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Harriet, The Moses of Her People by Sarah H. Bradford

S >> Sarah H. Bradford >> Harriet, The Moses of Her People

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I am very truly yours,
RUFUS SAXTON, Bvt. Brig.-Gen., U.S.A.

Rev. Samuel I. May, in his recollections of the anti-slavery
conflict, after mentioning the case of an old slave mother, whom
he vainly endeavored to assist her son in buying from her master,
says:

"I did not until four years after know that remarkable woman
Harriet, or I might have engaged her services, in the assurance
that she would have bought off the old woman without _paying_ for
her inalienable right--her liberty."

Mr. May in another place says of Harriet, that she deserves to be
placed _first_ on the list of American heroines, and then proceeds
to give a short account of her labors, varying very little from
that given in this book.




FUGITIVE SLAVE RESCUE IN TROY.

From the _Troy Whig_, April 28, 1859.

Yesterday afternoon, the streets of this city and West Troy were
made the scenes of unexampled excitement. For the first time since
the passage of the Fugitive Slave Law, an attempt was made here to
carry its provisions into execution, and the result was a terrific
encounter between the officers and the prisoner's friends, the
triumph of mob law, and the final rescue of the fugitive. Our city
was thrown into a grand state of turmoil, and for a time every
other topic was forgotten, to give place to this new excitement.
People did not think last evening to ask who was nominated at
Charleston, or whether the news of the Heenan and Sayers battle
had arrived--everything was merged into the fugitive slave case,
of which it seems the end is not yet.

Charles Nalle, the fugitive, who was the cause of all this
excitement, was a slave on the plantation of B.W. Hansborough, in
Culpepper County, Virginia, till the 19th of October, 1858, when
he made his escape, and went to live in Columbia, Pennsylvania. A
wife and five children are residing there now. Not long since he
came to Sandlake, in this county, and resided in the family of Mr.
Crosby until about three weeks ago. Since that time, he has been
employed as coachman by Uri Gilbert, Esq., of this city. He is
about thirty years of age, tall, quite light-complexioned, and
good-looking. He is said to have been an excellent and faithful
servant.

At Sandlake, we understand that Nalle was often seen by one H.F.
Averill, formerly connected with one of the papers of this city,
who communicated with his reputed owner in Virginia, and gave the
information that led to a knowledge of the whereabouts of the
fugitive. Averill wrote letters for him, and thus obtained an
acquaintance with his history. Mr. Hansborough sent on an agent,
Henry J. Wall, by whom the necessary papers were got out to arrest
the fugitive.

Yesterday morning about 11 o'clock, Charles Nalle was sent to
procure some bread for the family by whom he was employed. He
failed to return. At the baker's he was arrested by Deputy United
States Marshal J.W. Holmes, and immediately taken before United
States Commissioner Miles Beach. The son of Mr. Gilbert, thinking
it strange that he did not come back, sent to the house of William
Henry, on Division Street, where he boarded, and his whereabouts
was discovered.

The examination before Commissioner Beach was quite brief. The
evidence of Averill and the agent was taken, and the Commissioner
decided to remand Nalle to Virginia. The necessary papers were
made out and given to the Marshal.

By this time it was two o'clock, and the fact began to be noised
abroad that there was a fugitive slave in Mr. Beach's office,
corner of State and First Streets. People in knots of ten or
twelve collected near the entrance, looking at Nalle, who could be
seen at an upper window. William Henry, a colored man, with whom
Nalle boarded, commenced talking from the curb-stone in a loud
voice to the crowd. He uttered such sentences as, "There is a
fugitive slave in that office--pretty soon you will see him come
forth. He is going to be taken down South, and you will have a
chance to see him. He is to be taken to the depot, to go to
Virginia in the first train. Keep watch of those stairs, and you
will have a sight." A number of women kept shouting, crying, and
by loud appeals excited the colored persons assembled.

Still the crowd grew in numbers. Wagons halted in front of the
locality, and were soon piled with spectators. An alarm of fire
was sounded, and hose carriages dashed through the ranks of men,
women, and boys; but they closed again, and kept looking with
expectant eyes at the window where the negro was visible.
Meanwhile, angry discussions commenced. Some persons agitated a
rescue, and others favored law and order. Mr. Brockway, a lawyer,
had his coat torn for expressing his sentiments, and other
_melees_ kept the interest alive.

All at once there was a wild halloo, and every eye was turned up
to see the legs and part of the body of the prisoner protruding
from the second story window, at which he was endeavoring to
escape. Then arose a shout! "Drop him!" "Catch him!" "Hurrah!" But
the attempt was a fruitless one, for somebody in the office pulled
Nalle back again, amid the shouts of a hundred pairs of lungs. The
crowd at this time numbered nearly a thousand persons. Many of
them were black, and a good share were of the female sex. They
blocked up State Street from First Street to the alley, and kept
surging to and fro.

