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The Lovels of Arden by M. E. Braddon

M >> M. E. Braddon >> The Lovels of Arden

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He spoke lightly, trying to win Clarissa from her sad thoughts, and with
the common masculine idea, that a little superficial liveliness of this
kind can lighten the load of a great sorrow.

"Come, Miss Lovel, I would give the world to see you smile. Do you know
that I have been watching for a smile ever since I first saw your face, and
have not surprised one yet? Be sure your brother is taking life pleasantly
enough in some quarter of the globe. We worthless young fellows always
contrive to fall upon our feet."

"If I could believe that he was happy, if I could think that he was leading
an honourable life anywhere, I should not feel our separation so much," the
girl said mournfully; "but to be quite ignorant of his fate, and not to be
allowed to mention his name, that is hard to bear. I cannot tell you how
fond I was of him when we were children. He was seven years older than I,
and so clever. He wanted to be a painter, but papa would not hear of that.
Yet I think he might have been happier if he had been allowed to have his
own way. He had a real genius for art."

"And you too are fond of art, I suppose?" hazarded the traveller, more
interested in the young lady herself than in this reprobate brother of
hers.

"Yes, I am very fond of it. It is the only thing I really care for. Of
course, I like music to a certain extent; but I love painting with my whole
heart."

"Happy art, to be loved by so fair a votary! And you dabble with brushes
and colours, of course?"

"A little."

"A true young lady's answer. If you were a Raffaelle in glace silk and
crinoline, you would tell me no more than that. I can only hope that some
happy accident will one day give me an opportunity of judging for myself.
And now, I think, you had better put on your hat. Our train will be in
almost immediately."

She obeyed him; and they went out together to the windy platform, where
the train rumbled in presently. They took their places in a carriage, the
gentleman bundling in his rugs and travelling-bags and despatch boxes
with very little ceremony; but this time they were not alone. A plethoric
gentleman, of the commercial persuasion, was sleeping laboriously in one
corner.

The journey to Holborough lasted a little less than an hour. Miss Lovel
and her companion did not talk much during that time. She was tired and
thoughtful, and he respected her silence. As she drew nearer home, the
happiness she had felt in her return seemed to melt away somehow, leaving
vague anxieties and morbid forebodings in its stead. To go home to a father
who would only be bored by her coming. It was not a lively prospect for a
girl of eighteen.

The dull cold gray dawn was on the housetops of Holborough, as the train
stopped at the little station. The traveller alighted, and assisted
Clarissa's descent to the platform.

"Can I see about your luggage, Miss Lovel?" he asked; but looking up
at that moment, the girl caught sight of a burly gentleman in a white
neckcloth, who was staring in every direction but the right one.

"Thank you very much, no; I need not trouble you. My uncle Oliver is here
to meet me--that stout gentleman over there."

"Then I can only say good-bye. That tiresome engine is snorting with a
fiendish impatience to bear me away. Good-bye, Miss Lovel, and a thousand
thanks for the companionship that has made this journey so pleasant to me."

He lifted his hat and went back to the carriage, as the stout gentleman
approached Clarissa. He would fain have shaken hands with her, but
refrained from that unjustifiable familiarity. And so, in the bleak early
autumnal dawn, they parted.

* * * * *




CHAPTER II.

BEGINNING THE WORLD.


"Who on earth was that man you were talking to, Clary?" asked the Reverend
Mathew Oliver, when he had seen his niece's luggage carried off to a fly,
and was conducting her to that vehicle. "Is it any one you know?"

"O, no, uncle; only a gentleman who travelled in the same carriage with me
from London. He was very kind."

"You seemed unaccountably familiar with him," said Mr. Oliver with an
aggrieved air; "you ought to be more reserved, my dear, at your age. A
young lady travelling alone cannot be too careful. Indeed, it was very
wrong of your father to allow you to make this long journey alone. Your
aunt has been quite distressed about it."

Clarissa sighed faintly; but was not deeply concerned by the idea of her
aunt's distress. Distress of mind, on account of some outrage of propriety
on the part of her relatives, was indeed almost the normal condition of
that lady.

"I travelled very comfortably, I assure you, uncle Oliver," Clarissa
replied. "No one was in the least rude or unpleasant. And I am so glad to
come home--I can scarcely tell you how glad--though, as I came nearer and
nearer, I began to have all kinds of fanciful anxieties. I hope that all is
well--that papa is quite himself."

