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Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II by Sarah Tytler

S >> Sarah Tytler >> Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II

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Although she had impressed on him that she wished as much as possible
to dispense with state and show on this occasion, the indefatigable
old man had been at the trouble and expense of erecting a theatre, and
bringing down from Paris the whole of the Opera Comique to play before
her, and thus increase the gaiety of the single evening of her stay.

Only another day was granted to Chateau d'Eu. By the next sunset the
King was conducting his guests on board the royal yacht and seizing
the last opportunity, when Prince Albert was taking Prince Joinville
over the _Fairy_, glibly to assure the Queen and Lord Aberdeen
that he, Louis Philippe, would never consent to Montpensier's marriage
to the Infanta of Spain till her sister the Queen was married and had
children.

At parting the King embraced her Majesty again and again. The yacht
lay still, and there was the most beautiful moonlight reflected on the
water. The Queen and the Prince walked up and down the deck, while not
they alone, but the astute statesman Aberdeen, congratulated
themselves on how well this little visit had prospered, in addition to
the complete success of the German tour. With the sea like a lake, and
sky and sea of the deepest blue, in the early morning the yacht
weighed anchor for England. Under the hot haze of an autumn noonday
sun the royal travellers disembarked on the familiar beach at Osborne.
The dearest of welcomes greeted them as they "drove up straight to the
house, for there, looking like roses, so well and so fat, stood the
four children."

The Queen referred afterwards to that visit to Germany as to one of
the happiest times in her life. She said when she thought of it, it
made her inclined to cry, so pure and tender had been the pleasure.




CHAPTER IV.


RAILWAY SPECULATION--FAILURE OF THE POTATO CROP--SIR ROBERT PEEL'S
RESOLUTIONS--BIRTH OF PRINCESS HELENA--VISIT OF IBRAHIM PASHA.

One thousand eight hundred and forty-five had begun with what appeared
a fresh impetus to national prosperity--a new start full of life and
vigour, by which the whole resources of the country should be at once
stirred up and rendered ten times more available than they had ever
been before. This was known afterwards as "the Railway Mania," which,
like other manias, if they are not mere fever-fits of speculation, but
are founded on real and tangible gains, had its eager hopeful rise,
its inflated disproportioned exaggeration, its disastrous collapse,
its gradual recovery, and eventually its solid reasonable success. In
1845 the movement was hurrying on to the second stage of its history.

The great man of 1845 was Hudson the railway speculator, "the Railway
King." Fabulous wealth was attributed to him; immense power for the
hour was his. A seat in Parliament, entrance into aristocratic
circles, were trifles in comparison. We can remember hearing of a
great London dinner at which the lions were the gifted Prince, the
husband of the Queen, and the distorted shadow of George Stephenson,
the bourgeois creator of a network of railway lines, a Bourse of
railway shares; the winner, as it was then supposed, of a huge
fortune. It was said that Prince Albert himself had felt some
curiosity to see this man and hear him speak, and that their encounter
on this occasion was prearranged and not accidental.

The autumn of 1845 revealed another side to the country's history. The
rainy weather in the summer brought to sudden hideous maturity the
lurking potato disease. Any one who recalls the time and the aspect of
the fields must retain a vivid recollection of the sudden blight that
fell upon acres on acres of what had formerly been luxuriant
vegetation, under the sunshine which came late only to complete the
work of destruction; the withering and blackening of the leaves of the
plant, the sickening foetid odour of the decaying bulbs, which tainted
the heavy air for miles; the dismay that filled the minds of the
people, who, in the days of dear corn, had learnt more and more to
depend upon the cultivation of potatoes, to whom their failure meant
ruin and starvation.

This was especially the case in Ireland and the Highlands of Scotland,
where the year closed in gloom and apprehension; famine stalked
abroad, and doles of Indian corn administered by Government in
addition to the alms of the charitable, alone kept body and soul
together in fever-stricken multitudes.

