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The Lovels of Arden by M. E. Braddon

M >> M. E. Braddon >> The Lovels of Arden

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"You are very good, dear Lady Laura."

"No, I am not good; I daresay I am the most selfish creature in
Christendom; but when I like people, I like them with all my heart. And now
tell me what you think of Hale."

"It is lovely--it is like fairyland."

"Yes, it is pretty, isn't it, this new side? It has all been done in my
time--it has all been my doing, indeed, I may venture to say; for Fred
would have gone on living contentedly in the old rooms till his dying day.
You can't imagine the trouble I took. I read no end of books upon the
domestic architecture of the middle ages, went all over England hunting for
model houses, and led the poor architect a fine life. But I think, between
us, we succeeded in carrying out a very fine idea at last. The crenellated
roof, with its machicolations, is considered a great success. There was a
time when one was obliged to get a license from the sovereign to build that
kind of thing; but it is all changed now. The sovereign is not afraid of
rebellion, and the machicolations are only for ornament. You have not seen
the old hall yet. That is splendid--a real original bit of the Castle, you
know, which has never been tampered with, as old as Edward III., with a
raised platform at the upper end, where the lord of the castle used to sit
while his vassals ate below him; and with a stone hearth in the centre,
where they used to make their wood fires, all the smoke going through an
opening in the roof--rather pleasant for my lord and his vassals, I should
think! Take off your hat, Clarissa; or perhaps you would rather go to your
room at once. Yes, you shall, dear; and I'll finish my letters, and we can
meet at luncheon."

Lady Laura rang a bell twice; which particular summons produced a very
smart-looking maid, into whose charge my lady confided Clarissa, with a
pretty little wave of her hand, and "_a bientot_, dear child."

The maid conducted Miss Lovel to a charming chintz-curtained bedroom on the
second floor, looking westward over those gorgeous flower-banks; a bedroom
with a bright-looking brass bedstead, and the daintiest chintz-patterned
carpet, and nothing medieval about it except the stone-framed gothic
window.

"I will send a person to unpack your trunks, miss," the maid said, when she
had listened with a deferential air to Clarissa's praise of the room. "I
am very glad you like your rooms; my lady was most anxious you should be
pleased. I'll send Fosset miss; she is a very handy young person, and will
be always at your service to render you any assistance you may require."

"Thank you--I am not likely to trouble her often; there is so very little
assistance I ever want. Sometimes, when I am putting on an evening dress, I
may ask for a little help perhaps--that is all."

"She will be quite at your service, miss: I hope you will not scruple to
ring for her," the chief of the maids replied, and then made a dignified
exit.

The maid of inferior degree, Fosset, speedily appeared; a
pale-complexioned, meek-looking young woman, who set about unpacking
Clarissa's trunks with great skill and quickness, and arranged their
contents in the capacious maple wardrobe, while their owner washed her face
and hands and brushed the dust of her brief journey out of her dark brown
hair. A clamorous bell rang out the summons to the midday meal presently,
and Clarissa went down to the hall, where a watchful footman took her in
charge.

"Luncheon is served in the octagon room, miss," he said, and straightway
led her away to an apartment in an angle of the Castle: a room with a
heavily-carved oak ceiling, and four mullioned windows overlooking the
river; a room hung with gilt and brown stamped leather, and furnished in
the most approved mediaeval style. There was an octagon table, bright with
fruit and flowers, and a good many ladies seated round it, with only here
and there a gentleman.

There was one of these gentlemen standing near Lady Laura's chair as
Clarissa went into the room, tall and stout, with a very fair good-natured
countenance, light blue eyes, and large light whiskers, whom, by reason
of some careless remarks of her father's, she guessed at once to be Mr.
Armstrong; a gentleman of whom people were apt to say, after the shortest
acquaintance, that there was not much in him, but that he was the best
fellow in the world--an excellent kind of person to be intrusted with the
disposal of a large fortune, a man by whom his neighbours could profit
without a too painful sense of obligation, and who was never so happy as
when a crowd of people were enjoying life at his expense. Friends who meant
to say something very generous of Frederick Armstrong were wont to observe,
that he was not such a fool as he looked. Nor, in the ordinary attributes
of a country gentleman, was the master of Hale Castle behind his compeers.
He rode like Assheton Smith, never missed his bird in the open, and had a
manly scorn of battues; was great in agriculture, and as good a judge of
a horse as any man in Yorkshire. His literary attainments were, perhaps,
limited to a comprehensive knowledge of the science of farriery, a profound
study of _Buff's Guide_, and a familiar acquaintance with _Bell's Life_ and
two or three weekly newspapers devoted to the agricultural interest; but
as he had the happiness to live amongst a race which rather cultivates the
divine gift of ignorance, his shortcomings awakened no scorn.

