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The Lovels of Arden by M. E. Braddon

M >> M. E. Braddon >> The Lovels of Arden

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"It is not a question of goodness, my dear," he said. "I love you, and I
want to make you happy."

Later in the afternoon, when the racing was at its height, and almost all
Mr. Wooster's visitors had crowded to the terrace by the river, Clarissa
strolled into one of the shrubbery walks, quite alone. It was after
luncheon; and the rattle of plates and glasses, and the confusion of
tongues that had obtained during the banquet, had increased the nervous
headache with which she had begun the day. This grove of shining laurel
and arbutus was remote from the river, and as solitary just now as if Mr.
Wooster's hundred or so of guests had been miles away. There were rustic
benches here and there: and Clarissa seated herself upon one of them, which
was agreeably placed in a recess amongst the greenery. She was more than
usually depressed to-day, and no longer able to maintain that artificial
vivacity by which she had contrived to conceal her depression. Her sin had
found her out. The loveless union, entered upon so lightly, was beginning
to weigh her down, as if the impalpable tie that bound her to her husband
had been the iron chain that links a galley-slave to his companion.

"I have been very wicked," she said to herself; "and he is so good to me!
If I could only teach myself to love him."

She knew now that the weakness which had made her so plastic a creature in
her father's hands had been an injustice to her husband; that it was not
herself only she had been bound to consider in this matter. It was one
thing to fling away her own chances of happiness; but it was another thing
to jeopardise the peace of the man she married.

She was meditating on these things with a hopeless sense of confusion--a
sense that her married life was like some dreadful labyrinth, into which
she had strayed unawares, and from which there was no hope of escape--when
she was startled by an approaching footstep, and, looking up suddenly,
saw George Fairfax coming slowly towards her, just as she had seen him in
Marley Wood that summer day. How far away from her that day seemed now!

They had not met since that night in the orchard, nearly two years ago.
She felt her face changing from pale to burning red, and then growing pale
again. But by a great effort she was able to answer him in a steady voice
presently when he spoke to her.

"What a happiness to see you again, my dear Mrs. Granger!" he said in his
lightest tone, dropping quietly down into the seat by her side. "I was told
you were to be here to-day, or I should not have come; I am so heartily
sick of all this kind of thing. But I really wanted to see you."

"You were not at the luncheon, were you?" asked Clarissa, feeling that she
must say something, and not knowing what to say.

"No; I have only been here half-an-hour or so. I hunted for you amongst
that gaping crowd by the river, and then began a circuit of the grounds. I
have been lucky enough to find you without going very far. I have some news
for you, Mrs. Granger."

"News for me?"

"Yes; about your brother--about Mr. Austin Lovel."

That name banished every other thought. She turned to the speaker eagerly.

"News of him--of my dear Austin? O, thank you a thousand times, Mr.
Fairfax! Have you heard where he is, and what he is doing? Pray, pray tell
me quickly!" she said, tremulous with excitement.

"I have done more than that: I have seen him."

"In England--in London?" cried Clarissa, making a little movement as if she
would have gone that moment to find him.

"No, not in England. Pray take things quietly, my dear Mrs. Granger. I have
a good deal to tell you, if you will only listen calmly."

"Tell me first that my brother is well--and happy, and then I will listen
patiently to everything."

"I think I may venture to say that he is tolerably well; but his happiness
is a fact I cannot vouch for. If he does find himself in a condition so
unusual to mankind, he is a very lucky fellow. I never met a man yet who
owned to being happy; and my own experience of life has afforded me only
some few brief hours of perfect happiness."

He looked at her with a smile that said as plainly as the plainest words,
"And those were when I was with you, Clarissa."

She noticed neither the look nor the words that went before it. She was
thinking of her brother, and of him only.

"But you have seen him," she said. "If he is not in England, he must be
very near--in Paris perhaps. I heard you were in Paris."

"Yes; it was in Paris that I saw him."

"So near! O, thank God, I shall see my brother again! Tell me everything
about him, Mr. Fairfax--everything."

"I will. It is best you should have a plain unvarnished account. You
remember the promise I made you at Hale? Well, I tried my utmost to keep
that promise. I hunted up the man I spoke of--a man who had been
an associate of your brother's; but unluckily, there had been no
correspondence between them after Mr. Lovel went abroad; in short, he could
tell me nothing--not even where your brother went. He had only a vague
idea that it was somewhere in Australia. So, you see, I was quite at a
standstill here. I made several attempts in other directions, but all with
the same result; and at last I gave up all hope of ever being of any use to
you in this business."

