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The Heavenly Twins by Madame Sarah Grand

M >> Madame Sarah Grand >> The Heavenly Twins

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The bishop did not come up to the sitting room that morning, however, and
when Edith and her mother had breakfasted they read the Psalms for the day
together, and a chapter of the Bible, verse by verse. Then Edith wrote
some notes for her mother, who was busy making a cushion for a bazaar;
after which she went into the garden and gathered flowers in one of the
conservatories, which she brought in to paint on a screen she was making,
also for the bazaar.

Mother and daughter worked together without any conversation to speak of
until lunch: they were too busy to talk. After lunch they drove out into
the country and paid a call. On the way back Edith noticed a beggar, a
young, slender, very delicate-looking girl, lying across the footpath with
her feet toward the road. A tiny baby lay on her lap. Her head and
shoulders were pillowed upon the high bank which flanked the path, her
face was raised as if her last look had been up at the sky above her, her
hands had slipped helplessly on to the ground on either side of her,
releasing the child, which had rolled over on to its face and so continued
inertly.

Edith caught only a passing glimpse of the group, and she made no remark
until they had driven on some distance; but then she asked: "Did you
notice that poor girl, mother?"

"No," Mrs. Beale answered. "Where was she?"

"Lying on the ground. She had a baby on her lap. I think she was ill."

They were in an open carriage, and Mrs. Beale looked round over the back
of it. It was a straight road, but she could only see something lying on
the footpath, which looked like a bundle at that distance.

"Are you sure it was a girl?" she said.

"Yes, quite, mother," Edith answered.

"Stop the carriage, then," said Mrs. Beale; "and we will turn back and see
what we can do."

They found the girl in the same attitude. Edith was about to alight, but
her mother stopped her.

"Let Edwards" (the footman, who was an old servant), "see what is the
matter," she said.

Edith instantly sat down again, and the footman went and stood by the
girl, looking down at her curiously. Then he stooped, took off his glove,
and put the points of the four fingers of his right hand on her chest,
like an amateur doctor afraid of soiling his hands, a perfunctory way of
ascertaining if she still breathed.

"I know who it is, ma'am," he said, returning to the carriage. "She's
French, and was a dressmaker in Morning-quest. There were two of them,
sisters, doing a very good business, but they got to know some of the
gentry--"

Mrs. Beale stopped him. She would not have heard the story for the world.

"She's not dead, is she?" Edith asked in a horrified tone.

The man looked at the girl again from where he stood; "No, miss," he
answered, "I think not. She's dead beat after a long tramp. The soles are
wore off her shoes. Or likely she's fainted. It's a pity of her," he added
for the relief of his own feelings, looking at her again compassionately.

"Oh, mother! can't we do something?" Edith exclaimed.

"But what _can_ we do?" Mrs. Beale responded helplessly, looking at
Edwards for a suggestion.

"We're not very far from the workus," he said, looking down the road they
had just retraversed. "We might call there as we pass, and leave a message
for them to send and take her in."

"Let us go at once," said Mrs. Beale in a tone of relief.

Edith, whose face was pale, looked pityingly once more at the girl and her
little child as they drove off. It had not occurred to either of the two
ladies, gentle, tender, and good as they were, to take the poor dusty
disgraced tramp into their carriage, and restore her to "life and use and
name and fame" as they might have done.

The incident, however, had naturally made a painful impression upon them
both; and when they returned to the palace they ordered tea in the drawing
room immediately, feeling that they must have something, and went there
with their things still on to wait for it. Neither of them could get the
tramp and her baby out of their heads, but they had not mentioned her
since they came in, until Mrs. Beale broke a long silence by exclaiming:
"We will drive that way again to-morrow, and find out how they are."

Edith needed no explanation as to whom she was alluding. "They would take
her in at once, of course, mother? They could not put it off?" she said.

"Oh, no! not when we asked them," her mother answered.

The tea was brought at this moment, and immediately afterward the footman
announced from the door; "Sir Mosley Menteith," and a tall, fair-haired
man about thirty, with a small, fine, light-coloured moustache, the ends
of which were waxed and turned up toward the corners of his eyes, entered
and shook hands with Mrs. Beale, looking into her face intently as he did
so, as if he particularly wanted to see what she was like; then he turned
to Edith, shook hands, and looked at her intently also, and taking a seat
near her he continued to scrutinize her in away that brought the blood to
her cheeks, and caused her to drop her eyes every time she looked at him.
But they were old acquaintances, and she was not displeased.

