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The Brown Mask by Percy J. Brebner

P >> Percy J. Brebner >> The Brown Mask

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Produced by Juliet Sutherland, Beth Trapaga
and PG Distributed Proofreaders




THE BROWN MASK


By

Percy J. Brebner

Author of "Princess Maritza," "Vayenne," "A Royal Ward"

1911




CONTENTS

CHAPTER

1. BRETHREN OF THE ROAD
2. BARBARA LANISON
3. GREY EYES
4. THE NUN OF AYLINGFORD
5. CHILDREN OF THE DEVIL
6. MAD MARTIN
7. KING MONMOUTH
8. SEDGEMOOR AND AFTERWARDS
9. "THE JOLLY FARMERS"
10. FATE AND THE FIDDLER
11. THE FUGITIVE AT AYLINGFORD
12. BARBARA HELPS TO CLOSE A DOOR
13. THE WAY OF ESCAPE
14. A WOMAN REBELS
15. BARBARA LANISON IN TOWN
16. PREPARED FOR SACRIFICE
17. BARBARA'S SELF-SACRIFICE
18. THE JOURNEY TO DORCHESTER
19. THE HUT IN THE WOOD
20. SCARLET HANGINGS
21. LORD ROSMORE DICTATES TERMS
22. THE LUCK OF LORD ROSMORE
23. LORD ROSMORE AS A FRIEND
24. LOVE AND FEAR
25. THE TRIPLE ALLIANCE
26. THE FLIGHT
27. OUT OF DORCHESTER
28. THE LEATHER CASE
29. SAFETY
30. ALONG THE NORTH ROAD




CHAPTER I


BRETHREN OF THE ROAD

Dismal in appearance, the painted sign over the mean doorway almost
obliterated by time and weather, there was nothing attractive about the
"Punch-Bowl" tavern in Clerkenwell. It was hidden away at the end of a
narrow alley, making no effort to vaunt its existence to the world at
large, and to many persons, even in the near neighbourhood, it was
entirely unknown. Like a gentleman to whom debauchery has brought shame
and the desire to conceal himself from his fellows, so the "Punch-Bowl"
seemed an outcast amongst taverns. Chance visitors were few, were
neither expected nor welcomed, and ran the risk of being told by the
landlady, in terms which there was no possibility of misunderstanding,
that the place was not for them. It was natural, therefore, that a
certain air of mystery should surround the house, for, although the
alley was a _cul-de-sac_, there were stories of marvellous escapes
from this trap even when the entrance was closed by a troop of soldiers,
and it was whispered that there was a secret way out from the
"Punch-Bowl" known only to the favoured few. Nor was an element of
romance wanting. The dwellers in this alley were of the poorest sort,
dirty and unkempt, picking up a precarious livelihood, pickpockets and
cutpurses--"foysters" and "nyppers" as their thieves' slang named them;
yet, through all this wretched shabbiness there would flash at intervals
some fine gentleman, richly dressed, and with the swagger of St. James's
in his gait. Conscious of the sensation he occasioned, he passed through
the alley looking strangely out of place, yet with no uncertain step. He
was a hero, not only to these ragged worshippers, but in a far wider
circle where wit and beauty moved; he knew it, gloried in it, and recked
little of the price which must some day be paid for such popularity. The
destination of these gentlemen was always the "Punch-Bowl" tavern.

Neither of a man, nor of a tavern, is it safe to judge only by the
exterior. A grim and forbidding countenance may conceal a warm heart,
even as the unprepossessing "Punch-Bowl" contained a cosy and
comfortable parlour. To-night, half a dozen fine gentlemen were enjoying
their wine, and it was evident that the landlady was rather proud of her
guests. Buxom, and not too old to forget that she had once been
accounted pretty, she still loved smartness and bright colours, was not
averse to a kiss upon occasion, and had a jest--coarse, perhaps, but
with some wit in it--for each of her customers. She knew them
well--their secrets, their love episodes, their dangers; sometimes she
gave advice, had often rendered them valuable help, but she had also a
keen eye for business. Her favours had to be paid for, and even from the
handsomest of her customers a kiss had never been known to settle a
score. The "Punch-Bowl" was no place for empty pockets, and bad luck was
rather a crime than an excuse. When it pleased her the landlady could
tell many tales of other fine gentlemen she had known and would never
see again, and she always gave the impression that she considered her
former customers far superior to her present ones. Perhaps she found the
comparison good for her business since she spoke to vain men. She had
become reminiscent this evening.

