A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

Poems by Madison Cawein

M >> Madison Cawein >> Poems

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9





ASSUMPTION

I

A mile of moonlight and the whispering wood:
A mile of shadow and the odorous lane:
One large, white star above the solitude,
Like one sweet wish: and, laughter after pain,
Wild-roses wistful in a web of rain.

II

No star, no rose, to lesson him and lead;
No woodsman compass of the skies and rocks,--
Tattooed of stars and lichens,--doth love need
To guide him where, among the hollyhocks,
A blur of moonlight, gleam his sweetheart's locks.

III

We name it beauty--that permitted part,
The love-elected apotheosis
Of Nature, which the god within the heart,
Just touching, makes immortal, but by this--
A star, a rose, the memory of a kiss.



SENORITA

An agate-black, your roguish eyes
Claim no proud lineage of the skies,
No starry blue; but of good earth
The reckless witchery and mirth.

Looped in your raven hair's repose,
A hot aroma, one red rose
Dies; envious of that loveliness,
By being near which its is less.

Twin sea shells, hung with pearls, your ears,
Whose slender rosiness appears
Part of the pearls; whose pallid fire
Binds the attention these inspire.

One slim hand crumples up the lace
About your bosom's swelling grace;
A ruby at your samite throat
Lends the required color note.

The moon bears through the violet night
A pearly urn of chaliced light;
And from your dark-railed balcony
You stoop and wave your fan at me.

O'er orange orchards and the rose
Vague, odorous lips the south wind blows,
Peopling the night with whispers of
Romance and palely passionate love.

The heaven of your balcony
Smiles down two stars, that say to me
More peril than Angelica
Wrought with her beauty in Cathay.

Oh, stoop to me! and, speaking, reach
My soul like song that learned sweet speech
From some dim instrument--who knows?--
Or flower, a dulcimer or rose.



OVERSEAS

_Non numero horas nisi serenas_

When Fall drowns morns in mist, it seems
In soul I am a part of it;
A portion of its humid beams,
A form of fog, I seem to flit
From dreams to dreams....

An old chateau sleeps 'mid the hills
Of France: an avenue of sorbs
Conceals it: drifts of daffodils
Bloom by a 'scutcheoned gate with barbs
Like iron bills.

I pass the gate unquestioned; yet,
I feel, announced. Broad holm-oaks make
Dark pools of restless violet.
Between high bramble banks a lake,--
As in a net

The tangled scales twist silver,--shines....
Gray, mossy turrets swell above
A sea of leaves. And where the pines
Shade ivied walls, there lies my love,
My heart divines.

I know her window, slimly seen
From distant lanes with hawthorn hedged:
Her garden, with the nectarine
Espaliered, and the peach tree, wedged
'Twixt walls of green.

Cool-babbling a fountain falls
From gryphons' mouths in porphyry;
Carp haunt its waters; and white balls
Of lilies dip it when the bee
Creeps in and drawls.

And butterflies--each with a face
Of faery on its wings--that seem
Beheaded pansies, softly chase
Each other down the gloom and gleam
Trees interspace.

And roses! roses, soft as vair,
Round sylvan statues and the old
Stone dial--Pompadours, that wear
Their royalty of purple and gold
With wanton air....

Her scarf, her lute, whose ribbons breathe
The perfume of her touch; her gloves,
Modeling the daintiness they sheathe;
Her fan, a Watteau, gay with loves,
Lie there beneath

A bank of eglantine, that heaps
A rose-strewn shadow.--Naive-eyed,
With lips as suave as they, she sleeps;
The romance by her, open wide,
O'er which she weeps.



PROBLEMS

Man's are the learnings of his books--
What is all knowledge that he knows
Beside the wit of winding brooks,
The wisdom of the summer rose!

How soil distills the scent in flowers
Baffles his science: heaven-dyed,
How, from the palette of His hours,
God gives them colors, hath defied.

What dream of heaven begets the light?
Or, ere the stars beat burning tunes,
Stains all the hollow edge of night
With glory as of molten moons?

Who is it answers what is birth
Or death, that nothing may retard?
Or what is love, that seems of Earth,
Yet wears God's own divine regard?