About this time also, like another feature of the spirit of adventure
which sent Franklin to the North Pole, and operated to a certain
extent in the flush of railway enterprise, England was talking half
chivalrously, half commercially, and alas! more than half sceptically,
of Brook and Borneo, and the new attempt to establish civilization and
herald Christianity under English influence in the far seas. All these
conflicting elements of new history were felt in the palace as in
other dwellings, and made part of Queen Victoria's life in those days.

A great statesman closed his eyes on this changing world. Earl Grey,
who had been in the front in advocating change in his time, died.

A brave soldier fell in the last of his battles. Sir Robert Sale, who
had been the guest of his Queen a year before, having returned to
India and rejoined the army of the Sutlej on fresh disturbances
breaking out in the Punjab, was killed at the battle of Moodkee.

Something of the wit and humour of the country was quenched or
undergoing a transformation and passing into other hands. Two famous
English humorists, Sydney Smith and Tom Hood the elder, went over to
the great majority.

By the close of 1845 it had become clear that a change in the Corn
Laws was impending. In the circumstances Sir Robert Peel, who, though
he had been for some time approaching the conclusion, was not prepared
to take immediate steps--who was, indeed, the representative of the
Conservative party--resigned office. Lord John Russell, the great Whig
leader, was called upon by the Queen to summon a new Ministry; but in
consequence of difficulties with those who were to have been his
colleagues, Lord John was compelled to announce himself unable to form
a Cabinet, and Sir Robert Peel, at the Queen's request, resumed
office, conscious that he had to face one of the hardest tasks ever
offered to a statesman. He had to encounter "the coolness of former
friends, the grudging support of unwilling adherents, the rancour of
disappointed political antagonists."

In February, 1846, the royal family spent a week at Osborne, glad to
escape from the strife of tongues and the violent political contention
which they could do nothing to quell. The Prince was happy, "out all
day," directing the building which was going on, and laying out the
grounds of his new house; and the Queen was happy in her husband and
Children's happiness. During this short absence Sir Robert Peel's
resolutions were carried, and his Corn Bill, which was virtually the
repeal of the Corn Laws, passed. He had only to await the
consequences.

In the middle of the political excitement a single human tragedy,
which Sir Robert Peel did something to prevent, reached its climax.
Benjamin Haydon, the painter, the ardent advocate, both by principle
and practice, of high art, took his life, driven to despair by his
failure in worldly success--especially by the ill-success of his
cartoons at the exhibition in Westminster Hall.

On the 25th of May a third princess was born, and on the 20th of June
Sir Robert Peel's old allies, the Tories, who had but bided their time
for revenge, while his new Whig associates looked coldly on him,
conspired to defeat him in a Government measure to check assassination
in Ireland, so that he had no choice save to resign. He had sacrificed
himself as well as his party for what he conceived to be the good of
the nation. His reign of power was at an end; but for the moment, at
least, he was thankful.

To Lord John Russell, who was more successful than on an earlier
occasion, the task of forming a new Ministry was intrusted. The
parting from her late ministers, on the 6th of July, was a trial to
the Queen, as the same experience had been previously. "Yesterday,"
her Majesty wrote to King Leopold, "was a very hard day for me. I had
to part from Sir Robert Peel and Lord Aberdeen, who are irreparable
losses to us and to the country. They were both so much overcome that
it quite upset me. We have in them two devoted friends. We felt so
safe with them. Never during the five years that they were with me did
they ever recommend a person or a thing that was not for my or the
country's best, and never for the party's advantage _only_.... I
cannot tell you how sad I am to lose Aberdeen; you cannot think what a
delightful companion he was. The breaking up of all this intercourse
during our journeys is deplorable."

