Poems by Madison Cawein

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Amid such flowers, underneath such skies,
Embodying all life knows of sweet and fair,
She stood; love's dreams in girlhood's face and eyes,
Fair as a star that comes to emphasize
The mingled beauty of the earth and air.

Behind her, seen through vines and orchard trees,
Gray with its twinkling windows--like the face
Of calm old age that sits and dreams at ease--
Porched with old roses, haunts of honeybees,
The homestead loomed within a lilied space.

For whom she waited in the afterglow,
Star-eyed and golden 'mid the poppy and rose,
I do not know; I do not care to know,--
It is enough I keep her picture so,
Hung up, like poetry, in my life's dull prose.

A fragrant picture, where I still may find
Her face untouched of sorrow or regret,
Unspoiled of contact; ever young and kind;
The spiritual sweetheart of my soul and mind,
She had not been, perhaps, if we had met.

MOLY

When by the wall the tiger-flower swings
A head of sultry slumber and aroma;
And by the path, whereon the blown rose flings
Its obsolete beauty, the long lilies foam a
White place of perfume, like a beautiful breast--
Between the pansy fire of the west,
And poppy mist of moonrise in the east,
This heartache will have ceased.

The witchcraft of soft music and sweet sleep--
Let it beguile the burthen from my spirit,
And white dreams reap me as strong reapers reap
The ripened grain and full blown blossom near it;
Let me behold how gladness gives the whole
The transformed countenance of my own soul--
Between the sunset and the risen moon
Let sorrow vanish soon.

And these things then shall keep me company:
The elfins of the dew; the spirit of laughter
Who haunts the wind; the god of melody
Who sings within the stream, that reaches after

The flow'rs that rock themselves to his caress:
These of themselves shall shape my happiness,
Whose visible presence I shall lean upon,
Feeling that care is gone.

Forgetting how the cankered flower must die;
The worm-pierced fruit fall, sicklied to its syrup;
How joy, begotten 'twixt a sigh and sigh,
Waits with one foot forever in the stirrup,--
Remembering how within the hollow lute
Soft music sleeps when music's voice is mute;
And in the heart, when all seems black despair,
Hope sits, awaiting there.

POPPY AND MANDRAGORA

Let us go far from here!
Here there is sadness in the early year:
Here sorrow waits where joy went laughing late:
The sicklied face of heaven hangs like hate
Above the woodland and the meadowland;
And Spring hath taken fire in her hand
Of frost and made a dead bloom of her face,
Which was a flower of marvel once and grace,
And sweet serenity and stainless glow.
Delay not. Let us go.

Let us go far away
Into the sunrise of a fairer May:
Where all the nights resign them to the moon,
And drug their souls with odor and soft tune,
And tell their dreams in starlight: where the hours
Teach immortality with fadeless flowers;
And all the day the bee weights down the bloom,
And all the night the moth shakes strange perfume,
Like music, from the flower-bells' affluence.
Let us go far from hence.

Why should we sit and weep,
And yearn with heavy eyelids still to sleep?
Forever hiding from our hearts the hate,--
Death within death,--life doth accumulate,
Like winter snows along the barren leas
And sterile hills, whereon no lover sees
The crocus limn the beautiful in flame;
Or hyacinth and jonquil write the name
Of Love in fire, for each passer-by.
Why should we sit and sigh?

We will not stay and long,
Here where our souls are wasting for a song;
Where no bird sings; and, dim beneath the stars,
No silvery water strikes melodious bars;
And in the rocks and forest-covered hills
No quick-tongued echo from her grotto fills
With eery syllables the solitude--
The vocal image of the voice that wooed--
She, of wild sounds the airy looking-glass.
Our souls are tired, alas!

What should we say to her?--
To Spring, who in our hearts makes no sweet stir:
Who looks not on us nor gives thought unto:
Too busy with the birth of flowers and dew,
And vague gold wings within the chrysalis;
Or Love, who will not miss us; had no kiss
To give your soul or the sad soul of me,
Who bound our hearts to her in poesy,
Long since, and wear her badge of service still.--
Have we not served our fill?

