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Life in the Backwoods by Susanna Moodie

S >> Susanna Moodie >> Life in the Backwoods

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Notify Juliet Sutherland, Charles Bidwell
and the Online Distributed Proofreading Team




LIFE IN THE BACKWOODS,


A SEQUEL TO

ROUGHING IT IN THE BUSH.


BY SUSANNA MOODIE,

Author of "LIFE IN THE CLEARINGS," "FLORA LYNDSAY,"
"GEOFFREY MONCTON," etc., etc.


I sketch from Nature, and the picture's true;
Whate'er the subject, whether grave or gay,
Painful experience in a distant land
Made it mine own.


NEW YORK:

JOHN W. LOVELL COMPANY,

14 AND 16 VESEY STREET.



CONTENTS

CHAPTER I.--A Journey to the Woods--Corduroy Roads--No Ghosts in Canada
CHAPTER II.--The Wilderness and our Indian Friends--The House on Fire--No
Papoose; the Mother all alone
CHAPTER III.--Running the Fallow--A Wall of Fire--"But God can save us
yet."
CHAPTER IV.--Our Logging Bee--"Och! my ould granny taught me."--Signal
Mercies
CHAPTER V.--A Trip to Stony Lake--A Feast in an Outhouse--The Squatter's
Log Hut
CHAPTER VI.--Disappointed Hopes--Milk, Bread and Potatoes our only Fare--
The Deer Hunt
CHAPTER VII.--The Little Stumpy Man--Hiding from the Sheriff--An
ill-natured volunteer
CHAPTER VIII.--The Fire--"Oh, dear Mamma, do save Papa's Flute"--"No time
to be clane!"
CHAPTER IX.--The Outbreak--Moodie joins the Volunteers--"Scribblin' and
Scrabblin' when you should be in bed"
CHAPTER X.--The Whirlwind--Two Miles of Trees Levelled to the Ground--Sick
Children
CHAPTER XI.--The Walk to Dummer--Honest, Faithful Jenny--A sad History--
Tried and Found most Faithful
CHAPTER XII.--A Change in our Prospects--In a Canoe--Nearing the Rapids--
Dandelion Coffee
CHAPTER XIII.--The Magic Spell--"The Sleighs are Come!"--Leaving the
Bush--End of Life in the Backwoods



LIFE IN THE BACKWOODS

A SEQUEL TO

ROUGHING IT IN THE BUSH.

* * * * *

CHAPTER I.

A JOURNEY TO THE WOODS.

'Tis well for us poor denizens of earth
That God conceals the future from our gaze;
Or Hope, the blessed watcher on Life's tower,
Would fold her wings, and on the dreary waste
Close the bright eye that through the murky clouds
Of blank Despair still sees the glorious sun.

It was a bright, frosty morning when I bade adieu to the farm, the
birthplace of my little Agnes, who, nestled beneath my cloak, was sweetly
sleeping on my knee, unconscious of the long journey before us into the
wilderness. The sun had not as yet risen. Anxious to get to our place of
destination before dark, we started as early as we could. Our own fine
team had been sold the day before for forty pounds; and one of our
neighbours, a Mr. D____, was to convey us and our household goods to Douro
for the sum of twenty dollars. During the week he had made several
journeys, with furniture and stores; and all that now remained was to be
conveyed to the woods in two large lumber-sleighs, one driven by himself,
the other by a younger brother.

It was not without regret that I left Melsetter, for so my husband had
called the place, after his father's estate in Orkney. It was a beautiful,
picturesque spot; and, in spite of the evil neighbourhood, I had learned
to love it; indeed, it was much against my wish that it was sold. I had a
great dislike to removing, which involves a necessary loss, and is apt to
give to the emigrant roving and unsettled habits. But all regrets were now
useless; and happily unconscious of the life of toil and anxiety that
awaited us in those dreadful woods, I tried my best to be cheerful, and to
regard the future with a hopeful eye.