"O, yes, my dear; your papa is--himself," answered the parson, in a tone
that implied that he did not say very much for Mr. Lovel in admitting that
fact. "Your papa is well enough in health, or as well as he will ever
acknowledge himself to be. Of course, a man who neither hunts nor shoots,
and seldom gets out of bed before ten o'clock in the day, can't expect to
be remarkably robust. But your father will live to a good old age, child,
rely upon it, in spite of everything."

"Am I going straight home, uncle?"

"Well, yes. Your aunt wished you to breakfast at the Rectory; but there are
your trunks, you see, and altogether I think it's better for you to go home
at once. You can come and see us as often as you like."

"Thank you, uncle. It was very kind of you to meet me at the station. Yes,
I think it will be best for me to go straight home. I'm a little knocked up
with the journey. I haven't slept five minutes since I left Madame Marot's
at daybreak yesterday."

"You're looking rather pale; but you look remarkably well in spite of
that--remarkably well. These six years have changed you from a child into
a woman. I hope they gave you a good education yonder; a solid practical
education, that will stand by you."

"I think so, uncle. We were almost always at our studies. It was very hard
work."

"So much the better. Life is meant to be hard work. You may have occasion
to make use of your education some day, Clary."

"Yes," the girl answered with a sigh; "I know that we are poor."

"I suppose so; but perhaps you hardly know how poor."

"Whenever the time comes, I shall be quite ready to work for papa," said
Clarissa; yet she could not help wondering how the master of Arden Court
could ever bring himself to send out his daughter as a governess; and
then she had a vague childish recollection that not tens of pounds, but
hundreds, and even thousands, had been wanted to stop the gaps in her
father's exchequer.

They drove through Holborough High Street, where there was the faint stir
and bustle of early morning, windows opening, a housemaid kneeling on a
doorstep here and there, an occasional tradesman taking down his shutters.
They drove past the fringe of prim little villas on the outskirts of the
town, and away along a country road towards Arden; and once more Clarissa
saw the things that she had dreamed of so often in her narrow white bed in
the bleak dormitory at Belforet. Every hedge-row and clump of trees
from which the withered leaves were drifting in the autumn wind, every
white-walled cottage with moss-grown thatch and rustic garden, woke a faint
rapture in her breast. It was home. She remembered her old friends the
cottagers, and wondered whether goody Mason were still alive, and whether
Widow Green's fair-haired children would remember her. She had taught
them at the Sunday-school; but they too must have grown from childhood to
womanhood, like herself, and were out at service, most likely, leaving Mrs.
Green's cottage lonely.

She thought of these simple things, poor child, having so little else to
think about, on this, her coming home. She was not so foolish as to expect
any warm welcome from her father. If he had brought himself just to
tolerate her coming, she had sufficient reason to be grateful. It was only
a drive of two miles from Holborough to Arden. They stopped at a lodge-gate
presently; a little gothic lodge, which was gay with scarlet geraniums
and chrysanthemums, and made splendid by railings of bronzed ironwork.
Everything had a bright new look which surprised Miss Lovel, who was
not accustomed to see such, perfect order or such fresh paint about her
father's domain.

"How nice everything looks!" she said.

"Yes," answered her uncle, with a sigh; "the place is kept well enough
nowadays."

A woman came out to open the gates--a brisk young person, who was a
stranger to Clarissa, not the feeble old lodge-keeper she remembered in her
childhood. The change, slight as it was, gave her a strange chill feeling.

"I wonder how many people that I knew are dead?" she thought.

They drove into the park, and here too, even in this autumn season,
Clarissa perceived traces of care and order that were strange to her. The
carriage road was newly gravelled, the chaos of underwood among the old
trees had disappeared, the broad sweeps of grass were smooth and level as
a lawn, and there were men at work in the early morning, planting rare
specimens of the fir tribe in a new enclosure, which filled a space that
had been bared twenty years before by Mr. Lovel's depredations upon the
timber.

All this bewildered Clarissa; but she was still more puzzled, when, instead
of approaching the Court the fly turned sharply into a road leading across
a thickly wooded portion of the park, through which there was a public
right of way leading to the village of Arden.

"The man is going wrong, uncle!" she exclaimed.

"No, no, my dear; the man is right enough."

"But indeed, uncle Oliver, he is driving to the village."