He was a good-looking young man, although he had a face which some people
called empty because of the singular immobility of every feature except
his eyes; but whether the set expression was worn as a mask, or whether he
really had nothing in him, was a question which could only be decided on
intimate acquaintance; for although some effect of personality continually
suggested the presence in him of thoughts and feelings disguised or
concealed by an affectation of impassivity, nothing he did or said at an
ordinary interview ever either quite confirmed or destroyed the
impression.

"I thought you had gone abroad with your regiment," said Mrs. Beale, who
had received him cordially.

"No, not yet," he answered, looking away from Edith for a minute in order
to scrutinize her mother.

He always seemed to be inspecting the person he addressed, and never spoke
of anyone without describing their charms or blemishes categorically.
"Fact is, I've just come to say good-bye. I've been abroad on leave for
two months. Took mine at the beginning of the season."

He looked intently at Edith again when he had said this.

"Mrs. Orton Beg," the servant announced.

Mrs. Orton Beg's ankle was strong enough now for her to walk from her
little house in the Close to the palace, but she had to use a stick. She
was bleached by being so much indoors, and looked very fragile in the
costly simplicity of her black draperies as she entered.

Mrs. Beale and Edith received her affectionately, and Sir Mosley rose and
transferred his scrutinizing gaze to her while they were so occupied. He
inspected her dark glossy hair; eyes, nose, mouth, and figure, down to her
feet; then looked into her eyes again, and bowed on being presented by
Mrs. Beale.

"Sir Mosley is in the Colquhoun Highlanders," the latter explained to Mrs.
Orton Beg. "He is just going out to Malta to join them."

Mrs. Orton Beg looked up at him with interest from the low chair into
which she had subsided: "Then you know my niece, I suppose," she
said--"Mrs. Colquhoun?"

"I have not yet the pleasure," he answered, smiling so that he showed his
teeth. They were somewhat discoloured by tobacco, but the smile was a
pleasant one, to which people instantly responded. He went to the tea
table when he had spoken, and stood there waiting to hand Mrs. Orton Beg a
cup of tea which Mrs. Beale was pouring out for her. "But I have seen Mrs.
Colquhoun," he added. "I was at the wedding--she looked remarkably well."
He fixed his eyes on vacancy here, and turned his attention inward in
order to contemplate a vision of Evadne in her wedding dress. His first
question about a strange woman was always; "Is she good-looking?" and his
first thought when one whom he knew happened to be mentioned was always as
to whether she was attractive in appearance or not. He was one of several
of Colonel Colquhoun's brother officers who had graced the wedding. There
was not much variety amongst them. They were all excessively clean and
neat in appearance, their manners in society were unexceptionable, the
morals of most of them not worth describing because there was so little of
them; and their comments to each other on the occasion neither original
nor refined; generations of them had made the same remarks under similar
circumstances.

The bishop came in during the little diversion caused by handing tea and
cake to Mrs. Orton Beg.

"Ah, how do you do?" he said, shaking hands with the latter. "How is the
foot? Better? That's right. Oh! is that you, Mosley? I beg your pardon, my
dear boy"--here they shook hands--"I did not see you at first. Very glad
you've come, I'm sure. How is your mother? Not with your regiment, eh?" He
peered at Sir Mosley through a pair of very thick glasses he wore, and
seemed to read an answer to each question as he put it, written on the
latter's face.

"Will you have some tea, dear?" said Mrs. Beale.

"Eh, what did you say, my dear? Tea? Yes, if you please. That is what I
came for."

He turned to the tea table as he spoke, and stood over it rubbing his
hands, and beaming about him blandly.

Sir Mosley Menteith had been a good deal at the palace as a youngster. He
and Edith still called each other by their Christian names. The bishop had
seen him grow up from a boy, and knew all about him--so he would have
said--although he had not seen much of him and had heard absolutely
nothing for several years.

"So you are not with your regiment?" he repeated interrogatively.

"I am just on my way to join it now," the young man answered, looking up
at the bishop from the chair near Edith on which he was again sitting, and
giving the corners of his little light moustache a twirl on either side
when he had spoken. All his features, except his eyes, preserved an
imperturbable gravity; his lips moved, but without altering the expression
of his face. His eyes, however, inspected the bishop intelligently; and
always, when he spoke to him, they rested on some one point, his vest, his
gaiters, his apron, the top of his bald head, the end of his nose.

"Dr. Galbraith," the footman announced; and the doctor entered in his
easy, unaffected, but somewhat awkward way. He had his hat in his hand,
and there was a shade of weariness or depression on his strong pale face;
but his deep gray kindly eyes--the redeeming feature--were as
sympathetically penetrating as usual.