When he was known to have made a bad book for the Leger or the Great Ebor,
his friends openly expressed their contempt for his mental powers; but no
one despised him because an expensive university training had made him
nothing more than a first-rate oarsman, a fair billiard-player, and a
distinguished thrower of the hammer. He was just what a country gentleman
should be in the popular idea--handsome, broad-shouldered, long-limbed,
with the fist and biceps of a gladiator, and a brain totally unburdened by
the scholiast's dry-as-dust rubbish: sharp and keen enough where the things
that interested him were in question, and never caring to look beyond them.

To this gentleman Lady Laura introduced Clarissa.

"Fred, this is Miss Lovel--Clarissa Lovel--and you and she are to like each
other very much, if you please. This is my husband, Clarissa, who cares
more for the cultivation of short-horns--whatever kind of creatures those
brutes may be--and ugly little shaggy black Highland cattle, than for my
society, a great deal; so you will see very little of him, I daresay, while
you are at the Castle. In London he is obliged to be shut-up with me now
and then; though, as he attends nearly all the race-meetings, I don't see
very much of him even there; but here he escapes me altogether."

"Upon my word, Laura--upon my word, you know, Miss Lovel, there's not a
syllable of truth in it," exclaimed the gentleman with the light whiskers.
"My wife's always illuminating old Missals, or rending Italian, or
practising the harmonium, or writing out lists of things for her Dorcas
club, or something of that sort; and a fellow only feels himself in the way
if he's hanging about her. She's the busiest woman in the world. I don't
believe the prime minister gets through more work or receives more letters
than she does. And she answers 'em all too, by Jove; she's like the great
Duke of Wellington."

"Do you happen to take a lively interest in steam-ploughs and
threshing-machines, and that kind of thing, Clarissa?" asked Lady Laura.

"I'm afraid not. I never even saw a steam-plough; and I believe if I were
to see one, I should think it a most unpicturesque object."

"I am sorry to hear that. Fred would have been so delighted with you,
if you'd shown agricultural proclivities. We had a young lady from
Westmoreland here last year who knew an immense deal about farming. She
was especially great upon pigs, I believe, and quite fascinated Fred by
tramping about the home farm with him in thick boots. I was almost jealous.
But now let me introduce you to some of my friends, Clarissa."

Hereupon Miss Lovel had to bow and simper in response to the polite bows
and simpers of half a dozen ladies. Mrs. Weldon Dacre and three Miss
Dacres, Rose, Grace, and Amy, tall and bony damsels, with pale reddish
hair, and paler eyebrows and eyelashes, and altogether more "style" than
beauty; Mrs. Wilmot, a handsome widow, whom Frederick Armstrong and his
masculine friends were wont to call "a dasher;" Miss Fermor, a rather
pretty girl, with a piquant nose and sparkling hazel eyes; and Miss
Barbara Fermor, tall and slim and dark, with a romantic air. The gentlemen
were a couple of officers--Major Mason, stout, dark, hook-nosed, and
close-shaven; Captain Westleigh, fair, auburn-moustached and whiskered--
and a meek-looking gentleman, of that inoffensive curate race, against
which Clarissa had been warned by her father.

She found herself very quickly at home among these people. The Miss Fermors
were especially gifted in the art of making themselves delightful to
strangers; they had, indeed, undergone such training in a perpetual career
of country-house visiting, that it would have gone hard with them had they
not acquired this grace. The three tall pale Dacres, Rose, Grace, and Amy,
were more conventional, and less ready to swear alliance with the stranger;
but they were not disagreeable girls, and improved considerably after a
few days' acquaintance, showing themselves willing to take the bass in
pianoforte duets, sing a decent second, exhibit their sketch-books and
photographic collections in a friendly manner, and communicate new stitches
and patterns in _point de Russe_ or _point d'Alencon_.

After luncheon Miss Lovel went off with Captain Westleigh and Miss
Fermor--Lizzie, the elder and livelier of the two sisters--to take her
first lesson in croquet. The croquet-ground was a raised plateau to the
left of the Italian garden, bounded on one side by a grassy slope and the
reedy bank of the river, and on the other by a plantation of young firs; a
perfect croquet-ground, smooth as an ancient bowling-green, and unbroken
by invading shrub or flower-bed. There were some light iron seats on the
outskirts of the ground here and there, and that was all.

