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Bat Wing by Sax Rohmer

S >> Sax Rohmer >> Bat Wing




Then, as we seated ourselves:

"You are not smoking, my friends," she continued, "and I know that you
are both so fond of a smoke."

Paul Harley excused himself but I accepted a cigarette which Val
Beverley offered me from a silver box on the table, and presently:

"I am here, like a prisoner of the Bastille," declared Madame,
shrugging her shoulders, "where only echoes reach me. Now, Mr. Harley,
tell me of this wonderful discovery of yours."

Harley inclined his head gravely, and in that succinct fashion which he
had at command acquainted Madame with the result of his two
experiments. As he completed the account:

"Ah," she sighed, and lay back upon her pillows, "so to-night he is
again a free man, the poor Colin Camber. And his wife is happy once
more?"

"Thank God," I murmured. "Her sorrow was pathetic."

"Only the pure in heart can thank God," said Madame, strangely, "but I,
too, am glad. I have written, here"--she pointed to a little heap of
violet note-paper upon a table placed at the opposite side of the bed--
"how glad I am."

Harley and I stared vaguely across at the table. I saw Val Beverley
glancing uneasily in the same direction. Save for the writing materials
and little heap of manuscript, it held only a cup and saucer, a few
sandwiches, and a medicine bottle containing the prescription which Dr.
Rolleston had made up for the invalid.

"I am curious to know what you have written, Madame," declared Harley.

"Yes, you are curious?" she said. "Very well, then, I will tell you,
and afterward you may read if you wish." She turned to me. "You, my
friend," she whispered, and reaching over she laid her jewelled hand
upon my arm, "you have spoken with Ysola de Valera this afternoon, they
tell me?"

"With Mrs. Camber?" I asked, startled. "Yes, that is true."

"Ah, Mrs. Camber," murmured Madame. "I knew her as Ysola de Valera. She
is beautiful, in her golden doll way. You think so?" Then, ere I had
time to reply: "She told you, I suppose, eh?"

"She told me," I replied with a certain embarrassment, "that she had
met you some years ago in Cuba."

"Ah, yes, although _I_ told the fat Inspector it was not so. How
we lie, we women! And of course she told you in what relation I stood
to Juan Menendez?"

"She did not, Madame de Staemer."

"No-no? Well, it was nice of her. No matter. _I_ will tell you. I
was his mistress."

She spoke without bravado, but quite without shame, seeming to glory in
the statement.

"I met him in Paris," she continued, half closing her eyes. "I was
staying at the house of my sister, and my sister, you understand, was
married to Juan's cousin. That is how we met. I was married. Yes, it is
true. But in France our parents find our husbands and our lovers find
our hearts. Yet sometimes these marriages are happy. To me this good
thing had not happened, and in the moment when Juan's hand touched mine
a living fire entered into my heart and it has been burning ever since;
burning-burning, always till I die.

"Very well, I am a shameless woman, yes. But I have lived, and I have
loved, and I am content. I went with him to Cuba, and from Cuba to
another island where he had estates, and the name of which I shall not
pronounce, because it hurts me so, even yet. There he set eyes upon
Ysola de Valera, the daughter of his manager, and, pouf!"

She shrugged and snapped her fingers.

"He was like that, you understand? I knew it well. They did not call
him Devil Menendez for nothing. There was a scene, a dreadful scene,
and after that another, and yet a third. I have pride. If I had seemed
to forget it, still it was there. I left him, and went back to France.
I tried to forget. I entered upon works of charity for the soldiers at
a time when others were becoming tired. I spent a great part of my
fortune upon establishing a hospital, and this child"--she threw her
arm around Val Beverley--"worked with me night and day. I think I
wanted to die. Often I tried to die. Did I not, dear?"

"You did, Madame," said the girl in a very low voice.

"Twice I was arrested in the French lines, where I had crept dressed
like a _poilu_, from where I shot down many a Prussian. Is it not
so?"

"It is true," answered the girl, nodding her head.

"They caught me and arrested me," said Madame, with a sort of triumph.
"If it had been the British"--she raised her hand in that Bernhardt
gesture--"with me it would have gone hard. But in France a woman's
smile goes farther than in England. I had had my fun. They called me
'good comrade!' Perhaps I paid with a kiss. What does it matter? But
they heard of me, those Prussian dogs. They knew and could not forgive.
How often did they come over to bomb us, Val, dear?"

"Oh, many, many times," said the girl, shudderingly.

"And at last they succeeded," added Madame, bitterly. "God! the black
villains! Let me not think of it."

She clenched her hands and closed her eyes entirely, but presently
resumed again:

"If they had killed me I should have been glad, but they only made of
me a cripple. M. de Staemer had been killed a few weeks before this. I
am sorry I forgot to mention it. I was a widow. And when after this
catastrophe I could be moved, I went to a little villa belonging to my
husband at Nice, to gain strength, and this child came with me, like a
ray of sunshine.