TO A WINDFLOWER

I

Teach me the secret of thy loveliness,
That, being made wise, I may aspire to be
As beautiful in thought, and so express
Immortal truths to Earth's mortality;
Though to my soul ability be less
Than 'tis to thee, O sweet anemone.

II

Teach me the secret of thy innocence,
That in simplicity I may grow wise;
Asking of Art no other recompense
Than the approval of her own just eyes;
So may I rise to some fair eminence,
Though less than thine, O cousin of the skies.

III

Teach me these things; through whose high knowledge, I,--
When Death hath poured oblivion through my veins,
And brought me home, as all are brought, to lie
In that vast house, common to serfs and thanes,--
I shall not die, I shall not utterly die,
For beauty born of beauty--_that_ remains.



VOYAGERS

Where are they, that song and tale
Tell of? lands our childhood knew?
Sea-locked Faerylands that trail
Morning summits, dim with dew,
Crimson o'er a crimson sail.

Where in dreams we entered on
Wonders eyes have never seen:
Whither often we have gone,
Sailing a dream-brigantine
On from voyaging dawn to dawn.

Leons seeking lands of song;
Fabled fountains pouring spray;
Where our anchors dropped among
Corals of some tropic bay,
With its swarthy native throng.

Shoulder ax and arquebus!--
We may find it!--past yon range
Of sierras, vaporous,
Rich with gold and wild and strange
That lost region dear to us.

Yet, behold, although our zeal
Darien summits may subdue,
Our Balboa eyes reveal
But a vaster sea come to--
New endeavor for our keel.

Yet! who sails with face set hard
Westward,--while behind him lies
Unfaith,--where his dreams keep guard
Round it, in the sunset skies,
He may reach it--afterward.



THE SPELL

_"We have the receipt of fern seed: we walk invisible."_
--HENRY IV

And we have met but twice or thrice!--
Three times enough to make me love!--
I praised your hair once; then your glove;
Your eyes; your gown;--you were like ice;
And yet this might suffice, my love,
And yet this might suffice.

St. John hath told me what to do:
To search and find the ferns that grow
The fern seed that the faeries know;
Then sprinkle fern seed in my shoe,
And haunt the steps of you, my dear,
And haunt the steps of you.

You'll see the poppy pods dip here;
The blow-ball of the thistle slip,
And no wind breathing--but my lip
Next to your anxious cheek and ear,
To tell you I am near, my love,
To tell you I am near.

On wood-ways I shall tread your gown--
You'll know it is no brier!--then
I'll whisper words of love again,
And smile to see your quick face frown:
And then I'll kiss it down, my dear,
And then I'll kiss it down.

And when at home you read or knit,--
Who'll know it was my hands that blotted
The page?--or all your needles knotted?
When in your rage you cry a bit:
And loud I laugh at it, my love,
And loud I laugh at it.

The secrets that you say in prayer
Right so I'll hear: and, when you sing,
The name you speak; and whispering
I'll bend and kiss your mouth and hair,
And tell you I am there, my dear,
And tell you I am there.

Would it were true what people say!--
Would I _could_ find that elfin seed!
Then should I win your love, indeed,
By being near you night and day--
There is no other way, my love,
There is no other way.

Meantime the truth in this is said:
It is my soul that follows you;
It needs no fern seed in the shoe,--
While in the heart love pulses red,
To win you and to wed, my dear,
To win you and to wed.



UNCERTAINTY

_"'He cometh not,' she said."_--MARIANA

It will not be to-day and yet
I think and dream it will; and let
The slow uncertainty devise
So many sweet excuses, met
With the old doubt in hope's disguise.

The panes were sweated with the dawn;
Yet through their dimness, shriveled drawn,
The aigret of one princess-feather,
One monk's-hood tuft with oilets wan,
I glimpsed, dead in the slaying weather.

This morning, when my window's chintz
I drew, how gray the day was!--Since
I saw him, yea, all days are gray!--
I gazed out on my dripping quince,
Defruited, gnarled; then turned away

To weep, but did not weep: but felt
A colder anguish than did melt
About the tearful-visaged year!--
Then flung the lattice wide, and smelt
The autumn sorrow: Rotting near

The rain-drenched sunflowers bent and bleached,
Up which the frost-nipped gourd-vines reached
And morning-glories, seeded o'er
With ashen aiglets; whence beseeched
One last bloom, frozen to the core.

