A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

Poetical Works of Akenside by Mark Akenside

M >> Mark Akenside >> Poetical Works of Akenside

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20



Genius of ancient Greece! whose faithful steps
Well pleased I follow through the sacred paths
Of Nature and of Science; nurse divine
Of all heroic deeds and fair desires! 570
Oh! let the breath of thy extended praise
Inspire my kindling bosom to the height
Of this untempted theme. Nor be my thoughts
Presumptuous counted, if, amid the calm
That soothes this vernal evening into smiles,
I steal impatient from the sordid haunts
Of strife and low ambition, to attend
Thy sacred presence in the sylvan shade,
By their malignant footsteps ne'er profaned.
Descend, propitious, to my favour'd eye! 580
Such in thy mien, thy warm, exalted air,
As when the Persian tyrant, foil'd and stung
With shame and desperation, gnash'd his teeth
To see thee rend the pageants of his throne;
And at the lightning of thy lifted spear
Crouch'd like a slave. Bring all thy martial spoils,
Thy palms, thy laurels, thy triumphal songs,
Thy smiling band of art, thy godlike sires
Of civil wisdom, thy heroic youth
Warm from the schools of glory. Guide my way 590
Through fair Lycéum's [Endnote I] walk, the green retreats
Of Academus, [Endnote J] and the thymy vale,
Where oft enchanted with Socratic sounds,
Ilissus [Endnote K] pure devolved his tuneful stream
In gentler murmurs. From the blooming store
Of these auspicious fields, may I unblamed
Transplant some living blossoms to adorn
My native clime: while far above the flight
Of Fancy's plume aspiring, I unlock
The springs of ancient wisdom! while I join 600
Thy name, thrice honour'd! with the immortal praise
Of Nature; while to my compatriot youth
I point the high example of thy sons,
And tune to Attic themes the British lyre.





BOOK II.


ARGUMENT.

The separation of the works of Imagination from Philosophy, the
cause of their abuse among the moderns. Prospect of their reunion
under the influence of public Liberty. Enumeration of accidental
pleasures, which increase the effect of objects delightful to the
Imagination. The pleasures of sense. Particular circumstances of the
mind. Discovery of truth. Perception of contrivance and design.
Emotion of the passions. All the natural passions partake of a
pleasing sensation; with the final cause of this constitution
illustrated by an allegorical vision, and exemplified in sorrow, pity,
terror, and indignation.

When shall the laurel and the vocal string
Resume their honours? When shall we behold
The tuneful tongue, the Promethéan band
Aspire to ancient praise? Alas! how faint,
How slow the dawn of Beauty and of Truth
Breaks the reluctant shades of Gothic night
Which yet involves the nations! Long they groan'd
Beneath the furies of rapacious force;
Oft as the gloomy north, with iron swarms
Tempestuous pouring from her frozen caves, 10
Blasted the Italian shore, and swept the works
Of Liberty and Wisdom down the gulf
Of all-devouring night. As long immured
In noontide darkness, by the glimmering lamp,
Each Muse and each fair Science pined away
The sordid hours: while foul, barbarian hands
Their mysteries profaned, unstrung the lyre,
And chain'd the soaring pinion down to earth.
At last the Muses rose, [Endnote L] and spurn'd their bonds,
And, wildly warbling, scatter'd as they flew, 20
Their blooming wreaths from fair Valclusa's [Endnote M] bowers
To Arno's [Endnote N] myrtle border and the shore
Of soft Parthenopé. [Endnote O] But still the rage
Of dire ambition [Endnote P] and gigantic power,
From public aims and from the busy walk
Of civil commerce, drove the bolder train
Of penetrating Science to the cells,
Where studious Ease consumes the silent hour
In shadowy searches and unfruitful care.
Thus from their guardians torn, the tender arts [Endnote Q] 30
Of mimic fancy and harmonious joy,
To priestly domination and the lust
Of lawless courts, their amiable toil
For three inglorious ages have resign'd,
In vain reluctant: and Torquato's tongue
Was tuned for slavish pasans at the throne
Of tinsel pomp: and Raphael's magic hand
Effused its fair creation to enchant
The fond adoring herd in Latian fanes
To blind belief; while on their prostrate necks 40
The sable tyrant plants his heel secure.
But now, behold! the radiant era dawns,
When freedom's ample fabric, fix'd at length
For endless years on Albion's happy shore
In full proportion, once more shall extend
To all the kindred powers of social bliss
A common mansion, a parental roof.
There shall the Virtues, there shall Wisdom's train,
Their long-lost friends rejoining, as of old,
Embrace the smiling family of Arts, 50
The Muses and the Graces. Then no more
Shall Vice, distracting their delicious gifts
To aims abhorr'd, with high distaste and scorn
Turn from their charms the philosophic eye,
The patriot bosom; then no more the paths
Of public care or intellectual toil,
Alone by footsteps haughty and severe
In gloomy state be trod: the harmonious Muse
And her persuasive sisters then shall plant
Their sheltering laurels o'er the bleak ascent, 60
And scatter flowers along the rugged way.
Arm'd with the lyre, already have we dared
To pierce divine Philosophy's retreats,
And teach the Muse her lore; already strove
Their long-divided honours to unite,
While tempering this deep argument we sang
Of Truth and Beauty. Now the same glad task
Impends; now urging our ambitious toil,
We hasten to recount the various springs
Of adventitious pleasure, which adjoin 70
Their grateful influence to the prime effect
Of objects grand or beauteous, and enlarge
The complicated joy. The sweets of sense,
Do they not oft with kind accession flow,
To raise harmonious Fancy's native charm?
So while we taste the fragrance of the rose,
Glows not her blush the fairer? While we view
Amid the noontide walk a limpid rill
Gush through the trickling herbage, to the thirst
Of summer yielding the delicious draught 80
Of cool refreshment, o'er the mossy brink
Shines not the surface clearer, and the waves
With sweeter music murmur as they flow?

