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Poetical Works of Akenside by Mark Akenside

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Thus, then, at first was Beauty sent from Heaven,
The lovely ministress of Truth and Good
In this dark world: for Truth and Good are one;
And Beauty dwells in them, and they in her,
With like participation. Wherefore then,
O sons of earth, would ye dissolve the tie?
Oh! wherefore with a rash and greedy aim
Seek ye to rove through every flattering scene
Which Beauty seems to deck, nor once inquire 440
Where is the suffrage of eternal Truth,
Or where the seal of undeceitful Good,
To save your search from folly? Wanting these,
Lo, Beauty withers in your void embrace;
And with the glittering of an idiot's toy
Did Fancy mock your vows. Nor yet let hope,
That kindliest inmate of the youthful breast,
Be hence appall'd, be turn'd to coward sloth
Sitting in silence, with dejected eyes
Incurious and with folded hands; far less 450
Let scorn of wild fantastic folly's dreams,
Or hatred of the bigot's savage pride
Persuade you e'er that Beauty, or the love
Which waits on Beauty, may not brook to hear
The sacred lore of undeceitful Good
And Truth eternal. From the vulgar crowd
Though Superstition, tyranness abhorr'd,
The reverence due to this majestic pair
With threats and execration still demands;
Though the tame wretch, who asks of her the way 460
To their celestial dwelling, she constrains
To quench or set at nought the lamp of God
Within his frame; through many a cheerless wild
Though forth she leads him credulous and dark
And awed with dubious notion; though at length
Haply she plunge him into cloister'd cells
And mansions unrelenting as the grave,
But void of quiet, there to watch the hours
Of midnight; there, amid the screaming owl's
Dire song, with spectres or with guilty shades 470
To talk of pangs and everlasting woe;
Yet be not ye dismay'd. A gentler star
Presides o'er your adventure. From the bower
Where Wisdom sat with her Athenian sons,
Could but my happy hand entwine a wreath
Of Plato's olive with the Mantuan bay,
Then (for what need of cruel fear to you,
To you whom godlike love can well command?),
Then should my powerful voice at once dispel
Those monkish horrors; should in words divine 480
Relate how favour'd minds like you inspired,
And taught their inspiration to conduct
By ruling Heaven's decree, through various walks
And prospects various, but delightful all,
Move onward; while now myrtle groves appear,
Now arms and radiant trophies, now the rods
Of empire with the curule throne, or now
The domes of contemplation and the Muse.

Led by that hope sublime, whose cloudless eye
Through the fair toils and ornaments of earth 490
Discerns the nobler life reserved for heaven,
Favour'd alike they worship round the shrine
Where Truth conspicuous with her sister-twins,
The undivided partners of her sway,
With Good and Beauty reigns. Oh! let not us
By Pleasure's lying blandishments detain'd,
Or crouching to the frowns of bigot rage,
Oh! let not us one moment pause to join
That chosen band. And if the gracious Power,
Who first awaken'd my untutor'd song, 500
Will to my invocation grant anew
The tuneful spirit, then through all our paths
Ne'er shall the sound of this devoted lyre
Be wanting; whether on the rosy mead
When Summer smiles, to warn the melting heart
Of Luxury's allurement; whether firm
Against the torrent and the stubborn hill
To urge free Virtue's steps, and to her side
Summon that strong divinity of soul
Which conquers Chance and Fate: or on the height, 510
The goal assign'd her, haply to proclaim
Her triumph; on her brow to place the crown
Of uncorrupted praise; through future worlds
To follow her interminated way,
And bless Heaven's image in the heart of man.