"The very night before he was taken he sat where you're sitting," she
said, pointing to one of her customers who was seated by the hearth.
"Ah! He made a good end of it did Jim o' the Green Coat; kicked off his
boots as if they were an old pair he had done with, and threw the
ordinary out of the cart, saying he had no time to waste on him just
then. I was there and saw it all."

There was silence as she concluded her glowing tale. Depression may take
hold of the most careless and light-hearted for a moment, and even the
attraction of making a good end, with an opportunity of spurning a
worthless ordinary, cannot always appeal. The landlady had contrived to
make her story vivid, and furtive glances were cast at the individual
who occupied the seat she had indicated. There suddenly appeared to be
something fatal in it and ample reason why a man might congratulate
himself on being seated elsewhere. The occupant was the least concerned.
He had taken the most comfortable place in the room; it seemed to be
rightly his by virtue of his dress and bearing. He had the grand air as
having mixed in high society, his superiority was tacitly admitted by
his companions, and the landlady had addressed herself especially to
him, as though she knew him for a man of consequence.

"When the time comes you shall see me die game, too, I warrant," he
laughed, draining his glass and passing it to be refilled. "One death is
as good as another, and at Tyburn it comes quicker than to those who lie
awaiting it in bed."

"That's true," said the landlady.

"I should hate to die in a bed," the man went on. "The open road for me
and a quick finish. It's the best life if it isn't always as long as it
might be. I wouldn't forsake it for anything the King could offer me.
It's a merry time, with romance, love and adventure in it, with plenty
to get and plenty to spend, with a seasoning of danger to give it
piquancy--a gentleman's life from cock-crow to cock-crow, and not worthy
of a passing thought is he who cannot make a good end of it. I'd sooner
have the hangman for a bosom friend than a man who is likely to whimper
on the day of reckoning. Did I tell you that a reverend bishop offered
me fifty guineas for my mare the other day?"

"You sold her?" came the question in chorus.

"Sold her! No! I told him that she would be of little use to him, since
no one but myself could get her up to a coach."

"Your impudence will be the death of you, John," laughed the landlady.

"That seems a fairly safe prophecy," answered Gentleman Jack--for so his
companions named him--"still, I've heard of one bishop who took to the
road in his leisure hours. He died of a sudden fever, it was said; but,
for all that, he returned one night from a lonely ride across Hounslow
Heath, and was most anxious to conceal the fact that somebody had put a
bullet into him. My bishop may have become ambitious--indeed, I think he
had, for he had intellect enough to understand my meaning and was not in
the least scandalised."

"Then we may yet welcome him at the 'Punch-Bowl,'" said one man. "So
far, this house has entertained no one higher in the church than a Fleet
parson. I see no sin in drinking the bishop's good health and wishing
him the speedy possession of a horse to match his ambition."

"Anyone may serve as a toast," said another; "but could a bishop be good
company under any circumstances, think you?"

"Gad! why not?" asked Gentleman Jack. "He'd Spend his time trying to
square his profession with his conscience maybe, and when a man is
reduced to that, bishop or no bishop, there's humour enough, I warrant."

The health was drunk with laughter, and the air of depression which had
followed the landlady's recital disappeared like clouds from an April
sky. Each one had some story to tell, some item to add to the
accumulated glory of the road.

"Ay, it's a merry life," said the man who had had doubts about the
bishop's company, "and the only drawback is that it comes to an end when
you're at the top of your success. The dealers in blood-money never hunt
a man down until he's worth his full price."

"And isn't that the best time to take the last ride?" exclaimed
Gentleman Jack. "Who would choose to grow old and be forgotten? What
should we do sitting stiffly in an armchair, wearing slippers because
boots hurt our poor swollen feet? What should we be without a pair of
legs strong enough to grip the saddle or with eyes too dim to recognise
a pretty woman, lacking fire to fall in love, and with lips which had
lost their zest for kissing?"

"But we come to that last ride before we lack anything--that's the
trouble," was the answer.

"Not always," said another man. "Galloping Hermit was feared on all the
roads before I had stopped my first coach, and he is still feared
to-day." The speaker was young, and he mentioned the name of the
notorious highwayman with a kind of reverence.

"They say he's the devil himself, and that's why he's never been taken,"
said another. "Did any of you ever see him?"