Nor this alone; the various lot of life
Oft from external circumstance assumes
A moment's disposition to rejoice
In those delights which, at a different hour,
Would pass unheeded. Fair the face of Spring,
When rural songs and odours wake the morn,
To every eye; but how much more to his 90
Round whom the bed of sickness long diffused
Its melancholy gloom! how doubly fair,
When first with fresh-born vigour he inhales
The balmy breeze, and feels the blessed sun
Warm at his bosom, from the springs of life
Chasing oppressive damps and languid pain!

Or shall I mention, where celestial Truth
Her awful light discloses, to bestow
A more majestic pomp on Beauty's frame?
For man loves knowledge, and the beams of Truth 100
More welcome touch his understanding's eye,
Than all the blandishments of sound his ear,
Than all of taste his tongue. Nor ever yet
The melting rainbow's vernal-tinctured hues
To me have shown so pleasing, as when first
The hand of Science pointed out the path
In which the sunbeams, gleaming from the west,
Fall on the watery cloud, whose darksome veil
Involves the orient; and that trickling shower
Piercing through every crystalline convex 110
Of clustering dewdrops to their flight opposed,
Recoil at length where concave all behind
The internal surface of each glassy orb
Repels their forward passage into air;
That thence direct they seek the radiant goal
From which their course began; and, as they strike
In different lines the gazer's obvious eye,
Assume a different lustre, through the brede
Of colours changing from the splendid rose
To the pale violet's dejected hue. 120

Or shall we touch that kind access of joy,
That springs to each fair object, while we trace,
Through all its fabric, Wisdom's artful aim,
Disposing every part, and gaining still,
By means proportion'd, her benignant end?
Speak ye, the pure delight, whose favour'd steps
The lamp of Science through the jealous maze
Of Nature guides, when haply you reveal
Her secret honours: whether in the sky,
The beauteous laws of light, the central powers 130
That wheel the pensile planets round the year;
Whether in wonders of the rolling deep,
Or the rich fruits of all-sustaining earth,
Or fine-adjusted springs of life and sense,
Ye scan the counsels of their Author's hand.

What, when to raise the meditated scene,
The flame of passion, through the struggling soul
Deep-kindled, shows across that sudden blaze
The object of its rapture, vast of size,
With fiercer colours and a night of shade? 140
What, like a storm from their capacious bed
The sounding seas o'erwhelming, when the might
Of these eruptions, working from the depth
Of man's strong apprehension, shakes his frame
Even to the base; from every naked sense
Of pain or pleasure, dissipating all
Opinion's feeble coverings, and the veil
Spun from the cobweb fashion of the times
To hide the feeling heart? Then Nature speaks
Her genuine language, and the words of men, 150
Big with the very motion of their souls,
Declare with what accumulated force
The impetuous nerve of passion urges on
The native weight and energy of things.