Our driver was a shrewd, clever man, for his opportunities. He took charge
of the living cargo, which consisted of my husband, our maid-servant, the
two little children, and myself--besides a large hamper, full of poultry--
a dog, and a cat. The lordly sultan of the imprisoned seraglio thought fit
to conduct himself in a very eccentric manner, for at every barnyard we
happened to pass, he clapped his wings, and crowed so long and loud that
it afforded great amusement to the whole party, and doubtless was very
edifying to the poor hens, who lay huddled together as mute as mice.

"That 'ere rooster thinks he's on the top of the heap," said our driver,
laughing. "I guess he's not used to travelling in a close conveyance.
Listen! How all the crowers in the neighbourhood give him back a note of
defiance! But he knows that he's safe enough at the bottom of the basket."

The day was so bright for the time of year (the first week in February),
that we suffered no inconvenience from the cold. Little Katie was
enchanted with the jingling of the sleigh-bells, and, nestled among the
packages, kept singing or talking to the horses in her baby lingo.
Trifling as these little incidents were, before we had proceeded ten miles
on our long journey, they revived my drooping spirits, and I began to feel
a lively interest in the scenes through which we were passing.

The first twenty miles of the way was over a hilly and well-cleared
country; and as in winter the deep snow fills up the inequalities, and
makes all roads alike, we glided as swiftly and steadily along as if they
had been the best highways in the world. Anon, the clearings began to
diminish, and tall woods arose on either side of the path; their solemn
aspect, and the deep silence that brooded over their vast solitudes,
inspiring the mind with a strange awe. Not a breath of wind stirred the
leafless branches, whose huge shadows, reflected upon the dazzling white
covering of snow, lay so perfectly still, that it seemed as if Nature had
suspended her operations, that life and motion had ceased, and that she
was sleeping in her winding-sheet, upon the bier of death.

"I guess you will find the woods pretty lonesome," said our driver, whose
thoughts had been evidently employed on the same subject as our own. "We
were once in the woods, but emigration has stepped ahead of us, and made
our'n a cleared part of the country. When I was a boy, all this country,
for thirty miles on every side of us, was bush land. As to Peterborough,
the place was unknown; not a settler had ever passed through the great
swamp, and some of them believed that it was the end of the world."

"What swamp is that?" asked I.

"Oh, the great Cavan swamp. We are just two miles from it; and I tell you
the horses will need a good rest, and ourselves a good dinner, by the time
we are through it. Ah! Mrs. Moodie, if ever you travel that way in summer,
you will know something about corduroy roads. I was 'most jolted to death
last fall; I thought it would have been no bad notion to have insured my
teeth before I left C____. I really expected that they would have been
shook out of my head before we had done manoeuvring over the big logs."

"How will my crockery stand it in the next sleigh?" quoth I. "If the road
is such as you describe, I am afraid that I shall not bring a whole plate
to Douro."

"Oh! the snow is a great leveller--it makes all rough places smooth. But
with regard to this swamp, I have something to tell you. About ten years
ago, no one had ever seen the other side of it; and if pigs or cattle
strayed away into it, they fell a prey to the wolves and bears, and were
seldom recovered.

"An old Scotch emigrant, who had located himself on this side of it, so
often lost his beasts that he determined during the summer season to try
and explore the place, and see if there were any end to it. So he takes an
axe on his shoulder, and a bag of provisions for the week, not forgetting
a flask of whiskey, and off he starts all alone, and tells his wife that
if he never returned, she and little Jock must try and carry on the farm
without him; but he was determined to see the end of the swamp, even if it
led to the other world. He fell upon a fresh cattle-track, which he
followed all that day; and towards night he found himself in the heart of
a tangled wilderness of bushes, and himself half eaten up with mosquitoes
and black-flies. He was more than tempted to give in, and return home by
the first glimpse of light.

"The Scotch are a tough people; they are not easily daunted--a few
difficulties only seem to make them more eager to get on; and he felt
ashamed the next moment, as he told me, of giving up. So he finds out a
large, thick cedar-tree for his bed, climbs up, and coiling himself among
the branches like a bear, he was soon fast asleep.