Clarissa received her lesson, and (having been lucky enough to send her
ball through the hoop now and then) was pronounced to have a natural genius
for croquet. It was a pleasant, idle afternoon, passed amidst so bright and
fair a scene, that the beauty of her surroundings alone was enough to give
Clarissa's life a new zest--a day which the mind recalls in the stormier
periods of after-life, wondering at its gracious peace, its utter freedom
from care or thought. Too soon came the time when there could be no more of
such girlish happiness for Clarissa, such perfect respite from thought of
to-morrow, or regret for yesterday.

By-and-by came dressing for dinner, and then an assemblage of visitors
in the drawing-room--county people from neighbouring parks and halls and
courts--mingling pleasantly with the Castle guests, and then dinner in the
great dining-room; a splendid chamber, with a music-gallery at one end, and
with the earliest crystal chandeliers ever used in England, and given by
Queen Elizabeth to the Lord of Hale, for its chief decorations. At eight
o'clock these crystal chandeliers glittered with the light of many
wax-candles, though there was still the soft glow of sunset in the gardens
beyond the great gothic windows.

That first visit to a great country house was like a new page in life to
Clarissa. She had not wearied of her quiet existence at Mill Cottage, her
books, her art, her freedom from the monotonous tasks and dull restraints
of school; but she felt that if life could always be like this, it would be
something very sweet and joyous. Captain Westleigh had contrived to take
her in to dinner.

"I was determined to do it," he told her confidentially, as they sat down;
"so I made a rush across to you when I saw Lady Laura's eye upon you,
with a malicious intention of billeting you upon young Halkin, the great
cloth-manufacturer's son. I know Lady Laura so well; she will be trying to
plant all those rich manufacturing fellows upon you; she has quite a mania
for that sort of people."

The Captain made himself very pleasant all through that long ceremonial of
dinner. If the brilliant things which he said were not quite the newest in
the world, they were at least new to Clarissa, who rewarded his efforts to
please her by seeming very much amused, and flattered, and stimulated him
to new flights by her appreciation. He told her all about the people round
her, making her feel less like a stranger in a foreign country; and that
pageant-like dinner, long as it was, did not seem at all too long to be
pleasant.

After dinner there was a little music and singing at one end of the
drawing-room, to which people listened or not, as they pleased; a
friendly whist-table established at the other end, at which four elderly,
grey-whiskered, and bald-headed country gentlemen played gravely for an
hour or so; and a good deal of desultory strolling out through the open
windows to the terrace for the contemplation of the moonlit gardens, with
perhaps a spice of flirtation. Lady Laura was never quite happy unless she
saw something like flirtation going on among her younger visitors. She was
pleased to see Captain Westleigh's attention to Clarissa, though she would
rather that James Halkin had occupied the ground. But, alas! Mr. Halkin,
stiff and solemn as a policeman on duty, was standing by the chair of the
very palest and least beautiful of the Miss Dacres, mildly discussing a
collection of photographs of Alpine scenery. They had both been over the
same country, and were quite enthusiastic when they came to peaks and
mountain gorges that they remembered.

"I was there with another fellow, and he nearly slipped just on that edge
there. It was as near as a----" Mr. Halkin was going to say "a toucher,"
but it occurred to him that that vague expression was scarcely permissible
in conversation with a lady--"the nearest thing you ever saw in your life,
in fact. If it hadn't been for his alpen-stock, it would have been all over
with him; and the guides told us there'd been a fellow killed there the
year before. We stopped at Rigot's--I think the dearest hotel I was ever
at; but they gave us some very fair still champagne--very fair indeed."

Lady Laura took occasion to warn Clarissa against the Captain when they
separated for the night, in the corridor upon which my lady's rooms opened.

"Very nice, isn't he, dear? Come into my dressing-room for a few minutes'
talk;" and my lady led Clarissa into another charming chamber, all blue
silk and satin-wood, like the morning room. "Yes, he is very nice, and he
really seemed quite _epris_. Poor Herbert Westleigh! I've known him for
years. He belongs to one of the oldest families in Somersetshire, and is a
capital fellow, as my husband says; but a person not to be thought of by
you, Clarissa. There are a crowd of brothers, and I doubt if Herbert has
a hundred a year beyond his pay. Did you notice that Mr. Halkin, a rather
sandy-haired young man with a long nose? That young fellow will come into
thirty thousand a year by-and-by."