Yet more: her honours where nor Beauty claims,
Nor shows of good the thirsty sense allure,
From passion's power alone [Endnote R] our nature holds
Essential pleasure. Passion's fierce illapse
Rouses the mind's whole fabric; with supplies
Of daily impulse keeps the elastic powers 160
Intensely poised, and polishes anew
By that collision all the fine machine:
Else rust would rise, and foulness, by degrees
Encumbering, choke at last what heaven design'd
For ceaseless motion and a round of toil.--
But say, does every passion thus to man
Administer delight? That name indeed
Becomes the rosy breath of love; becomes
The radiant smiles of joy, the applauding hand
Of admiration: but the bitter shower 170
That sorrow sheds upon a brother's grave;
But the dumb palsy of nocturnal fear,
Or those consuming fires that gnaw the heart
Of panting indignation, find we there
To move delight?--Then listen while my tongue
The unalter'd will of Heaven with faithful awe
Reveals; what old Harmodius wont to teach
My early age; Harmodius, who had weigh'd
Within his learned mind whate'er the schools
Of Wisdom, or thy lonely-whispering voice, 180
O faithful Nature! dictate of the laws
Which govern and support this mighty frame
Of universal being. Oft the hours
From morn to eve have stolen unmark'd away,
While mute attention hung upon his lips,
As thus the sage his awful tale began:--

''Twas in the windings of an ancient wood,
When spotless youth with solitude resigns
To sweet philosophy the studious day,
What time pale Autumn shades the silent eve, 190
Musing I roved. Of good and evil much,
And much of mortal man my thought revolved;
When starting full on fancy's gushing eye
The mournful image of Parthenia's fate,
That hour, O long beloved and long deplored!
When blooming youth, nor gentlest wisdom's arts,
Nor Hymen's honours gather'd for thy brow,
Nor all thy lover's, all thy father's tears
Avail'd to snatch thee from the cruel grave;
Thy agonising looks, thy last farewell 200
Struck to the inmost feeling of my soul
As with the hand of Death. At once the shade
More horrid nodded o'er me, and the winds
With hoarser murmuring shook the branches. Dark
As midnight storms, the scene of human things
Appear'd before me; deserts, burning sands,
Where the parch'd adder dies; the frozen south,
And desolation blasting all the west
With rapine and with murder: tyrant power
Here sits enthroned with blood; the baleful charms 210
Of superstition there infect the skies,
And turn the sun to horror. Gracious Heaven!
What is the life of man? Or cannot these,
Not these portents thy awful will suffice,
That, propagated thus beyond their scope,
They rise to act their cruelties anew
In my afflicted bosom, thus decreed
The universal sensitive of pain,
The wretched heir of evils not its own?'

Thus I impatient: when, at once effused, 220
A flashing torrent of celestial day
Burst through the shadowy void. With slow descent
A purple cloud came floating through the sky,
And, poised at length within the circling trees,
Hung obvious to my view; till opening wide
Its lucid orb, a more than human form
Emerging lean'd majestic o'er my head,
And instant thunder shook the conscious grove.
Then melted into air the liquid cloud,
And all the shining vision stood reveal'd. 230
A wreath of palm his ample forehead bound,
And o'er his shoulder, mantling to his knee,
Flow'd the transparent robe, around his waist
Collected with a radiant zone of gold
Aethereal: there in mystic signs engraved,
I read his office high and sacred name,
Genius of human kind! Appall'd I gazed
The godlike presence; for athwart his brow
Displeasure, temper'd with a mild concern,
Look'd down reluctant on me, and his words 240
Like distant thunders broke the murmuring air:

'Vain are thy thoughts, O child of mortal birth!
And impotent thy tongue. Is thy short span
Capacious of this universal frame?--
Thy wisdom all-sufficient? Thou, alas!
Dost thou aspire to judge between the Lord
Of Nature and his works--to lift thy voice
Against the sovereign order he decreed,
All good and lovely--to blaspheme the bands
Of tenderness innate and social love, 250
Holiest of things! by which the general orb
Of being, as by adamantine links,
Was drawn to perfect union, and sustain'd
From everlasting? Hast thou felt the pangs
Of softening sorrow, of indignant zeal,
So grievous to the soul, as thence to wish
The ties of Nature broken from thy frame,
That so thy selfish, unrelenting heart
Might cease to mourn its lot, no longer then
The wretched heir of evils not its own? 260
O fair benevolence of generous minds!
O man by Nature form'd for all mankind!'