In the separation the Queen turned naturally to a nearer and dearer
friend, whom only death could remove from her. "Albert's use to me,
and I may say to the country, by his firmness and sagacity in these
moments of trial, is beyond all belief." And beyond all gainsaying
must have been the deep satisfaction with which the uncle, who was
like a father, heard the repeated assurance of how successful had been
his work--what a blessing had rested upon it.

Here is a note of exultation on the political changes from the
opposite side of the House. Lord Campbell wrote: "The transfer of the
ministerial offices took place at Buckingham Palace on the 6th of
July. I ought to have been satisfied, for I received two seals, one
for the Duchy of Lancaster and one for the County Palatine of
Lancaster. My ignorance of the double honour which awaited me caused
an awkward accident, for, when the Queen put two velvet bags into my
hand, I grasped one only, and the other with its heavy weight fell
down on the floor, and might have bruised the royal toes, but Prince
Albert good-naturedly picked it up and restored it to me."

In July the Court again paid a short visit to Osborne, that the
Queen's health might be recruited before the baptism of the little
Princess. Her Majesty earnestly desired that the Queen of the Belgians
might be present, as the baby was to be the godchild of the young
widow of Queen Louise's much-loved brother, the late Duc d'Orleans.
Unfortunately the wish could not be fulfilled. The child was
christened at Buckingham Palace. She received the names of "Helena
Augusta Victoria." Her sponsors were the Duchesse d'Orleans,
represented by the Duchess of Kent; the Duchess of Cambridge; and the
Hereditary Grand Duke of Mecklenburg-Strelitz. The illustration
represents the charming little Princess at rather a more advanced age.

At the end of July Prince Albert was away from home for a few days. He
visited Liverpool, which he had greatly wished to see, in order to lay
the foundation-stone of a Sailors' Home and open the Albert Dock. In
the middle of the bustle and enthusiasm of his reception he wrote to
the Queen: "I write hoping these lines, which go by the evening post,
may reach you by breakfast time to-morrow. As I write you will be
making your evening toilette, and not be ready in time for dinner.
[Footnote: The Queen dressed quickly, but sometimes she relied too
much on her powers in this respect, and failed in her wonted
punctuality.] I must set about the same task and not, let me hope,
with the same result. I cannot get it into my head that there are two
hundred and fifty miles between us.... I must conclude and enclose, by
way of close, two touching objects--a flower and a programme of the
procession."

The same day the Queen wrote to Baron Stockmar: "I feel very lonely
without my dear master; and though I know other people are often
separated for a few days, I feel habit could not make me get
accustomed to it. This I am sure you cannot blame. Without him
everything loses its interest.... It will always be a terrible pang
for me to separate from him even for two days." Then she added with a
ring of foreboding, "And I pray God never to let me survive him." She
concluded with the true woman's proud assertion, "I glory in his being
seen and heard."




CHAPTER V.


AUTUMN YACHTING EXCURSIONS--THE SPANISH MARRIAGES--WINTER VISITS.

In the beginning of August the Queen and the Prince, accompanied by
the King and Queen of the Belgians, went again to Osborne. This autumn
the Queen, the Prince and their two elder children, made pleasant
yachting excursions, of about a week's duration each, to old admired
scenes and new places. In one of these Baron Stockmar was with them,
since he had come to England for a year's visit. He expressed himself
as much gratified by the Prince's interest and judgment in politics,
and his opinion of the Queen was more favourable than ever. "The Queen
improves greatly," he noted down as the fruits of his keen
observation, "and she makes daily advances in discernment and
experience. The candour, the tone of truth, the fairness, the
considerateness with which she judges men and things, are truly
delightful; and the ingenuous self-knowledge with which she speaks of
herself is simply charming." The yachting excursions included
Babbicombe, with the red rocks and wooded hills, which gave the Queen
an idea of Italy, where she had never been, "or rather of a ballet or
play where nymphs are to appear;" and Torbay, where William of Orange
landed. It was perhaps in reference to that event that her Majesty
made her little daughter "read in her English history." It seems to
have been the Queen's habit, in these yachting excursions, to take
upon herself a part, at least, of the Princess Royal's education.
"Beautiful Dartmouth" recalled--it might be all the more, because of
the rain that fell there--the Rhine with its ruined castles and its
Lurlei. Plymouth Harbour and the shore where the pines grew down to
the sea, led again to Mount Edgcumbe, always lovely. But first the
Queen and the Prince steamed up the St. Germans and the Tamar rivers,
passing Trematon Castle, which belonged to the little Duke of
Cornwall, and penetrated by many windings of the stream into lake-like
regions surrounded by woods and abounding in mines, which made the
Prince think of some parts of the Danube. The visitors landed at
Cothele, and drove up to a fine old house unchanged since Henry VII.'s
time. When they returned in the _Fairy_ to the yacht proper, they
found it in the centre of a shoal of boats, as it had been the last
time it sailed in these waters.