"Yes, Lady Laura, I did notice him a little when he was talking to one of
the Miss Dacres. He seemed very stupid."

"Stupid, my dear Clarissa! Why, I have been told that young man made a
good deal of character at Oxford. But I daresay you are taken by Herbert
Westleigh's rattling way. Now remember, my dear, I have warned you."

"There is no occasion for any warning, Lady Laura. Believe me, I am in no
danger. I thought Captain Westleigh was very kind, and I liked him because
he told me all about the other people; that is all."

"Very well, dear. You will see a good many people here; there is an
advantage in that--one influence neutralises another. But I should really
like you to take some notice of that Mr. Halkin. He will be a good deal
here, I daresay. His family live at Selbrook Hall, only four miles off. The
father and mother are the plainest, homeliest people, but very sensible;
live in a quiet unpretending style, and can't spend a quarter of their
income. When I speak of thirty thousand a year, I don't reckon the
accumulations that young man will inherit. He is the only son. There is a
sister; but she is lame and a confirmed invalid--not likely to live many
years, I think."

Clarissa smiled at Lady Laura's earnestness.

"One would think you were in league with papa, dear Lady Laura. He says I
am bound to marry a rich man."

"Of course; it is a solemn duty when a girl is handsome and not rich. Look
at me: what would my life have been without Fred, Clarissa? There were five
of us, child: five daughters to be married, only think of that; and there
are still three unmarried. One of my sisters is coming here to-morrow. I do
so hope you will get on with her; but she is rather peculiar. I am glad to
say she is engaged at last--quite an old affair, and I think an attachment
on both sides for some time past; but it has only lately come to a definite
engagement. The gentleman's prospects were so uncertain; but that is all
over now. The death of an elder brother quite alters his position, and he
will have a very fine estate by-and-by. He is coming here, too, in a few
days, and I'm sure I hope the marriage will take place soon. But I must not
keep you here chattering, at the risk of spoiling your fresh looks."

And with a gracious good-night Lady Laura dismissed her new _protegee_.

Yes, it was a pleasant life, certainly; a life that drifted smoothly onward
with the tide, and to all seeming unshadowed by one sorrowful thought or
care. And yet, no doubt, with but a few youthful exceptions, every guest at
Hale Castle had his or her particular burden to carry, and black Care sat
behind the gentlemen as they rode to small country meetings or primitive
cattle-fairs. To Clarissa Lovel the state of existence was so new, that it
was scarcely strange she should be deluded by the brightness and glitter of
it, and believe that these people could have known no sorrow.

She found herself looking forward with unwonted interest to the arrival of
Lady Laura's sister, Lady Geraldine Challoner. To a girl who has never had
a lover--to whom the whole science of love is yet a profound inscrutable
mystery--there is apt to be something especially interesting in the idea
of an engagement. To her the thought of betrothal is wondrously solemn.
A love-match too, and an attachment of long standing--there were the
materials for a romance in these brief hints of Lady Laura's. And then,
again, her sister described this Lady Geraldine as a peculiar person, with
whom it was rather doubtful whether Clarissa would be able to get on. All
this made her so much the more anxious to see the expected guest; and in
the morning's drive, and the afternoon's croquet, she thought more of Lady
Geraldine than of the landscape or the game.

Croquet was over--Clarissa had taken part in a regular game this
afternoon--and the players were strolling about the gardens in couples, in
an idle half-hour before the first dinner-bell, when Miss Lovel met Lady
Laura with another lady. They were sauntering slowly along one of the
sunny gravel walks--there was every charm in this Italian garden except
shade--and stopped on seeing Clarissa.

"Now, Geraldine, I shall be able to introduce you to my favourite, Clarissa
Lovel," said Lady Laura; "Captain Westleigh you know of old."

The Captain and Lady Geraldine shook hands, declaring that they were quite
old friends--had known each other for ages, and so on; and Clarissa had a
few moments' pause, in which to observe the young lady.

She was tall and slim, her sister's junior by perhaps five years, but not
more; very fair, with bright auburn hair--that golden-tinted hair, of which
there seems to be so much more nowadays than was to be seen twenty years
ago. She was handsome--very handsome--Clarissa decided at once; but it
seemed to her rather a cold, hard style of beauty; the straight nose, the
mouth, and chin chiselled with a clearness and distinctness that was almost
sharpness; the large luminous blue eyes, which did not seem to possess much
capacity for tenderness.