We will go far away.
Song will not care, who slays our souls each day
With the dark daggers of denying eyes,
And lips of silence! ... Had she sighed us lies,
Not passionate, yet falsely tremulous,
And lent her mouth to ours in mockery; thus
Smiled from calm eyes as if appreciative;
Then, then our love had taught itself to live
Feeding itself on hope, and recompense.
But no!--So let us hence.

So be the Bible shut
Of all her Beauty, and her wisdom but
A clasp for memory! We will not seek
The light that came not when the soul was weak
With longing, and the darkness gave no sign
Of star-born comfort. Nay! why kneel and whine
Sad psalms of patience and hosannas of
Old hope and dreary canticles of love?--
Let us depart, since, as we long supposed,
For us God's book was closed.

A ROAD SONG

It's--Oh, for the hills, where the wind's some one
With a vagabond foot that follows!
And a cheer-up hand that he claps upon
Your arm with the hearty words, "Come on!
We'll soon be out of the hollows,
My heart!
We'll soon be out of the hollows."

It's--Oh, for the songs, where the hope's some one
With a renegade foot that doubles!
And a jolly lilt that he flings to the sun
As he turns with the friendly laugh, "Come on!
We'll soon be out of the troubles,
My heart!
We'll soon be out of the troubles!"

PHANTOMS

This was her home; one mossy gable thrust
Above the cedars and the locust trees:
This was her home, whose beauty now is dust,
A lonely memory for melodies
The wild birds sing, the wild birds and the bees.

Here every evening is a prayer: no boast
Or ruin of sunset makes the wan world wroth;
Here, through the twilight, like a pale flower's ghost,
A drowsy flutter, flies the tiger-moth;
And dusk spreads darkness like a dewy cloth.

In vagabond velvet, on the placid day,
A stain of crimson, lolls the butterfly;
The south wind sows with ripple and with ray
The pleasant waters; and the gentle sky
Looks on the homestead like a quiet eye.

Their melancholy quaver, lone and low,
When day is done, the gray tree-toads repeat:
The whippoorwills, far in the afterglow,
Complain to silence: and the lightnings beat,
In one still cloud, glimmers of golden heat.

He comes not yet: not till the dusk is dead,
And all the western glow is far withdrawn;
Not till,--a sleepy mouth love's kiss makes red,--
The baby bud opes in a rosy yawn,
Breathing sweet guesses at the dreamed-of dawn.

When in the shadows, like a rain of gold,
The fireflies stream steadily; and bright
Along the moss the glowworm, as of old,
A crawling sparkle--like a crooked light
In smoldering vellum--scrawls a square of night,--

Then will he come; and she will lean to him,--
She,--the sweet phantom,--memory of that place,--
Between the starlight and his eyes; so dim
With suave control and soul-compelling grace,
He cannot help but speak her, face to face.

INTIMATIONS OF THE BEAUTIFUL

I

The hills are full of prophecies
And ancient voices of the dead;
Of hidden shapes that no man sees,
Pale, visionary presences,
That speak the things no tongue hath said,
No mind hath thought, no eye hath read.

The streams are full of oracles,
And momentary whisperings;
An immaterial beauty swells
Its breezy silver o'er the shells
With wordless speech that sings and sings
The message of diviner things.

No indeterminable thought is theirs,
The stars', the sunsets' and the flowers';
Whose inexpressible speech declares
Th' immortal Beautiful, who shares
This mortal riddle which is ours,
Beyond the forward-flying hours.

II

It holds and beckons in the streams;
It lures and touches us in all
The flowers of the golden fall--
The mystic essence of our dreams:
A nymph blows bubbling music where
Faint water ripples down the rocks;
A faun goes dancing hoiden locks,
And piping a Pandean air,
Through trees the instant wind shakes bare.

Our dreams are never otherwise
Than real when they hold us so;
We in some future life shall know
Them parts of it and recognize
Them as ideal substance, whence
The actual is--(as flowers and trees,
From color sources no one sees,
Draw dyes, the substance of a sense)--
Material with intelligence.