"Once." And they all turned quickly towards the man who spoke. "My mare
had gone lame, and I had dismounted in a copse to examine her, when
there was the quick, regular beat of hoofs at a gallop across the turf.
I was alert on my own account in a moment, crouching down amongst the
undergrowth, for with a lame animal I could have made but a poor show.
There flashed past me a splendid horseman, man and beast one perfect
piece of harmony. The moon was near the full. I saw the neat, strong
lines of the horse, the easy movement of the rider, and I could see that
the mask which the man wore was brown. This happened two years ago, out
beyond Barnet."

"And without that brown mask no one knows him." said the man who had
first spoken of him. "He has been met on all the roads, north, south,
east and west--never in company, always alone. He never fails, yet the
blood-feasters have watched for him in vain. Truly, he disappears as
mysteriously as the devil might. He may go to Court. He may be a
well-known figure there, gaming with the best, a favoured suitor where
beauty smiles. He may even have been here amongst us at the 'Punch-Bowl'
without our knowing it."

"It is not impossible," Gentleman Jack admitted, smiling a little at the
others' enthusiasm.

"I envy him," was the answer. "We seem mean beside such a man as
Galloping Hermit."

"I do not cry 'Yes' to that," said Gentleman Jack, just in time to
prevent an outburst from the landlady, who appeared to fancy that the
quality of her entertainment was being called in question. "The brown
mask conceals a personality, no doubt, but before we can judge between
man and man we must know something of their various opportunities. Were
he careful and lucky, such a man as my bishop would be hard to run to
earth. Galloping Hermit is careful, for only at considerable intervals
do we hear of him. The road would seem to be a pastime with him, rather
than a life he loved. For me, the night never comes that I do not long
to be in the saddle, that I do not crave for the excitement, even if
there be no spoil worth the trouble of taking. This man is different. He
is only abroad when the quarry is certain. True, success has been his,
but for all that the fear of Tyburn may spoil his rest at night, and
when he gets there we may find that the brown mask conceals a coward
after all."

"Had you seen him that night as I did you would not say so," was the
answer.

"I like speech with a man before I judge his merits," said Gentleman
Jack, rising from his chair and flicking some dust from his sleeve. He
appeared to resent such slavish admiration of Galloping Hermit--perhaps
because he felt that his own pre-eminence was challenged. It pleased him
to think that his name must be in everyone's mouth, that his price in
the crime-market must for months past have been higher than any other
man's, and he was suddenly out of humour with the frequenters of the
"Punch-Bowl." He threw a guinea to the landlady, told her to buy a
keepsake with the change, and passed out with a careless nod, much as
though he intended never to come back into such low company.

The landlady stood fingering the guinea, turning it between her finger
and thumb, rather helping her reflections by the action than satisfying
herself that the coin was a good one.

"I believe we've had Galloping Hermit here to-night," she said suddenly.
"It was unlike Gentleman Jack to talk as he did just now. Mark my words,
he wears a brown mask on special occasions, and thought by sneering to
throw dust in our eyes. It's not the first time I have considered the
possibility, and I'm not sure that I won't buy a brown silk mask for
keepsake and slip it on when next I see him coming in at the door. That
would settle the question."

She had many arguments to support her opinion, reminded her customers of
many little incidents which had occurred in the past, recalling
Gentleman Jack's peculiar behaviour on various occasions. Her arguments
sounded convincing, and for an hour or more they discussed the question.

The opportunity to test her belief by wearing a brown silk mask never
came, however, for that same night Gentleman Jack was taken on Hounslow
Heath. A stumbling horse put him at the mercy of the man he sought to
rob, who struck him on the head with a heavy riding-whip, and when the
highwayman recovered consciousness he found himself a prisoner, bound
hand and foot. He endeavoured to bargain with his captor, and made an
attempt to outwit him, but, failing in both efforts, he accepted his
position with a good grace, determined to make the best of it. Newgate
should be proud of its latest resident. For a little space, at any rate,
he would be the hero of fashionable circles, and go to his death with
all the glamour of romance. He would leave a memory behind him that the
turnkeys might presently make stirring tales of, as they drank their
purl at night round the fire in the prison lobby.