Prince Albert made an excursion to Dartmoor, and could have believed
he was in Scotland, while her Majesty contented herself with another
visit to Mount Edgcumbe, the master of which, a great invalid, yet
contrived to meet her near the landing-place at which his wife and
sons, with other members of the family, had received the royal
visitor. The drowsy heat and the golden haze were in keeping with the
romantically luxuriant glories of the drive, which the Queen took with
her children and her hostess. The little people went in to luncheon
while the Queen sketched.

After Prince Albert's return in the afternoon, the visit was repeated.
"The finest and tallest chestnut-trees in existence," and the
particularly tall and straight birch-trees, were inspected, and Sir
Joshua Reynolds's portraits examined. Well might they flourish at
Mount Edgcumbe, since Plymouth was Sir Joshua's native town, and some
of the Edgcumbe family were among his first patrons, when English art
stood greatly in need of such patronage.

The next excursion was an impromptu run in lovely weather to Guernsey,
which had not been visited by an English sovereign since the days of
King John. The rocky bays, the neighbouring islands, the half-foreign
town of St. Pierre, with "very high, bright-coloured houses,"
illuminated at night, pleased her Majesty greatly. On the visitors
landing they were met by ladies dressed in white singing "God save the
Queen," and strewing the path with flowers. General Napier, a white-
haired soldier, received the Queen and presented her with the keys of
the fort. The narrow streets through which she drove were "decorated
with flowers and flags, and lined with the Guernsey militia." The
country beyond, of which she had a glimpse, was crowned with fine
vegetation.

Whether or not it was to prevent Jersey, with St. Helier's, from
feeling jealous, ten days later the Queen and the Prince, the Prince
of Wales, and the Princess Royal, the usual suite, Lord Spencer, and
Lord Palmerston, set out on a companion trip to the sister island. The
weather was colder and the sea not so calm. Indeed, the rolling of the
vessel in Alderney Race was more than the voyagers had bargained for.
After it became smoother the little Prince of Wales put on a sailor's
dress made by a tailor on board, and great was the jubilation of the
Jack Tars of every degree.

The whole picturesque coast of Jersey was circumnavigated in order to
reach St. Helier's, which was gained when the red rocks were gilded
with the setting sun. A little later the yacht was hauled up under the
glow of bonfires and an illumination. On a splendid September day,
which lent to the very colouring a resemblance to Naples, the Queen
passed between the twin towers of Noirmont Point and St. Aubin, and
approached Elizabeth Castle, with the town of St. Helier's behind it.
The Queen landed amidst the firing of guns, the playing of military
bands, and the roar of cheers, the ladies of the place, as before,
strewing her path with flowers, and marshalling her to a canopy, under
which her Majesty received the address of the States and the militia.
The demonstrations were on a larger and more finished scale than in
Guernsey, greater time having been given for preparation.