The podded hollyhocks,--that Fall
Had stripped of finery,--by the wall
Rustled their tatters; dripped and dripped,
The fog thick on them: near them, all
The tarnished, haglike zinnias tipped.

I felt the death and loved it: yea,
To have it nearer, sought the gray,
Chill, fading garth. Yet could not weep,
But wandered in an aimless way,
And sighed with weariness for sleep.

Mine were the fog, the frosty stalks;
The weak lights on the leafy walks;
The shadows shivering with the cold;
The breaking heart; the lonely talks;
The last, dim, ruined marigold.

But when to-night the moon swings low--
A great marsh-marigold of glow--
And all my garden with the sea
Moans, then, through moon and mist, I know
My love will come to comfort me.



IN THE WOOD

The waterfall, deep in the wood,
Talked drowsily with solitude,
A soft, insistent sound of foam,
That filled with sleep the forest's dome,
Where, like some dream of dusk, she stood
Accentuating solitude.

The crickets' tinkling chips of sound
Strewed dim the twilight-twinkling ground;
A whippoorwill began to cry,
And glimmering through the sober sky
A bat went on its drunken round,
Its shadow following on the ground.

Then from a bush, an elder-copse,
That spiced the dark with musky tops,
What seemed, at first, a shadow came
And took her hand and spoke her name,
And kissed her where, in starry drops,
The dew orbed on the elder-tops.

The glaucous glow of fireflies
Flickered the dusk; and foxlike eyes
Peered from the shadows; and the hush
Murmured a word of wind and rush
Of fluttering waters, fragrant sighs,
And dreams unseen of mortal eyes.

The beetle flung its burr of sound
Against the hush and clung there, wound
In night's deep mane: then, in a tree,
A grig began deliberately
To file the stillness: all around
A wire of shrillness seemed unwound.

I looked for those two lovers there;
His ardent eyes, her passionate hair.
The moon looked down, slow-climbing wan
Heaven's slope of azure: they were gone:
But where they'd passed I heard the air
Sigh, faint with sweetness of her hair.



SINCE THEN

I found myself among the trees
What time the reapers ceased to reap;
And in the sunflower-blooms the bees
Huddled brown heads and went to sleep,
Rocked by the balsam-breathing breeze.

I saw the red fox leave his lair,
A shaggy shadow, on the knoll;
And tunneling his thoroughfare
Beneath the soil, I watched the mole--
Stealth's own self could not take more care.

I heard the death-moth tick and stir,
Slow-honeycombing through the bark;
I heard the cricket's drowsy chirr,
And one lone beetle burr the dark--
The sleeping woodland seemed to purr.

And then the moon rose: and one white
Low bough of blossoms--grown almost
Where, ere you died, 'twas our delight
To meet,--dear heart!--I thought your ghost....
The wood is haunted since that night.



DUSK IN THE WOODS

Three miles of trees it is: and I
Came through the woods that waited, dumb,
For the cool summer dusk to come;
And lingered there to watch the sky
Up which the gradual splendor clomb.

A tree-toad quavered in a tree;
And then a sudden whippoorwill
Called overhead, so wildly shrill
The sleeping wood, it seemed to me,
Cried out and then again was still.

Then through dark boughs its stealthy flight
An owl took; and, at drowsy strife,
The cricket tuned its faery fife;
And like a ghost-flower, silent white,
The wood-moth glimmered into life.

And in the dead wood everywhere
The insects ticked, or bored below
The rotted bark; and, glow on glow,
The lambent fireflies here and there
Lit up their jack-o'-lantern show.

I heard a vesper-sparrow sing,
Withdrawn, it seemed, into the far
Slow sunset's tranquil cinnabar;
The crimson, softly smoldering
Behind the trees, with its one star.

A dog barked: and down ways that gleamed,
Through dew and clover, faint the noise
Of cowbells moved. And then a voice,
That sang a-milking, so it seemed,
Made glad my heart as some glad boy's.

And then the lane: and, full in view,
A farmhouse with its rose-grown gate,
And honeysuckle paths, await
For night, the moon, and love and you--
These are the things that made me late.