"Here, to wake the fire in my heart, came Juan, deserted, broken,
wounded in soul, but most of all in pride, in that evil pride which
belongs to his race, which is so different from the pride of France,
but for which all the same I could never hate him.

"Ysola de Valera had run away from his great house in Cuba. Yes! A
woman had dared to leave him, the man who had left so many women. To me
it was pathetic. I was sorry for him. He had been searching the world
for her. He loved this little golden-haired girl as he had never loved
me. But to me he came with his broken heart, and I"--her voice
trembled--"I took him back. He still cared for me, you understand. Ah!"
She laughed. "I am not a woman who is lightly forgotten. But the great
passion that burned in his Spanish soul was revenge.

"He was a broken man not only in mind, but in body. Let me tell you. In
that island which I have not named there is a horrible disease called
by the natives the Creeping Sickness. It is supposed to come from a
poisonous place named the Black Belt, and a part of this Black Belt is
near, too near, to the hacienda in which Juan sometimes lived."

Paul Harley started and glanced at me significantly.

"They think, those simple negroes, that it is witchcraft, Voodoo, the
work of the Obeah man. It is of two kinds, rapid and slow. Those who
suffer from the first kind just decline and decline and die in great
agony. Others recover, or seem to do so. It is, I suppose, a matter of
constitution. Juan had had this sickness and had recovered, or so the
doctors said, but, ah!"

She lay back, shaking her finger characteristically.

"In one year, in two, three, a swift pain comes, like a needle, you
understand? Perhaps in the foot, in the hand, in the arm. It is
exquisite, deathly, while it lasts, but it only lasts for a few
moments. It is agony. And then it goes, leaving nothing to show what
has caused it. But, my friends, it is a death warning!

"If it comes here"--she raised one delicate white hand--"you may have
five years to live; if in the foot, ten, or more. But"--she sank her
voice dramatically--"the nearer it is to the heart, the less are the
days that remain to you of life."

"You mean that it recurs?" asked Harley.

"Perhaps in a week, perhaps not for another year, it comes again, that
quick agony. This time in the shoulder, in the knee. It is the second
warning. Three times it may come, four times, but at last"--she laid
her hand upon her breast--"it comes here, in the heart, and all is
finished."

She paused as if exhausted, closing her eyes again, whilst we three who
listened looked at one another in an awestricken silence, until the
vibrant voice resumed:

"There is only one man in Europe who understands this thing, this
Creeping Sickness. He is a Frenchman who lives in Paris. To him Juan
had been, and he had told him, this clever man, 'If you are very quiet
and do not exert yourself, and only take as much exercise as is
necessary for your general health, you have one year to live--'"

"My God!" groaned Harley.

"Yes, such was the verdict. And there is no cure. The poor sufferer
must wait and wait, always wait, for that sudden pang, not knowing if
it will come in his heart and be the finish. Yes. This living death,
then, and revenge, were the things ruling Juan's life at the time of
which I tell you. He had traced Ysola de Valera to England. A chance
remark in a London hotel had told him that a Chinaman had been seen in
a Surrey village and of course had caused much silly chatter. He
enquired at once, and he found out that Colin Camber, the man who had
taken Ysola from him, was living with her at the Guest House, here, on
the hill. How shall I tell you the rest?"

"Merciful Heaven!" exclaimed Harley, his glance set upon her, with a
sort of horror in his gray eyes, "I think I can guess."

She turned to him rapidly.

"M. Harley," she said, "you are a clever man. I believe you are a
genius. And I have the strength to tell you because I am happy to-
night. Because of his great wealth Juan succeeded in buying Cray's
Folly from Sir James Appleton to whom it belonged. He told everybody he
leased it, but really he bought it. He paid him more than twice its
value, and so obtained possession.

"But the plan was not yet complete, although it had taken form in that
clever, wicked brain of his. Oh! I could tell you stories of the
Menendez, and of the things they have done for love and revenge, which
even you, who know much of life, would doubt, I think. Yes, you would
not believe. But to continue. Shall I tell you upon what terms he had
returned to me, eh? I will. Once more he would suffer that pang of
death in life, for he had courage, ah! such great courage, and then,
when the waiting for the next grew more than even his fearless heart
could bear, I, who also had courage, and who loved him, should----" She
paused, "Do you understand?"

Harley nodded dumbly, and suddenly I found Val Beverley's little
fingers twined about mine.

"I agreed," continued the deep voice. "It was a boon which I, too,
would have asked from one who loved me. But to die, knowing another
cherished the woman who had been torn from him, was an impossibility
for Juan Menendez. What he had schemed to do at first I never knew. But
presently, because of our situation here, and because of that which he
had asked of me, it came, the great plan.

