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The Vagabond and Other Poems from Punch by R. C. Lehmann

R >> R. C. Lehmann >> The Vagabond and Other Poems from Punch

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Nay, Postumus, my comrade, the years have hurried on;
You're not the only Phoenix, I know, whose plumes are gone.
When I recall your splendour, your memory, too, is stirred;
You too can show a moulted, but once refulgent, bird;
And, if I still should press you, you too could hardly fail
To point a hateful moral where I adorned the tale.
'Twere better to be thankful to Heaven that ruled it so,
And gave us for our spending the days of long ago.


A RAMSHACKLE ROOM

When the gusts are at play with the trees on the lawn,
And the lights are put out in the vault of the night;
When within all is snug, for the curtains are drawn,
And the fire is aglow and the lamps are alight,
Sometimes, as I muse, from the place where I am
My thoughts fly away to a room near the Cam.

'Tis a ramshackle room, where a man might complain
Of a slope in the ceiling, a rise in the floor;
With a view on a court and a glimpse on a lane,
And no end of cool wind through the chinks of the door;
With a deep-seated chair that I love to recall,
And some groups of young oarsmen in shorts on the wall.

There's a fat jolly jar of tobacco, some pipes--
A meerschaum, a briar, a cherry, a clay--
There's a three-handled cup fit for Audit or Swipes
When the breakfast is done and the plates cleared away.
There's a litter of papers, of books a scratch lot,
Such as _Plato_, and _Dickens_, and _Liddell and Scott_.

And a crone in a bonnet that's more like a rag
From a mist of remembrance steps suddenly out;
And her funny old tongue never ceases to wag
As she tidies the room where she bustles about;
For a man may be strong and a man may be young,
But he can't put a drag on a Bedmaker's tongue.

And, oh, there's a youngster who sits at his ease
In the hope, which is vain, that the tongue may run down,
With his feet on the grate and a book on his knees,
And his cheeks they are smooth and his hair it is brown.
Then I sigh myself back to the place where I am
From that ramshackle room near the banks of the Cam.


THE LAST STRAW

I sing the sofa! It had stood for years,
An invitation to benign repose,
A foe to all the fretful brood of fears,
Bidding the weary eye-lid sink and close.
Massive and deep and broad it was and bland--
In short the noblest sofa in the land.

You, too, my friend, my solid friend, I sing,
Whom on an afternoon I did behold
Eying--'twas after lunch--the cushioned thing,
And murmuring gently, "Here are realms of gold,
And I shall visit them," you said, "and be
The sofa's burden till it's time for tea."

"Let those who will go forth," you said, "and dare,
Beyond the cluster of the little shops,
To strain their limbs and take the eager air,
Seeking the heights of Hedsor and its copse.
I shall abide and watch the far-off gleams
Of fairy beacons from the world of dreams."

Then forth we fared, and you, no doubt, lay down,
An easy victim to the sofa's charms,
Forgetting hopes of fame and past renown,
Lapped in those padded and alluring arms.
"How well," you said, and veiled your heavy eyes,
"It slopes to suit me! This is Paradise."

So we adventured to the topmost hill,
And, when the sunset shot the sky with red,
Homeward returned and found you taking still
Deep draughts of peace with pillows 'neath your head.
"His sleep," said one, "has been unduly long."
Another said, "Let's bring and beat the gong."

"Gongs," said a third and gazed with looks intent
At the full sofa, "are not adequate.
There fits some dread, some heavy, punishment
For one who sleeps with such a dreadful weight.
Behold with me," he moaned, "a scene accurst.
The springs are broken and the sofa's burst!"

Too true! Too true! Beneath you on the floor
Lay blent in ruin all the obscure things
That were the sofa's strength, a scattered store
Of tacks and battens and protruded springs.
Through the rent ticking they had all been spilt,
Mute proofs and mournful of your weight and guilt.

And you? You slept as sweetly as a child,
And when you woke you recked not of your shame,
But babbled greetings, stretched yourself and smiled
From that eviscerated sofa's frame,
Which, flawless erst, was now one mighty flaw
Through the addition of yourself as straw.



THE OLD GREY MARE

There's a line of rails on an upland green
With a good take-off and a landing sound,
Six fences grim as were ever seen,
And it's there I would be with fox and hound.
Oh, that was a country free and fair
For the raking stride of my old grey mare!

With her raking stride, and her head borne high,
And her ears a-prick, and her heart a-flame,
And the steady look of her deep brown eye,
I warrant the grey mare knew the game:
It was "Up to it, lass," and before I knew
We were up and over, and on we flew.

The rooks from the grass got up, and so,
With a caw and flap, away they went;
When the grey mare made up her mind to go
At the tail of the bounds on a breast-high scent,
The best of the startled rooks might fail
To match her flight over post and rail.