PATHS

I

What words of mine can tell the spell
Of garden ways I know so well?--
The path that takes me in the spring
Past quince-trees where the bluebirds sing,
And peonies are blossoming,
Unto a porch, wistaria-hung,
Around whose steps May-lilies blow,
A fair girl reaches down among,
Her arm more white than their sweet snow.

II

What words of mine can tell the spell
Of garden ways I know so well?--
Another path that leads me, when
The summer time is here again,
Past hollyhocks that shame the west
When the red sun has sunk to rest;
To roses bowering a nest,
A lattice, 'neath which mignonette
And deep geraniums surge and sough,
Where, in the twilight, starless yet,
A fair girl's eyes are stars enough.

III

What words of mine can tell the spell
Of garden ways I know so well?--
A path that takes me, when the days
Of autumn wrap the hills in haze,
Beneath the pippin-pelting tree,
'Mid flitting butterfly and bee;
Unto a door where, fiery,
The creeper climbs; and, garnet-hued,
The cock's-comb and the dahlia flare,
And in the door, where shades intrude,
Gleams bright a fair girl's sunbeam hair.

IV

What words of mine can tell the spell
Of garden ways I know so well?--
A path that brings me through the frost
Of winter, when the moon is tossed
In clouds; beneath great cedars, weak
With shaggy snow; past shrubs blown bleak
With shivering leaves; to eaves that leak
The tattered ice, whereunder is
A fire-flickering window-space;
And in the light, with lips to kiss,
A fair girl's welcome-smiling face.



THE QUEST

I

First I asked the honeybee,
Busy in the balmy bowers;
Saying, "Sweetheart, tell it me:
Have you seen her, honeybee?
She is cousin to the flowers--
All the sweetness of the south
In her wild-rose face and mouth."
But the bee passed silently.

II

Then I asked the forest bird,
Warbling by the woodland waters;
Saying, "Dearest, have you heard?
Have you heard her, forest bird?
She is one of music's daughters--
Never song so sweet by half
As the music of her laugh."
But the bird said not a word.

III

Next I asked the evening sky,
Hanging out its lamps of fire;
Saying, "Loved one, passed she by?
Tell me, tell me, evening sky!
She, the star of my desire--
Sister whom the Pleiads lost,
And my soul's high pentecost."
But the sky made no reply.

IV

Where is she? ah, where is she?
She to whom both love and duty
Bind me, yea, immortally.--
Where is she? ah, where is she?
Symbol of the Earth-Soul's beauty.
I have lost her. Help my heart
Find her! her, who is a part
Of the pagan soul of me.



THE GARDEN OF DREAMS

Not while I live may I forget
That garden which my spirit trod!
Where dreams were flowers, wild and wet,
And beautiful as God.

Not while I breathe, awake, adream,
Shall live again for me those hours,
When, in its mystery and gleam,
I met her 'mid the flowers.

Eyes, talismanic heliotrope,
Beneath mesmeric lashes, where
The sorceries of love and hope
Had made a shining lair.

And daydawn brows, whereover hung
The twilight of dark locks: wild birds,
Her lips, that spoke the rose's tongue
Of fragrance-voweled words.

I will not tell of cheeks and chin,
That held me as sweet language holds;
Nor of the eloquence within
Her breasts' twin-mooned molds.

Nor of her body's languorous
Wind-grace, that glanced like starlight through
Her clinging robe's diaphanous
Web of the mist and dew.

There is no star so pure and high
As was her look; no fragrance such
As her soft presence; and no sigh
Of music like her touch.

Not while I live may I forget
That garden of dim dreams, where I
And Beauty born of Music met,
Whose spirit passed me by.



THE PATH TO FAERY

I

When dusk falls cool as a rained-on rose,
And a tawny tower the twilight shows,
With the crescent moon, the silver moon, the curved
new moon in a space that glows,
A turret window that grows alight;
There is a path that my Fancy knows,
A glimmering, shimmering path of night,
That far as the Land of Faery goes.

II

And I follow the path, as Fancy leads,
Over the mountains, into the meads,
Where the firefly cities, the glowworm cities, the faery
cities are strung like beads,
Each city a twinkling star:
And I live a life of valorous deeds,
And march with the Faery King to war,
And ride with his knights on milk-white steeds.