The French tongue around her arrested the Queen's attention. So did a
seat in one of the streets filled with French women from Granville,
"curiously dressed, with white handkerchiefs on their heads." The
Queen drove through the green island, admiring its orchards without
end, though the season of russet and rosy apples was past for Jersey.
The old tower of La Hogue Bie was seen, and the castle of Mont Orgueil
was still more closely inspected, the Queen walking up to it and
visiting one of its batteries, with a view across the bay to the
neighbouring coast of France. Mont Orgueil is said to have been
occupied by Robert of Normandy, the unfortunate son of William the
Conqueror. Her Majesty heard that it had not yet been taken, but found
this was an error, though it was true the island of Guernsey had never
been conquered.

The close of the pleasant day was a little spoilt by the heat and
glare, which sent the Queen ill to her cabin. The next day saw the
party bound for Falmouth, where they arrived under a beautiful moon,
with the sea smooth as glass--not an unacceptable change from the
rolling swell of the first part of the little voyage.

Something unexpected and unwelcome had happened before the close of
the excursion, while the French coast which the Queen had hailed with
so much pleasure was still full in sight. Whether the news which
arrived with the other dispatches had anything to do with the fit of
indisposition that rendered the heat and glare unbearable, it
certainly marred the enjoyment of the last part of her trip. Before
quitting Jersey the Queen was made acquainted with the fact that Louis
Philippe's voluntary protestations with regard to the marriage of his
son, the Duc de Montpensier, had been so many idle words. He had
stolen a march both upon England and Europe generally. The marriage of
the Due de Montpensier with the Infanta Luisa of Spain was announced
simultaneously with the marriage of her sister, the Queen of Spain, to
her cousin the Due de Cadiz.

Everybody knows at this date how futile were Louis Philippe's schemes
for the aggrandisement of his family, and how he learnt by bitter
experience, as Louis XIV. had done before him, that a coveted Spanish
alliance, in the very fact of its attainment, meant disaster and
humiliation for France.

Louis Philippe had the grace, as we sometimes say, to shrink from
writing to announce the double marriage against which he had so often
solemnly pledged himself to the Queen. He delegated the difficult task
to Queen Amelie, who discharged it with as much tact as might have
been expected from so devoted a wife and kind a woman.

The Queen of England's reply to this begging of the question is full
of spirit and dignity:--

"OSBORNE, September 10, 1846.

"MADAME,--I have just received your Majesty's letter of the 8th, and I
hasten to thank you for it. You will, perhaps remember what passed at
Eu between the King and myself. You are aware of the importance which
I have always attached to the maintenance of our cordial
understanding, and the zeal with which I have laboured towards this
end. You have no doubt been informed that we refused to arrange the
marriage between the Queen of Spain and our cousin Leopold (which the
two Queens [Footnote: The reference is to the young Queen of Spain and
her mother the Queen-dowager Christina.] had eagerly desired) solely
with the object of not departing from a course which would be more
agreeable to the King, although we could not regard the course as the
best. [Footnote: The confining of the Queen of Spain's selection of a
husband to a Bourbon prince, a descendant of Philip V.] You will
therefore easily understand that the sudden announcement of this
double marriage could not fail to cause us surprise and very keen
regret.

"I crave your pardon, Madame, for speaking to you of politics at a
time like this, but I am glad that I can say for myself that I have
always been _sincere_ with you. Begging you to present my
respectful regards to the King, I am, Madame, your Majesty's most
devoted friend,

"VICTORIA."

The last yachting excursion of the season was to Cornwall. The usual
party accompanied the Queen and the Prince, the elder children, and
the ladies and gentlemen in waiting, her Majesty managing, as before,
to hear her little daughter repeat her lessons. Lizard Point and
Land's End were reached. At Penzance Prince Albert landed to inspect
the copper and serpentine-stone works, while the Queen sketched from
the deck of the _Fairy_. As the Cornish boats clustered round the
yacht, and the Prince of Wales looked down with surprise on the half-
outlandish boatmen, a loyal shout arose, "Three cheers for the Duke of
Cornwall."