He spoke; abash'd and silent I remain'd,
As conscious of my tongue's offence, and awed
Before his presence, though my secret soul
Disdain'd the imputation. On the ground
I fix'd my eyes, till from his airy couch
He stoop'd sublime, and touching with his hand
My dazzling forehead, 'Raise thy sight,' he cried,
'And let thy sense convince thy erring tongue.' 270

I look'd, and lo! the former scene was changed;
For verdant alleys and surrounding trees,
A solitary prospect, wide and wild,
Rush'd on my senses. 'Twas a horrid pile
Of hills with many a shaggy forest mix'd,
With many a sable cliff and glittering stream.
Aloft, recumbent o'er the hanging ridge,
The brown woods waved; while ever-trickling springs
Wash'd from the naked roots of oak and pine
The crumbling soil; and still at every fall 280
Down the steep windings of the channel'd rock,
Remurmuring rush'd the congregated floods
With hoarser inundation; till at last
They reach'd a grassy plain, which from the skirts
Of that high desert spread her verdant lap,
And drank the gushing moisture, where confined
In one smooth current, o'er the lilied vale
Clearer than glass it flow'd. Autumnal spoils
Luxuriant spreading to the rays of morn,
Blush'd o'er the cliffs, whose half-encircling mound 290
As in a sylvan theatre enclosed
That flowery level. On the river's brink
I spied a fair pavilion, which diffused
Its floating umbrage 'mid the silver shade
Of osiers. Now the western sun reveal'd
Between two parting cliffs his golden orb,
And pour'd across the shadow of the hills,
On rocks and floods, a yellow stream of light
That cheer'd the solemn scene. My listening powers
Were awed, and every thought in silence hung, 300
And wondering expectation. Then the voice
Of that celestial power, the mystic show
Declaring, thus my deep attention call'd:--

'Inhabitant of earth, [Endnote S] to whom is given
The gracious ways of Providence to learn,
Receive my sayings with a steadfast ear--
Know then, the Sovereign Spirit of the world,
Though, self-collected from eternal time,
Within his own deep essence he beheld
The bounds of true felicity complete, 310
Yet by immense benignity inclined
To spread around him that primeval joy
Which fill'd himself, he raised his plastic arm,
And sounded through the hollow depths of space
The strong, creative mandate. Straight arose
These heavenly orbs, the glad abodes of life,
Effusive kindled by his breath divine
Through endless forms of being. Each inhaled
From him its portion of the vital flame,
In measure such, that, from the wide complex 320
Of coexistent orders, one might rise,
One order, [Endnote T] all-involving and entire.
He too, beholding in the sacred light
Of his essential reason, all the shapes
Of swift contingence, all successive ties
Of action propagated through the sum
Of possible existence, he at once,
Down the long series of eventful time,
So fix'd the dates of being, so disposed,
To every living soul of every kind 330
The field of motion and the hour of rest,
That all conspired to his supreme design,
To universal good: with full accord
Answering the mighty model he had chose,
The best and fairest [Endnote U] of unnumber'd worlds
That lay from everlasting in the store
Of his divine conceptions. Nor content,
By one exertion of creative power
His goodness to reveal; through every age,
Through every moment up the tract of time, 340
His parent hand with ever new increase
Of happiness and virtue has adorn'd
The vast harmonious frame: his parent hand,
From the mute shell-fish gasping on the shore,
To men, to angels, to celestial minds,
For ever leads the generations on
To higher scenes of being; while, supplied
From day to day with his enlivening breath,
Inferior orders in succession rise
To fill the void below. As flame ascends, [Endnote V] 350
As bodies to their proper centre move,
As the poised ocean to the attracting moon
Obedient swells, and every headlong stream
Devolves its winding waters to the main;
So all things which have life aspire to God,
The sun of being, boundless, unimpair'd,
Centre of souls! Nor does the faithful voice
Of Nature cease to prompt their eager steps
Aright; nor is the care of Heaven withheld
From granting to the task proportion'd aid; 360
That in their stations all may persevere
To climb the ascent of being, and approach
For ever nearer to the life divine.--