The highwayman's story concerning the bishop quickly went the round of
the town, and a wit declared that at least half the reverend gentlemen
went trembling in their shoes for fear of their names being mentioned.
The story, and the wit's comment, served to raise the curiosity of the
fashionable world, and more than one coach stopped by Newgate to set
down beauty and its escort on a visit to the highwayman. But a greater
sensation was pending. Who first spread the report no one knew, but it
was suddenly whispered that this man was in reality no other than the
notorious wearer of the brown mask. When questioned he did not deny it,
and his evident pleasure at the mystery which surrounded him went far to
establish the story. For every person interested in Gentleman Jack, a
dozen were anxious to see and speak to Galloping Hermit. Every tale
concerning him was recalled and re-told, losing nothing in the
re-telling. Men had rather envied his adventurous career, many women's
hearts had beat faster at the mention of his name, and now the most
absurd theories regarding his real personality were seriously discussed
in coffee-houses, in boudoirs, and even at Court. It was whispered that
the King himself would intervene to save him from the gallows.

For a long time no trial had caused such a sensation, and Judge
Marriott, whose ambition it was to be likened to his learned and famous
brother, Judge Jeffreys, rose to the occasion and succeeded in giving an
excellent imitation of the bullying methods of his idol. This was an
opportunity to win fame, he argued, and he gave full play to the little
wit he possessed and ample licence to his undeniable powers of
vituperation and blasphemy.

Newgate was thronged, and the prisoner bore himself gallantly as a man
might in his hour of triumph. It was a great thing to be an object of
interest to statesmen, scholars, and wits, and to win smiles and tears
from beauty. His eyes travelled slowly over the sea of faces, and rested
for a little while upon a young girl. Her eyes were downcast, but he
thought there must be tears in them, and for a moment he was more
interested in her than in anyone else. Why had she come? She was
different from all the other women about her. Beside her sat an elderly
woman who seemed to be enjoying herself exceedingly, and appeared to
find especial relish in Judge Marriott's remarks. The more brutal they
were the more witty she seemed to think them.

As sentence was pronounced the girl rose to her feet and turned to go.
In truth, it had been no wish of hers to come. The judge, the people,
and the whole atmosphere sickened her. She longed to get away, to feel
the fresh air upon her cheek; and in her anxiety to depart she took no
particular trouble to make sure that her companion was following her.
There was a hasty crushing on all sides of her, and as she was carried
forward she became conscious that she was alone, that she was being
stared at and commented upon by some of those who were about her. She
ought not to be there, she felt it rather than knew it, and was
painfully aware that people were judging her accordingly. One man spoke
to her, and in her effort to escape his attentions she contrived to
thrust herself into a corner of an outer lobby, and waited.

"Can I be of service?"

For a moment she thought that the man she had escaped from had found
her, and she turned indignantly. The steady grey eyes that met hers were
eyes to trust--she felt that at once. This was quite a different person.
He was young, with a face grave beyond his years, and a sense of
strength about him likely to appeal to a woman.

"I am waiting for my aunt, Lady Bolsover," she said, the colour mounting
to her cheeks under his steady gaze, and then, suddenly anxious that he
should not think evil of her, she added: "I did not want to come. It was
horrible."

"Your aunt must have missed you," he said, glancing round the almost
empty lobby, for the crowd had poured out into the street by this time.
"If you have a coach waiting, may I take you to it?"

"Oh, please--do."

The crowd was dense in the street, and their progress was slow, but the
man forced a way for her. His face gave evidence that it would be
dangerous for anyone to throw a jest at his companion. There was a
general inclination to give him the wall as he went.

"I am glad you did not come here willingly," he said suddenly, as though
no other thought had been in his mind all this time. "This is no place
for a woman."

"Indeed, no. I am wondering why a man should be here either."

"Galloping Hermit once did me a kindness. I would like to repay the
debt."

"But how? What could you do?"

"I could not tell. Something might have happened to give me an
opportunity. It did not; still, I shall see him presently. Perhaps I may
yet be able to do him some small service."

"Oh, I hope so, poor man," she answered. "There is the coach, and my
aunt. She will thank you."

Lady Bolsover, who was talking to Lord Rosmore, did not appear agitated,
but she hurried forward when she caught sight of her niece.

"My child, I have been consumed with anxiety, and--"

"This gentleman--" the girl began, and then stopped. The man had not
followed her as she went to meet her aunt. He had disappeared.