"You were very kind to take so much trouble."

"I felt quite ashamed of my failure; I feel almost as much ashamed of
my success; for it was perfectly accidental. I was looking at some
water-coloured sketches in a friend's rooms in the Rue du Faubourg St.
Honore--sketches of military life, caricatures full of dash and humour, in
a style that was quite out of the common way, and which yet seemed in some
manner familiar to me. My friend saw that I admired the things. 'They are
my latest acquisitions in the way of art,' he said; they are done by a poor
fellow who lives in a shabby third-floor near the Luxembourg--an Englishman
called Austin. If you admire them so much, you might as well order a set
of them. It would be almost an act of charity.' The name struck me at
once--your brother's Christian name; and then I remembered that
I had been shown some caricature portraits which he had done of his
brother-officers--things exactly in the style of the sketches I had been
looking at. I asked for this Mr. Austin's address, and drove off at once
to find him, with a few lines of introduction from my friend. 'The man is
proud,' he said, 'though he carries his poverty lightly enough.'"

"Poor Austin!" sighed Clarissa.

"I need not weary you with minute details. I found this Mr. Austin, and at
once recognized your brother; though he is much altered--very much altered.
He did not know me until afterwards, when I told him my name, and recalled
our acquaintance. There was every sign of poverty: he looked worn and
haggard; his clothes were shabby; his painting-room was the common
sitting-room; his wife was seated by the open window patching a child's
frock; his two children were playing about the room."

"He is married, then? I did net even know that."

"Yes, he is married; and I could see at a glance that an unequal
marriage has been one among the causes of his ruin. The woman is well
enough--pretty, with a kind of vulgar prettiness, and evidently fond of
him. But such a marriage is moral death to any man. I contrived to get a
little talk with him alone--told him of my acquaintance with you and of
the promise that I had made to you. His manner had been all gaiety and
lightness until then; but at the mention of your name he fairly broke down.
'Tell her that I have never ceased to love her,' he said; 'tell her there
are times when I dare not think of her.'"

"He has not forgotten me, then. But pray go on; tell me everything."

"There is not much more to tell. He gave me a brief sketch of his
adventures since he sold out. Fortune had gone against him. He went to
Melbourne, soon after his marriage, which he confessed was the chief
cause of his quarrel with his father; but in Melbourne, as in every other
Australian city to which he pushed his way, he found art at a discount.
It was the old story: the employers of labour wanted skilled mechanics or
stalwart navigators; there was no field for a gentleman or a genius. Your
brother and his wife just escaped starvation in the new world, and just
contrived to pay their way back to the old world. There were reasons why he
should not show himself in England, so he shipped himself and his family in
a French vessel bound for Havre, and came straight on to Paris, where he
told me he found it tolerably easy to get employment for his pencil. 'I
give a few lessons,' he said, 'and work for a dealer; and by that means we
just contrive to live. We dine every day, and I have a decent coat, though
you don't happen to find me in it. I can only afford to wear it when I go
to my pupils. It is from-hand-to-mouth work; and if any illness should
strike me down, the wife and little ones must starve.'"

"Poor fellow! poor fellow! Did you tell him that I was rich, that I could
help him?"

"Yes," answered Mr. Fairfax, with an unmistakable bitterness in his tone;
"I told him that you had married the rich Mr. Granger."

"How can I best assist him?" asked Clarissa eagerly. "Every penny I have in
the world is at his disposal. I can give him three or four hundred a year.
I have five hundred quite in my own control, and need not spend more than
one. I have been rather extravagant since my marriage, and have not much
money by me just now, but I shall economise from henceforward; and I do not
mind asking Mr. Granger to help my brother."

"If you will condescend to take my advice, you will do nothing of that
kind. Even my small knowledge of your brother's character is sufficient to
make me very certain that an appeal to Mr. Granger is just the very last
thing to be attempted in this case."

"But why so? my husband is one of the most generous men in the world, I
think."

"To you, perhaps, that is very natural. To a man of Mr. Granger's wealth a
few thousands more or less are not worth consideration; but where there is
a principle or a prejudice at stake, that kind of man is apt to tighten his
purse-strings with a merciless hand. You would not like to run the risk of
a refusal?"