'That rocky pile thou seest, that verdant lawn
Fresh-water'd from the mountains. Let the scene
Paint in thy fancy the primeval seat
Of man, and where the Will Supreme ordain'd
His mansion, that pavilion fair-diffused
Along the shady brink; in this recess
To wear the appointed season of his youth, 370
Till riper hours should open to his toil
The high communion of superior minds,
Of consecrated heroes and of gods.
Nor did the Sire Omnipotent forget
His tender bloom to cherish; nor withheld
Celestial footsteps from his green abode.
Oft from the radiant honours of his throne,
He sent whom most he loved, the sovereign fair,
The effluence of his glory, whom he placed
Before his eyes for ever to behold; 380
The goddess from whose inspiration flows
The toil of patriots, the delight of friends;
Without whose work divine, in heaven or earth,
Nought lovely, nought propitious, conies to pass,
Nor hope, nor praise, nor honour. Her the Sire
Gave it in charge to rear the blooming mind,
The folded powers to open, to direct
The growth luxuriant of his young desires,
And from the laws of this majestic world
To teach him what was good. As thus the nymph 390
Her daily care attended, by her side
With constant steps her gay companion stay'd,
The fair Euphrosyné, the gentle queen
Of smiles, and graceful gladness, and delights
That cheer alike the hearts of mortal men
And powers immortal. See the shining pair!
Behold, where from his dwelling now disclosed
They quit their youthful charge and seek the skies.'

I look'd, and on the flowery turf there stood
Between two radiant forms a smiling youth 400
Whose tender cheeks display'd the vernal flower
Of beauty: sweetest innocence illumed
His bashful eyes, and on his polish'd brow
Sate young simplicity. With fond regard
He view'd the associates, as their steps they moved;
The younger chief his ardent eyes detain'd,
With mild regret invoking her return.
Bright as the star of evening she appear'd
Amid the dusky scene. Eternal youth
O'er all her form its glowing honours breathed; 410
And smiles eternal from her candid eyes
Flow'd, like the dewy lustre of the morn
Effusive trembling on the placid waves.
The spring of heaven had shed its blushing spoils
To bind her sable tresses: full diffused
Her yellow mantle floated in the breeze;
And in her hand she waved a living branch
Rich with immortal fruits, of power to calm
The wrathful heart, and from the brightening eyes
To chase the cloud of sadness. More sublime 420
The heavenly partner moved. The prime of age
Composed her steps. The presence of a god,
High on the circle of her brow enthroned,
From each majestic motion darted awe,
Devoted awe! till, cherish'd by her looks
Benevolent and meek, confiding love
To filial rapture soften'd all the soul.
Free in her graceful hand she poised the sword
Of chaste dominion. An heroic crown
Display'd the old simplicity of pomp 430
Around her honour'd head. A matron's robe,
White as the sunshine streams through vernal clouds,
Her stately form invested. Hand in hand
The immortal pair forsook the enamel'd green,
Ascending slowly. Rays of limpid light
Gleam'd round their path; celestial sounds were heard,
And through the fragrant air ethereal dews
Distill'd around them; till at once the clouds,
Disparting wide in midway sky, withdrew
Their airy veil, and left a bright expanse 440
Of empyrean flame, where, spent and drown'd,
Afflicted vision plunged in vain to scan
What object it involved. My feeble eyes
Endured not. Bending down to earth I stood,
With dumb attention. Soon a female voice,
As watery murmurs sweet, or warbling shades,
With sacred invocation thus began:

'Father of gods and mortals! whose right arm
With reins eternal guides the moving heavens,
Bend thy propitious ear. Behold well pleased 450
I seek to finish thy divine decree.
With frequent steps I visit yonder seat
Of man, thy offspring; from the tender seeds
Of justice and of wisdom, to evolve
The latent honours of his generous frame;
Till thy conducting hand shall raise his lot
From earth's dim scene to these ethereal walks,
The temple of thy glory. But not me,
Not my directing voice he oft requires,
Or hears delighted: this enchanting maid, 460
The associate thou hast given me, her alone
He loves, O Father! absent, her he craves;
And but for her glad presence ever join'd,
Rejoices not in mine: that all my hopes
This thy benignant purpose to fulfil,
I deem uncertain: and my daily cares
Unfruitful all and vain, unless by thee
Still further aided in the work divine.'

