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The Lovels of Arden by M. E. Braddon

M >> M. E. Braddon >> The Lovels of Arden

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It was bright midsummer weather, a glorious prolific season, with the
thermometer ranging between seventy and eighty, when Lady Laura Armstrong
did at last make her appearance at Mill Cottage. The simple old-fashioned
garden was all aglow with roses; the house half-hidden beneath the
luxuriance of foliage and flowers, a great magnolia on one side climbing up
to the dormer windows, on the other pale monthly roses, and odorous golden
and crimson tinted honeysuckle. Lady Laura was in raptures with the place.
She found Clarissa sitting in a natural arbour made by a group of old
hawthorns and a wild plum-tree, and placed herself at once upon a footing
of perfect friendliness and familiarity with the girl. Mr. Lovel was out--a
rare occurrence. He had gone for a stroll through the village with Ponto.

"And why are you not with him?" asked Lady Laura, who, like most of these
clever managing women, had a knack of asking questions. "You must be a
better companion than Ponto."

"Papa does not think so. He likes walking alone. He likes to be quite free
to dream about his books, I fancy, and it bores him rather to have to
talk."

"Not a very lively companion for you, I fear. Why, child, how dismal your
life must be!"

"O, no; not dismal. It is very quiet, of course; but I like a quiet life."

"But you go to a good many parties, I suppose, in Holborough and the
neighbourhood? I know the Holborough people are fond of giving parties, and
are quite famous for Croquet."

"No, Lady Laura; papa won't let me visit any one at Holborough, except my
uncle and aunt, the Olivers."

"Yes; I know the Olivers very well indeed. Remarkably pleasant people."

"And I don't even know how to play croquet."

"Why, my poor benighted child, in what a state of barbarism this father of
yours is bringing you up! How are you ever to marry and take your place
in the world? And with your advantages, too! What can the man be dreaming
about? I shall talk to him very seriously. We are quite old friends, you
know, my dear, and I can venture to say what I like to him. You must come
to me immediately. I shall have a houseful of people in a week or two,
and you shall have a peep at the gay world. Poor little prison flower! no
wonder you look thoughtful and pale. And now show me your garden, please,
Miss Lovel. We can stroll about till your father comes home; I mean to talk
to him _at once_."

Energy was one of the qualities of her own character for which Laura
Armstrong especially valued herself. She was always doing something or
other which she was not actually called upon by her own duty or by the
desire of other people to do, and she was always eager to do it "at once."
She had come to Mill Cottage intending to show some kindness to Clarissa
Lovel, whose father and her own father, the Earl of Calderwood, had been
firm friends in the days when the master of Arden entertained the county;
and Clarissa's manner and appearance having impressed her most favourably,
she was eager to do her immediate service, to have her at the Castle, and
show her to the world, and get her a rich husband if possible.

In honest truth, this Lady Laura Armstrong was a kindly disposed,
sympathetic woman, anxious to make the best of the opportunities which
Providence had given her with so lavish a hand, and to do her duty towards
her less fortunate neighbours. The office of Lady Bountiful, the position
of patroness, suited her humour. Her active frivolous nature, which spurned
repose, and yet never rose above trifles, found an agreeable occupation in
the exercise of this kind of benign influence upon other people's lives.
Whether she would have put herself seriously out of the way for the benefit
of any of these people to whom she was so unfailingly beneficent, was a
question which circumstances had never yet put to the test. Her benevolence
had so far been of a light, airy kind, which did not heavily tax her bodily
or mental powers, or even the ample resources of her purse.

She was a handsome woman, after a fair, florid, rather redundant style
of beauty, and was profoundly skilled in all those arts of costume and
decoration by which such beauty is improved. A woman of middle height, with
a fine figure, a wealth of fair hair, and an aquiline nose of the true
patrician type, her admirers said. The mouth was rather large, but redeemed
by a set of flashing teeth and a winning smile; the chin inclined to be of
that order called "double;" and indeed a tendency to increasing stoutness
was one of the few cares which shadowed Lady Laura's path. She was
five-and-thirty, and had only just begun to tell herself that she was no
longer a girl. She got on admirably with Clarissa, as she informed her
husband afterwards when she described the visit.

The girl was fascinated at once by that frank cordial manner, and was quite
ready to accept Lady Laura for her friend, ready to be patronised by her
even, with no sense of humiliation, no lurking desire to revolt against the
kind of sovereignty with which her new friend took possession of her.