"The next morning, by daylight, he continued his journey, not forgetting
to blaze with his axe the trees to the right and left as he went along.
The ground was so spongy and wet that at every step he plunged up to his
knees in water, but he seemed no nearer the end of the swamp than he had
been the day before. He saw several deer, a raccoon, and a groundhog,
during his walk, but was unmolested by bears or wolves. Having passed
through several creeks, and killed a great many snakes, he felt so weary
towards the second day that he determined to go home the next morning. But
just as he began to think his search was fruitless, he observed that the
cedars and tamaracks which had obstructed his path became less numerous,
and were succeeded by bass and soft maple. The ground, also, became less
moist, and he was soon ascending a rising slope, covered with oak and
beech, which shaded land of the very best quality. The old man was now
fully convinced that he had cleared the great swamp; and that, instead of
leading to the other world, it had conducted him to a country that would
yield the very best returns for cultivation. His favourable report led to
the formation of the road that we are about to cross, and to the
settlement of Peterborough, which is one of the most promising new
settlements in this district, and is surrounded by a splendid back
country."

We were descending a very steep hill, and encountered an ox-sleigh, which
was crawling slowly up it in a contrary direction. Three people were
seated at the bottom of the vehicle upon straw, which made a cheap
substitute for buffalo robes. Perched, as we were, upon the crown of the
height, we looked completely down into the sleigh, and during the whole
course of my life I never saw three uglier mortals collected into such a
narrow space. The man was blear-eyed, with a hare-lip, through which
protruded two dreadful yellow teeth which resembled the tusks of a boar.
The woman was long-faced, high cheek-boned, red-haired, and freckled all
over like a toad. The boy resembled his hideous mother, but with the
addition of a villainous obliquity of vision which rendered him the most
disgusting object in this singular trio.

As we passed them, our driver gave a knowing nod to my husband, directing,
at the same time, the most quizzical glance towards the strangers, as he
exclaimed, "We are in luck, sir! I think that 'ere sleigh may be called
Beauty's egg-basket!"

We made ourselves very merry at the poor people's expense, and Mr. D____,
with his odd stories and Yankeefied expressions, amused the tedium of our
progress through the great swamp, which in summer presents for several
miles one uniform bridge of rough and unequal logs, all laid loosely
across huge sleepers, so that they jumped up and down, when pressed by the
wheels, like the keys of a piano. The rough motion and jolting occasioned
by this collision is so distressing that it never fails to entail upon the
traveller sore bones and an aching head for the rest of the day. The path
is so narrow over these logs that two wagons cannot pass without great
difficulty, which is rendered more dangerous by the deep natural ditches
on either side of the bridge, formed by broad creeks that flow out of the
swamp, and often terminate in mud-holes of very ominous dimensions. The
snow, however, hid from us all the ugly features of the road, and Mr.
D____ steered us through it in perfect safety, and landed us at the door
of a little log house which crowned the steep hill on the other side of
the swamp, and which he dignified with the name of a tavern.

It was now two o'clock. We had been on the road since seven; and men,
women, and children were all ready for the good dinner that Mr. D____ had
promised us at this splendid house of entertainment, where we were
destined to stay for two hours, to refresh ourselves and rest the horses.

"Well, Mrs. J____, what have you got for our dinner?" said the driver,
after he had seen to the accommodation of his teams.

"Pritters and pork, sir. Nothing else to be had in the woods. Thank God,
we have enough of that!"

D____ shrugged up his shoulders, and looked at us.

"We've plenty of that same at home. But hunger's good sauce. Come, be
spry, widow, and see about it, for I am very hungry."

I inquired for a private room for myself and the children, but there were
no private rooms in the house. The apartment we occupied was like the
cobbler's stall in the old song, and I was obliged to attend upon them in
public.

"You have much to learn, ma'am, if you are going to the woods," said Mrs.
J____.