He shook hands with them all, except Sir Mosley, at whom he just glanced
sufficiently long to perceive that he was a stranger.

Mrs. Beale named them to each other, and they both bowed slightly, looking
at the ground, and then they exchanged glances.

"Not much like a medico if you are one," thought Menteith.

"Not difficult to take your measure," thought the doctor; after which he
turned at once to the tea-table, like one at home, and stood there waiting
for a cup. His manner was quite unassuming, but he was one of those men of
marked individuality who change the social atmosphere of a room when they
enter it. People became aware of the presence of strength almost before
they saw him or heard him speak. And he possessed that peculiar charm,
common to Lord Dawne and others of their set, which came of giving the
whole of their attention to the person with whom they were conversing for
the moment. His eyes never wandered, and if his interest flagged he did
not allow the fact to become apparent, so that he drew from everybody the
best that was in them, and people not ordinarily brilliant were often
surprised, on reflection, at the amount of information they had been
displaying, and the number of ideas which had come crowding into their
usually vacant minds while he talked with them.

He turned his attention to Mrs. Beale now. "I was afraid I should be late
for tea," he said. "I had to turn back--about something. I was delayed."

"We were late ourselves this afternoon," said Mrs. Beale.

Curiously enough the same cause had delayed them both, for Dr. Galbraith,
coming into Morningquest by the road Mrs. Beale had chosen for her drive
that day, had noticed the insensible girl and her baby lying on the
footpath, and had got down, lifted them into his carriage, and driven back
some miles with them in order to leave them at the house of one of his
tenants, a respectable widow whom he had trained as a nurse, and to whose
kind care he now confided them with strict orders for their comfort, and
the wherewithal to carry the orders out.

Dr. Galbraith took his tea now and sat down. He had come for a special
purpose, and hastened to broach the subject at once.

"Have you decided where to go this winter?" he asked Mrs. Beale. "You will
be having another attack of bronchitis, and then you will not be able to
travel. It is not safe to put it off too long."

His orders were that she should winter abroad that year, and Edith was to
accompany her; but they were both reluctant to go because of the bishop,
whose duties obliged him to remain behind alone. Mrs. Beale glanced at him
now affectionately. He was leaning back in a low chair, paunch
protuberant, and little legs crossed; and he answered the look with a
smile which was meant to be encouraging, but was only disturbed. He was a
perfect coward, this ruler of a great diocese, in matters which were of
moment to the health and well-being of his own family; he hated to have to
decide for them.

"Why not come to Malta?" Sir Mosley suggested.

"That would be nice for Evadne," Mrs. Orton Beg exclaimed, her mind taking
in at a glance all the advantage for the latter of having a companion of
her own age, and without quirks, like Edith, and the womanly restraining
influence of a friend like dear old Mrs. Beale.

"What kind of a place is Malta?" the bishop asked generally, tapping the
edge of his saucer with his teaspoon; then, addressing Dr. Galbraith in
particular, he added: "Would it be suitable?"

"Just the thing," the latter answered. "Picturesque, good society, and
delightful climate at this time of the year. Accessible, too; you can go
directly by P. and O., and the little sea voyage would be good for Mrs.
Beale."

"It would be nice to have Evadne there," said Edith, considering the
proposition favourably. "I have hardly seen her at all since we were both
in the nursery."

"She was such a quiet child," said Mrs. Beale. "Unnaturally so; but they
used to say she was clever."

"She is," said Mrs. Orton Beg, "decidedly so, and original--or, rather,
_advanced_. I believe that is the proper word now."

"Oh, dear!" said Mrs. Beale. "Is that nice?"

"Well," Mrs. Orton Beg answered, smiling, "I cannot say. It is not a
matter of law, you know, but of opinion. Evadne is nice, however; so much
I will venture to declare!"

"She used to be very good to the little Hamilton-Wellses," Mrs. Beale gave
out as a point in her favour.

"Oh--_did_ you hear about the Heavenly Twins yesterday?" Edith
exclaimed, addressing Dr. Galbraith: "They came to call on papa, and he
couldn't make out what they wanted. He did look so puzzled! and they sat
down and endeavoured to draw him into a theological discussion, after
having had a fight on the floor--the children, I mean, not papa, of
course!"