Mr. Lovel came strolling in by-and-by, with his favourite tan setter,
looking as cool as if there were no such thing as blazing midsummer
sunshine, and found the two ladies sauntering up and down the grassy walk
by the mill-stream, under the shadow of gnarled old pear and quince trees.
He was charmed to see his dear Lady Laura. Clarissa had never known him
so enthusiastic or so agreeable. It was quite a new manner which he put
on--the manner of a man who is still interested in life. Lady Laura began
almost at once with her reproaches. How could he be so cruel to this dear
child? How could he be so absurd as to bury her alive in this way?

"She visits no one, I hear," cried the lady; "positively no one."

"Humph! she has been complaining, has she?" said Mr. Lovel, with a sharp
glance at his daughter.

"Complaining! O no, papa! I have told Lady Laura that I do not care about
gaiety, and that you do not allow me to visit."

"_Aut Caesar aut nullus_--the best or nothing. I don't want Clarissa to be
gadding about to all the tea-drinkings in Holborough; and if I let her go
to one house, I must let her go to all"

"But you will let her come to me?"

"That is the best, my dear Lady Laura. Yes, of course she may come to you,
whenever you may please to be troubled with her."

"Then I please to be troubled with her immediately. I should like to carry
her away with me this afternoon, if it were possible; but I suppose that
can't be--there will be a trunk to be packed, and so on. When will you
come to me, Miss Lovel? Do you know, I am strongly tempted to call you
Clarissa?"

"I should like it so much better," the girl answered, blushing.

"What! may I? Then I'm sure I will. It's such a pretty name, reminding one
of that old novel of Richardson's, which everybody quotes and no one ever
seems to have read. When will you come, Clarissa?"

"Give her a week," said her father; "she'll want a new white muslin gown, I
daresay; young women always do when they are going visiting."

"Now, pray don't let her trouble herself about anything of that kind; my
maid shall see to all that sort of thing. We will make her look her best,
depend upon it. I mean this visit to be a great event in her life, Mr.
Lovel, if possible."

"Don't let there be any fuss or trouble about her. Every one knows that I
am poor, and that she will be penniless when I am gone. Let her wear her
white muslin gown, and give her a corner to sit in. People may take her for
one of your children's governesses, if they choose; but if she is to see
society, I am glad for her to see the best."

"People shall not take her for one of my governesses; they shall take her
for nothing less than Miss Lovel of Arden. Yes, of Arden, my dear sir;
don't frown, I entreat you. The glory of an old house like that clings to
those who bear the old name, even though lands and house are gone--Miss
Lovel, of Arden, By the way, how do you get on with your neighbour, Mr.
Granger?"

"I do not get on with him at all. He used to call upon me now and then,
but I suppose he fancied, or saw somehow or other--though I am sure I was
laboriously civil to him--that I did not care much for his visits; at any
rate, he dropped them. But he is still rather obtrusively polite in sending
me game and hot-house fruit and flowers at odd times, in return for which
favours I can send him nothing but a note of thanks--'Mr. Level presents
his compliments to Mr. Granger, and begs to acknowledge, with best thanks,
&c."--the usual formula."

"I am so sorry you have not permitted him to know you," replied Lady Laura.
"We saw a good deal of him last year--such a charming man! what one may
really call a typical man--the sort of person the French describe as
solid---_Carre par la base_--a perfect block of granite; and then, so
_enormously_ rich!"

Lady Laura glanced at Clarissa, as if she were inspired with some sudden
idea. She was subject to a sudden influx of ideas, and always fancied her
ideas inspirations. She looked at Clarissa, and repeated, with a meditative
air, "So _enormously_ rich!"

"There is a grown-up daughter, too," said Mr. Lovel; "rather a
stiff-looking young person. I suppose she is solid, too."

"She is not so charming as her father," replied Lady Laura, with whom that
favourite adjective served for everything in the way of praise. To her the
Pyramids and Niagara, a tropical thunderstorm, a mazourka by Chopin, and a
Parisian bonnet, were all alike charming. "I suppose solidity isn't so nice
in a girl," she went on, laughing; "but certainly Sophia Granger is not
such a favourite with me as her father is. I suppose she will make a
brilliant marriage, however, sooner or later, unattractive as she may be;
for she'll have a superb fortune,--unless, indeed, her father should take
it into his head to marry again."