III

What intimations made them wise,
The mournful pine, the pleasant beech?
What strange and esoteric speech?--
(Communicated from the skies
In runic whispers)--that invokes
The boles that sleep within the seeds,
And out of narrow darkness leads
The vast assemblies of the oaks.

Within his knowledge, what one reads
The poems written by the flowers?
The sermons, past all speech of ours,
Preached by the gospel of the weeds?--
O eloquence of coloring!
O thoughts of syllabled perfume!
O beauty uttered into bloom!
Teach me your language! let me sing!

IV

Along my mind flies suddenly
A wildwood thought that will not die;
That makes me brother to the bee,
And cousin to the butterfly:
A thought, such as gives perfume to
The blushes of the bramble-rose,
And, fixed in quivering crystal, glows
A captive in the prismed dew.

It leads the feet no certain way;
No frequent path of human feet:
Its wild eyes follow me all day;
All day I hear its wild heart beat:
And in the night it sings and sighs
The songs the winds and waters love;
Its wild heart lying tranced above,
And tranced the wildness of its eyes.

V

Oh, joy, to walk the way that goes
Through woods of sweet-gum and of beech!
Where, like a ruby left in reach,
The berry of the dogwood glows:
Or where the bristling hillsides mass,
'Twixt belts of tawny sassafras,
Brown shocks of corn in wigwam rows!

Where, in the hazy morning, runs
The stony branch that pools and drips,
The red-haws and the wild-rose hips
Are strewn like pebbles; and the sun's
Own gold seems captured by the weeds;
To see, through scintillating seeds,
The hunters steal with glimmering guns!

Oh, joy, to go the path which lies
Through woodlands where the trees are tall!
Beneath the misty moon of fall,
Whose ghostly girdle prophesies
A morn wind-swept and gray with rain;
When, o'er the lonely, leaf-blown lane,
The night-hawk like a dead leaf flies!

To stand within the dewy ring
Where pale death smites the boneset blooms,
And everlasting's flowers, and plumes
Of mint, with aromatic wing!
And hear the creek,--whose sobbing seems
A wild-man murmuring in his dreams,--
And insect violins that sing.

Or where the dim persimmon tree
Rains on the path its frosty fruit,
And in the oak the owl doth hoot,
Beneath the moon and mist, to see
The outcast Year go,--Hagar-wise,--
With far-off, melancholy eyes,
And lips that sigh for sympathy.

VI

Towards evening, where the sweet-gum flung
Its thorny balls among the weeds,
And where the milkweed's sleepy seeds,--
A faery Feast of Lanterns,--swung;
The cricket tuned a plaintive lyre,
And o'er the hills the sunset hung
A purple parchment scrawled with fire.

From silver-blue to amethyst
The shadows deepened in the vale;
And belt by belt the pearly-pale
Aladdin fabric of the mist
Built up its exhalation far;
A jewel on an Afrit's wrist,
One star gemmed sunset's cinnabar.

Then night drew near, as when, alone,
The heart and soul grow intimate;
And on the hills the twilight sate
With shadows, whose wild robes were sown
With dreams and whispers;--dreams, that led
The heart once with love's monotone,
And memories of the living-dead.

VII

All night the rain-gusts shook the leaves
Around my window; and the blast
Rumbled the flickering flue, and fast
The storm streamed from the dripping eaves.
As if--'neath skies gone mad with fear--
The witches' Sabboth galloped past,
The forests leapt like startled deer.

All night I heard the sweeping sleet;
And when the morning came, as slow
As wan affliction, with the woe
Of all the world dragged at her feet,
No spear of purple shattered through
The dark gray of the east; no bow
Of gold shot arrows swift and blue.

But rain, that whipped the windows; filled
The spouts with rushings; and around
The garden stamped, and sowed the ground
With limbs and leaves; the wood-pool filled
With overgurgling.--Bleak and cold
The fields looked, where the footpath wound
Through teasel and bur-marigold.

Yet there's a kindness in such days
Of gloom, that doth console regret
With sympathy of tears, which wet
Old eyes that watch the back-log blaze.--
A kindness, alien to the deep
Glad blue of sunny days that let
No thought in of the lives that weep.