"They always endeavour to adapt themselves to the people with whom they
happen to be," said Dr. Galbraith. "When they call upon me they come
primed with medical matters, and discuss the present condition of surgical
practice, and the future prospects of advance in that direction. And I
rather suspect that my own books and papers are the sources from which
they derive their information. I lock up my library and consulting rooms
now as a rule when I go out, but sometimes I forget to shut the windows."

"They are very singular little people," said the bishop, with his benign
smile; "very singular!"

"They are very _naughty_ little people, I think!" said Mrs. Beale.

Dr. Galbraith laughed as at some ludicrous reminiscence.

"But will you come to Malta?" said Sir Mosley. "Because if you will, and
would allow me, I could see about making arrangements for your
accommodation."

"You are very kind," said the bishop.

"But when should we be obliged to go?" Mrs, Beale asked, meaning, "How
long may we stay at home?"

"You must go as soon as possible," Dr. Galbraith decided inexorably.

And so the matter was settled after some little discussion of details,
during which Lady Adeline Hamilton-Wells and Mrs. Frayling came in. The
latter was in Morningquest for the day doing some shopping. She had
lunched with her sister, Mrs. Orton Beg, and had come to have tea with
Mrs. Beale; and she and Lady Adeline had encountered each other at the
door.

Mrs. Frayling looked very well. She was a wonderfully preserved woman, and
being of an elastic temperament, a day away from home always sufficed to
smooth out the wrinkles which her husband's peculiar method of loving and
cherishing her tended to confirm. And she was especially buoyant just
then, for it was immediately after the Battle of the Letters, and Mr.
Frayling was so meek in his manner, and she felt altogether so free and
independent, that she had actually ventured to come into Morningquest that
day without first humbly asking his permission. She had just informed him
of her intention, and walked out before he could recover himself
sufficiently to oppose it.

Dr. Galbraith had taken his leave when they entered the room, and only
waited a moment afterward to exchange a word with Lady Adeline. When he
had gone, Sir Mosley asked the latter, who had known him since he was a
boy, but did not love him, "Is that ugly man a medical doctor?"

"Yes," she answered in her gentle but downright way, "he _is_ a
medical man, but not an 'ugly' man at all."

"Is Mosley calling Dr. Galbraith ugly?" Mrs. Beale exclaimed, "Now,
_I_ think he has the _nicest_ face!"

"A most good-looking kind of ugliness," said Mrs. Orton Beg.

Menteith perceived that any attempt to disparage Dr. Galbraith in that set
was a mistake, and retired from the position cleverly. "There is a kind of
ugliness which is attractive in a man," he said with his infectious smile.

Edith responded, and then they drew apart from the rest, and began to talk
to each other exclusively.

There was a bright tinge of colour in her transparent cheeks, her eyes
sparkled, and a pleased perpetual smile hovered about her lips. The
entrance of Sir Mosley Menteith had changed the unemotional feminine
atmosphere. He was an eligible, and his near neighbourhood caused the
girl's heart to swell with a sensation like enthusiasm. She felt as if she
could be eloquent, but no suitable subject presented itself, and so she
said little. She was very glad, however, and she looked so; and naturally
she thought no more for the moment of the poor little French girl--who was
just then awaking to a sense of pain, mental and physical, to horror of
the past, and fear for the future, and the heavy sense of an existence
marred, not by reason of her own weakness so much as by the possession of
one of the most beautiful qualities in human nature--the power to love and
trust.

"Is the old swing still on the elm?" said Sir Mosley.

"Yes," Edith answered. "Not exactly the same rope, you know; but we keep a
swing there always."

"Who uses it now?"

"Children who come to see us," she said. "And sometimes I sit in it
myself!" she added laughing.

"I should very much like to see it again," he said.

"Come and see it then," she answered, rising as she spoke. "Mosley wants
to see the old swing," she said to her mother as they left the room
together.

"What a nice looking young man," Mrs. Frayling observed.

"His head is too small," Lady Adeline said. "Has he anything in him?"

"Oh--yes. Well, good average abilities, I should say," Mrs. Beale
rejoined, "Too much ability, you know, is rather dangerous. Men with many
ideas so often get into mischief."

"That is true," said Mrs. Frayling; "and it is worse with women. When
_they_ have ideas, as my husband was saying only this morning, they
become quite outrageous--_new_ ideas, of course I mean, you know."

"He seems to admire Edith very much," Mrs. Orton Beg observed.

Mrs. Beale smiled complacently.

Edith sat long in her room that night on the seat of the window that faced
the east. She had taken off her evening dress and put on her white flannel
wrapper. The soft material draped itself to her figure, and fell in heavy
folds to her feet. Her beautiful hair, which was arranged for the night in
one great plait with the ends loose, hung down to the ground beside her.