Such is the worth of Beauty; such her power,
So blameless, so revered. It now remains,
In just gradation through the various ranks
Of being, to contemplate how her gifts
Rise in due measure, watchful to attend 520
The steps of rising Nature. Last and least,
In colours mingling with a random blaze,
Doth Beauty dwell. Then higher in the forms
Of simplest, easiest measure; in the bounds
Of circle, cube, or sphere. The third ascent
To symmetry adds colour: thus the pearl
Shines in the concave of its purple bed,
And painted shells along some winding shore
Catch with indented folds the glancing sun.
Next, as we rise, appear the blooming tribes 530
Which clothe the fragrant earth; which draw from her
Their own nutrition; which are born and die,
Yet, in their seed, immortal; such the flowers
With which young Maia pays the village maids
That hail her natal morn; and such the groves
Which blithe Pomona rears on Vaga's bank,
To feed the bowl of Ariconian swains
Who quaff beneath her branches. Nobler still
Is Beauty's name where, to the full consent
Of members and of features, to the pride 540
Of colour, and the vital change of growth,
Life's holy flame with piercing sense is given,
While active motion speaks the temper'd soul:
So moves the bird of Juno: so the steed
With rival swiftness beats the dusty plain,
And faithful dogs with eager airs of joy
Salute their fellows. What sublimer pomp
Adorns the seat where Virtue dwells on earth,
And Truth's eternal day-light shines around,
What palm belongs to man's imperial front, 550
And woman powerful with becoming smiles,
Chief of terrestrial natures, need we now
Strive to inculcate? Thus hath Beauty there
Her most conspicuous praise to matter lent,
Where most conspicuous through that shadowy veil
Breaks forth the bright expression of a mind,
By steps directing our enraptured search
To Him, the first of minds; the chief; the sole;
From whom, through this wide, complicated world,
Did all her various lineaments begin; 560
To whom alone, consenting and entire,
At once their mutual influence all display.
He, God most high (bear witness, Earth and Heaven),
The living fountains in himself contains
Of beauteous and sublime; with him enthroned
Ere days or years trod their ethereal way,
In his supreme intelligence enthroned,
The queen of love holds her unclouded state,
Urania. Thee, O Father! this extent
Of matter; thee the sluggish earth and tract 570
Of seas, the heavens and heavenly splendours feel
Pervading, quickening, moving. From the depth
Of thy great essence, forth didst thou conduct
Eternal Form: and there, where Chaos reign'd,
Gav'st her dominion to erect her seat,
And sanctify the mansion. All her works
Well pleased thou didst behold: the gloomy fires
Of storm or earthquake, and the purest light
Of summer; soft Campania's new-born rose,
And the slow weed which pines on Russian hills 580
Comely alike to thy full vision stand:
To thy surrounding vision, which unites
All essences and powers of the great world
In one sole order, fair alike they stand,
As features well consenting, and alike
Required by Nature ere she could attain
Her just resemblance to the perfect shape
Of universal Beauty, which with thee
Dwelt from the first. Thou also, ancient Mind,
Whom love and free beneficence await 590
In all thy doings; to inferior minds,
Thy offspring, and to man, thy youngest son,
Refusing no convenient gift nor good;
Their eyes didst open, in this earth, yon heaven,
Those starry worlds, the countenance divine
Of Beauty to behold. But not to them
Didst thou her awful magnitude reveal
Such as before thine own unbounded sight
She stands (for never shall created soul
Conceive that object), nor, to all their kinds, 600
The same in shape or features didst thou frame
Her image. Measuring well their different spheres
Of sense and action, thy paternal hand
Hath for each race prepared a different test
Of Beauty, own'd and reverenced as their guide
Most apt, most faithful. Thence inform'd, they scan
The objects that surround them; and select,
Since the great whole disclaims their scanty view,
Each for himself selects peculiar parts
Of Nature; what the standard fix'd by Heaven 610
Within his breast approves, acquiring thus
A partial Beauty, which becomes his lot;
A Beauty which his eye may comprehend,
His hand may copy, leaving, O Supreme,
O thou whom none hath utter'd, leaving all
To thee that infinite, consummate form,
Which the great powers, the gods around thy throne
And nearest to thy counsels, know with thee
For ever to have been; but who she is,
Or what her likeness, know not. Man surveys 620
A narrower scene, where, by the mix'd effect
Of things corporeal on his passive mind,
He judgeth what is fair. Corporeal things
The mind of man impel with various powers,
And various features to his eye disclose.
The powers which move his sense with instant joy,
The features which attract his heart to love,
He marks, combines, reposits. Other powers
And features of the self-same thing (unless
The beauteous form, the creature of his mind, 630
Request their close alliance) he o'erlooks
Forgotten; or with self-beguiling zeal,
Whene'er his passions mingle in the work,
Half alters, half disowns. The tribes of men
Thus from their different functions and the shapes
Familiar to their eye, with art obtain,
Unconscious of their purpose, yet with art
Obtain the Beauty fitting man to love;
Whose proud desires from Nature's homely toil
Oft turn away, fastidious, asking still 640
His mind's high aid, to purify the form
From matter's gross communion; to secure
For ever, from the meddling hand of Change
Or rude Decay, her features; and to add
Whatever ornaments may suit her mien,
Where'er he finds them scatter'd through the paths
Of Nature or of Fortune. Then he seats
The accomplish'd image deep within his breast,
Reviews it, and accounts it good and fair.