VIII

This dawn, through which the Autumn glowers,--
As might a face within our sleep,
With stone-gray eyes that weep and weep,
And wet brows bound with sodden flowers,--
Is sunset to some sister land;
A land of ruins and of palms;
Rich sunset, crimson with long calms,--
Whose burning belt low mountains bar,--
That sees some brown Rebecca stand
Beside a well the camel-band
Winds down to 'neath the evening star.

O sunset, sister to this dawn!
O dawn, whose face is turned away!
Who gazest not upon this day,
But back upon the day that's gone!
Enamored so of loveliness,
The retrospect of what thou wast,
Oh, to thyself the present trust!
And as thy past be beautiful
With hues, that never can grow less!
Waiting thy pleasure to express
New beauty lest the world grow dull.

IX

Down in the woods a sorcerer,
Out of rank rain and death, distills,--
Through chill alembics of the air,--
Aromas that brood everywhere
Among the whisper-haunted hills:
The bitter myrrh of dead leaves fills
Wet valleys (where the gaunt weeds bleach)
With rainy scents of wood-decay;--
As if a spirit all the day
Sat breathing softly 'neath the beech.

With other eyes I see her flit,
The wood-witch of the wild perfumes,
Among her elfin owls,--that sit,
A drowsy white, in crescent-lit
Dim glens of opalescent glooms:--
Where, for her magic, buds and blooms
Mysterious perfumes, while she stands,
A thornlike shadow, summoning
The sleepy odors, that take wing
Like bubbles from her dewy hands.

X

Among the woods they call to me--
The lights that haunt the wood and stream;
Voices of such white ecstasy
As moves with hushed lips through a dream:
They stand in auraed radiances,
Or flash with nimbused limbs across
Their golden shadows on the moss,
Or slip in silver through the trees.

What love can give the heart in me
More hope and exaltation than
The hand of light that tips the tree
And beckons far from marts of man?
That reaches foamy fingers through
The broken ripple, and replies
With sparkling speech of lips and eyes
To souls who seek and still pursue.

XI

Give me the streams, that counterfeit
The twilight of autumnal skies;
The shadowy, silent waters, lit
With fire like a woman's eyes!
Slow waters that, in autumn, glass
The scarlet-strewn and golden grass,
And drink the sunset's tawny dyes.

Give me the pools, that lie among
The centuried forests! give me those,
Deep, dim, and sad as darkness hung
Beneath the sunset's somber rose:
Still pools, in whose vague mirrors look--
Like ragged gypsies round a book
Of magic--trees in wild repose.

No quiet thing, or innocent,
Of water, earth, or air shall please
My soul now: but the violent
Between the sunset and the trees:
The fierce, the splendid, and intense,
That love matures in innocence,
Like mighty music, give me these!

XII

When thorn-tree copses still were bare
And black along the turbid brook;
When catkined willows blurred and shook
Great tawny tangles in the air;
In bottomlands, the first thaw makes
An oozy bog, beneath the trees,
Prophetic of the spring that wakes,
Sang the sonorous hylodes.

Now that wild winds have stripped the thorn,
And clogged with leaves the forest-creek;
Now that the woods look blown and bleak,
And webs are frosty white at morn;
At night beneath the spectral sky,
A far foreboding cry I hear--
The wild fowl calling as they fly?
Or wild voice of the dying Year?

XIII

And still my soul holds phantom tryst,
When chestnuts hiss among the coals,
Upon the Evening of All Souls,
When all the night is moon and mist,
And all the world is mystery;
I kiss dear lips that death hath kissed,
And gaze in eyes no man may see,
Filled with a love long lost to me.

I hear the night-wind's ghostly glove
Flutter the window: then the knob
Of some dark door turn, with a sob
As when love comes to gaze on love
Who lies pale-coffined in a room:
And then the iron gallop of
The storm, who rides outside; his plume
Sweeping the night with dread and gloom.

So fancy takes the mind, and paints
The darkness with eidolon light,
And writes the dead's romance in night
On the dim Evening of All Saints:
Unheard the hissing nuts; the clink
And fall of coals, whose shadow faints
Around the hearts that sit and think,
Borne far beyond the actual's brink.

