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London Pride by M. E. Braddon

M >> M. E. Braddon >> London Pride

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"At Whitehall?"

"Yes, at Whitehall. There is a modish performance there to-night, I hear;
but I doubt it is over, for the Strand was crowded with hackney coaches
moving eastward. I passed a pair of handsome eyes in a gilded chair, that
flashed fury at me as I rode by, which I'll swear were Mrs. Palmer's; and,
waiting for me in the hall, I found this letter, that had just been handed
in by a link, who doubtless belonged to the same lady. Read, Angela; the
contents are scarce long enough to weary you." She took the letter from him
with a hand that trembled so that she could hardly hold the sheet of paper.

"Watch! There is an intrigue afoot this night; and you must be a greater
dullard than I think you if you cannot unmask a deceitful----"

The final word was one which modern manners forbid in speech or printed
page. Angela's pallid cheek flushed crimson at the sight of the vile
epithet. Oh, insane lightness of conduct which made such an insult
possible! Standing there, confronting the angry husband, with that
detestable paper in her hand, she felt a pang of compunction at the thought
that she might have been more strenuous in her arguments with her sister,
more earnest and constant in reproof. When the peace and good repute of two
lives were at stake, was it for her to consider any question of older or
younger, or to be restrained by the fear of offending a sister who had been
so generous and indulgent to her?

Fareham saw her distress, and looked at her with angry suspicion.

"Come," he said, "I scarce expected a lying answer from you; and yet you
join with servants to deceive me. You know your sister is not at Lady
Sarah's."

"I know nothing, except that, wherever she is, I will vouch that she
is innocently employed, and has done nothing to deserve that infamous
aspersion," giving him back the letter.

"Innocently employed! You carry matters with a high hand. Innocently
employed, in a company of she-profligates, listening to Killigrew's ribald
jokes--Killigrew, the profanest of them all, who can turn the greatest
calamity this city ever suffered to horseplay and jeering. Innocently
employed, in direct disobedience to her husband! So innocently employed
that she makes her servants--and her sister--tell lies to cover her
innocence!"

"Hector as much as you please, I have told your lordship no lies; and, with
your permission, I will leave you to recover your temper before my sister's
return, which I doubt will happen within the next hour."

She moved quickly past him towards the house.

"Angela, forgive me----" he began, trying to detain her; but she hurried
on through the open French window, and ran upstairs to her room, where she
locked herself in.

For some minutes she walked up and down, profoundly agitated, thinking out
the position of affairs. To Fareham she had carried matters with a high
hand, but she was full of fear. The play was over, and her sister, who
doubtless had been among the audience, had not come home. Was she staying
at the palace, gossiping with the maids-of-honour, shining among that
brilliant, unscrupulous crowd, where intrigue was in the very air, where no
woman was credited with virtue, and every man was remorseless?

The anonymous letter scarcely influenced Angela's thoughts in these
agitated moments--that was but a foul assault on character by a foul-minded
woman. But the furtive confabulations of the past week must have had some
motive; and her sister's fluttered manner before leaving the house had
marked this night as the crisis of the plot.

Angela could imagine nothing but that ghostly masquerading which had, in
the first place, been discussed freely in her presence; and she could but
wonder that De Malfort and her sister should have made a mystery about a
plan which she had known in its inception. The more deeply she considered
all the circumstances, the more she inclined to suspect some evil intention
on De Malfort's part, of which Hyacinth, so frank, so shallow, might be too
easy a dupe.

"I do little good doubting and suspecting and wondering here," she said to
herself; and after hastily lighting the candles on her toilet-table, she
began to unlace the bodice of her light-coloured silk mantua, and in a few
minutes had changed her elegant evening attire for a dark cloth gown, short
in the skirt, and loose in the sleeves, which had been made for her to wear
upon the river. In this costume she could handle a pair of sculls as freely
as a waterman.

When she had put on a little black silk hood, she extinguished her candles,
pulled aside the curtain which obscured the open window, and looked out on
the terrace. There was just light enough to show her that the coast was
clear. The iron gate at the top of the water-stairs was seldom locked, nor
were the boat-houses often shut, as boats were being taken in and out at
all hours, and, for the rest, neglect and carelessness might always be
reckoned upon in the Fareham household.