While some of the thrusters grew unnerved,
And looked and longed for an open gate,
And one crashed down and another swerved,
She went for it always true and straight:
She pounded the lot, for she made it good
With never a touch of splintered wood.

Full many a year has come and gone
Since last she gathered her spring for me,
And lifted me up, and so flew on
Unchecked in a country fair and free.
I've ridden a score since then, but ne'er
Crossed one that could live with the old grey mare.


AT PUTNEY

When eight strong fellows are out to row,
With a slip of a lad to guide them,
I warrant they'll make the light ship go,
Though the coach on the launch may chide them,
With his "Six, get on to it! Five, you're late!
Don't hurry the slides, and use your weight!
You're bucketing, Bow; and, as to Four,
The sight of his shoulders makes me sore!"

But Stroke has steadied his fiery men,
And the lift on the boat gets stronger;
And the Coxswain suddenly shouts for "Ten!
Reach out to it, longer, longer!"
While the wind and the tide raced hand in hand
The swing of the crew and the pace were grand;
But now that the two meet face to face
It's buffet and slam and a tortoise-pace.

For Hammersmith Bridge has rattled past,
And, oh, but the storm is humming.
The turbulent white steeds gallop fast;
They're tossing their crests and coming.
It's a downright rackety, gusty day,
And the backs of the crew are drenched in spray;
But it's "Swing, boys, swing till you're deaf and blind,
And you'll beat and baffle the raging wind."

They have slipped through Barnes; they are round thebend;
And the chests of the eight are tightening.
"Now spend your strength, if you've strength to spend,
And away with your hands like lightning!
Well rowed!"--and the coach is forced to cheer--
"Now stick to it, all, for the post is near!"
And, lo, they stop at the coxswain's call,
With its message of comfort, "Easy all!"

So here's to the sturdy undismayed
Eight men who are bound together
By the faith of the slide and the flashing blade
And the swing and the level feather;
To the deeds they do and the toil they bear;
To the dauntless mind and the will to dare;
And the joyous spirit that makes them one
Till the last fierce stroke of the race is done.


"A LITTLE BIT OF BLUE"

When the waves rise high and higher as they toss about together,
And the March-winds, loosed and angry, cut your chilly heart in two,
Here are eighteen gallant gentlemen who come to face the weather
All for valour and for honour and a little bit of blue!

_Chorus._
Oh get hold of it and shove it!
It is labour, but you love it;
Let your stroke be long and mighty; keep your body on the swing;
While your pulses dance a measure
Full of pride and full of pleasure.
And the boat flies free and joyous like a swallow on the wing.

Isis blessed her noble youngsters as they left her; Father Camus
Sped his youths to fame and Putney from his grey and ancient Courts:--
"Keep," they said, "the old traditions, and we know you will not shame us
When you try the stormy tideway in your zephyrs and your shorts.

"For it's toil and tribulation till your roughnesses are polished,
And it's bitterness and sorrow till the work of oars is done;
But it's high delight and triumph when your faults are all abolished,
With yourself and seven brothers firmly welded into one."

So they stood the weary trial and the people poured to greet them,
Filled a cup with praise and welcome--it was theirs to take and quaff;
And they ranged their ships alongside, and the umpire came to meet them,
And they stripped themselves and waited till his pistol sent them off.

With a dash and spurt and rally; with a swing and drive and rattle,
Both the boats went flashing faster as they cleft the swelling stream;
And the old familiar places, scenes of many a sacred battle,
Just were seen for half a moment and went by them in a dream.

But at last the flag has fallen and the splendid fight is finished,
And the victory is blazoned on the record-roll of Fame.
They are spent and worn and broken, but their soul is undiminished;
There are winners now and losers, but their glory is the same!

_Chorus_.
Oh get hold of it and shove it!
It is labour, but you love it;
Let your stroke be long and mighty; keep your body on the swing;
While your pulses dance a measure
Full of pride and full of pleasure,
And the boat flies free and joyous like a swallow on the wing.


THE LAST COCK-PHEASANT

Splendour, whom lately on your glowing flight
Athwart the chill and cheerless winter-skies
I marked and welcomed with a futile right,
And then a futile left, and strained my eyes
To see you so magnificently large,
Sinking to rest beyond the fir-wood's marge--

Not mine, not mine the fault: despise me not
In that I missed you; for the sun was down,
And the dim light was all against the shot;
And I had booked a bet of half-a-crown.
My deadly fire is apt to be upset
By many causes--always by a bet.

Or had I overdone it with the sloes,
Snared by their home-picked brand of ardent gin
Designed to warm a shivering sportsman's toes
And light a fire his reckless head within?
Or did my silly loader put me off
With aimless chatter in regard to golf?

You too, I think, displayed a lack of nerve;
You did not quite-now did you?-play the game;
For when you saw me you were seen to swerve,
Doubtless in order to disturb my aim.
No, no, you must not ask me to forgive
A swerve because you basely planned to live.