XIV

I heard the wind, before the morn
Stretched gaunt, gray fingers 'thwart my pane,
Drive clouds down, a dark dragon-train;
Its iron visor closed, a horn
Of steel from out the north it wound.--
No morn like yesterday's! whose mouth,
A cool carnation, from the south
Breathed through a golden reed the sound
Of days that drop clear gold upon
Cerulean silver floors of dawn.

And all of yesterday is lost
And swallowed in to-day's wild light--
The birth deformed of day and night,
The illegitimate, who cost
Its mother secret tears and sighs;
Unlovely since unloved; and chilled
With sorrows and the shame that filled
Its parents' love; which was not wise
In passion as the day and night
That married yestermorn with light.

XV

Down through the dark, indignant trees,
On indistinguishable wings
Of storm, the wind of evening swings;
Before its insane anger flees
Distracted leaf and shattered bough:
There is a rushing as when seas
Of thunder beat an iron prow
On reefs of wrath and roaring wreck:
'Mid stormy leaves, a hurrying speck
Of flickering blackness, driven by,
A mad bat whirls along the sky.

Like some sad shadow, in the eve's
Deep melancholy--visible
As by some strange and twilight spell--
A gaunt girl stands among the leaves,
The night-wind in her dolorous dress:
Symbolic of the life that grieves,
Of toil that patience makes not less,
Her load of fagots fallen there.--
A wilder shadow sweeps the air,
And she is gone.... Was it the dumb
Eidolon of the month to come?

XVI

The song birds--are they flown away?
The song birds of the summer time,
That sang their souls into the day,
And set the laughing hours to rhyme.
No catbird scatters through the bush
The sparkling crystals of its song;
Within the woods no hermit-thrush
Thridding with vocal gold the hush.

All day the crows fly cawing past:
The acorns drop: the forests scowl:
At night I hear the bitter blast
Hoot with the hooting of the owl.
The wild creeks freeze: the ways are strewn
With leaves that clog: beneath the tree
The bird, that set its toil to tune,
And made a home for melody,
Lies dead beneath the snow-white moon.

OCTOBER

Far off a wind blew, and I heard
Wild echoes of the woods reply--
The herald of some royal word,
With bannered trumpet, blown on high,
Meseemed then passed me by:

Who summoned marvels there to meet,
With pomp, upon a cloth of gold;
Where berries of the bittersweet,
That, splitting, showed the coals they hold,
Sowed garnets through the wold:

Where, under tents of maples, seeds
Of smooth carnelian, oval red,
The spice-bush spangled: where, like beads,
The dogwood's rounded rubies--fed
With fire--blazed and bled.

And there I saw amid the rout
Of months, in richness cavalier,
A minnesinger--lips apout;
A gypsy face; straight as a spear;
A rose stuck in his ear:

Eyes, sparkling like old German wine,
All mirth and moonlight; naught to spare
Of slender beard, that lent a line
To his short lip; October there,
With chestnut curling hair.

His brown baretta swept its plume
Red through the leaves; his purple hose,
Puffed at the thighs, made gleam of gloom;
His tawny doublet, slashed with rose,
And laced with crimson bows,

Outshone the wahoo's scarlet pride,
The haw, in rich vermilion dressed:
A dagger dangling at his side,
A slim lute, banded to his breast,
Whereon his hands were pressed.

I saw him come.... And, lo, to hear
The lilt of his approaching lute,
No wonder that the regnant Year
Bent down her beauty, blushing mute,
Her heart beneath his foot.

FRIENDS

Down through the woods, along the way
That fords the stream; by rock and tree,
Where in the bramble-bell the bee
Swings; and through twilights green and gray
The redbird flashes suddenly,
My thoughts went wandering to-day.

I found the fields where, row on row,
The blackberries hang dark with fruit;
Where, nesting at the elder's root,
The partridge whistles soft and low;
The fields, that billow to the foot
Of those old hills we used to know.

There lay the pond, all willow-bound,
On whose bright face, when noons were hot,
We marked the bubbles rise; some plot
To lure us in; while all around
Our heads,--like faery fancies,--shot
The dragonflies without a sound.