The romantic: region of St. Michael's Mount, dear to the lovers of
Arthurian legends, was visited, the Queen climbing the circuitous path
up the hill to enter the castle, the Prince mounting to the tower
where "St Michael's chair," the rocky seat for betrothed couples,
still tests their courage and endurance. Each man and woman races up
the difficult path, and the winner of the race who first sits down in
the chair claims the right to rule the future home.

The illustration from a painting by Stanfield represents the imposing
pile of the "old religious house" crowning the noble rock, the royal
yacht lying off the shore commanding St. Michael's Mount, the numerous
spectators on shore and in boats haunting the royal footsteps--in
short, the whole scene in the freshness and stir which broke in upon
its sombre romance.

On Sunday service was held under the awning with its curtains of
flags, Lord Spencer--a captain in the navy--reading prayers "extremely
well." On Monday there was an excursion to the serpentine rocks, where
caves and creeks, cormorants and gulls, lent their attractions to the
spot. At Penryn the corporation came on board, "very anxious to see
the Duke of Cornwall." The Queen makes a picture in writing of the
quaint interview. "I stepped out of the pavilion on deck with Bertie.
Lord Palmerston told them that that was the Duke of Cornwall, and the
old mayor of Penryn said he hoped 'he would grow up a blessing to his
parents and his country.'"

The party were rowed up the beautiful rivers Truro and Tregony,
between banks covered with stunted oaks or woods of a more varied kind
down to the water's edge, past charming pools, creeks, and ferries,
with long strings of boats on the water and carts on the shore, and a
great gathering of people cheering the visitors, especially when the
little Duke of Cornwall was held up for them to see. The Queen took
delight in the rustic demonstration, so much in keeping with the
place, and the simple loyalty of the people.

Her Majesty went to Fowey, and had the opportunity of driving through
some of the narrowest, steepest streets in England, till she reached
the hilly ground of Cornwall, "covered with fields, and intersected
with hedges," and at last arrived at her little son's possession, the
ivy-covered ruin of the old castle of Restormel, an appanage of the
Duchy of Cornwall, in which the last Earl of Cornwall had resided five
hundred years before.

The Queen also visited the Restormel iron-mines. She was one of the
comparatively few ladies who have ventured into the nether darkness of
a pit. She saw her underground subjects as well as those above ground,
and to the former no less than to the latter she bore the kindly
testimony that she found them "intelligent good people." We can vouch
for this that these hewers and drawers of ore, in their dark-blue
woollen suits, the arms bare, and caps with the candles or lamps stuck
in the front, lighting up the pallid grimy faces, would be fully
conscious of the honour done them, and would yield to no ruddy,
fustian-clad ploughman or picturesque shepherd, with his maud and
crook in loyalty to their Queen.

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Fidel and Che: a revolutionary friendship

After last week's fairly open theme, I thought I'd go with something a bit more structured this time. As I type this, I'm listening to Steeleye Span and thinking about the great ballad traditions of Britain and Ireland. What is a ballad? I suppose the most inclusive definition would be that it's a singable narrative poem: that covers a multitude but will do for the moment.

Ballads in English stretch back to the middle ages, with fine examples to be found among the Scottish border ballads and the English Robin Hood poems. These early ballads are among the best-known poems and stories in the language, and form part of the common heritage of English speakers everywhere. They gave rise to a tradition of ballad-making that endures down to the present day.

In fact, most poets since have tried their hand at the ballad at one time or another, and the result has been to deny any definition more specific than the one I ventured in my first paragraph. If you look around the internet, you'll come up with a wide selection of poems that are called ballads but have little in common formally. Stanza length varies from two to 10 or more lines, and all sorts of metrical and rhyming patterns are used. A good number will be singable in only the loosest possible sense, and at times the narrative tends to get lost in a mesh of more-or-less successful verbal embroidery.