The moon was high in the heavens, but not visible from where she sat. Its
light, however, flooded the open spaces of the garden beneath her, and
cast great shadows of the trees across the lawn. The sombre afternoon had
cleared to a frosty night, and the deep indigo sky was sparsely sprinkled
with brilliant stars.

Edith looked out. She saw the stars, and the earth with its heavy shadows,
and the wavering outlines of the trees and shrubs, and felt a kinship with
them.

She was very happy, but she did not think. She did not want to think. When
any obtrusive thought presented itself she instantly strove to banish it,
and at first she succeeded. She wanted to recall the pleasurable
sensations of the day, and to prolong them.

The last sixteen hours seemed longer in the retrospect than any other
measure of time with which she had been acquainted. She felt as if the
terrible dream from which she had awakened that morning in affright had
happened in some other state of being which ended abruptly while she was
pacing the shady walks of the old palace garden with Mosley Menteith in
the afternoon, and was now only to be vaguely recalled. Some great change
in herself had taken place since then; she would not define it; she
imagined she could not; but she knew what it was all the same, and
rejoiced.

They were going to Malta.

The feeling resolved itself into that clear idea inevitably; and after a
little pause it was followed by the question: "Well, and what then?"

But either her mind refused to receive the reply, or else in the Book of
Fate the answer was still unwritten, for none came to her consciousness.

Turning at last from the window, she found the eyes of the Good Shepherd
in the picture fixed upon her, the beautiful benign eyes she loved so well;
and looking up at him responsively, she waited a moment for her heart to
expand anew, and then set herself to meditate upon his life. It was a
religious exercise she had taught herself, not knowing that the Roman
Catholics practise it as a duty always. She thought of him first as the
dear Lord who died for her, and her heart awoke trembling with joy and
fear at the realization of the glorious deed. His tenderness came upon
her, and she bowed her head to receive it. Her ears were straining as it
were to hear the sweetness of his voice. She sank on her knees before his
image to be the nearer to him while she dwelt on the mystery of his divine
patience, and felt herself filled with the serene intensity of his holy
love. She recalled the faultless grace and beauty of his person, and
revelled in the thought of it, till suddenly a deep and sensuous glow of
delight in him flooded her being, and her very soul was faint for him. She
called him by name caressingly: "Dear Lord!" She confessed her passionate
attachment to him. She implored him to look upon her lovingly. She offered
him the devotion of her life. And then she sank into a perfect stupor of
ecstatic contemplation. This was the way she worshipped, dwelling on the
charms of his person and character with the same senses that her delicate
maiden mind still shrank from devoting to an earthly lover; calling him
what she would have had her husband be: "Master!"--the woman's ideal of
perfect bliss: "A strong support!" "A sure refuge!"--praying him to
strengthen her, to make her wise, to keep her pure; to help, to guide, to
comfort her! and finding in each repetition of familiar phrases the
luxurious gladness of a great enthusiasm.

But these emotional excesses were not to be indulged in with impunity.
When Edith arose from her knees, she had already begun to suffer the
punishment of a chilling reaction. The love-light faded from her face. The
glow of ecstatic passion was extinguished in her heart. The festal robes
of enraptured feeling fell from her consciousness and were replaced by the
rags of unwelcome recollections. She thought of the poor delicate little
French girl lying by the wayside exhausted, and longed to know if she were
at that moment sheltering in the workhouse, and rested, and restored. She
wondered what it was like to be in the workhouse--alone--without a single
friend to speak kindly to her; but the bare thought of such a position
made her shudder. If only she could have befriended that poor creature and
her little child? The sweet maternal instinct of her own being set up a
yearning which softened her heart the more tenderly toward the mother
because of the child. She did so wish that she could have done something
for both of them, and then she recollected her horrible dream, and began
involuntarily to piece the vision of the morning to the incident of the
afternoon in order to find some faint foreshadowing for her guidance of
the one event in the other. Next day, she persuaded her mother to send to
the workhouse directly after breakfast to ask if the girl had been taken
in, and how she was. Edwards, the old footman, could have told his
mistress the girl's whole history, and she knew him also to be an honest
man, of simple speech, not given to exaggerate; but she scented something
"unpleasant" in the whole affair, and she would have looked coldly for the
rest of her life on anyone as being a suspicious character, who had
ventured to suggest that she should make herself acquainted with the
details of such a case. She considered that any inquiries of that kind
would have been improper to the last degree.

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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