"Scarcely likely that, I should think, after seventeen years of widowhood.
Why, Granger must be at least fifty." "My dear Mr. Lovel, I hope you are
not going to call that a great age."

"My dear Lady Laura, am I likely to do so, when my own fiftieth birthday
is an event of the past? But I shouldn't suppose Granger to be a marrying
man," he added meditatively; "such an idea has never occurred to me
in conjunction with him." And here he glanced ever so slightly at his
daughter. "That sort of granite man must take a great deal of thawing."

"There are suns that will melt the deepest snows," answered the lady,
laughing. "Seriously, I am sorry you will not suffer him to know you. But
I must run away this instant; my unfortunate ponies will be wondering
what has become of me. You see this dear girl and I have got on so well
together, that I have been quite unconscious of time; and I had ever so
many more calls to make, but those must be put off to another day. Let
me see; this is Tuesday, I shall send a carriage for you, this day week,
Clarissa, soon after breakfast, so that I may have you with me at luncheon.
Good-bye."

Lady Laura kissed her new _protegee_ at parting. She was really fond of
everything young and bright and pretty; and having come to Mr. Lovel's
house intending to perform a social duty, was delighted to find that the
duty was so easy and pleasant to her. She was always pleased with new
acquaintances, and was apt to give her friendship on the smallest
provocation. On the other hand, there came a time when she grew just a
little weary of these dear sweet friends, and began to find them less
charming than of old; but she was never uncivil to them; they always
remained on her list, and received stray gleams from the sunlight of her
patronage.

"Well," said Mr. Lovel interrogatively, when the mistress of Hale Castle
had driven off, in the lightest and daintiest of phaetons, with a model
groom and a pair of chestnut cobs, which seemed perfection, even in
Yorkshire, where every man is a connoisseur in horseflesh. "Well, child, I
told you that you might go into society if Lady Laura Armstrong took you
up, but I scarcely expected her to be as cordial as she has been to-day.
Nothing could have been better than the result of her visit; she seemed
quite taken with you, Clary."

It was almost the first time her father had ever called her Clary. It was
only a small endearment, but she blushed and sparkled into smiles at
the welcome sound. He saw the smile and blush, but only thought she was
delighted with the idea of this visit to the Castle. He had no notion
that the placid state of indifference which he maintained towards her was
otherwise than agreeable to her feelings. He was perfectly civil to her,
and he never interfered with her pursuits or inclinations. What more could
she want from a father?

Perhaps she assumed a new value in his eyes from the time of that visit of
Lady Laura's. He was certainly kinder to her than usual, the girl
thought, as they sat on the lawn in the balmy June evening, sipping their
after-dinner coffee, while the moon rose fair and pale above the woods of
Arden Court. He contemplated her with a meditative air now and then, when
she was not looking his way. He had always known that she was beautiful,
but her beauty had acquired a new emphasis from Lady Laura Armstrong's
praises. A woman of the world of that class was not likely to be deceived,
or to mistake the kind of beauty, likely to influence mankind; and in the
dim recesses of his mind there grew up a new hope--very vague and shadowy;
he despised himself for dwelling upon it so weakly--a hope that made him
kinder to his daughter than he had ever been yet--a hope which rendered her
precious to him all at once. Not that he loved her any better than of old;
it was only that he saw how, if fortune favoured him, this girl might
render him the greatest service that could be done for him by any human
creature.

She might marry Daniel Granger, and win back the heritage he had lost.
It was a foolish thought, of course; Mr. Lovel was quite aware of the
supremity of folly involved in it. This Granger might be the last man in
the world to fall in love with a girl younger than his daughter; he might
be as impervious to beauty as the granite to which Laura Armstrong had
likened him. It was a foolish fancy, a vain hope; but it served to brighten
the meditations of Marmaduke Lovel--who had really very few pleasant
subjects to think about--with a faint rosy glow.

"It is the idlest dream," he said to himself. "When did good luck ever come
my way? But O, to hold Arden Court again--by any tie--to die knowing that
my race would inherit the old gray walls!"

* * * * *




CHAPTER V.

AT HALE CASTLE.


Mr. Lovel gave his daughter twenty pounds; a stretch of liberality which
did not a little astonish her. She was very grateful for this unexpected
kindness; and her father was fain to submit to be kissed and praised for
his goodness more than was entirely agreeable to him. But he had been
kinder to her ever since Lady Laura's visit, and her heart was very light
under that genial influence. She thought he was beginning to love her, and
that belief made her happy.