So, what should a ballad be? Well, "proper" ballad stanzas are quatrains in which the first and third lines have four stresses and the second and third have three. The lines will rhyme A-B-C-B or A-B-A-B. It's as simple, and as difficult, as that. Here's an example, from Robert Burns's extremely singable Comin Thro' the Rye:

Gin a body meet a body
          Comin thro' the rye,
Gin a body kiss a body –
          Need a body cry.

Burns wrote a good number of ballads, and his lead was followed by many 19th-century poets. Two examples that I particularly like are Robert Browning's Confessions and Christina Rossetti's Up-Hill, but you can find ballads by just about any Romantic or Victorian poet if you look for them.

There is a long, strong tradition of ballads and ballad singers in Ireland, too. It is hardly surprising, then, that the great appropriator of tradition, WB Yeats, tried his hand at the form. At least four of his poems have the word "ballad" in the title; the pick of the bunch, for my money, is The Ballad of Father Gilligan, which may have benefited from having been written with a specific tune in mind.

Ballads continued to be written in the 20th century; perhaps the most unexpected exponents were Ezra Pound, with his Ballad of the Goodly Fere, and WH Auden. In fact, the ballad The Quarry is probably my favourite Auden poem.

And so, this week I invite a chorus of balladeering. You may choose to go the whole hog and write in ballad stanzas or you might prefer to take a more liberal view of the formal requirements. Either way, sing up and – as they say at all the best Irish sessions when calling for a bit of hush for the singer – one voice please.

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Obituary: Donald Westlake

The disputed Holocaust memoir, written by Herman Rosenblat, which was dropped from Penguin Group's publication schedule at the end of December is now set to appear as a work of fiction.

Rosenblat's memoir - which Oprah Winfrey called "the single greatest love story" she had heard in two decades in television - recounted how as a teenage boy in a Nazi concentration camp, he was kept alive by the food which was thrown to him by a young girl, Roma Radzicky. Penguin's US imprint Berkley Books had planned to publish the story, which sees Rosenblat reunited with Radzicky on a blind date years later, as Angel at the Fence: the True Story of a Love That Survived, next month.

But a Holocaust historian said it would have been impossible to approach the fence in the Schlieben concentration camp to throw food over it, concluding that this part of the story was made-up. Berkley initially defended the book, saying it was a work of memory, but then decided to cancel its planned publication, and demanded the return of the advance it had made to Rosenblat. A $25m film based on the book, to be called The Flower of the Fence, is still going ahead, with production due to start this year.

Publisher York House Press based in White Plains, New York, has entered into a tentative agreement with the film production company to publish a novel based on the film script early this spring. It said the book would be "grounded in fact", and would rise "to the proper levels of artistic value, ethical conduct and social responsibility".

A spokesperson for York House Press condemned the attacks which were made on the 80-year-old Rosenblat after the veracity of his story was questioned, describing them as a "savage" response to what was otherwise "a credible, heart-wrenching, and verifiable account" of his time in the concentration camp.

"No deliberate untruth is permissible, but beneath any fabrication is motivation and intent. We believe Mr. Rosenblat's motivations were very human, understandable and forgivable," the spokesperson said. "It is beyond our expertise to know how Holocaust survivors cope with their trauma. Do they deny, try to forget, rationalise or fantasise and promote fiction along with truth? Perhaps the coping mechanisms are as individual as the survivors themselves."

The president of the company producing the film, Harris Salomon from Atlantic Overseas Productions, said the book, "regardless of its shortcomings", would "challenge, educate and enlighten" readers about the horrors of the Holocaust. "The documented fact, acknowledged by his critics, is that Herman is a survivor of concentration camps," he said.

But Rosenblat's agent, Andrea Hurst, said that neither she nor Rosenblat were involved with this version of his story. "Usually book rights from films come out after the movie is released," she told guardian.co.uk. "I think the timing on this is very insensitive."

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