Lady Laura was very proud of this sister, and perhaps just a little afraid
of her; but of course that latter fact was not obvious to strangers;
she was only a shade less volatile than usual in Geraldine's presence.
Geraldine was the beauty of the Challoner family, and her career had been
a failure hitherto; so that there was much rejoicing, in a quiet way,
now that Lady Geraldine's destiny was apparently decided, and in an
advantageous manner.

She was sufficiently gracious to Clarissa, but displayed none of that
warmth which distinguished Lady Laura's manner to her new friend; and when
the sisters had turned aside into another path, and were out of hearing,
Geraldine asked rather sharply why "that girl" was here?

"My dear Geraldine, she is perfectly charming. I have taken the greatest
fancy to her."

"My dear Laura, when will you leave off those absurd fancies for
strangers?"

"Clarissa Lovel is not a stranger; you must remember how intimate papa used
to be with her father."

"I only remember that Mr. Lovel was a very selfish person, and that he has
lost his estate and gone down in the world. Why should you trouble yourself
about his daughter? You can only do the girl harm by bringing her here; she
will have to go out as a governess, I daresay, and will be writing to you
whenever she is out of a situation to ask some favour or other, and boring
you to death. I cannot think how you can be so inconsiderate as to entangle
yourself with that kind of acquaintance."

"I don't mean Clarissa to be a governess; I mean her to make a good
marriage."

"O, of course it is very easy to say that," exclaimed Lady Geraldine
scornfully; "but you have not been so fortunate as a match-maker hitherto.
Look at Emily and Louisa."

"Emily and Louisa were so intractable and difficult to please, that I could
do nothing for them; and now I look upon them as confirmed old maids. But
it is a different thing with Clarissa. She is very sensible; and I do not
think she would stand in her own light if I could bring about what I wish.
And then she is so lovely. Emily and Louisa were good-looking enough half a
dozen years ago, but this girl is simply perfect. Come, Geraldine, you can
afford to praise her. Is she not lovely?"

"Yes, I suppose she is handsome," the other answered icily.

"You suppose she is handsome! It is really too bad of you to be prejudiced
against a girl I wanted you to like. As if this poor little Clarissa could
do anybody any harm! But never mind, she must do without your liking. And
now tell me all about George Fairfax. I was so glad to hear your news,
dear, so thoroughly rejoiced."

"There is no occasion for such profound gladness. I could have gone on
existing very well as Geraldine Challoner."

"Of course; but I had much rather see you well married, and your own
mistress; and this is such a good match."

"Yes; from a worldly point of view, I suppose, the affair is
unexceptionable," Geraldine Challoner answered, with persistent
indifference; simulated indifference, no doubt, but not the less provoking
to her sister. "George will be rich by-and-by, and he is well enough off
now. We shall be able to afford a house in one of the streets out of Park
Lane--I have a rooted detestation for both Belgravia and Tyburnia--and a
carriage, and so on; and I shall not be worried as I have been about my
milliner's bills."

"And then you are very fond of him, Geraldine," Lady Laura said, softly.

There were still little romantic impulses in the matron's heart, and this
studied coldness of her sister's tone wounded her.

"Yes, of course that is the beginning of the business. We like each other
very well," Lady Geraldine replied, still with the same unenthusiastic air.
"I think there has always been some kind of liking between us. We suit each
other very well, you see; have the same way of thinking about most things,
take the same view of life, and so on."

Lady Laura gave a faint sigh of assent. She was disappointed by her
sister's tone; for in the time past she had more than once suspected that
Geraldine Challoner loved George Fairfax with a passionate half-despairing
love, which, if unrequited, might make the bane of her life. And, lo! here
was the same Geraldine discussing her engagement as coolly as if the match
had been the veriest marriage of convenience ever planned by a designing
dowager. She did not understand how much pride had to do with this
reticence, or what volcanic depths may sometimes lie beneath the Alpine
snows of such a nature as Geraldine Challoner's.

In the evening Lady Geraldine was the centre of a circle of old friends and
admirers; and Clarissa could only observe her from a distance, and wonder
at her brilliancy, her power to talk of anything and everything with an air
of unlimited wisdom and experience, and the perfect ease with which she
received the homage offered to her beauty and wit. The cold proud face
lighted up wonderfully at night, and under the softening influence of so
much adulation; and Lady Geraldine's smiles, though wanting in warmth
at the best, were very fascinating. Clarissa wondered that so radiant a
creature could have been so long unmarried, that it could be matter for
rejoicing that she was at last engaged. It must have been her own fault,
of course; such a woman as this could have been a duchess if she pleased,
Clarissa thought.

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What is your biggest guilty green secret?

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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