There came no intervention on the prisoner's behalf in the days that
followed, nor did he set up any plea for his life on the ground of
knowing of plots against the King's Majesty. This would be to shirk the
day of reckoning, and he had boasted to his companions at the
"Punch-Bowl" that they should see him play the game to the end. He would
fulfil this promise to the letter. He had ridden up Holborn Hill scores
of times, seeking spoil and adventure on Hounslow Heath or elsewhere; he
would journey up it once more, and pay the price like a gentleman. It
would be no lonely journey; there would be excitement and triumph in it.
He had lived his life and enjoyed it; he had allowed nothing to stand in
the way of his desires; he had pressed into a few short years far more
satisfaction than any other career could have given him. Why should he
whimper because the end came early? It would be a good end to make, full
of movement and colour. He knew, for he had been a spectator when others
had taken that journey, and he was of more importance than they were.
The whole town was ringing with his fame. Why should he have regrets?
Beauty and fashion came to visit him, and one man came to thank him for
some former kindness, a trivial matter that the highwayman had thought
nothing of and had forgotten.

It came, that last morning, a fine morning flushed with the new life of
the world that trembles hesitatingly in the spring of the year, and
steeps the hearts of men and women with stronger hope and wider
ambition; such a morning as draws a veil over past failures and
disappointments, and floods the future with success and achievement. It
seemed a pity to have to die on such a morning, and for one moment there
was regret in the highwayman's soul as he took his place in the cart.
The next he braced himself to play his part, for there were great crowds
in the streets, waiting and making holiday. All eyes were turned,
watching for the procession, for was it not Galloping Hermit who came,
the notorious wearer of the brown mask, the hero of wealth and squalor
alike, the man whose deeds had already passed into legend? No one
thought of him as Gentleman Jack, not even his companions of the
"Punch-Bowl" who were in the crowd to see him pass; not the landlady,
who had come to see the last of him, and stood at the end of the
journey, waiting and watching.

By the steps of St. Sepulchre's Church there was a pause. A woman, one
of a frail sisterhood, yet strangely pretty and innocent to look upon,
held up a great nosegay to the hero of the hour, and as he took it he
bent down and kissed her.

"Don't let another's kiss make you forget this one too soon," he said
gaily, and her lips smiled while there was a sob in her throat.

The cart jogged on again, and at intervals the man buried his face in
the flowers. This was his hour, and if he had any fear or regret, there
were no eyes keen enough to note the fact.

Tyburn and its fatal tree were in sight across a surging crowd. Even at
the last moment the King might intervene, it was whispered, and there
were some who looked for signs of a swift-coming messenger. But the cart
came nearer, slowly and surely; the space round the gallows was kept
clear with difficulty, and there was no sign of hurrying reprieve.

This was the end of the game. Now was the great test of courage. He was
too great a man to indulge in small things to prove it.

"I've been used to riding in the night; a morning ride tires one," he
said carelessly. "Let's get it over, or I shall be getting hungry, as
all these folks must be. There's a good pair of boots for anyone who has
the courage to wear them. I'm ready. Make an end of it."

And the landlady at the "Punch-Bowl" that night drank to his memory,
declaring that he had died game, as was fitting for a gentleman of the
road.




CHAPTER II


BARBARA LANISON

As the coach rolled heavily homewards towards St. James's Square, Lady
Bolsover speedily recovered from her anxiety concerning her niece; she
did not even reprimand her for getting lost in the crowd, and seemed to
take no interest whatever in the gentleman who had come to the rescue
and had not waited to be thanked. He could have been no person of
consequence, or he would not have neglected the opportunity of bowing
over her hand. She talked of nothing but the trial and the excellent
manner in which her friend Judge Marriott had conducted it. Some of his
witticisms she remembered and repeated with such excellent point that
her niece shuddered again as she had done when they fell from the
judge's lips.

"It was altogether horrible," said the girl. "I wonder why you made me
go."

"Judge Marriott's wit horrible!" exclaimed Lady Bolsover. "Pray do not
say so in company, or you will be taken for a fool."

"I meant the trial--the whole thing. Why did we go?"

"Would you be altogether out of the fashion, Barbara?"

"Such fashion, yes, I think so."

"Ah, that's the drawback of living in the country," was the answer. "All
one's morals and manners smell of the soil, and a woman's attainments
are limited to the making of gooseberry wine and piecrusts. I was of
that pattern myself once, but, thank heaven! I married wisely and
escaped from it. You must do the same, Barbara."

"Indeed, I am not sure that I want to, and yet--"

"I am grateful for the reservation," said Lady Bolsover, "or I should be
compelled to think that all my care of you during these last few months
had been wasted."