"And he has been told to drive to the village."

"Not to the Court?"

"To the Court! Why, of course not. What should we have to do at the Court
at half-past seven in the morning?"

"But I am going straight home to papa, am I not?"

"Certainly."

And then, after staring at his niece's bewildered countenance for a few
moments, Mr. Oliver exclaimed,----

"Why, surely, Clary, your father told you----"

"Told me what, uncle?"

"That he had sold Arden."

"Sold Arden! O, uncle, uncle!"

She burst into tears. Of all things upon this earth she had loved the grand
old mansion where her childhood had been spent. She had so little else to
love, poor lonely child, that it was scarcely strange she should attach
herself to lifeless things. How fondly she had remembered the old place in
all those dreary years of exile, dreaming of it as we dream of some lost
friend. And it was gone from her for ever! Her father had bartered away
that most precious birthright.

"O, how could he do it! how could he do it!" she cried piteously.

"Why, my dear Clary, you can't suppose it was a matter of choice with him.
'Needs must when'--I daresay you know the vulgar proverb. Necessity has no
law. Come, come, my dear, don't cry; your father won't like to see you
with red eyes. It was very wrong of him not to tell you about the sale of
Arden--excessively wrong. But that's just like Marmaduke Lovel; always
ready to shirk anything unpleasant, even to the writing of a disagreeable
letter."

"Poor dear papa! I don't wonder he found it hard to write about such a
thing; but it would have been better for me to have known. It is such a
bitter disappointment to come home and find the dear old place gone from
us. Has it been sold very long?"

"About two years. A rich manufacturer bought it--something in the cloth
way, I believe. He has retired from business, however, and is said to be
overwhelmingly rich. He has spent a great deal of money upon the Court
already, and means to spend more I hear."

"Has he spoiled it--modernised it, or anything of that kind?"

"No; I am glad to say that he--or his architect perhaps--has had the good
taste to preserve the mediaeval character of the place. He has restored the
stonework, renewing all the delicate external tracery where it was lost or
decayed, and has treated the interior in the same manner. I have dined with
Mr. Granger once or twice since the work was finished, and I must say the
place is now one of the finest in Yorkshire--perhaps the finest, in its
peculiar way. I doubt if there is so perfect a specimen of gothic domestic
architecture in the county."

"And it is gone from us for ever!" said Clarissa, with a profound sigh.

"Well, my dear Clary, it is a blow, certainly; I don't deny that. But there
is a bright side to everything; and really your father could not afford to
live in the place. It was going to decay in the most disgraceful manner. He
is better out of it; upon my word he is."

Clarissa could not see this. To lose Arden Court seemed to her unmitigated
woe. She would rather have lived the dreariest, loneliest life in one
corner of the grand old house, than have occupied a modern palace. It was
as if all the pleasant memories of her childhood had been swept away from
her with the loss of her early home. This was indeed beginning the world;
and a blank dismal world it appeared to Clarissa Lovel, on this melancholy
October morning.

They stopped presently before a low wooden gate, and looking out of the
window of the fly, Miss Lovel saw a cottage which she remembered as a
dreary uninhabited place, always to let; a cottage with a weedy garden,
and a luxuriant growth of monthly roses and honeysuckle covering it from
basement to roof; not a bad sort of place for a person of small means and
pretensions, but O, what a descent from the ancient splendour of Arden
Court!--that Arden which had belonged to the Lovels ever since the land
on which it stood was given to Sir Warren Wyndham Lovel, knight, by his
gracious master King Edward IV., in acknowledgment of that warrior's
services in the great struggle between Lancaster and York.

There were old-fashioned casement windows on the upper story, and queer
little dormers in the roof. Below, roomy bows had been added at a much
later date than the building of the cottage. The principal doorway was
sheltered by a rustic porch, spacious and picturesque, with a bench on each
side of the entrance. The garden was tolerably large, and in decent order,
and beyond the garden was a fine old orchard, divided from lawn and
flower-beds only by a low hedge, full of bush-roses and sweet brier. It was
a very pretty place in summer, not unpicturesque even at this bleak season;
but Clarissa was thinking of lost Arden, and she looked at Mill Cottage
with mournful unadmiring eyes. There had been a mill attached to the place
once. The old building was there still, indeed, converted into a primitive
kind of stable; hence its name of Mill Cottage. The stream still ran
noisily a little way behind the house, and made the boundary which divided
the orchard from the lands of the lord of Arden. Mill Cottage was on the
very edge of Arden Court. Clarissa wondered that her father could have
pitched his tent on the borders of his lost heritage.