Thus the one Beauty of the world entire, 650
The universal Venus, far beyond
The keenest effort of created eyes,
And their most wide horizon, dwells enthroned
In ancient silence. At her footstool stands
An altar burning with eternal fire
Unsullied, unconsumed. Here every hour,
Here every moment, in their turns arrive
Her offspring; an innumerable band
Of sisters, comely all! but differing far
In age, in stature, and expressive mien, 660
More than bright Helen from her new-born babe.
To this maternal shrine in turns they come,
Each with her sacred lamp; that from the source
Of living flame, which here immortal flows,
Their portions of its lustre they may draw
For days, or months, or years; for ages, some;
As their great parent's discipline requires.
Then to their several mansions they depart,
In stars, in planets, through the unknown shores
Of yon ethereal ocean. Who can tell, 670
Even on the surface of this rolling earth,
How many make abode? The fields, the groves,
The winding rivers and the azure main,
Are render'd solemn by their frequent feet,
Their rites sublime. There each her destined home
Informs with that pure radiance from the skies
Brought down, and shines throughout her little sphere,
Exulting. Straight, as travellers by night
Turn toward a distant flame, so some fit eye,
Among the various tenants of the scene, 680
Discerns the heaven-born phantom seated there,
And owns her charms. Hence the wide universe,
Through all the seasons of revolving worlds,
Bears witness with its people, gods and men,
To Beauty's blissful power, and with the voice
Of grateful admiration still resounds:
That voice, to which is Beauty's frame divine
As is the cunning of the master's hand
To the sweet accent of the well-tuned lyre.

Genius of ancient Greece, whose faithful steps 690
Have led us to these awful solitudes
Of Nature and of Science; nurse revered
Of generous counsels and heroic deeds;
Oh! let some portion of thy matchless praise
Dwell in my breast, and teach me to adorn
This unattempted theme. Nor be my thoughts
Presumptuous counted, if, amid the calm
Which Hesper sheds along the vernal heaven,
If I, from vulgar Superstition's walk,
Impatient steal, and from the unseemly rites 700
Of splendid Adulation, to attend
With hymns thy presence in the sylvan shade,
By their malignant footsteps unprofaned.
Come, O renownèd power; thy glowing mien
Such, and so elevated all thy form,
As when the great barbaric lord, again
And yet again diminish'd, hid his face
Among the herd of satraps and of kings;
And, at the lightning of thy lifted spear,
Crouch'd like a slave. Bring all thy martial spoils, 710
Thy palms, thy laurels, thy triumphal songs,
Thy smiling band of Arts, thy godlike sires
Of civil wisdom, thy unconquer'd youth,
After some glorious day rejoicing round
Their new-erected trophy. Guide my feet
Through fair Lycéum's walk, the olive shades
Of Academus, and the sacred vale
Haunted by steps divine, where once, beneath
That ever living platane's ample boughs,
Ilissus, by Socratic sounds detain'd, 720
On his neglected urn attentive lay;
While Boreas, lingering on the neighbouring steep
With beauteous Orithyía, his love tale
In silent awe suspended. There let me
With blameless hand, from thy unenvious fields,
Transplant some living blossoms, to adorn
My native clime; while, far beyond the meed
Of Fancy's toil aspiring, I unlock
The springs of ancient wisdom; while I add
(What cannot be disjoin'd from Beauty's praise) 730
Thy name and native dress, thy works beloved
And honour'd; while to my compatriot youth
I point the great example of thy sons,
And tune to Attic themes the British lyre.