"Oh, no; I have learnt many things--many things that it is good for me
to know. I have seen men and women who seem to live in another world to
the one I have knowledge of, a large and most interesting world, truly,
yet not altogether to my taste. Is it not a strange world that can enjoy
what we have witnessed to-day?"

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Elliott Kastner obituary

John Makinson says that if people want to read using new technology, that's what publishers must give them

Penguin this week celebrates its 75th year and is marking the anniversary by repackaging a series of seminal books from the 1960s to the 1980s. Although the company might afford itself a brief look backwards, it feels as though there is little room for nostalgia in book publishing now, as the industry turns its face firmly – and apprehensively – to the future.

Amazon last week announced sales of ebooks on its US site had outnumbered hardbacks for the first time, stunning casual observers, even if it had not been entirely unexpected in the trade.

The launch of the iPad has added a sense of urgency. Where music went first, books are set to follow, although Penguin and other publishers would hope without the same devastating effects. Amazon this week launched a cheaper, more lightweight version of its Kindle ebook reader and a digital store on its UK site, while others, including Google, are muscling in. Digital book sales are still less than 1% of Penguin, but the direction of the market is clear. In the US, digital books already account for 6% of consumer sales.

Penguin chief executive John Makinson says he is a convert. The day after we meet he is on his way to India, as part of David Cameron's delegation, and had loaded titles on to his iPad, including a manuscript by John le Carré and some Portuguese classics (in English) ahead of Penguin launching a range in Brazil. He is also reading Lord Mandelson's diary. It simply makes sense, he says, instead of carting an armful of books in your carry-on luggage.

Innovation

"It does redefine what we do as publishers and I feel, compared with most of my counterparts, more optimistic about what this means for us," he says. "Of course there are issues around copyright protection and there are worries around pricing and around piracy, royalty rates and so on, but there is also this huge opportunity to do more as publishers."

Publishing, he says, must embrace innovation: "I am keen on the idea that every book that we put on to an iPad has an author interview, a video interview, at the beginning. I have no idea whether this is a good idea or not. There has to be a culture of experimentation, which doesn't come naturally to book publishers. We publish a lot of historians, for example. They love the idea of using documentary footage to illustrate whatever it is they're writing about."

The very definition of a book is up for grabs he says, although the company has just published a version of Ken Follett's The Pillars of the Earth for the iPad in the US that might provide clues – and horrify traditionalists. It includes scenes from a TV adaptation embedded in the text, as well as extras including the show's music soundtrack and Follett's video diary during the making of the series.

For now, Makinson says, digital books are expanding the market; hardback sales in the US are up this year, despite the march of ebooks. Piracy is not yet a significant issue and lessons have been learned from the music business.

"You have to give the consumer what the consumer wants – you can't tell the consumer to go away. So we didn't participate in this experiment where a number of publishers deferred publication of the ebook until a certain number of months after the hardcover publication. I thought that was a very bad idea. If the consumer wants to buy a book in an electronic format now, you should let the consumer have it."

He has added confidence, because with tablets such as the iPad, consumers are used to paying a subscription to the wireless operator and for "apps", creating a more benign environment than the wild west of the PC, where users are used to getting everything for free.

Penguin's profits more than doubled to £44m in the first half of the year. The company gained market share, but one reason for the dramatic improvement was the outsourcing of some design and production to India last year; the company now has around 100 designers in Delhi making books for Dorling Kindersley, belying the idea that Britain can at least live off its creative industries. Makinson defends the decision and says DK is now back in profit, which means it can reinvest in Britain: "We can't pretend we can do everything here. In order to be internationally competitive, some work needs to be done in other places."

About 8% of the publisher's sales are from its classics, including Jane Austen and Charles Dickens, and revenues are still growing, despite much of the copyright being in the public domain. It is launching the range in Mandarin, Korean and Portuguese. But it is not all highbrow. What would Penguin's founder, Sir Allen Lane, whose aim was to publish quality paperbacks for the masses, have made of Penguin putting out books "by" Peter Andre or Ant & Dec?

"Allen Lane's view was that we should publish good writing of all kinds for all audiences at affordable prices," Makinson says. "I'm not saying he would necessarily have approved every single publishing decision we take, but would he have approved of Penguin being a very democratic publishing company, publishing for lots of different tastes? I think he would definitely have approved."