She ran lightly down a side staircase, and so by an obscure door to the
river-front. No, the gate was not locked, and there was not a creature
within sight to observe or impede her movements. She went down the steps to
the paved quay below the garden terrace. The house where the wherries were
kept was wide open, and, better still, there was a skiff moored by the side
of the steps, as if waiting for her; and she had but to take a pair of
sculls from the rack and step into the boat, unmoor and away westward, with
swiftly dipping oars, in the soft summer silence, broken now and then by
sounds of singing--a tipsy, unmelodious strain, perhaps, were it heard too
near, but musical in the distance--as the rise and fall of voices crept
along a reach of running water.

The night was hot and oppressive, even on the river. But it was better here
than anywhere else; and Angela breathed more freely as she bent over her
sculls, rowing with all her might, intent upon reaching that landing-stage
she knew of in the very shortest possible time. The boat was heavy, but she
had the incoming tide to help her.

Was Fareham hunting for his wife, she wondered? Would he go to Lady
Sarah's lodgings, in the first place; and, not finding Hyacinth there, to
Whitehall? And then, would he remember the assembly at Millbank, in which
he had taken no part, and apparently no interest? And would he extend his
search to the ruined abbey? At the worst, Angela would be there before him,
to prepare her sister for the angry suspicions which she would have to
meet. He was not likely to think of that place till he had exhausted all
other chances.

It was not much more than a mile from Fareham House to that desolate bit
of country betwixt Westminster and Chelsea, where the modern dairy-farm
occupied the old monkish pastures. As Angela ran her boat inshore, she
expected to see Venetian lanterns, and to hear music and voices, and
all the indications of a gay assembly; but there were only silence and
darkness, save for one lighted window in the dairyman's dwelling-house, and
she thought that she had come upon a futile errand, and had been mistaken
in her conjectures.

She moored her boat to the wooden landing-stage, and went on shore to
examine the premises. The revelry might be designed for a later hour,
though it was now near midnight, and Lady Sarah's party had assembled at
eleven. She walked across a meadow, where the dewy grass was cool under her
feet, and so to the open space in front of the dairyman's house--a shabby
building attached like a wen to the ruined refectory.

She started at hearing the snort of a horse, and the jingling of bit and
curb-chain, and came suddenly upon a coach-and-four, with a couple of
post-boys standing beside their team.

"Whose coach is this?" she asked.

"Mr. Malfy's, your ladyship."

"The French gentleman from St. James's Street, my lady," explained the
other man.

"Did you bring Monsieur de Malfort here?"

"No, madam. We was told to be here at eleven, with horses as fresh as fire;
and the poor tits be mighty impatient to be moving. Steady, Champion!
You'll have work enough this side Dartford,"--to the near leader, who was
shaking his head vehemently, and pawing the gravel.

Angela waited to ask no further questions, but made straight for the
unglazed window, through which Mr. Spavinger and his companions had
entered.

There was no light in the great vaulted room, save the faint light of
summer stars, and two figures were there in the dimness--a woman standing
straight and tall in a satin gown, whose pale sheen reflected the
starlight; a woman whose right arm was flung above her head, bare and
white, her hand clasping her brow distractedly; and a man, who knelt at
her feet, grasping the hand that hung at her side, looking up at her, and
talking eagerly, with passionate gestures.

Her voice was clearer than his; and Angela heard her repeating with a
piteous shrillness, "No, no, no! No, Henri, no!"

She stayed to hear no more, but sprang through the opening between the
broken mullions, and rushed to her sister's side; and as De Malfort started
to his feet, she thrust him vehemently aside, and clasped Hyacinth in her
arms.

"You here, Mistress Kill-joy?" he muttered, in a surly tone. "May I ask
what business brought you? For I'll swear you wasn't invited."

"I have come to save my sister from a villain, sir. But oh, my sweet, I
little dreamt thou hadst such need of me!"

"Nay, love, thou didst ever make tragedies out of nothing," said Hyacinth,
struggling to disguise hysterical tears with airy laughter. "But I am right
glad all the same that you are come; for this gentleman has put a scurvy
trick upon me, and brought me here on pretence of a gay assembly that has
no existence."

"He is a villain and a traitor," said Angela, in deep, indignant tones.
"Dear love, thou hast been in danger I dare scarce think of. Fareham is
searching for you."

"Fareham! In London?"

"Returned an hour ago. Hark!"

She lifted her finger warningly as a bell rang, and the well-known voice
sounded outside the house, calling to some one to open the door.

"He is here!" cried Hyacinth, distractedly. "For God's sake, hide me from
him! Not for worlds--not for worlds would I meet him!"