Nor was there anything but unqualified pleasure for her in the possession
of twenty pounds--the largest sum she had ever had at her disposal.
Although the solitude of her life and the troubles that overshadowed it had
made her thoughtful beyond her years, she was still young enough to be able
to put aside all thought, and to live in the present. It was very pleasant
to go into Holborough, with those four crisp new five-pound notes in her
purse, to ask her aunt's advice about her purchases. Mrs. Oliver was
enraptured to hear of the visit to the Castle, but naturally a little
despondent about the circumstances under which the visit was to be paid.
That Clarissa should go to Lady Laura's without a maid was eminently
distressing to her aunt.

"I really think you ought to take Peters," Mrs. Oliver said meditatively.
"She is a most reliable person; and of course nobody need know that she is
not your own maid. I can fully rely upon her discretion for not breathing a
word upon the subject to any of the Castle servants."

Peters was a prim middle-aged spinster, with a small waist and a painfully
erect figure, who combined the office of parlour-maid at the Rectory with
that of personal attendant upon the Rector's wife--a person whom Clarissa
had always regarded with a kind of awe--a lynx-eyed woman, who could see at
a glance the merest hint of a stray hair-pin in a massive coil of plaits,
or the minutest edge of a muslin petticoat, visible below the hem of a
dress.

"O no, aunt; please don't think of such a thing!" the girl cried eagerly.
"I could not go with a borrowed servant; and I don't want a maid at all; I
am used to do everything for myself Besides, Lady Laura did not ask me to
bring a maid."

"She would take that for granted. She would never expect Mr. Lovel's
daughter to travel without a maid."

"But papa told her how poor he was."

"Very unnecessary, and very bad taste on his part, I think. But of course
she would not suppose him to be too poor to maintain a proper establishment
in a small way. People of that kind only understand poverty in the broadest
sense."

Mrs. Oliver consented to forego the idea of sending Peters to the Castle,
with a regretful sigh; and then the two ladies went out shopping--Clarissa
in high spirits; her aunt depressed by a conviction, that she would not
make her first entrance into society with the surroundings that befitted a
Lovel of Arden Court.

There seemed so many things indispensable for this all-important visit.
The twenty pounds were nearly gone by the time Miss Lovel's shopping was
finished. A white muslin dress for ordinary occasions, some white gauzy
fabric for a more important toilette, a golden-brown silk walking or dinner
dress, a white areophane bonnet, a gray straw hat and feather, gloves,
boots, slippers, and a heap of feminine trifles. Considerable management
and discretion were required to make the twenty pounds go far enough: but
Mrs. Oliver finished her list triumphantly, leaving one bright golden
sovereign in Clarissa's purse. She gave the girl two more sovereigns at
parting with her.

"You will want as much as that for the servants when you are coming away,
Clary," she said imperatively, as Clarissa protested against this gift. "I
don't suppose you will be called upon to spend a shilling for anything else
during your visit, unless there should happen to be a charity sermon while
you are at Hale. In that case, pray don't put less than half-a-crown in
the plate. Those things are noticed so much. And now, good-bye, my dear. I
don't suppose I shall see you again between this, and Tuesday. Miss
Mallow will come to you to try-on the day after to-morrow at one o'clock,
remember; be sure you are at home. She will have hard work to get your
things ready in time; but I shall look in upon her once or twice, to keep
her up to the mark. Pray do your best to secure Lady Laura's friendship.
Such an acquaintance as that is all-important to a girl in your position."

Tuesday came very quickly, as it seemed to Clarissa, who grew a little
nervous about this visit among strangers, in a great strange house, as it
came nearer. She had seen the outside of the Castle very often: a vast
feudal pile it seemed, seen across the bright river that flowed beneath
its outward wall--a little darksome and gloomy at the best, Clarissa had
thought, and something too grand to make a pleasant habitation. She
had never seen the inner quadrangle, in all its splendour of modern
restoration--sparkling freestone, fresh from the mason's chisel; gothic
windows, glowing with rare stained glass; and the broad fertile gardens,
with their terraces and banks of flowers, crowded together to make a feast
of colour, sloping down to the setting sun.