"I do not think there is any fear of that."

"Possibly not; but there is your brother to be considered in this matter.
Do you think it would be pleasant for him to know that his necessities were
exposed to such a--to a brother-in-law whom he had never seen?"

"I do not know," said Clarissa thoughtfully; "I fancied that he would be
glad of any helping hand that would extricate him from his difficulties. I
should be so glad to see him restored to his proper position in the world."

"My dear Mrs. Granger, it is better not to think of that. There is a kind
of morass from which no man can be extricated. I believe your brother has
sunk into that lower world of Bohemianism from which a man rarely cares to
emerge. The denizens of that nethermost circle lose their liking for the
upper air, can scarcely breathe it, in fact. No, upon my word, I would
not try to rehabilitate him; least of all through the generosity of Mr.
Granger."

"If I could only see him," said Clarissa despondingly.

"I doubt whether he would come to England, even for the happiness of seeing
you. If you were in Paris, now, I daresay it might be managed. We could
bring about a meeting. But I feel quite sure that your brother would not
care to make himself known to Mr. Granger, or to meet your father. There is
a deadly feud between those two; and I should think it likely Mr. Lovel has
prejudiced your husband against his son."

Clarissa was fain to admit that it was so. More than once she had ventured
to speak of her brother to Daniel Granger, and on each occasion had quickly
perceived that her husband had some fixed opinion about Austin, and was
inclined to regard her love for him as an amiable weakness that should be
as far as possible discouraged.

"Your father has told me the story of his disagreement with his son, my
dear Clarissa," Daniel Granger had said in his gravest tone, "and after
what I have heard, I can but think it would be infinitely wise in you to
forget that you had ever had a brother."

This was hard; and Clarissa felt her husband's want of sympathy in this
matter as keenly as she could have felt any overt act of unkindness.

"Will you give me Austin's address" she asked, after a thoughtful pause. "I
can write to him, at least, and send him some money, without consulting any
one. I have about thirty pounds left of my last quarter's money, and even
that may be of use to him."

"Most decidedly. The poor fellow told me he had been glad to get ten
napoleons for half-a-dozen sketches: more than a fortnight's hard work.
Would it not be better, by the way, for you to send your letter to me, and
allow me to forward it to your brother? and if you would like to send him
fifty pounds, or a hundred, I shall be only too proud to be your banker."

Clarissa blushed crimson, remembering that scene in the orchard, and her
baffled lover's menaces. Had he forgiven her altogether, and was this kind
interest in her affairs an unconscious heaping of coals of fire on her
head? Had he forgiven her so easily? Again she argued with herself, as she
had so often argued before, that his love had never been more than a truant
fancy, a transient folly, the merest vagabondage of an idle brain.

"You are very good," she said, with a tinge of hauteur, "but I could not
think of borrowing money, even to help my brother. If you will kindly tell
me the best method of remitting money to Paris."

Here, Mr. Fairfax said, there was a difficulty; it ought to be remitted
through a banker, and Mrs. Granger might find this troublesome to arrange,
unless she had an account of her own. Clarissa said she had no account, but
met the objection by suggesting bank notes; and Mr. Fairfax was compelled
to own that notes upon the Bank of England could be converted into French
coin at any Parisian money-changer's.

He gave Clarissa the address, 13, Rue du Chevalier Bayard, near the
Luxembourg.

"I will write to him to-night," she said, and then rose from the rustic
bench among the laurels. "I think I must go and look for my husband now. I
left him some time ago on account of a headache. I wanted to get away from
the noise and confusion on the river-bank."

"Is it wise to return to the noise and confusion so soon?" asked Mr.
Fairfax, who had no idea of bringing this interview to so sudden a close.

He had been waiting for such a meeting for a long time; waiting with a kind
of sullen patience, knowing that it must some sooner or later, without
any special effort of his; waiting with a strange mixture of feelings and
sentiments--disappointed passion, wounded pride, mortified vanity, an angry
sense of wrong that had been done to him by Clarissa's marriage, an eager
desire to see her again, which was half a lover's yearning, half an enemy's
lust of vengeance.