Martin I. Townsend, Esq., who acted as counsel for the fugitive,
did not arrive in the Commissioner's office until a decision had
been rendered. He immediately went before Judge Gould, of the
Supreme Court, and procured a writ of habeas corpus in the usual
form, _returnable_ immediately. This was given Deputy-Sheriff
Nathaniel Upham, who at once proceeded to Commissioner Beach's
office, and served it on Holmes. Very injudiciously, the officers
proceeded at once to Judge Gould's office, although it was evident
they would have to pass through an excited, unreasonable crowd. As
soon as the officers and their prisoner emerged from the door, an
old negro, who had been standing at the bottom of the stairs,
shouted, "Here they come," and the crowd made a terrific rush at
the party.

From the office of Commissioner Beach, in the Mutual Building, to
that of Judge Gould, in Congress Street, is less than two blocks,
but it was made a regular battlefield. The moment the prisoner
emerged from the doorway, in custody of Deputy-Sheriff Upham,
Chief of Police Quin, Officers Cleveland and Holmes, the crowd
made one grand charge, and those nearest the prisoner seized him
violently, with the intention of pulling him away from the
officers, but they were foiled; and down First to Congress Street,
and up the latter in front of Judge Gould's chambers, went the
surging mass. Exactly what did go on in the crowd, it is
impossible to say, but the pulling, hauling, mauling, and
shouting, gave evidences of frantic efforts on the part of the
rescuers, and a stern resistance from the conservators of the law.
In front of Judge Gould's office the combat was at its height. No
stones or other missiles were used; the battle was fist to fist.
We believe an order was given to take the prisoner the other way,
and there was a grand rush towards the West, past First and River
Streets, as far as Dock Street. All this time there was a
continual _melee_. Many of the officers were hurt--among them Mr.
Upham, whose object was solely to do his duty by taking Nalle
before Judge Gould in accordance with the writ of habeas corpus. A
number in the crowd were more or less hurt, and it is a wonder
that these were not badly injured, as pistols were drawn and
chisels used.

The battle had raged as far as the corner of Dock and Congress
Streets, and the victory remained with the rescuers at last. The
officers were completely worn out with their exertions, and it was
impossible to continue their hold upon him any longer. Nalle was
at liberty. His friends rushed him down Dock Street to the lower
ferry, where there was a skiff lying ready to start. The fugitive
was put in, the ferryman rowed off, and amid the shouts of
hundreds who lined the banks of the river, Nalle was carried into
Albany County.

As the skiff landed in West Troy, a negro sympathizer waded up to
the waist, and pulled Nalle out of the boat. He went up the hill
alone, however, and there who should he meet but Constable Becker!
The latter official seeing a man with manacles on, considered it
his duty to arrest him. He did so, and took him in a wagon to the
office of Justice Stewart, on the second floor of the corner
building near the ferry. The justice was absent.

When the crowd on the Troy bank had seen Nalle safely landed, it
was suggested that he might be recaptured. Then there was another
rush made for the steam ferry-boat, which carried over about 400
persons, and left as many more--a few of the latter being soused
in their efforts to get on the boat. On landing in West Troy,
there, sure enough, was the prisoner, locked up in a strong
office, protected by Officers Becker, Brown and Morrison, and the
door barricaded.

Not a moment was lost. Up stairs went a score or more of resolute
men--the rest "piling in" promiscuously, shouting and execrating
the officers. Soon a stone flew against the door--then another--
and bang, bang! went off a couple of pistols, but the officers who
fired them took good care to aim pretty high. The assailants were
forced to retreat for a moment. "They've got pistols," said one.
"Who cares?" was the reply; "they can only kill a dozen of us--
come on." More stones and more pistol-shots ensued. At last the
door was pulled open by an immense negro, and in a moment he was
felled by a hatchet in the hands of Deputy-Sheriff Morrison; but
the body of the fallen man blocked up the door so that it could
not be shut, and a friend of the prisoner pulled him out. Poor
fellow! he might well say, "Save me from my friends." Amid the
pulling and hauling, the iron had cut his arms, which were
bleeding profusely, and he could hardly walk, owing to fatigue.

He has since arrived safely in Canada.


THE END.






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Fidel and Che: a revolutionary friendship

After last week's fairly open theme, I thought I'd go with something a bit more structured this time. As I type this, I'm listening to Steeleye Span and thinking about the great ballad traditions of Britain and Ireland. What is a ballad? I suppose the most inclusive definition would be that it's a singable narrative poem: that covers a multitude but will do for the moment.