"Nay, you have nothing to fear. It is Monsieur de Malfort who has to answer
for what he has done."

"Henri, he will kill you! Alas, you know not what he is in anger! I have
seen him, once in Paris, when he thought a man was insolent to me. God! The
thunder of his voice, the blackness of his brow! He will kill you! Oh, if
you love me--if you ever loved me--come out of his way! He is fatal with
his sword!"

"And am I such a tyro at fence, or such a poltroon as to be afraid to meet
him? No, Hyacinth, I go with you to Dover, or I stand my ground and face
him."

"You shall not!" sobbed Hyacinth. "I will not have your blood on my head!
Come, come--by the garden--by the river!"

She dragged him towards the window; he pretending to resist, as Angela
thought, yet letting himself be led as she pleased to lead him. They had
but just crossed the yawning gap between the mullions and vanished into
the night, when Fareham burst into the room with his sword drawn, and
came towards Angela, who stood in shadow, her face half hidden in her
close-fitting hood.

"So, madam, I have found you at last," he said; "and in time to stop your
journey, though not to save myself the dishonour of a wanton wife! But it
is your paramour I am looking for, not you. Where is that craven hiding?"

He went back to the inhabited part of the house, and returned after a
hasty examination of the premises, carrying the lamp which had lighted his
search, only to find the same solitary figure in the vast bare room. Angela
had moved nearer the window, and had sunk exhausted upon a large carved oak
chair, which might be a relic of the monkish occupation. Fareham came to
her with the lamp in his hand.

"He has given me a clean pair of heels," he said; "but I know where to find
him. It is but a pleasure postponed. And now, woman, you had best return to
the house your folly, or your sin, has disgraced. For to-night, at least,
it must needs shelter you. Come!"

The hooded figure rose at his bidding, and he saw the face in the
lamplight.

"You!" he gasped. "You!"

"Yes, Fareham, it is I. Cannot you take a kind view of a foolish business,
and believe there has been only folly and no dishonour in the purpose that
brought me here?"

"You!" he repeated. "You!"

His bearing was that of a man who staggers under a crushing blow, a stroke
so unexpected that he can but wonder and suffer. He set down the lamp with
a shaking hand, then took two or three hurried turns up and down the room;
then stopped abruptly by the lamp, snatched the anonymous letter from his
breast, and read the lines over again.

"'An intrigue on foot----' No name. And I took it for granted my wife was
meant. I looked for folly from her; but wisdom, honour, purity, all the
virtues from you. Oh, what was the use of my fortitude, what the motive
of self-conquest here," striking himself upon the breast, "if you were
unchaste? Angela, you have broken my heart."

There was a long pause before she answered, and her face was turned from
him to hide her streaming tears. At last she was able to reply calmly--

"Indeed, Fareham, you do wrong to take this matter so passionately. You may
trust my sister and me. On my honour, you have no cause to be angry with
either of us."

"And when I gave you this letter to read," he went on, disregarding her
protestations, "you knew that you were coming here to meet a lover. You
hurried away from me, dissembler as you were, to steal to this lonely place
at midnight, to fling yourself into his arms. Tell me where he is hiding,
that I may kill him; now, while I pant for vengeance. Such rage as mine
cannot wait for idle forms. Now, now, now, is the time to reckon with your
seducer!"

"Fareham, you cover me with insults!"

He had rushed to the door, still carrying his naked sword; but he turned
back as she spoke, and stood looking at her from head to foot with a savage
scornfulness.

"Insult!" he cried. "You have sunk too low for insult. There are no words
that I know vile enough to stigmatise such disgrace as yours! Do you
know what you have been to me, Angela? A saint--a star; ineffably pure,
ineffably remote; a creature to worship at a distance; for whose sake it
was scarce a sacrifice to repress all that is common to the base heart of
man; from whom a kind word was enough for happiness--so pure, so far away,
so detached from this vile age we live in. God, how that saintly face has
cheated me! Mock saint, mock nun; a creature of passions like my own but
more stealthy; from top to toe an incarnate lie!"

He flung out of the room, and she heard his footsteps about the house, and
heard doors opened and shut. She waited for no more; but, being sure by
this time that her sister had left the premises, her own desire was to
return to Farebam House as soon as possible, counting upon finding Hyacinth
there; yet with a sick fear that the seducer might take base advantage of
her sister's terror and confused spirits, and hustle her off upon the fatal
journey he had planned.