"To unlearn, you mean," said Mr. D____. "To tell you the truth, Mrs.
Moodie, ladies and gentlemen have no business in the woods. Eddication
spoils man or woman for that location. So, widow (turning to our hostess),
you are not tired of living alone yet?"

"No, sir; I have no wish for a second husband. I had enough of the first.
I like to have my own way--to lie down mistress, and get up master."

"You don't like to be put out of your _old_ way," returned he, with a
mischievous glance.

She coloured very red; but it might be the heat of the fire over which she
was frying the pork for our dinner.

I was very hungry, but I felt no appetite for the dish she was preparing
for us. It proved salt, hard, and unsavoury.

D____ pronounced it very bad, and the whiskey still worse, with which he
washed it down.

I asked for a cup of tea and a slice of bread. But they were out of tea,
and the hop-rising had failed, and there was no bread in the house. For
this disgusting meal we paid at the rate of a quarter of a dollar a-head.

I was glad when, the horses being again put to, we escaped from the rank
odour of the fried pork, and were once more in the fresh air.

"Well, mister; did not you grudge your money for that bad meat?" said
D____, when we were once more seated in the sleigh. "But in these parts,
the worse the fare the higher the charge."

"I would not hare cared," said I, "if I could have got a cup of tea."

"Tea! it's poor trash. I never could drink tea in my life. But I like
coffee, when 'tis boiled till it's quite black. But coffee is not good
without plenty of trimmings."

"What do you mean by trimmings?"

He laughed. "Good sugar, and sweet cream. Coffee is not worth drinking
without trimmings."

Often in after years have I recalled the coffee trimmings, when
endeavouring to drink the vile stuff which goes by the name of coffee in
the houses of entertainment in the country.

We had now passed through the narrow strip of clearing which surrounded
the tavern, and again entered upon the woods. It was near sunset, and we
were rapidly descending a steep hill, when one of the traces that held our
sleigh suddenly broke. D____ pulled up in order to repair the damage. His
brother's team was close behind, and our unexpected stand-still brought
the horses upon us before J. D____ could stop them. I received so violent
a blow from the head of one of them, just in the back of the neck, that
for a few minutes I was stunned and insensible. When I recovered, I was
supported in the arms of my husband, over whose knees I was leaning, and
D____ was rubbing my hands and temples with snow.

"There, Mr. Moodie, she's coming to. I thought she was killed. I have seen
a man before now killed by a blow from a horse's head in the like manner."
As soon as we could, we resumed our places in the sleigh; but all
enjoyment of our journey, had it been otherwise possible, was gone.

When we reached Peterborough, Moodie wished us to remain at the inn all
night, as we had still eleven miles of our journey to perform, and that
through a blazed forest-road, little travelled, and very much impeded by
fallen trees and other obstacles; but D____ was anxious to get back as
soon as possible to his own home, and he urged us very pathetically to
proceed.

The moon arose during our stay at the inn, and gleamed upon the straggling
frame houses which then formed the now populous and thriving town of
Peterborough. We crossed the wild, rushing, beautiful Otonabee river by a
rude bridge, and soon found ourselves journeying over the plains or level
heights beyond the village, which were thinly wooded with picturesque
groups of oak and pine, and very much resembled a gentleman's park at
home. Far below, to our right (for we were upon the Smith-town side) we
heard the rushing of the river, whose rapid waters never receive curb from
the iron chain of winter. Even while the rocky banks are coated with ice,
and the frost-king suspends from every twig and branch the most beautiful
and fantastic crystals, the black waters rush foaming along, a thick steam
rising constantly above the rapids, as from a boiling pot. The shores
vibrate and tremble beneath the force of the impetuous flood, as it whirls
round cedar-crowned islands and opposing rocks, and hurries on to pour its
tribute into the Rice Lake, to swell the calm, majestic grandeur of the
Trent, till its waters are lost in the beautiful bay of Quintι, and
finally merged in the blue ocean of Ontario.