Ballads in English stretch back to the middle ages, with fine examples to be found among the Scottish border ballads and the English Robin Hood poems. These early ballads are among the best-known poems and stories in the language, and form part of the common heritage of English speakers everywhere. They gave rise to a tradition of ballad-making that endures down to the present day.

In fact, most poets since have tried their hand at the ballad at one time or another, and the result has been to deny any definition more specific than the one I ventured in my first paragraph. If you look around the internet, you'll come up with a wide selection of poems that are called ballads but have little in common formally. Stanza length varies from two to 10 or more lines, and all sorts of metrical and rhyming patterns are used. A good number will be singable in only the loosest possible sense, and at times the narrative tends to get lost in a mesh of more-or-less successful verbal embroidery.

So, what should a ballad be? Well, "proper" ballad stanzas are quatrains in which the first and third lines have four stresses and the second and third have three. The lines will rhyme A-B-C-B or A-B-A-B. It's as simple, and as difficult, as that. Here's an example, from Robert Burns's extremely singable Comin Thro' the Rye:

Gin a body meet a body
          Comin thro' the rye,
Gin a body kiss a body –
          Need a body cry.

Burns wrote a good number of ballads, and his lead was followed by many 19th-century poets. Two examples that I particularly like are Robert Browning's Confessions and Christina Rossetti's Up-Hill, but you can find ballads by just about any Romantic or Victorian poet if you look for them.

There is a long, strong tradition of ballads and ballad singers in Ireland, too. It is hardly surprising, then, that the great appropriator of tradition, WB Yeats, tried his hand at the form. At least four of his poems have the word "ballad" in the title; the pick of the bunch, for my money, is The Ballad of Father Gilligan, which may have benefited from having been written with a specific tune in mind.

Ballads continued to be written in the 20th century; perhaps the most unexpected exponents were Ezra Pound, with his Ballad of the Goodly Fere, and WH Auden. In fact, the ballad The Quarry is probably my favourite Auden poem.

And so, this week I invite a chorus of balladeering. You may choose to go the whole hog and write in ballad stanzas or you might prefer to take a more liberal view of the formal requirements. Either way, sing up and – as they say at all the best Irish sessions when calling for a bit of hush for the singer – one voice please.

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Obituary: Donald Westlake

The disputed Holocaust memoir, written by Herman Rosenblat, which was dropped from Penguin Group's publication schedule at the end of December is now set to appear as a work of fiction.

Rosenblat's memoir - which Oprah Winfrey called "the single greatest love story" she had heard in two decades in television - recounted how as a teenage boy in a Nazi concentration camp, he was kept alive by the food which was thrown to him by a young girl, Roma Radzicky. Penguin's US imprint Berkley Books had planned to publish the story, which sees Rosenblat reunited with Radzicky on a blind date years later, as Angel at the Fence: the True Story of a Love That Survived, next month.

But a Holocaust historian said it would have been impossible to approach the fence in the Schlieben concentration camp to throw food over it, concluding that this part of the story was made-up. Berkley initially defended the book, saying it was a work of memory, but then decided to cancel its planned publication, and demanded the return of the advance it had made to Rosenblat. A $25m film based on the book, to be called The Flower of the Fence, is still going ahead, with production due to start this year.

Publisher York House Press based in White Plains, New York, has entered into a tentative agreement with the film production company to publish a novel based on the film script early this spring. It said the book would be "grounded in fact", and would rise "to the proper levels of artistic value, ethical conduct and social responsibility".

A spokesperson for York House Press condemned the attacks which were made on the 80-year-old Rosenblat after the veracity of his story was questioned, describing them as a "savage" response to what was otherwise "a credible, heart-wrenching, and verifiable account" of his time in the concentration camp.

"No deliberate untruth is permissible, but beneath any fabrication is motivation and intent. We believe Mr. Rosenblat's motivations were very human, understandable and forgivable," the spokesperson said. "It is beyond our expertise to know how Holocaust survivors cope with their trauma. Do they deny, try to forget, rationalise or fantasise and promote fiction along with truth? Perhaps the coping mechanisms are as individual as the survivors themselves."

The president of the company producing the film, Harris Salomon from Atlantic Overseas Productions, said the book, "regardless of its shortcomings", would "challenge, educate and enlighten" readers about the horrors of the Holocaust. "The documented fact, acknowledged by his critics, is that Herman is a survivor of concentration camps," he said.

But Rosenblat's agent, Andrea Hurst, said that neither she nor Rosenblat were involved with this version of his story. "Usually book rights from films come out after the movie is released," she told guardian.co.uk. "I think the timing on this is very insensitive."

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