The boat lay where she had moored it, at the foot of the wooden stair, and
she was stepping into it when Fareham ran hastily to the bank.

"Your paramour has got clear off," he said; and then asked curtly, "How
came you by that boat?"

"I brought it from Fareham House."

"What! you came here alone by water at so late an hour! You heaven-born
adventuress! Other women need education in vice; but to you it comes by
nature."

He pulled off his doublet as he stepped into the boat; then seated himself
and took the sculls.

"Has your lordship not left a horse waiting for you?" Angela inquired
hesitatingly.

"My lordship's horse will find his stables before morning with the groom
that has him in charge. I am going to row you home. Love expectant is bold;
but disappointed love may lack courage for a solitary jaunt after midnight.
Come, mistress, let us have no ceremony. We have done with that for
ever--as we have done with friendship. There are thousands of women in
England, all much of a pattern; and you are one of them. That is the end of
our romance."

He bent to his work, and rowed with a steady stroke, and in a stubborn
silence, which lasted till it was more strangely broken than such angry
silence is apt to be.

The tide was still running up, and it was as much as the single oarsman
could do, in that heavy boat, to hold his own against the stream.

Angela sat watching him, with her gaze rooted to that dark countenance and
bare head, on which the iron-grey hair waved thick and strong, for Fareham
had never consented to envelop his neck and shoulders in a mantle of dead
men's tresses, and wore his own hair after the fashion of Charles the
First's time. So intent was her watch, that the objects on either shore
passed her like shadows in a dream. The Primate's palace on her right hand,
as the boat swept round that great bend which the river makes opposite
Lambeth Marsh; on her left, as they neared London, the stern grandeur of
the Abbey and St. Margaret's. It was only as they approached Whitehall that
she became aware of a light upon the water which was not the reflection
of daybreak, and, looking suddenly up, she saw the fierce glare of a
conflagration in the eastern sky, and cried--

"There is a fire, my lord!--a great fire, I doubt, in the city."

The long roof and massive tower of St Paul's stood dark against the vivid
splendour of that sky, and every timber in the scaffolding showed like a
black lattice across the crimson and sulphur of raging flames.

Fareham looked round, without moving his sculls from the rowlocks.

"A great fire in verity, mistress! Would God it meant the fulfilment of
prophecy!"

"What prophecy, sir?"

"The end of the world, with which we are threatened in this year. God, how
the flames rage and mount! Would it were the great fire, and He had come
to judge us, and to empty the vials of His wrath upon profligates and
seducers!"

He looked at the face opposite, radiant with reflected rose and gold,
supernal in that strange light, and, oh, so calm in every line and feature,
the large dark eyes meeting his with a gaze that seemed to him half
indignant, half reproachful.

"Oh, what hypocrites these women are!" he told himself. "And all alike--all
alike. What comedians! For acting one need not go to the Duke's or the
King's. One may see it at one's own board, by one's own hearth. Acting,
nothing but acting! And I thought that in the universal mass of falsehood
and folly there were some rare stars, dwelling apart here and there, and
that she was one of them. An idle dream! Nature has made them all in one
mould, and it is but by means and opportunity that they differ."

Higher and higher rose that vast sheet of vivid colour; and now every tower
and steeple was bathed in rosy light, or else stood black against the
radiant sky--towers illuminated, towers in densest shadow; the slim spars
of ships showing as if drawn with pen and ink on a sulphur background--a
scene of surpassing splendour and terror. Fareham had seen Flemish villages
blazing, Flemish citadels exploding, their fragments hurled skyward in a
blue flame of gunpowder; but never this vast arch of crimson, glowing and
growing before his astonished gaze, as he paddled the boat inshore, and
stood up to watch the great disaster.

"God has remembered the new Sodom," he said savagely. "He punished us with
pestilence, and we took no heed. And now He tries us with fire. But if it
come not yonder," pointing to Whitehall, which was immediately above
them, for their boat lay close to the King's landing-stage--"if, like the
contagion, it stays in the east and only the citizens suffer, why, vive la
bagatelle! We--and our concubines--have no part in the punishment. We, who
call down the fire, do not suffer it"

Spellbound by that strange spectacle, Fareham stood and gazed, and Angela
was afraid to urge him to take the boat on to Fareham House, anxious as
she was to span those few hundred yards of distance, to be assured of her
sister's safety.