At any rate I missed you, and you went,
The last day's absolutely final bird,
Scathless, and left me very ill content;
And someone (was it I?) pronounced a word,
A word which rather forcible than nice is,
A little word which does not rhyme with Isis.

Farewell! I may behold you once again
When next November's gales have stripped the leaf.
Then, while your upward flight you grandly strain,
May I be there to add you to my sheaf;
And may they praise your tallness, saying "This
Was such a bird as men are proud to miss!"


IN MEMORIAM

FRANCIS COWLEY BURNAND, 1836-1917

EDITOR OF "PUNCH," 1880-1906

Hail and Farewell, dear Brother of the Pen,
Maker of sunshine for the minds of men,
Lord of bright cheer and master of our hearts--
What plaint is fit when such a friend departs?
Not with mere ceremonial words of woe
Come we to mourn--you would not have it so;
But with our memories stored with joyous fun,
Your constant largesse till your life was done,
With quips, that flashed through frequent twists and bends,
Caught from the common intercourse of friends;
And gay allusions gayer for the zest
Of one who hurt no friend and spared no jest.
What arts were yours that taught you to indite
What all men thought, but only you could write!

That wrung from gloom itself a fleeting smile;
Rippled with laughter but refrained from guile;
Led you to prick some bladder of conceit
Or trip intrusive folly's blundering feet,
While wisdom at your call came down to earth,
Unbent awhile and gave a hand to mirth!

You too had pondered mid your jesting strife
The deeper issues of our mortal life;
Guided to God by faith no doubt could dim,
You fought your fight and left the rest to Him,
Content to set your heart on things above
And rule your days by laughter and by love.

Rest in our memories! You are guarded there
By those who knew you as you lived and were.
There mid our Happy Thoughts you take your stand,
A sun-girt shade, and light that shadow-land.






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Scottish book of the year goes to Kieron Smith, Boy by James Kelman

The barrister Constance Briscoe has won the libel case brought against her by her mother, Carmen Briscoe-Mitchell, over her bestselling misery memoir Ugly, in which she accused Briscoe-Mitchell of childhood cruelty and neglect.

Briscoe-Mitchell claimed the allegations were "a piece of fiction", and sued Briscoe and her publishers Hodder & Stoughton for libel.

A 10-day hearing at the high court in London concluded earlier today with a unanimous verdict from the jury after more than a day's deliberation. Speaking outside the court, Briscoe, a part-time judge, said she was "very happy" with the verdict.

"It is sad that my mother still feels the need to pursue me. Now I just want to get on with my career," she said. "I can quite understand why my family went into collective denial, but whilst child abuse may be committed behind closed doors, it should never be swept under the carpet."

The hearing saw Briscoe tell Mr Justice Tugendhat and a jury how her mother beat her with a stick for wetting the bed, called her a "dirty little whore" and drove her to attempt suicide by drinking bleach.

Briscoe's account of her upbringing was published in 2006 and has sold more than 400,000 copies in the UK.

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Would you have your ashes scattered in Jane Austen's garden?
American film producer to publish version of the Bible in which God says it is better to be gay than straight

The royal family doesn't need a poet

The power of Jane Austen never ceases to amaze: the myriad film and TV adaptations, the biopics, the spin-off self-help books, the novels about Austen book clubs and Austen obsessives and even, next spring, the publication of a book about "how Jane Austen conquered the world" (Jane's Fame, by Clare Harman). And now comes the just-too-weird story that deceased fans of Jane Austen have been banned from having their ashes scattered in her garden. In a letter to the Jane Austen Society, Louise West, the collections manager of Jane Austen's House Museum, wrote: "While we understand many admirers of Jane Austen would love to have ashes laid here, it is something we do not allow. It is distressing for visitors to see mounds of human ash, particularly so for our gardener. Also, it is of no benefit to the garden!" (Or is it? Surely a small quantity of fresh ashes judiciously placed beneath a hydrangea bush is just the ticket?)

Anyway, leaving aside the Gardeners' Question Time minutiae, what on earth is going on here? I like an Austen novel as much as the next person – I probably reread my way through the complete works every couple of years – but I am baffled as to why one would want to be laid to rest among the flowerbeds of Chawton. The only explanation is the currently unstoppable power of the Austen cult, fuelled by Colin Firth in a wet blouse, by Andrew Davies's adaptations, and by Hollywood. I'm all for enjoying books, but the cult of Austen has reached ridiculous proportions. In a post-feminist world that should know better, she seems to be adored as the comforting provider of romantic, happy-endings nonsense instead of the sharp and acerbic social satirist she deserves to be seen as.

(Does anyone actually believe her, by the way, when she foretells a happy marriage for Darcey and Elizabeth? I fear a woman as interesting as Elizabeth would be sorely disappointed with this standard-issue British Repressed Public-school Man - hopeless emotionally, and probably hopeless in bed.)

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