III

Or it's there in the whirl of their life I sit,
Or dance in their houses with starlight lit,
Their blossom houses, their flower houses, their elfin
houses, of fern leaves knit,
With fronded spires and domes:
And there it is that my lost dreams flit,
And the ghost of my childhood, smiling, roams
With the faery children so dear to it.

IV

And it's there I hear that they all come true,
The faery stories, whatever they do--
Elf and goblin, dear elf and goblin, loved elf and goblin,
and all the crew
Of witch and wizard and gnome and fay,
And prince and princess, that wander through
The storybooks we have put away,
The faerytales that we loved and knew.

V

The face of Adventure lures you there,
And the eyes of Danger bid you dare,
While ever the bugles, the silver bugles, the far-off
bugles of Elfland blare,
The faery trumpets to battle blow;
And you feel their thrill in your heart and hair,
And you fain would follow and mount and go
And march with the Faeries anywhere.

VI

And she--she rides at your side again,
Your little sweetheart whose age is ten:
She is the princess, the faery princess, the princess fair
that you worshiped when
You were a prince in a faerytale;
And you do great deeds as you did them then,
With your magic spear, and enchanted mail,
Braving the dragon in his den.

VII

And you ask again,--"Oh, where shall we ride,
Now that the monster is slain, my bride?"--
"Back to the cities, the firefly cities, the glowworm
cities where we can hide,
The beautiful cities of Faeryland.
And the light of my eyes shall be your guide,
The light of my eyes and my snow-white hand--
And there forever we two will abide."



THERE ARE FAERIES

I

There are faeries, bright of eye,
Who the wildflowers' warders are:
Ouphes, that chase the firefly;
Elves, that ride the shooting-star:
Fays, who in a cobweb lie,
Swinging on a moonbeam bar;
Or who harness bumblebees,
Grumbling on the clover leas,
To a blossom or a breeze--
That's their faery car.
If you care, you too may see
There are faeries.--Verily,
There are faeries.

II

There are faeries. I could swear
I have seen them busy, where
Roses loose their scented hair,
In the moonlight weaving, weaving,

Out of starlight and the dew,
Glinting gown and shimmering shoe;
Or, within a glowworm lair,
From the dark earth slowly heaving
Mushrooms whiter than the moon,
On whose tops they sit and croon,
With their grig-like mandolins,
To fair faery ladykins,
Leaning from the windowsill
Of a rose or daffodil,
Listening to their serenade
All of cricket-music made.
Follow me, oh, follow me!
Ho! away to Faerie!
Where your eyes like mine may see
There are faeries.--Verily,
There are faeries.

III

There are faeries. Elves that swing
In a wild and rainbow ring
Through the air; or mount the wing
Of a bat to courier news
To the faery King and Queen:
Fays, who stretch the gossamers
On which twilight hangs the dews;

Who, within the moonlight sheen,
Whisper dimly in the ears
Of the flowers words so sweet
That their hearts are turned to musk
And to honey; things that beat
In their veins of gold and blue:
Ouphes, that shepherd moths of dusk--
Soft of wing and gray of hue--
Forth to pasture on the dew.

IV

There are faeries; verily;
Verily:
For the old owl in the tree,
Hollow tree,
He who maketh melody
For them tripping merrily,
Told it me.
There are faeries.--Verily,
There are faeries.



THE SPIRIT OF THE FOREST SPRING

Over the rocks she trails her locks,
Her mossy locks that drip, drip, drip:
Her sparkling eyes smile at the skies
In friendship-wise and fellowship:
While the gleam and glance of her countenance
Lull into trance the woodland places,
As over the rocks she trails her locks,
Her dripping locks that the long fern graces.

She pours clear ooze from her heart's cool cruse,
Its crystal cruse that drips, drips, drips:
And all the day its limpid spray
Is heard to play from her finger tips:
And the slight, soft sound makes haunted ground
Of the woods around that the sunlight laces,
As she pours clear ooze from her heart's cool cruse,
Its dripping cruse that no man traces.