"I think I would have gone to the other end of the world, had I been in his
place," she said to herself.

An elderly woman-servant came out, in answer to the flyman's summons; and
at her call, a rough-looking young man emerged from the wooden gate opening
into a rustic-looking stable-yard, where the lower half of the old mill
stood, half-hidden by ivy and other greenery, and where there were
dovecotes and a dog-kennel.

Mr. Oliver superintended the removal of his niece's trunks, and then
stepped back into the fly.

"There's not the slightest use in my stopping to see your father, Clary,"
he said; "he won't show for a couple of hours at least. Good-bye, my dear;
make yourself as comfortable as you can. And come and see your aunt as soon
as you've recovered from your long journey, and keep up your spirits, my
dear.--Martha, be sure you give Miss Lovel a good breakfast.--Drive back to
the Rectory, coachman.--Good-bye, Clarissa;" and feeling that he had shown
his niece every kindness that the occasion required, Mr. Oliver bowled
merrily homewards. He was a gentleman who took life easily--a pastor of
the broad church--tolerably generous and good to his poor; not given to
abnormal services or daily morning prayer; content to do duty at Holborough
parish church twice on a Sunday, and twice more in the week; hunting a
little every season, in a black coat, for the benefit of his health, as he
told his parishioners; and shooting a good deal; fond of a good horse,
a good cellar, a good dinner, and well-filled conservatories and
glass-houses; altogether a gentleman for whom life was a pleasant journey
through a prosperous country. He had, some twenty years before, married
Frances Lovel; a very handsome woman--just a little faded at the time
of her marriage--without fortune. There were no children at Holborough
Rectory, and everything about the house and gardens bore that aspect of
perfect order only possible to a domain in which there are none of those
juvenile destroyers.

"Poor girl," Mr. Oliver muttered to himself, as he jogged comfortably
homewards, wondering whether his people would have the good sense to cook
'those grouse' for breakfast. "Poor Clary, it was very hard upon her; and
just Like Marmaduke not to tell her."

* * * * *




CHAPTER III.

FATHER AND DAUGHTER.


While Mr. Oliver went back to the Rectory, cheered by the prospect of
possible grouse, Clarissa entered her new home, so utterly strange to her
in its insignificance. The servant, Martha, who was a stranger to her, but
who had a comfortable friendly face, she thought, led her into a room at
the back of the cottage, with a broad window opening on to a lawn, beyond
which Clarissa saw the blue mill-stream. It was not a bad room at all:
countrified-looking and old-fashioned, with a low ceiling and wainscoted
walls. Miss Level recognised the ponderous old furniture from the
breakfast-room at Arden--high-backed mahogany chairs of the early Georgian
era, with broad cushioned seats covered with faded needlework; a curious
old oval dining-table, capable of accommodating about six; and some slim
Chippendale coffee-tables and cheffoniers, upon which there were a few
chipped treasures of old Battersea and Bow china. The walls were half-lined
with her father's books--rare old books in handsome bindings. His
easy-chair, a most luxurious one, stood in a sheltered corner of the
hearth, with a crimson silk banner-screen hanging from the mantelpiece
beside it, and a tiny table close at hand, on which there were a noble
silver-mounted meerschaum, and a curious old china jar for tobacco. The
oval table was neatly laid for breakfast, and a handsome brown setter lay
basking in the light of the fire. Altogether, the apartment had a very
comfortable and home-like look.

"The tea's made, miss," said the servant; "and I've a savoury omelette
ready to set upon the table. Perhaps you'd Like to step upstairs and take
off your things before you have your breakfast? Your papa begged you
wouldn't wait for him. He won't be down for two hours to come."

"He's quite well, I hope?"

"As well as he ever is, miss. He's a bit of an invalid at the best of
times."

Remembering what Mr. Oliver had said, Clarissa was not much disturbed by
this intelligence. She was stooping to caress the brown setter, who had
been sniffing at her dress, and seemed anxious to inaugurate a friendship
with her.

"This is a favourite of papa's, I suppose?" she said.