"On the night he told me, a night I shall never forget, I drew back in
horror from him--I, Marie de Staemer, who thought I knew the blackest
that was in him. I shrank. And because of that scene it came to him
again in the early morning--the moment of agony, the needle pain, here,
low down in his left breast.

"He pleaded with me to do the wicked thing that he had planned, and
because I dared not refuse, knowing he might die at my feet, I
consented. But, my friends, I had my own plan, too, of which he knew
nothing. On the next day he went to Paris, and was told he had two
months to live, with great, such great care, but perhaps only a week, a
day, if he should permit his hot passions to inflame that threatened
heart. Very well.

"I said yes, yes, to all that he suggested, and he began to lay the
trail--the trail to lead to his enemy. It was his hobby, this
vengeance. He was like a big, cruel boy. It was he, himself, Juan
Menendez, who broke into Cray's Folly. It was he who nailed the bat
wing to the door. It was he who bought two rifles of a kind of which so
many millions were made during the war that anybody might possess one.
And it was he who concealed the first of these, one cartridge
discharged, under the floor of the hut in the garden of the Guest
House. The other, which was to be used, he placed--"

"In the shutter-case of one of the tower rooms," continued Paul Harley.
"I know! I found it there to-night."

"What?" I asked, "you found it, Harley?"

"I returned to look for it," he said. "At the present moment it is
upstairs in my room."

"Ah, M. Harley," exclaimed Madame, smiling at him radiantly, "I love
your genius. Then it was," she continued, "that he thought himself
ready, ready for revenge and ready for death. He summoned you, M.
Harley, to be an expert witness. He placed with you evidence which
could not fail to lead to the arrest of M. Camber. Very well. I allowed
him to do all this. His courage, _mon Dieu_, how I worshipped his
courage!

"At night, when everyone slept, and he could drop the mask, I have seen
what he suffered. I have begged him, begged him upon my knees, to allow
me to end it then and there; to forget his dream of revenge, to die
without this last stain upon his soul. But he, expecting at any hour,
at any minute, to know again the agony which cannot be described, which
is unlike any other suffered by the flesh--refused, refused! And I"--
she raised her eyes ecstatically--"I have worshipped this courage of
his, although it was evil--bad.

"The full moon gives the best light, and so he planned it for the night
of the full moon. But on the night before, because of some scene which
he had with you, M. Harley, nearly I thought his plans would come to
nothing. Nearly I thought the last act of love which he asked of me
would never be performed. He sat there, up in the little room which he
liked best, the coldness upon him which always came before the pang,
waiting, waiting, a deathly dew on his forehead, for the end; and I, I
who loved him better than life, watched him. And, so Fate willed it,
the pang never came."

"You watched him?" I whispered.

Harley turned to me slowly.

"Don't you understand, Knox?" he said, in a voice curiously unlike his
own.

"Ah, my friend," Madame de Staemer laid her hand upon my arm with that
caressing gesture which I knew, "you do understand, don't you? The
power to use my limbs returned to me during the last week that I lived
in Nice."

She bent forward and raised her face, in an almost agonized appeal to
Val Beverley.

"My dear, my dear," she said, "forgive me, forgive me! But I loved him
so. One day, I think"--her glance sought my face--"you will know. Then
you will forgive."

"Oh, Madame, Madame," whispered the girl, and began to sob silently.

"Is it enough?" asked Madame de Staemer, raising her head, and looking
defiantly at Paul Harley. "Last night, you, M. Harley, who have genius,
nearly brought it all to nothing. You passed the door in the shrubbery
just when Juan was preparing to go out. I was watching from the window
above. Then, when you had gone, he came out--smoking his last
cigarette.

"I went to my place, entering the tower room by the door from that
corridor. I opened the window. It had been carefully oiled. It was
soundless. I was cold as one already dead, but love made me strong. I
had seen him suffer. I took the rifle from its hiding-place, the heavy
rifle which so few women could use. It was no heavier than some which I
had used before, and to good purpose."

Again she paused, and I saw her lips trembling. Before my mind's eye
the picture arose which I had seen from Harley's window, the picture of
Colonel Juan Menendez walking in the moonlight along the path to the
sun-dial, with halting steps, with clenched fists, but upright as a
soldier on parade. Walking on, dauntlessly, to his execution. Out of a
sort of haze, which seemed to obscure both sight and hearing, I heard
Madame speaking again.

"He turned his head toward me. He threw me a kiss--and I fired. Did you
think a woman lived who could perform such a deed, eh? If you did not
think so, it is because you have never looked into the eyes of one who
loved with her body, her mind, and with her soul. I think, yes, I think
I went mad. The rifle I remember I replaced. But I remember no more.
Ah!"