She swims and swims with glimmering limbs,
With lucid limbs that drip, drip, drip:
Where beechen boughs build a leafy house,
Where her eyes may drowse or her beauty trip:
And the liquid beat of her rippling feet
Makes three times sweet the forest mazes,
As she swims and swims with glimmering limbs,
With dripping limbs through the twilight hazes.

Then wrapped in deeps of the wild she sleeps,
She whispering sleeps and drips, drips, drips:
Where moon and mist wreathe neck and wrist,
And, starry-whist, through the dark she slips:
While the heavenly dream of her soul makes gleam
The falls that stream and the foam that races,
As wrapped in the deeps of the wild she sleeps,
She dripping sleeps or starward gazes.



IN A GARDEN

The pink rose drops its petals on
The moonlit lawn, the moonlit lawn;
The moon, like some wide rose of white,
Drops down the summer night.
No rose there is
As sweet as this--
Thy mouth, that greets me with a kiss.

The lattice of thy casement twines
With jasmine vines, with jasmine vines;
The stars, like jasmine blossoms, lie
About the glimmering sky.
No jasmine tress
Can so caress
Like thy white arms' soft loveliness.

About thy door magnolia blooms
Make sweet the glooms, make sweet the glooms;
A moon-magnolia is the dusk
Closed in a dewy husk.
However much,
No bloom gives such
Soft fragrance as thy bosom's touch.

The flowers blooming now will pass,
And strew the grass, and strew the grass;
The night, like some frail flower, dawn
Will soon make gray and wan.
Still, still above,
The flower of
True love shall live forever, Love.



IN THE LANE

When the hornet hangs in the hollyhock,
And the brown bee drones i' the rose;
And the west is a red-streaked four-o'clock,
And summer is near its close--
It's oh, for the gate and the locust lane,
And dusk and dew and home again!

When the katydid sings and the cricket cries,
And ghosts of the mists ascend;
And the evening star is a lamp i' the skies,
And summer is near its end--
It's oh, for the fence and the leafy lane,
And the twilight peace and the tryst again!

When the owlet hoots in the dogwood tree,
That leans to the rippling Run;
And the wind is a wildwood melody,
And summer is almost done--
It's oh, for the bridge and the bramble lane,
And the fragrant hush and her hands again!

When fields smell sweet with the dewy hay,
And woods are cool and wan,
And a path for dreams is the Milky Way,
And summer is nearly gone--
It's oh, for the rock and the woodland lane,
And the silence and stars and her lips again!

When the weight of the apples breaks down the boughs,
And muskmelons split with sweet;
And the moon is a light in Heaven's house,
And summer has spent its heat--
It's oh, for the lane, the trysting lane,
The deep-mooned night and her love again!



THE WINDOW ON THE HILL

Among the fields the camomile
Seems blown mist in the lightning's glare:
Cool, rainy odors drench the air;
Night speaks above; the angry smile
Of storm within her stare.

The way that I shall take to-night
Is through the wood whose branches fill
The road with double darkness, till,
Between the boughs, a window's light
Shines out upon the hill.

The fence; and then the path that goes
Around a trailer-tangled rock,
Through puckered pink and hollyhock,
Unto a latch-gate's unkempt rose,
And door whereat I knock.

Bright on the oldtime flower place
The lamp streams through the foggy pane;
The door is opened to the rain:
And in the door--her happy face
And outstretched arms again.



THE PICTURE

Above her, pearl and rose the heavens lay:
Around her, flowers flattered earth with gold,
Or down the path in insolence held sway--
Like cavaliers who ride the king's highway--
Scarlet and buff, within a garden old.

Beyond the hills, faint-heard through belts of wood,
Bells, Sabbath-sweet, swooned from some far-off town:
Gamboge and gold, broad sunset colors strewed
The purple west as if, with God imbued,
Her mighty palette Nature there laid down.

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

Audio slideshow: Robert Shaw discusses his production of Sylvia Plath's only play
What is your biggest guilty green secret?

Video: Costa prize winners

A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Turkish poet Nazim Hikmet regains citizenship
Nonagenarian Diana Athill, Irish writer Sebastian Barry and first book winner Sadie Jones talk about their books and their writing after the awards were announced last night

Copyright (c) 2007. booksboost.com. All rights reserved.