Makinson has long been mentioned as a successor to Dame Marjorie Scardino, who runs Pearson, Penguin's parent company. Her departure has been a perennial question, though she has defied the investment community's chattering classes by staying in her post for well over a decade. She has also confounded expectations by keeping Penguin and the Financial Times in a group dominated by educational publishing. Makinson says it now makes more sense than ever for Penguin to remain part of the group, as the digital era draws each division closer.

He says there will still be the need for publishers in the digital world: "I used to have this discussion with [Hitchhiker's Guide to the Galaxy author] Douglas Adams. He created this thing called the digital village, an online publishing platform. Douglas's argument was, 'all of my friends will come along and publish on digital village and you the publishers will be disintermediated, you will be irrelevant'. Well, it hasn't happened. I am not aware of any successful direct to consumer publishing model that exists.

"The reason it doesn't work is that the publishers do actually perform quite a useful service: they edit the book, then they publicise it." In the physical world, they make sure it is stocked in bookshops, he adds.

Clubbable

Makinson, 55, perhaps feels more adaptable than some of his counterparts because he arrived at Penguin as an outsider. A clubbable character, he has taken an unusual career path, from a journalist on the Financial Times, to working for the Saatchis, setting up his own investment consultancy, running the Financial Times and then becoming Pearson finance director, despite having no training as an accountant.

But his passion for books is evident. Five years ago, he and his brother bought a bookshop in the small Norfolk town of Holt. For an out-of-the-way independent, the Holt Bookshop attracts a starry line-up of authors for events, including Stephen Fry, due to talk about his new autobiography, which, perhaps not surprisingly, is published by Penguin.

"We are all terribly sentimental about books," Makinson insists. "It is terribly important to me that we sell lots of wonderful books in my little independent in Norfolk, and when I talk about digital I do sometimes worry that it looks as though I am neglecting all this," he points to the books on the shelves behind him, "which I am not."

CV

Born: 1954, Derby.

Education: Graduated from Cambridge with honours in English and History.

Career: 1976-1979, journalist, Reuters; 1979-1986, journalist, Financial Times; 1986-1989, vice-chairman, Saatchi & Saatchi; 1989-1994, co-founder of capital markets advisory firm Makinson Cowell; 1994-1996, managing director, Financial Times; 1996-2002, finance director, Pearson; 2002-present, chairman and chief executive Penguin Books.

Other interests: chairman of the Institute for Public Policy Research, a director of the National Theatre and of the International Rescue Committee, a humanitarian organisation.

Family: Married with two daughters.


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The nostalgia narrative now aches to a different tune | John Freeman

Late-flowering writer of biographies and children's books

Verily Anderson, who has died aged 95, published more than 30 books – memoirs, biographies, children's stories and work ranging from personal reminiscences to Shakespeare scholarship and 10 Brownie books. She was a late starter: her breakthrough as a writer came in 1956, at the age of 41, when she published Spam Tomorrow, a deft and frequently uproarious account of her wartime experiences on the home front. Critics hailed it as a new kind of memoir, one of the first to explore the lives of women in wartime.

Before the success of Spam Tomorrow, she led a life that was colourful but frequently impecunious. Born in Edgbaston, Birmingham, the fourth of five children of the Rev Rosslyn Bruce and his wife Rachel (nee Gurney), Verily was always certain that she wanted to be a writer. As children, she and her brothers edited and wrote a nursery magazine which they called the News of the World. Verily's haphazard schooling ranged from a few years at Edgbaston high school for girls to being taught at home by her mother, to a brief and unsuccessful stint at the Royal College of Music in London. She said she worked at "100 different jobs" (including writing advertising copy, illustrating sweet papers and working as a chauffeur) before the outbreak of the second world war, when she enlisted with the First Aid Nursing Yeomanry, on the grounds that if there were going to be a war, it would be "less frightening to be in the middle of things".

During the war she met Donald Anderson, a writer who specialised in military history. They married in 1940 and had five children. With his encouragement, she made a precarious living as a freelance writer, while papering her lavatory walls with rejection slips received from publishers for her book projects. Her persistence was at last rewarded with the success of Spam Tomorrow – and a further half-decade on the bestseller lists. These years included a film adaptation of her 1958 memoir, Beware of Children, called No Kidding and starring Leslie Phillips and Geraldine McEwan (1960).