It was still the same bright midsummer weather--a blue sky without a cloud,
a look upon earth and heaven as if there would never be rain again, or
anything but this glow and glory of summer. At eleven o'clock the
carriage came from the Castle; Clarissa's trunks and travelling-bag were
accommodated somehow; and the girl bade her father good-bye.

"I daresay I shall be asked to dinner while you are there," he said, as
they were parting, "and I may possibly come; I shall be curious to see how
you get on."

"O, pray do come, papa; I'm sure it will do you good."

And then she kissed him affectionately, emboldened by that softer manner
which he had shown towards her lately; and the carriage drove off. A
beautiful drive past fertile fields, far stretching towards that bright
river, which wound its sinuous way through all this part of the country;
past woods that shut in both sides of the road with a solemn gloom even at
midday--woods athwart which one caught here and there a distant glimpse of
some noble old mansion lying remote within the green girdle of a park.

It was something less than an hour's drive from Arden to Hale: the
village-church clock and a great clock in the Castle stables were both
striking twelve as the carriage drove under a massive stone arch, above
which the portcullis still hung grimly. It was something like going into
a prison, Clarissa thought; but she had scarcely time for the reflection,
when the carriage swept round a curve in the smooth gravel road, and she
saw the sunny western front of the Castle, glorious in all its brightness
of summer flowers, and with a tall fountain leaping and sparkling up
towards the blue sky.

She gave a little cry of rapture at sight of so much brightness and beauty,
coming upon her all at once with a glad surprise. There were no human
creatures visible; only the glory of fountain and flowers. It might have
been the palace of the Sleeping Beauty, deep in the heart of the woodlands,
for any evidence to the contrary, perceptible to Clarissa in this drowsy
noontide; but presently, as the carriage drove up to the hall door, a
dog barked, and then a sumptuous lackey appeared, and anon another, who,
between them, took Miss Lovel's travelling-bag and parasol, prior to
escorting her to some apartment, leaving the heavier luggage to meaner
hands.

"The saloon, or my lady's own room, miss?" one of the grandiose creatures
demanded languidly.

"I would rather see Lady Laura alone at first, if you please."

The man bowed, and conducted her up a broad staircase, lined with darksome
pictures of battles by land and sea, along a crimson-carpeted corridor
where there were many doors, to one particular portal at the southern end.

He opened this with a lofty air, and announced "Miss Lovel."

It was a very large room--all the rooms in this newly-restored part of the
Castle were large and lofty (a great deal of the so-called "restoration"
had indeed been building, and many of these splendid rooms were new, newer
even than the wealth of Frederick Armstrong)--a large room, furnished with
chairs and tables and cabinets of satin wood, with oval medallions of pale
blue Wedgwood let into the panelled doors of the cabinets, and a narrow
beading of lustreless gold here and there; a room with pale blue
silken hangings, and a carpet of white wood-anemones scattered on a
turquoise-coloured ground. There were no pictures; art was represented only
by a few choice bronzes and a pair of Venetian mirrors.

Lady Laura was busy at a writing-table, filling in the blanks in some notes
of invitation. She was always busy. On one table there were an easel and
the appliances of illumination; a rare old parchment Missal lying open, and
my lady's copy of a florid initial close beside it. On a small reading-desk
there was an open Tasso with a couple of Italian dictionaries near at
hand. Lady Laura had a taste for languages, and was fond of reviving her
acquaintance with foreign classics. She was really the most indefatigable
of women. It was a pity, perhaps, that her numerous accomplishments and
her multifarious duties towards society at large left her so very little
leisure to bestow upon her own children; but then, they had their foreign
governesses, and maids--there was one poor English drudge, by the way, who
seemed like a stranger in a far land--gifted in many tongues, and began
to imbibe knowledge from their cradles. To their young imaginations the
nursery wing of Hale Castle must have seemed remarkably like the Tower of
Babel.

The lady of the Castle laid down her pen, and received Clarissa with warm
affection. She really liked the girl. It was only a light airy kind of
liking, perhaps, in unison with her character; but, so far as it went, it
was perfectly sincere.

"My dear child, I am so glad to have you here," she said, placing Miss
Lovel beside her on a low sofa. "You will find me dreadfully busy
sometimes, I daresay; but you must not think me neglectful if I cannot be
very much with you downstairs. You are to come in and out of this room
whenever you please. It is not open to the world at large, you know, and I
am supposed to be quite inaccessible here; but it is open to my favourites,
and I mean you to be one of them, Clarissa."

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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