They waited thus nearly an hour, the sky ever increasing in brilliancy, and
the sounds of voices and tramp of hurrying feet growing with every minute.
Whitehall was now all alive--men and women, in a careless undress, at every
window, some of them hanging half out of the window to talk to people in
the court below. Shrieks of terror or of wonder, ejaculations, and oaths
sounding on every side; while Fareham, who had moored the boat to an iron
ring in the wall by his Majesty's stairs, stood gloomy and motionless, and
made no further comment, only watched the conflagration in dismal silence,
fascinated by that prodigious ruin.

It was but the beginning of that stupendous destruction, yet it was already
great enough to seem like the end of all things.

"And last night, in the Court theatre, Killigrew's players were making a
jest of a pestilence that filled the grave-pits by thousands," Fareham
muttered, as if awaking from a dream. "Well, the wits will have a new
subject for their mirth--London in flames."

He untied the rope, took his seat and rowed out into the stream. Within
that hour in which they had waited, the Thames had covered itself with
traffic; boats were moving westward, loaded with frightened souls in casual
attire, and with heaps of humble goods and chattels. Some whose houses were
nearest the river had been quick enough to save a portion of their poor
possessions, and to get them packed on barges; but these were the wise
minority. The greater number of the sufferers were stupefied by the
suddenness of the calamity, the rapidity with which destruction rushed upon
them, the flames leaping from house to house, spanning chasms of emptiness,
darting hither and thither like lizards or winged scorpions, or breaking
out mysteriously in fresh places, so that already the cry of arson had
arisen, and the ever-growing fire was set down to fiendish creatures
labouring secretly at a work of universal destruction.

Most of the sufferers looked on at the ruin of their homes, paralysed by
horror, unable to help themselves or to mitigate their losses by energetic
action of any kind. Dumb and helpless as sheep, they saw their property
destroyed, their children's lives imperilled, and could only thank
Providence, and those few brave men who helped them in their helplessness,
for escape from a fiery death. Panic and ruin prevailed within a mile
eastward of Fareham House, when the boat ground against the edge of the
marble landing-stage, and Angela alighted and ran quickly up the stairs,
and made her way straight to the house. The door stood wide open, and
candles were burning in the vestibule. The servants were at the eastern end
of the terrace watching the fire, too much engrossed to see their master
and his companion land at the western steps.

At the foot of the great staircase Angela heard herself called by a
crystalline voice, and, looking up, saw Henriette hanging over the banister
rail.

"Auntie, where have you been?"

"Is your mother with you?" Angela asked.

"Mother is locked in her bed-chamber, and mighty sullen. She told me to go
to bed. As if anybody could lie quietly in bed with London burning!" added
Papillon, her tone implying that a great city in flames was a kind of
entertainment that could not be too highly appreciated.

She came flying downstairs in her pretty silken deshabille, with her hair
streaming, and flung her arm round her aunt's neck.

"Ma chatte, where have you been?"

"On the terrace."

"Fi donc, menteuse! I saw you and my father land at the west stairs, five
minutes ago."

"We had been looking at the fire."

"And never offered to take me with you! What a greedy pig!"

"Indeed, dearest, it is no scene for little girls to look upon."

"And when I am grown up what shall I have to talk about if I miss all the
great sights?"

"Come to your room, love. You will see only too much from your windows. I
am going to your mother."

"Ce n'est pas la peine. She is in one of her tempers, and has locked
herself in."

"No matter. She will see me."

"Je m'en doute. She came home in a coach-and-four nearly two hours ago,
with Monsieur de Malfort; and I think they must have quarrelled. They bade
each other good night so uncivilly; but he was more huffed than mother."

"Where were you that you know so much?"

"In the gallery. Did I not tell you I shouldn't be able to sleep? I went
into the gallery for coolness, and then I heard the coach in the courtyard,
and the doors opened, and I listened."

"Inquisitive child!"

"No, I was not inquisitive. I was only vastly hipped for want of knowing
what to do with myself. And I ran to bid her ladyship good morning, for it
was close upon one o'clock; but she frowned at me, and pushed me aside
with a 'Go to your bed, troublesome imp! What business have you up at this
hour?' 'As much business as you have riding about in your coach,' I had
a mind to say, mais je me tenais coy; and made her ladyship la belle
Jennings' curtsy instead. She sinks lower and rises straighter than any of
the other ladies. I watched her on mother's visiting-day. Lord, auntie, how
white you are! One might take you for a ghost!"

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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