The most renowned of our English rivers dwindle into little muddy rills
when compared with the sublimity of the Canadian waters. No language
can adequately express the solemn grandeur of her lake and river scenery;
the glorious islands that float, like visions from fairy land, upon the
bosom of these azure mirrors of her cloudless skies. No dreary breadth
of marshes, covered with flags, hide from our gaze the expanse of
heaven-tinted waters; no foul mud-banks spread their unwholesome
exhalations around. The rocky shores are crowned with the cedar, the
birch, the alder, and soft maple, that dip their long tresses in the pure
stream; from every crevice in the limestone the harebell and Canadian rose
wave their graceful blossoms.

The fiercest droughts of summer may diminish the volume and power of these
romantic streams, but it never leaves their rocky channels bare, nor
checks the mournful music of their dancing waves. Through the openings in
the forest, we now and then caught the silver gleam of the river tumbling
on in moonlight splendour, while the hoarse chiding of the wind in the
lofty pines above us gave a fitting response to the melancholy cadence of
the waters.

The children had fallen asleep. A deep silence pervaded the party. Night
was above us with her mysterious stars. The ancient forest stretched
around us on every side, and a foreboding sadness sunk upon my heart.
Memory was busy with the events of many years. I retraced step by step the
pilgrimage of my past life, until arriving at that passage in its sombre
history, I gazed through tears upon the singularly savage scene around me,
and secretly marvelled, "What brought me here??"

"Providence," was the answer which the soul gave. "Not for your own
welfare, perhaps, but for the welfare of your children, the unerring hand
of the great Father has led you here. You form a connecting link in the
destinies of many. It is impossible for any human creature to live for
himself alone. It may be your lot to suffer, but others will reap a
benefit from your trials. Look up with confidence to Heaven, and the sun
of hope will yet shed a cheering beam through the forbidden depths of this
tangled wilderness."

The road became so bad that Mr. D____ was obliged to dismount, and lead
his horses through the more intricate passages. The animals themselves,
weary with their long journey and heavy load, proceeded at foot-fall. The
moon, too, had deserted us, and the only light we had to guide us through
the dim arches of the forest was from the snow and the stars, which now
peered down upon us through the leafless branches of the trees, with
uncommon brilliancy.

"It will be past midnight before we reach your brother's clearing," (where
we expected to spend the night,) said D____. "I wish, Mr. Moodie, we had
followed your advice, and staid at Peterborough. How fares it with you,
Mrs. Moodie, and the young ones? It is growing very cold."

We were now in the heart of a dark cedar swamp, and my mind was haunted
with visions of wolves and bears; but beyond the long, wild howl of a
solitary wolf, no other sound awoke the sepulchral silence of that dismal
looking wood.

"What a gloomy spot," said I to my husband. "In the old country,
superstition would people it with ghosts."

"Ghosts! There are no ghosts in Canada!" said Mr. D____. "The country is
too new for ghosts. No Canadian is afeard of ghosts. It is only in old
countries, like your'n, that are full of sin and wickedness, that people
believe in such nonsense. No human habitation has ever been erected in
this wood through which you are passing. Until a very few years ago, few
white persons had ever passed through it; and the Red Man would not pitch
his tent in such a place as this. Now, ghosts, as I understand the word,
are the spirits of bad men, that are not allowed by Providence to rest in
their graves, but, for a punishment, are made to haunt the spots where
their worst deeds were committed. I don't believe in all this; but,
supposing it to be true, bad men must have died here before their spirits
could haunt the place. Now, it is more than probable that no person ever
ended his days in this forest, so that it would be folly to think of
seeing his ghost."

This theory of Mr. D____'s had the merit of originality, and it is not
improbable that the utter disbelief in supernatural appearances, which is
common to most native-born Canadians, is the result of the same very
reasonable mode of arguing. The unpeopled wastes of Canada must present
the same aspect to the new settler that the world did to our first parents
after their expulsion from the garden of Eden; all the sin which could
defile the spot, or haunt it with the association of departed evil, is
concentrated in their own persons. Bad spirits cannot be supposed to
linger near a place where crime has never been committed. The belief in
ghosts, so prevalent in old countries, must first have had its foundation
in the consciousness of guilt.