[Footnote 2: Truth is here taken, not in a logical, but in a mixed
and popular sense, or for what has been called the truth of things;
denoting as well their natural and regular condition, as a proper
estimate or judgment concerning them.]

[Footnote 3: 'Dyson:' see _Life_.]




BOOK II. 1765.


ARGUMENT.

Introduction to this more difficult part of the subject. Of Truth
and its three classes, matter of fact, experimental or scientifical
truth (contra-distinguished from opinion), and universal truth;
which last is either metaphysical or geometrical, either purely
intellectual or perfectly abstracted. On the power of discerning
truth depends that of acting with the view of an end; a circumstance
essential to virtue. Of Virtue, considered in the divine mind as a
perpetual and universal beneficence. Of human virtue, considered as
a system of particular sentiments and actions, suitable to the
design of Providence and the condition of man; to whom it
constitutes the chief good and the first beauty. Of Vice, and its
origin. Of Ridicule: its general nature and final cause. Of the
Passions; particularly of those which relate to evil natural or moral,
and which are generally accounted painful, though not always
unattended with pleasure.


Thus far of Beauty and the pleasing forms
Which man's untutor'd fancy, from the scenes
Imperfect of this ever changing world,
Creates; and views, enarnour'd. Now my song
Severer themes demand: mysterious Truth;
And Virtue, sovereign good: the spells, the trains,
The progeny of Error; the dread sway
Of Passion; and whatever hidden stores
From her own lofty deeds and from herself
The mind acquires. Severer argument: 10
Not less attractive; nor deserving less
A constant ear. For what are all the forms
Educed by fancy from corporeal things,
Greatness, or pomp, or symmetry of parts?
Not tending to the heart, soon feeble grows,
As the blunt arrow 'gainst the knotty trunk,
Their impulse on the sense: while the pall'd eye
Expects in vain its tribute; asks in vain,
Where are the ornaments it once admired?
Not so the moral species, nor the powers 20
Of Passion and of Thought. The ambitious mind
With objects boundless as her own desires
Can there converse: by these unfading forms
Touch'd and awaken'd still, with eager act
She bends each nerve, and meditates well pleased
Her gifts, her godlike fortune. Such the scenes
Now opening round us. May the destined verse
Maintain its equal tenor, though in tracts
Obscure and arduous! May the source of light,
All-present, all-sufficient, guide our steps 30
Through every maze! and whom, in childish years,
From the loud throng, the beaten paths of wealth
And power, thou didst apart send forth to speak
In tuneful words concerning highest things,
Him still do thou, O Father, at those hours
Of pensive freedom, when the human soul
Shuts out the rumour of the world, him still
Touch thou with secret lessons; call thou back
Each erring thought; and let the yielding strains
From his full bosom, like a welcome rill 40
Spontaneous from its healthy fountain, flow!