He was not a good man. Such a life as he had led is a life that no man can
lead with impunity. To say that he might still be capable of a generous
action or unselfish impulse, would be to say much for him, given the story
of his manhood. A great preacher of to-day has declared, that he could
never believe the man who said he had never been tempted. For George
Fairfax life had been crowded with temptations; and he had not made even
the feeblest stand against the tempter. He had been an eminently fortunate
man in all the trifles which make up the sum of a frivolous existence; and
though his successes had been for the most part small social triumphs, they
had not been the less agreeable. He had never felt the sting of failure
until he stood in the Yorkshire orchard that chill October evening, and
pleaded in vain to Clarissa Lovel. She was little more than a schoolgirl,
and she rejected him. It was us if Lauzun, after having played
fast-and-loose with that eldest daughter of France who was afterwards his
wife, had been flouted by some milliner's apprentice, or made light of by
an obscure little soubrette in Moliere's troop of comedians. He had neither
forgotten nor forgiven this slight; and mingled with that blind unreasoning
passion, which he had striven in vain to conquer, there was an ever-present
sense of anger and wrong.

When Clarissa rose from the bench, he rose too, and laid his hand lightly
on her arm with a detaining gesture.

"If you knew how long; I have been wishing for this meeting, you would not
be so anxious to bring it to a close," he said earnestly.

"It was very good of you to wish to tell me about poor Austin," she said,
pretending to misunderstand him, "and I am really grateful. But I must not
stay any longer away from my party."

"Clarissa--a thousand pardons--Mrs. Granger"--there is no describing the
expression he gave to the utterance of that last name--a veiled contempt
and aversion that just stopped short of actual insolence, because it seemed
involuntary--"why are you so hard upon me? You have confessed that you
wanted to escape the noise yonder, and yet to avoid me you would go back to
that. Am I so utterly obnoxious to you?"

"You are not at all obnoxious to me; but I am really anxious to rejoin my
party. My husband will begin to wonder what has become of me. Ah, there is
my stepdaughter coming to look for me."

Yes, there was Miss Granger, slowing advancing towards them. She had been
quite in time to see George Fairfax's entreating gestures, his pleading
air. She approached them with a countenance that would have been quite as
appropriate to a genteel funeral--where any outward demonstration of grief
would be in bad taste--as it was to Mr. Wooster's fete, a countenance
expressive of a kind of dismal resignation to the burden of existence in a
world that way unworthy of her.

"I was just coming back to the river, Sophia," Mrs. Granger said, not
without some faint indications of embarrassment. "I'm afraid Mr.--I'm
afraid Daniel must have been looking for me."

"Papa _has_ been looking for you," Miss Granger replied, with unrelenting
stiffness.--"How do you do, Mr. Fairfax?" shaking hands with him in a
frigid manner.--"He quite lost the last race. When I saw that he was
growing really anxious, I suggested that he should go one way, and I the
other, in search of you. That is what brought me here."

It was as much as to say, Pray understand that I have no personal interest
in your movements.

"And yet I have not been so very long away," Clarissa said, with a
deprecating smile.

"You may not have been conscious of the lapse of time You have been long.
You said you would go and rest for a quarter of an hour or so; and you have
been resting more than an hour."

"I don't remember saying that; but you are always so correct, Sophia."

"I make a point of being exact in small things. We had better go round the
garden to look for papa.--Good-afternoon, Mr. Fairfax."

"Good-afternoon, Miss Granger."

George Fairfax shook hands with Clarissa.

"Good-bye, Mrs. Granger."

That was all, but the words were accompanied by a look and a pressure of
the hand that brought the warm blood into Clarissa's cheeks. She had made
for herself that worst enemy a woman can have--a disappointed lover.

While they were shaking hands, Mr. Granger came in sight at the other
end of the walk; so it was only natural that Mr. Fairfax, who had been
tolerably intimate with him at Hale Castle, should advance to meet him.
There were the usual salutations between the two men, exchanged with that
stereotyped air of heartiness which seems common to Englishmen.

"I think we had better get home by the next train, Clarissa," said Mr.
Granger; "5.50. I told them to have the brougham ready for us at Paddington
from half-past six."

"I am quite ready to go," Clarissa said.

"Your headache is better, I hope."

"Yes; I had almost forgotten it."

Miss Granger gave an audible sniff, which did not escape George Fairfax.

"What! suspicious already?" he said to himself.

"You may as well come and dine with us, Mr. Fairfax, if you have nothing
better to do," said Mr. Granger, with his lofty air, as much as to say, "I
suppose I ought to be civil to this young man."