She ceased; a voice more awful thus replied:--
'O thou, in whom for ever I delight, 470
Fairer than all the inhabitants of Heaven,
Best image of thy Author! far from thee
Be disappointment, or distaste, or blame;
Who soon or late shalt every work fulfil,
And no resistance find. If man refuse
To hearken to thy dictates; or, allured
By meaner joys, to any other power
Transfer the honours due to thee alone;
That joy which he pursues he ne'er shall taste,
That power in whom delighteth ne'er behold. 480
Go then, once more, and happy be thy toil;
Go then! but let not this thy smiling friend
Partake thy footsteps. In her stead, behold!
With thee the son of Nemesis I send;
The fiend abhorr'd! whose vengeance takes account
Of sacred order's violated laws.
See where he calls thee, burning to be gone,
Pierce to exhaust the tempest of his wrath
On yon devoted head. But thou, my child,
Control his cruel frenzy, and protect 490
Thy tender charge; that when despair shall grasp
His agonising bosom, he may learn,
Then he may learn to love the gracious hand
Alone sufficient in the hour of ill,
To save his feeble spirit; then confess
Thy genuine honours, O excelling fair!
When all the plagues that wait the deadly will
Of this avenging demon, all the storms
Of night infernal, serve but to display
The energy of thy superior charms 500
With mildest awe triumphant o'er his rage,
And shining clearer in the horrid gloom.'

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20

John Crace digests High Fidelity by Nick Hornby
Review: The Thin Blue Line: How Humanitarianism Went to War by Conor FoleyAid worker Foley conducts a fascinating and important analysis of recent wars and disasters around the world, says Steven Poole

Review: Under Two Dictators: Prisoner of Stalin and Hitler by Margarete Buber-Neumann

He might be almost 90 years old in real terms, but Christopher Robin and his bear of very little brain are set to make a literary comeback after the estate of AA Milne agreed to authorise the first-ever official sequel to the much-loved children's books.

Return to the Hundred Acre Wood by author David Benedictus picks up from the poignant ending of Milne's last Pooh book, The House at Pooh Corner, in which Christopher Robin is growing up and heading away to school. "Pooh, promise you won't forget about me, ever. Not even when I'm a hundred," he tells the bear, and they leave together.

The estates of Milne and EH Shepard, who provided the simple but enduring illustrations for the books, said they had been searching for a sequel that would do justice to the original stories for "a good many years".

Although Disney has franchised the characters in a number of films, there has not previously been an authorised literary sequel to Milne's books, Winnie-the-Pooh and The House at Pooh Corner, first published in 1926 and 1928. Milne wrote the books for his son Christopher Robin, naming Pooh after his teddy bear.

The sequel, to be published by Egmont Publishing in Britain and Penguin imprint Dutton Children's Books in the US, is due out on 5 October, illustrated by Mark Burgess. Benedictus, who is familiar with the world of Winnie the Pooh after adapting and producing audio versions of the books starring Judi Dench, Stephen Fry and Jane Horrocks, did not reveal any more details, but promised that the book would both "complement and maintain Milne's idea that whatever happens, a little boy and his bear will always be playing".

Michael Brown, chairman of Pooh Properties, which manages the affairs of the Milne and Shepard estates, said the sequel would capture "the spirit and quality" of the original books.

Benedictus said all Milne's well-loved characters, from Tigger to Eeyore, would be making an appearance in his sequel, which features 10 stories and around 150 illustrations. The stories retain their original 1920s setting.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Review: The Error World: An Affair with Stamps by Simon Garfield

One might say that Margarete Buber-Neumann had a charmed life, had it not been so horrible. She was fortunate - if that is the word - to be sent to a Soviet labour camp in 1939, during a momentary lull in the mass shooting of prisoners. Handed over to the Nazis in 1940, she was similarly lucky to be released from an SS concentration camp in 1945, just days before the remaining prisoners were forced on evacuation marches ending in death. It is a measure of the dismal times she lived through that such events marked her as fortunate, and it is a testament to her skill as a writer that this thoughtful, humane memoir (published in English in 1949) became an international bestseller. From the very first page we are with her, scurrying through Moscow surrounded by images of Stalin. We accompany her throughout the gruelling years ahead, encountering a host of characters, good and bad, and share in her dogged attempt to make sense of the madness of totalitarianism. This revised text is the definitive edition.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Copyright (c) 2007. booksboost.com. All rights reserved.