But from what name, what favourable sign,
What heavenly auspice, rather shall I date
My perilous excursion, than from Truth,
That nearest inmate of the human soul;
Estranged from whom, the countenance divine
Of man, disfigured and dishonour'd, sinks
Among inferior things? For to the brutes
Perception and the transient boons of sense
Hath Fate imparted; but to man alone 50
Of sublunary beings was it given.
Each fleeting impulse on the sensual powers
At leisure to review; with equal eye
To scan the passion of the stricken nerve,
Or the vague object striking; to conduct
From sense, the portal turbulent and loud,
Into the mind's wide palace one by one
The frequent, pressing, fluctuating forms,
And question and compare them. Thus he learns
Their birth and fortunes; how allied they haunt 60
The avenues of sense; what laws direct
Their union; and what various discords rise,
Or fixed, or casual; which when his clear thought
Retains and when his faithful words express,
That living image of the external scene,
As in a polish'd mirror held to view,
Is Truth; where'er it varies from the shape
And hue of its exemplar, in that part
Dim Error lurks. Moreover, from without
When oft the same society of forms 70
In the same order have approach'd his mind,
He deigns no more their steps with curious heed
To trace; no more their features or their garb
He now examines; but of them and their
Condition, as with some diviner's tongue,
Affirms what Heaven in every distant place,
Through every future season, will decree.
This too is Truth; where'er his prudent lips
Wait till experience diligent and slow
Has authorised their sentence, this is Truth; 80
A second, higher kind: the parent this
Of Science; or the lofty power herself,
Science herself, on whom the wants and cares
Of social life depend; the substitute
Of God's own wisdom in this toilsome world;
The providence of man. Yet oft in vain,
To earn her aid, with fix'd and anxious eye
He looks on Nature's and on Fortune's course:
Too much in vain. His duller visual ray
The stillness and the persevering acts 90
Of Nature oft elude; and Fortune oft
With step fantastic from her wonted walk
Turns into mazes dim; his sight is foil'd;
And the crude sentence of his faltering tongue
Is but opinion's verdict, half believed,
And prone to change. Here thou, who feel'st thine ear
Congenial to my lyre's profounder tone,
Pause, and be watchful. Hitherto the stores,
Which feed thy mind and exercise her powers,
Partake the relish of their native soil, 100
Their parent earth. But know, a nobler dower
Her Sire at birth decreed her; purer gifts
From his own treasure; forms which never deign'd
In eyes or ears to dwell, within the sense
Of earthly organs; but sublime were placed
In his essential reason, leading there
That vast ideal host which all his works
Through endless ages never will reveal.
Thus then endow'd, the feeble creature man,
The slave of hunger and the prey of death, 110
Even now, even here, in earth's dim prison bound,
The language of intelligence divine
Attains; repeating oft concerning one
And many, past and present, parts and whole,
Those sovereign dictates which in furthest heaven,
Where no orb rolls, Eternity's fix'd ear
Hears from coeval Truth, when Chance nor Change,
Nature's loud progeny, nor Nature's self
Dares intermeddle or approach her throne.
Ere long, o'er this corporeal world he learns 120
To extend her sway; while calling from the deep,
From earth and air, their multitudes untold
Of figures and of motions round his walk,
For each wide family some single birth
He sets in view, the impartial type of all
Its brethren; suffering it to claim, beyond
Their common heritage, no private gift,
No proper fortune. Then whate'er his eye
In this discerns, his bold unerring tongue
Pronounceth of the kindred, without bound, 130
Without condition. Such the rise of forms
Sequester'd far from sense and every spot
Peculiar in the realms of space or time;
Such is the throne which man for Truth amid
The paths of mutability hath built
Secure, unshaken, still; and whence he views,
In matter's mouldering structures, the pure forms
Of triangle or circle, cube or cone,
Impassive all; whose attributes nor force
Nor fate can alter. There he first conceives 140
True being, and an intellectual world
The same this hour and ever. Thence he deems
Of his own lot; above the painted shapes
That fleeting move o'er this terrestrial scene
Looks up; beyond the adamantine gates
Of death expatiates; as his birthright claims
Inheritance in all the works of God;
Prepares for endless time his plan of life,
And counts the universe itself his home.

