anyway," said Daphne, as she and Dion gave their Father the money, "I'm
glad the portent was favorable to Pericles. The old woman on the boat was
right. She said it would be."




VI

THE FESTIVAL OF ATHENA


The day had begun so early that it was still morning when Melas and the
Twins left the house of Pericles and took their way toward the Agora,
which was the business and social center of Athens. Here were the markets
where everything necessary to the daily life of the Athenians was sold.
The Twins had never dreamed there were so many things to be found in the
world. Not only were there fruits, meats, fish, vegetables, and flowers,
but there were stalls filled with beautiful pottery or with dyed and
embroidered garments gorgeous in color, and even with books. The books
were not bound as ours are. They were written on rolls of parchment and
were piled up in the stalls like sticks of wood. Around the marketplace
there were arcades supported by marble columns, and ornamented by rows of
bronze statues. In the center stood a magnificent altar to the twelve
Gods of Olympus, whom the people of Hellas believed to be the greatest of
their many Gods. There were temples opening on the Agora, and beyond
the temples there were the hills of Athens, with the Sacred Mount of the
Acropolis, the holiest of all holy places, bounding it on the south.

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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Turkish poet Nazim Hikmet regains citizenship
Nonagenarian Diana Athill, Irish writer Sebastian Barry and first book winner Sadie Jones talk about their books and their writing after the awards were announced last night

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