Donald died in 1956, and by the mid-60s Verily was again struggling financially. She was rescued by the actor Joyce Grenfell. They had struck up a friendship when Verily interviewed Grenfell for the BBC. Grenfell was so shocked at the conditions she found Verily living in that she bought her a home in Northrepps, a village in Norfolk, where she stayed for the rest of her life, writing dozens more books (including the critically acclaimed The Northrepps Grandchildren in 1968) and glorying in the role of matriarch to an ever-expanding family of children, grandchildren and great-grandchildren. When Verily married Paul Paget, architect and surveyor to the fabric of St Paul's Cathedral, in 1971, Grenfell was matron of honour.

In 2008 I conducted what turned out to be Verily's last interview. Letting myself in after some fruitless bell-ringing, I followed the sounds of a piano to her study door. "Oh my dear," she said, looking up at my knock. "There you are. Now – shall we have a gin, before we start?"

I had already heard all about Verily through her daughter, my friend the writer Janie Hampton, and so had a good idea what to expect. Janie's main piece of advice on hearing that we were going to meet was: "Whatever you do, don't let her pick you up from the station – she's half-blind." She also said: "Don't eat any of the cake she offers. She's always got some, and it's always about five weeks old."

Verily did have cake and it was past its best – but Verily definitely was not. She regaled me with anecdotes. I came away with the image of a woman with a twinkle in her eye, who after eight decades of writing was still full of energy and enthusing about her latest project. This – a memoir of the time she spent at Herstmonceux Castle, Sussex, in the 1930s and 40s – was completed the day before she died.

Verily is survived by her children, Marian, Rachel, Eddie, Janie and Alexandra, 16 grandchildren, 14 great-grandchildren – and Alfie, her beloved RNIB guide-dog.

• Verily Anderson, writer, born 12 January 1915, died 16 July 2010


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Tom Stoppard returns to BBC with Ford Madox Ford adaptation

The American literary genre of you can't go home again – that fertile ground farmed by Faulkner, Twain and Kerouac – has in the last half-century found a new voice abroad

At six foot, six inches tall, Thomas Wolfe had trouble entering most rooms. But he also had a problem with going back through them, especially if they led to the past. He had told too many truths – and too many lies – about where he came from in North Carolina.

In his posthumous 1940 novel, You Can't Go Home Again, he gave Americans a literary catchphrase for the pain so many of us who wind up far from where we grew up feel acutely.

After all, in the case of many Americans, if you leave the provinces only to return home, you are marked as a failure. At the very least, you run the risk of finding that flight has spoiled any fond memories you managed to smuggle out.

Think of the successful ad-man hero of John Updike's The Farm, who returns to his family's crumbling Pennsylvania farm for an emotionally fraught visit, or Quentin Compson of William Faulkner's Absalom, Absalom, shivering in his dorm room at Harvard, who begins his defence of the American south with the ringing endorsement, "I don't hate it ... I don't hate it."

This thread of conflicted nostalgia is strongest in America's most autobiographical novelists, especially the ones who had to leave to write but continuously dial back the past in their work: writers such as Jack Kerouac, who frantically travelled America, but wrote most of his later books about Lowell, while living with his mother in Queens and Florida.

Then there's Mark Twain, whose autobiography appears in the new issue of Granta, who rose out of Missouri and saw the world, but settled in Hartford, Connecticut in a white mansion that everyone around him could see looked exactly like a river steamboat.

But like so many things America feels it has invented, from democracy to baseball, the you-can-never-go-home again narrative is hardly unique to it. In fact, in the last half-century (and especially in the last 20 years, as diaspora writers from the Dominican Republic to Nigeria to India and Pakistan have emerged as some of our most vigorous storytellers), nostalgia – which is a combination of "returning home" and "ache" – has taken on a different texture.

In Granta's new issue, there's a story by the Sudanese writer Leila Aboulela, about a young man who has come to London from Khartoum to study mathematics. His mother, who worries he will never return, arranges for him to marry a devout Muslim wife – a move which backfires when she comes to London and reminds him of everything he left behind. Chimamanda Adichie, meanwhile, has a story about a Nigerian "big man" whose life is turned upside down when his ex-girlfriend announces she has come back to Lagos. As he speculates about the reasons for her return, Adichie's hero worries whether he has sacrificed something essential in his rise to the top.

In stories like these, not to mention the novels of Monica Ali or Kiran Desai or Uzma Aslam Khan, the export duty to elsewhere is high. The past isn't just the past – it's another country. And for reasons political and personal, there is no going back.


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