The pond, above which evening bent
To gaze upon her gypsy face;
Wherein the twinkling night would trace
A vague, inverted firmament;
In which the green frogs tuned their bass,
And firefly sparkles came and went.

The oldtime place we often ranged,
When we were playmates, you and I;
The oldtime fields, with boyhood's sky
Still blue above them!--Naught was changed:
Nothing.--Alas! then, tell me why
Should we be? whom the years estranged.

COMRADERY

With eyes hand-arched he looks into
The morning's face; then turns away
With truant feet, all wet with dew,
Out for a holiday.

The hill brook sings; incessant stars,
Foam-fashioned, on its restless breast;
And where he wades its water-bars
Its song is happiest.

A comrade of the chinquapin,
He looks into its knotty eyes
And sees its heart; and, deep within,
Its soul that makes him wise.

The wood-thrush knows and follows him,
Who whistles up the birds and bees;
And round him all the perfumes swim
Of woodland loam and trees.

Where'er he pass the silvery springs'
Foam-people sing the flowers awake;
And sappy lips of bark-clad things
Laugh ripe each berried brake.

His touch is a companionship;
His word an old authority:
He comes, a lyric on his lip,
The woodboy--Poesy.

BARE BOUGHS

O heart,--that beat the bird's blithe blood,
The blithe bird's strain, and understood
The song it sang to leaf and bud,--
What dost thou in the wood?

O soul,--that kept the brook's glad flow,
The glad brook's word to sun and moon,--
What dost thou here where song lies low,
And dead the dreams of June?

Where once was heard a voice of song,
The hautboys of the mad winds sing;
Where once a music flowed along,
The rain's wild bugle's ring.

The weedy water frets and ails,
And moans in many a sunless fall;
And, o'er the melancholy, trails
The black crow's eldritch call.

Unhappy brook! O withered wood!
O days, whom Death makes comrades of!
Where are the birds that thrilled the blood
When Life struck hands with Love?

A song, one soared against the blue;
A song, one silvered in the leaves;
A song, one blew where orchards grew
Gold-appled to the eaves.

The birds are flown; the flowers, dead;
And sky and earth are bleak and gray:
Where Joy once went, all light of tread,
Grief haunts the leaf-wild way.

DAYS AND DAYS

The days that clothed white limbs with heat,
And rocked the red rose on their breast,
Have passed with amber-sandaled feet
Into the ruby-gated west.

These were the days that filled the heart
With overflowing riches of
Life, in whose soul no dream shall start
But hath its origin in love.

Now come the days gray-huddled in
The haze; whose foggy footsteps drip;
Who pin beneath a gypsy chin
The frosty marigold and hip.

The days, whose forms fall shadowy
Athwart the heart: whose misty breath
Shapes saddest sweets of memory
Out of the bitterness of death.

AUTUMN SORROW

Ah me! too soon the autumn comes
Among these purple-plaintive hills!
Too soon among the forest gums
Premonitory flame she spills,
Bleak, melancholy flame that kills.

Her white fogs veil the morn, that rims
With wet the moonflower's elfin moons;
And, like exhausted starlight, dims
The last slim lily-disk; and swoons
With scents of hazy afternoons.

Her gray mists haunt the sunset skies,
And build the west's cadaverous fires,
Where Sorrow sits with lonely eyes,
And hands that wake an ancient lyre,
Beside the ghost of dead Desire.

THE TREE-TOAD

I

Secluded, solitary on some underbough,
Or cradled in a leaf, 'mid glimmering light,
Like Puck thou crouchest: Haply watching how
The slow toadstool comes bulging, moony white,
Through loosening loam; or how, against the night,
The glowworm gathers silver to endow
The darkness with; or how the dew conspires
To hang, at dusk, with lamps of chilly fires
Each blade that shrivels now.

II

O vague confederate of the whippoorwill,
Of owl and cricket and the katydid!
Thou gatherest up the silence in one shrill
Vibrating note and send'st it where, half hid
In cedars, twilight sleeps--each azure lid
Drooping a line of golden eyeball still.--
Afar, yet near, I hear thy dewy voice
Within the Garden of the Hours apoise
On dusk's deep daffodil.

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