"O Lord, yes, miss. Our master do make a tremenjous fust about Ponto. I
think he's fonder of that dumb beast than any human creature. Eliza shall
show you your room, miss, while I bring in the teapot and such-like.
There's only me and Eliza, who is but a bit of a girl; and John Thomas, the
groom, that brought your boxes in just now. It's a change for your pa from
the Court, and all the servants he had there; but he do bear it like a true
Christian, if ever there was one."

Clarissa Lovel might have wondered a little to hear this--Christianity not
being the dominant note in her father's character; but it was only like her
father to refrain from complaint in the hearing of such a person as honest
Martha. A rosy-faced girl of about fifteen conducted Miss Lovel to a
pleasant bedroom, with three small windows; one curiously placed in
an angle of the room, and from which--above a sweep of golden-tinted
woodland--Clarissa could see the gothic chimneys of Arden Court. She stood
at this window for nearly ten minutes, gazing out across those autumnal
woods, and wondering how her father had nerved himself for the sacrifice.

She turned away from the little casement at last with a heavy sigh, and
began to take off her things. She bathed her face and head in cold
water, brushed out her long dark hair, and changed her thick merino
travelling-dress for a fresher costume. While she was doing these things,
her thoughts went back to her companion of last night's journey; and, with
a sudden flush of shame, she remembered his embarrassed look when she had
spoken of her father as the owner of Arden Court. He had been to Arden, he
had told her, yet had not seen her father. She had not been particularly
surprised by this, supposing that he had gone to the Court as an ordinary
sight-seer. Her father had never opened the place to the public, but he had
seldom refused any tourist's request to explore it.

But now she understood that curious puzzled look of the stranger's, and
felt bitterly ashamed of her error. Had he thought her some barefaced
impostor, she wondered? She was disturbed in these reflections by the trim
rosy-cheeked house-maid, who came to tell her that breakfast had been on
the table nearly a quarter of an hour. But in the comfortable parlour
downstairs, all the time she was trying to do some poor justice to
Martha's omelette, her thoughts dwelt persistently upon the unknown of the
railway-carriage, and upon the unlucky mistake which she had made as to her
father's position.

"He could never guess the truth," she said to herself. "He could never
imagine that I was going home, and yet did not know that my birthplace had
been sold."

He was so complete a stranger to her--she did not even know his name--so it
could surely matter very little whether he thought well or ill of her.
And yet she could not refrain from torturing herself with all manner of
annoying suppositions as to what he might think. Miss Lovel's character was
by no means faultless, and pride was one of the strongest ingredients in
it. A generous and somewhat lofty nature, perhaps, but unschooled and
unchastened as yet.

After a very feeble attempt at breakfast, Clarissa went out into the
garden, closely attended by Ponto, who seemed to have taken a wonderful
fancy to her. She was very glad to be loved by something on her return
home, even a dog. She went out through the broad window, and explored
garden and orchard, and wandered up and down by the grassy bank of the
stream. She was fain to own that the place was pretty: and she fancied how
well she might have loved it, if she had been born here, and had never been
familiar with the broad terraces and verdant slopes of Arden Court. She
walked in the garden till the village-church clock struck ten, and then
went hastily in, half-afraid lest her father should have come down to the
parlour in her absence, and should be offended at not finding her ready to
receive him.

She need not have feared this. Mr. Lovel was rarely offended by anything
that did not cause him physical discomfort.

"How do you do, my dear?" he said, as she came into the room, in very much
the same tone he might have employed had they seen each other every day for
the last twelve months. "Be sure you never do that again, if you have the
faintest regard for me."

"Do what, papa?"

"Leave that window open when you go out. I found the room a perfect
ice-house just now. It was very neglectful of Martha to allow it. You'd
better use the door at the end of the passage in future, when you go into
the garden. It's only a little more trouble, and I can't stand open windows
at this time of year."

"I will be sure to do so, papa," Clarissa answered meekly. She went up to
her father and kissed him, the warmth and spontaneity of their greeting a
little diminished by this reproof about the window; but Clarissa had not
expected a very affectionate reception, and was hardly disappointed. She
had only a blank hopeless kind of feeling; a settled conviction that there
was no love for her here, and that there had never been any.

"My dear father," she began tenderly, "my uncle told me about the sale of
Arden. I was so shocked by the news--so sorry--for your sake."

"And for your own sake too, I suppose," her father answered bitterly. "The
less this subject is spoken of between us in future, the better we shall
get on together, Clarissa."

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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