"It is quite impossible that I could have anything better to do," replied
Mr. Fairfax.

"In that case, if you will kindly give your arm to my daughter, we'll move
off at once. I have wished Mr. Wooster good-afternoon on your part, Clary.
I suppose we may as well walk to the station."

"If you please."

And in this manner they departed, Miss Granger just touching George
Fairfax's coat-sleeve with the tips of her carefully-gloved fingers;
Clarissa and her husband walking before them, arm in arm. Mr. Fairfax did
his utmost to make himself agreeable during that short walk to the station;
so much so that Sophia unbent considerably, and was good enough to inform
him of her distaste for these frivolous pleasures, and of her wonder that
other people could go on from year to year with an appearance of enjoyment.

"I really don't see what else one can do with one's life, Miss Granger,"
her companion answered lightly. "Of course, if a man had the genius of a
Beethoven, or a Goethe, or a Michael Angelo--or if he were 'a heaven-born
general,' like Clive, it would be different; he would have some purpose and
motive in his existence. But for the ruck of humanity, what can they do but
enjoy life, after their lights?"

If all the most noxious opinions of Voltaire, and the rest of the
Encyclopedists, had been expressed in one sentence, Miss Granger could not
have looked more horrified than she did on hearing this careless remark of
Mr. Fairfax's.

She gave a little involuntary shudder, and wished that George Fairfax had
been one of the model children, so that she might have set him to learn the
first five chapters in the first book of Chronicles, and thus poured the
light of what she called Biblical knowledge upon his benighted mind.

"I do not consider the destiny of a Michael Angelo or a Goethe to be
envied," she said solemnly. "Our lives are given us for something better
than painting pictures or writing poems."

"Perhaps; and yet I have read somewhere that St. Luke was a painter,"
returned George Fairfax.

"Read somewhere," was too vague a phrase for Miss Granger's approval.

"I am not one of those who set much value on tradition," she said with
increased severity. "It has been the favourite armour of our adversaries."

"Our adversaries?"

"Yes, Mr. Fairfax. Of ROME!"

Happily for George Fairfax, they were by this time very near the station.
Mr. and Mrs. Granger had walked before them, and Mr. Fairfax had been
watching the tall slender figure by the manufacturer's side, not
ill-pleased to perceive that those two found very little to say to each
other during the walk. In the railway-carriage, presently, he had the seat
opposite Clarissa, and was able to talk to her as much as he liked; for
Mr. Granger, tired with staring after swift-flashing boats in the open
sunshine, leaned his head back against the cushions and calmly slumbered.
The situation reminded Mr. Fairfax of his first meeting with Clarissa. But
she was altered since then: that charming air of girlish candour, which he
had found so fascinating, had now given place to a womanly self-possession
that puzzled him not a little. He could make no headway against that calm
reserve, which was yet not ungracious. He felt that from first to last in
this business he had been a fool. He had shown his cards in his anger, and
Clarissa had taken alarm.

He was something less than a deliberate villain: but he loved her; he loved
her, and until now fate had always given him the thing that he cared for.
Honest Daniel Granger, sleeping the sleep of innocence, seemed to him
nothing more than a gigantic stumbling-block in his way. He was utterly
reckless of consequences--of harm done to others, above all--just as his
father had been before him. Clarissa's rejection had aroused the worst
attributes of his nature--an obstinate will, a boundless contempt for any
human creature not exactly of his own stamp--for that prosperous trader,
Daniel Granger, for instance--and a pride that verged upon the diabolic.

So, during that brief express journey, he sat talking gaily enough to
Clarissa about the Parisian opera-houses, the last new plays at the Gymnase
and the Odeon, the May races at Chantilly, and so on; yet hatching his
grand scheme all the while. It had taken no definite shape as yet, but it
filled his mind none the less."

"Strange that this fellow Granger should have been civil," he said to
himself. "But that kind of man generally contrives to aid and abet his own
destruction."

And then he glanced at this fellow Granger, sleeping peacefully with his
head in an angle of the carriage, and made a contemptuous comparison
between himself and the millionaire. Mr. Granger had been all very well in
the abstract, before he became an obstacle in the path of George Fairfax.
But things were altered now, and Mr. Fairfax scrutinized him with the eyes
of an enemy.

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What is your biggest guilty green secret?

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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