A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

Poems by Madison Cawein

M >> Madison Cawein >> Poems

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9





AFTER LONG GRIEF

There is a place hung o'er of summer boughs
And dreamy skies wherein the gray hawk sleeps;
Where water flows, within whose lazy deeps,
Like silvery prisms where the sunbeams drowse,
The minnows twinkle; where the bells of cows
Tinkle the stillness; and the bobwhite keeps
Calling from meadows where the reaper reaps,
And children's laughter haunts an oldtime house:
A place where life wears ever an honest smell
Of hay and honey, sun and elder-bloom,--
Like some sweet, simple girl,--within her hair;
Where, with our love for comrade, we may dwell
Far from the city's strife, whose cares consume.--
Oh, take my hand and let me lead you there.



MENDICANTS

Bleak, in dark rags of clouds, the day begins,
That passed so splendidly but yesterday,
Wrapped in magnificence of gold and gray,
And poppy and rose. Now, burdened as with sins,
Their wildness clad in fogs, like coats of skins,
Tattered and streaked with rain; gaunt, clogged with clay,
The mendicant Hours take their somber way
Westward o'er Earth, to which no sunray wins.
Their splashing sandals ooze; their foosteps drip,
Puddle and brim with moisture; their sad hair
Is tagged with haggard drops, that with their eyes'
Slow streams are blent; each sullen fingertip
Rivers; while round them, in the grief-drenched air
Wearies the wind of their perpetual sighs.



THE END OF SUMMER

Pods the poppies, and slim spires of pods
The hollyhocks; the balsam's pearly bredes
Of rose-stained snow are little sacs of seeds
Collapsing at a touch: the lote, that sods
The pond with green, has changed its flowers to rods
And discs of vesicles; and all the weeds,
Around the sleepy water and its reeds,
Are one white smoke of seeded silk that nods.
Summer is dead, ay me! sweet Summer's dead!
The sunset clouds have built her funeral pyre,
Through which, e'en now, runs subterranean fire:
While from the east, as from a garden bed,
Mist-vined, the Dusk lifts her broad moon--like some
Great golden melon--saying, "Fall has come."



NOVEMBER



The shivering wind sits in the oaks, whose limbs,
Twisted and tortured, nevermore are still;
Grief and decay sit with it; they, whose chill
Autumnal touch makes hectic-red the rims
Of all the oak leaves; desolating, dims
The ageratum's blue that banks the rill;
And splits the milkweed's pod upon the hill,
And shakes it free of the last seed that swims.
Down goes the day despondent to its close:
And now the sunset's hands of copper build
A tower of brass, behind whose burning bars
The day, in fierce, barbarian repose,
Like some imprisoned Inca sits, hate-filled,
Crowned with the gold corymbus of the stars.

II

There is a booming in the forest boughs;
Tremendous feet seem trampling through the trees:
The storm is at his wildman revelries,
And earth and heaven echo his carouse.
Night reels with tumult; and, from out her house
Of cloud, the moon looks,--like a face one sees
In nightmare,--hurrying, with pale eyes that freeze
Stooping above with white, malignant brows.
The isolated oak upon the hill,
That seemed, at sunset, in terrific lands
A Titan head black in a sea of blood,
Now seems a monster harp, whose wild strings thrill
To the vast fingering of innumerable hands--
Spirits of tempest and of solitude.



THE DEATH OF LOVE

So Love is dead, the Love we knew of old!
And in the sorrow of our hearts' hushed halls
A lute lies broken and a flower falls;
Love's house stands empty and his hearth lies cold.
Lone in dim places, where sweet vows were told,
In walks grown desolate, by ruined walls
Beauty decays; and on their pedestals
Dreams crumble and th' immortal gods are mold.
Music is slain or sleeps; one voice alone,
One voice awakes, and like a wandering ghost
Haunts all the echoing chambers of the Past--
The voice of Memory, that stills to stone
The soul that hears; the mind, that, utterly lost,
Before its beautiful presence stands aghast.



UNANSWERED

How long ago it is since we went Maying!
Since she and I went Maying long ago!--
The years have left my forehead lined, I know,
Have thinned my hair around the temples graying.
Ah, time will change us: yea, I hear it saying--
"She too grows old: the face of rose and snow
Has lost its freshness: in the hair's brown glow
Some strands of silver sadly, too, are straying.
The form you knew, whose beauty so enspelled,
Has lost the litheness of its loveliness:
And all the gladness that her blue eyes held
Tears and the world have hardened with distress."--
"True! true!" I answer, "O ye years that part!
These things are chaned--but is her heart, her heart?"



UNCALLED

As one, who, journeying westward with the sun,
Beholds at length from the up-towering hills,
Far-off, a land unspeakable beauty fills,
Circean peaks and vales of Avalon:
And, sinking weary, watches, one by one,
The big seas beat between; and knows it skills
No more to try; that now, as Heaven wills,
This is the helpless end, that all is done:
So 'tis with him, whom long a vision led
In quest of Beauty; and who finds at last
She lies beyond his effort; all the waves
Of all the world between them: while the dead,
The myriad dead, who people all the past
With failure, hail him from forgotten graves.





Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9

Audio slideshow: Robert Shaw discusses his production of Sylvia Plath's only play
What is your biggest guilty green secret?

Video: Costa prize winners

A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Turkish poet Nazim Hikmet regains citizenship
Nonagenarian Diana Athill, Irish writer Sebastian Barry and first book winner Sadie Jones talk about their books and their writing after the awards were announced last night

Copyright (c) 2007. booksboost.com. All rights reserved.