Whence also but from Truth, the light of minds, 150
Is human fortune gladden'd with the rays
Of Virtue? with the moral colours thrown
On every walk of this our social scene,
Adorning for the eye of gods and men
The passions, actions, habitudes of life,
And rendering earth like heaven, a sacred place
Where Love and Praise may take delight to dwell?
Let none with heedless tongue from Truth disjoin
The reign of Virtue. Ere the dayspring flow'd,
Like sisters link'd in Concord's golden chain, 160
They stood before the great Eternal Mind,
Their common parent, and by him were both
Sent forth among his creatures, hand in hand,
Inseparably join'd; nor e'er did Truth
Find an apt ear to listen to her lore,
Which knew not Virtue's voice; nor, save where Truth's
Majestic words are heard and understood,
Doth Virtue deign to inhabit. Go, inquire
Of Nature; not among Tartarian rocks,
Whither the hungry vulture with its prey 170
Returns; not where the lion's sullen roar
At noon resounds along the lonely banks
Of ancient Tigris; but her gentler scenes,
The dovecote and the shepherd's fold at morn,
Consult; or by the meadow's fragrant hedge,
In spring-time when the woodlands first are green,
Attend the linnet singing to his mate
Couch'd o'er their tender young. To this fond care
Thou dost not Virtue's honourable name
Attribute; wherefore, save that not one gleam 180
Of Truth did e'er discover to themselves
Their little hearts, or teach them, by the effects
Of that parental love, the love itself
To judge, and measure its officious deeds?
But man, whose eyelids Truth has fill'd with day,
Discerns how skilfully to bounteous ends
His wise affections move; with free accord
Adopts their guidance; yields himself secure
To Nature's prudent impulse; and converts
Instinct to duty and to sacred law. 190
Hence Right and Fit on earth; while thus to man
The Almighty Legislator hath explain'd
The springs of action fix'd within his breast;
Hath given him power to slacken or restrain
Their effort; and hath shewn him how they join
Their partial movements with the master-wheel
Of the great world, and serve that sacred end
Which he, the unerring reason, keeps in view.

For (if a mortal tongue may speak of him
And his dread ways) even as his boundless eye, 200
Connecting every form and every change,
Beholds the perfect Beauty; so his will,
Through every hour producing good to all
The family of creatures, is itself
The perfect Virtue. Let the grateful swain
Remember this, as oft with joy and praise
He looks upon the falling dews which clothe
His lawns with verdure, and the tender seed
Nourish within his furrows; when between
Dead seas and burning skies, where long unmoved 210
The bark had languish'd, now a rustling gale
Lifts o'er the fickle waves her dancing prow,
Let the glad pilot, bursting out in thanks,
Remember this; lest blind o'erweening pride
Pollute their offerings; lest their selfish heart
Say to the heavenly ruler, 'At our call
Relents thy power; by us thy arm is moved.'
Fools! who of God as of each other deem;
Who his invariable acts deduce
From sudden counsels transient as their own; 220
Nor further of his bounty, than the event
Which haply meets their loud and eager prayer,
Acknowledge; nor, beyond the drop minute
Which haply they have tasted, heed the source
That flows for all; the fountain of his love
Which, from the summit where he sits enthroned,
Pours health and joy, unfailing streams, throughout
The spacious region flourishing in view,
The goodly work of his eternal day,
His own fair universe; on which alone 230
His counsels fix, and whence alone his will
Assumes her strong direction. Such is now
His sovereign purpose; such it was before
All multitude of years. For his right arm
Was never idle; his bestowing love
Knew no beginning; was not as a change
Of mood that woke at last and started up
After a deep and solitary sloth
Of boundless ages. No; he now is good,
He ever was. The feet of hoary Time 240
Through their eternal course have travell'd o'er
No speechless, lifeless desert; but through scenes
Cheerful with bounty still; among a pomp
Of worlds, for gladness round the Maker's throne
Loud-shouting, or, in many dialects
Of hope and filial trust, imploring thence
The fortunes of their people: where so fix'd
Were all the dates of being, so disposed
To every living soul of every kind
The field of motion and the hour of rest, 250
That each the general happiness might serve;
And, by the discipline of laws divine
Convinced of folly or chastised from guilt,
Each might at length be happy. What remains
Shall be like what is past; but fairer still,
And still increasing in the godlike gifts
Of Life and Truth. The same paternal hand,
From the mute shell-fish gasping on the shore,
To men, to angels, to celestial minds,
Will ever lead the generations on 260
Through higher scenes of being; while, supplied
From day to day by his enlivening breath,
Inferior orders in succession rise
To fill the void below. As flame ascends,
As vapours to the earth in showers return,
As the poised ocean towards the attracting moon
Swells, and the ever-listening planets, charm'd
By the sun's call, their onward pace incline,
So all things which have life aspire to God,
Exhaustless fount of intellectual day! 270
Centre of souls! Nor doth the mastering voice
Of Nature cease within to prompt aright
Their steps; nor is the care of Heaven withheld
From sending to the toil external aid;
That in their stations all may persevere
To climb the ascent of being, and approach
For ever nearer to the life divine.