She sighed in a resigned, weary way, untwining her arm from about Val
Beverley, and falling back upon her pillows.

"It is all written here," she said; "every word of it, my friends, and
signed at the bottom. I am a murderess, but it was a merciful deed. You
see, I had a plan of which Juan knew nothing. This was my plan." She
pointed to the heap of manuscript. "I would give him relief from his
agonies, yes. For although he was an evil man, I loved him better than
life. I would let him die happy, thinking his revenge complete. But
others to suffer? No, no! a thousand times no! Ah, I am so tired."

She took up the little medicine bottle, poured its contents into the
glass, and emptied it at a draught.

Paul Harley, as though galvanized, sprang to his feet. "My God!" he
cried, huskily, "Stop her, stop her!" Val Beverley, now desperately
white, clutched at me with quivering fingers, her agonized glance set
upon the smiling face of Madame de Staemer.

"No fuss, dear friends," said Madame, gently, "no trouble, no nasty
stomach-pumps; for it is useless. I shall just fall asleep in a few
moments now, and when I wake Juan will be with me."

Her face was radiant. It became lighted up magically. I knew in that
grim hour what a beautiful woman Madame de Staemer must have been. She
rested her hand upon Val Beverley's head, and looked at me with her
strange, still eyes.

"Be good to her, my friend," she whispered. "She is English, but not
cold like some. She, too, can love."

She closed her eyes and dropped back upon her pillows for the last
time.




CHAPTER XXXV

AN AFTERWORD



This shall be a brief afterword, for I have little else to say. As
Madame had predicted, all antidotes and restoratives were of no avail.
She had taken enough of some drug which she had evidently had in her
possession for this very purpose to ensure that there should be no
awakening, and although Dr. Rolleston was on the spot within half an
hour, Madame de Staemer was already past human aid.

There are perhaps one or two details which may be of interest. For
instance, as a result of the post-mortem examination of Colonel
Menendez, no trace of disease was discovered in any of the organs, but
from information supplied by his solicitors, Harley succeeded in
tracing the Paris specialist to whom Madame de Staemer had referred; and
he confirmed her statement in every particular. The disease, to which
he gave some name which I have forgotten, was untraceable, he declared,
by any means thus far known to science.

As we had anticipated, the bulk of Colonel Don Juan's wealth he had
bequeathed to Madame de Staemer, and she in turn had provided that all
of which she might die possessed should be divided between certain
charities and Val Beverley.

I thus found myself at the time when all these legal processes
terminated engaged to marry a girl as wealthy as she was beautiful.
Therefore, except for the many grim memories which it had left with me,
nothing but personal good fortune resulted from my sojourn at Cray's
Folly, beneath the shadow of that Bat Wing which had had no existence
outside the cunning imagination of Colonel Juan Menendez.

THE END

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We do not know the women's names, but their voices are quite distinct. All are pregnant. But while the first woman awaits the birth of her baby with a moon-like serenity, the other two are not so lucky. One, whose previous pregnancies have failed to go to term, is experiencing a heartbreaking late miscarriage; the other is a young student whose accidental pregnancy will end in her child being put up for adoption.

Sylvia Plath's only play was never intended for the stage, being broadcast instead on BBC radio in August 1962. Less than six months later, Plath killed herself, but not before the burst of astonishing creative energy that produced her extraordinary, terrifying Ariel poems.

Anyone who knows Plath's poetry will see the connection between Three Women and Plath's subsequent poems, particularly in the way she talks about the agony of childbirth, the rush of love for this tiny alien being, and both the wonder and wounded rawness of motherhood. It is a beautiful piece, full of startling imagery that draws you in through the sheer intensity of its femaleness, and because it so precisely articulates the emotions that are often thought but seldom voiced by women - certainly not in the early 1960s - about men, motherhood and our relationship to our bodies.

It's been 20 years since there has been an attempt at a professional stage version and - in a theatre world that happily accepts the poetic offerings of Sarah Kane and Debbie Tucker Green, or the staged possibilities of The Waves, one of Plath's own inspirations for the piece, I see no reason why it shouldn't be brought to life. Sadly, it doesn't breathe here, in a production by Robert Shaw that is clearly a labour of love, but which never finds a way to give the internal a physical reality. Plath's poetry, like most babies, is more robust than it appears - and won't break if treated with a little less reverence and considerably more grit.

Instead, what we are offered is tinkling piano music, mournful mood lighting, an innocuous pale setting, as well as three perfectly good but indisputably ladylike performances that capture none of the wounded redness of Plath's poetry, and do her the disservice of making her sound bleached and somewhat prissy. It's a pity. What might have been a wonder ends up a mere curiosity.

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