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John Crace digests High Fidelity by Nick Hornby
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He might be almost 90 years old in real terms, but Christopher Robin and his bear of very little brain are set to make a literary comeback after the estate of AA Milne agreed to authorise the first-ever official sequel to the much-loved children's books.

Return to the Hundred Acre Wood by author David Benedictus picks up from the poignant ending of Milne's last Pooh book, The House at Pooh Corner, in which Christopher Robin is growing up and heading away to school. "Pooh, promise you won't forget about me, ever. Not even when I'm a hundred," he tells the bear, and they leave together.

The estates of Milne and EH Shepard, who provided the simple but enduring illustrations for the books, said they had been searching for a sequel that would do justice to the original stories for "a good many years".

Although Disney has franchised the characters in a number of films, there has not previously been an authorised literary sequel to Milne's books, Winnie-the-Pooh and The House at Pooh Corner, first published in 1926 and 1928. Milne wrote the books for his son Christopher Robin, naming Pooh after his teddy bear.

The sequel, to be published by Egmont Publishing in Britain and Penguin imprint Dutton Children's Books in the US, is due out on 5 October, illustrated by Mark Burgess. Benedictus, who is familiar with the world of Winnie the Pooh after adapting and producing audio versions of the books starring Judi Dench, Stephen Fry and Jane Horrocks, did not reveal any more details, but promised that the book would both "complement and maintain Milne's idea that whatever happens, a little boy and his bear will always be playing".

Michael Brown, chairman of Pooh Properties, which manages the affairs of the Milne and Shepard estates, said the sequel would capture "the spirit and quality" of the original books.

Benedictus said all Milne's well-loved characters, from Tigger to Eeyore, would be making an appearance in his sequel, which features 10 stories and around 150 illustrations. The stories retain their original 1920s setting.

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Review: The Error World: An Affair with Stamps by Simon Garfield

One might say that Margarete Buber-Neumann had a charmed life, had it not been so horrible. She was fortunate - if that is the word - to be sent to a Soviet labour camp in 1939, during a momentary lull in the mass shooting of prisoners. Handed over to the Nazis in 1940, she was similarly lucky to be released from an SS concentration camp in 1945, just days before the remaining prisoners were forced on evacuation marches ending in death. It is a measure of the dismal times she lived through that such events marked her as fortunate, and it is a testament to her skill as a writer that this thoughtful, humane memoir (published in English in 1949) became an international bestseller. From the very first page we are with her, scurrying through Moscow surrounded by images of Stalin. We accompany her throughout the gruelling years ahead, encountering a host of characters, good and bad, and share in her dogged attempt to make sense of the madness of totalitarianism. This revised text is the definitive edition.

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