After clearing this low, swampy portion of the wood, with much difficulty,
and the frequent application of the axe, to cut away the fallen timber
that impeded our progress, our ears were assailed by a low, roaring,
rushing sound, as of the falling of waters.

"That is Herriot's Falls," said our guide. "We are within two miles of our
destination."

Oh, welcome sound! But those two miles appeared more lengthy than the
whole journey. Thick clouds, that threatened a snow-storm, had blotted out
the stars, and we continued to grope our way through a narrow, rocky path,
upon the edge of the river, in almost total darkness. I now felt the
chillness of the midnight hour, and the fatigue of the long journey, with
double force, and envied the servant and children, who had been sleeping
ever since we left Peterborough. We now descended the steep bank, and
prepared to cross the rapids.

Dark as it was, I looked with a feeling of dread upon the foaming waters
as they tumbled over their bed of rocks, their white crests flashing,
life-like, amid the darkness of the night.

"This is an ugly bridge over such a dangerous place," said D____, as he
stood up in the sleigh and urged his tired team across the miserable,
insecure log-bridge, where darkness and death raged below, and one false
step of his jaded horses would have plunged us into both. I must confess I
drew a freer breath when the bridge was crossed, and D____ congratulated
us on our safe arrival in Douro.

We now continued our journey along the left bank of the river, but when in
sight of Mr. S____'s clearing, a large pine-tree, which had newly fallen
across the narrow path, brought the teams to a stand-still. The mighty
trunk which had lately formed one of the stately pillars in the sylvan
temple of Nature, was of too large dimensions to chop in two with axes;
and after half-an-hour's labour, which to me, poor, cold, weary wight!
seemed an age, the males of the party abandoned the task in despair. To go
round it was impossible; its roots were concealed in an impenetrable wall
of cedar-jungle on the right-hand side of the road, and its huge branches
hung over the precipitous bank of the river.

"We must try and make the horses jump over it," said D____. "We may get an
upset, but there is no help for it; we must either make the experiment, or
stay here all night, and I am too cold and hungry for that--so here goes."
He urged his horses to leap the log; restraining their ardour for a moment
as the sleigh rested on the top of the formidable barrier, but so nicely
balanced, that the difference of a straw would almost have overturned the
heavily-laden vehicle and its helpless inmates. We, however, cleared it in
safety. He now stopped, and gave directions to his brother to follow the
same plan that he had adopted; but whether the young man had less
coolness, or the horses in his team were more difficult to manage, I
cannot tell: the sleigh, as it hung poised upon the top of the log, was
overturned with a loud crash, and all my household goods and chattels were
scattered over the road. Alas, for my crockery and stone china! Scarcely
one article remained unbroken.

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Call off the hounds: the Not the Booker prize vote stands

From Jim Thompson to Daphne du Maurier, the author and comedian singles out stories that live up to their genre and genuinely do give readers sleepless nights

As well as making becoming a household name for his work as a writer and actor in comedy shows such as The Fast Show, Charlie Higson has had a parallel and these days just as stellar career as a writer. After winning acclaim for early, blackly comic crime novels including his debut King of the Ants (1992) and Getting Rid of Mister Kitchen (1996), he moved on to writing for children in 2005 with the Young Bond series. These books have now sold more than 1m copies in the UK alone, and have been translated into 24 different languages.

The Enemy, published last year, marked a new departure for Higson into horror writing for teenagers, with a tale of teenagers defending themselves against a zombified adult world. The first in a series, it was this week shortlisted for the Booktrust teenage prize, with volume two, The Dead, due out next week.

Buy The Dead by Charlie Higson at the Guardian bookshop

"What constitutes a horror book? A black and red cover? A primary objective to scare the shit out of the reader? A plug from Stephen King on the back? Most of the books on my list would probably be categorised in other genres first, but then – is Alien a sci-fi film or a horror film, or both? Is Wuthering Heights a ghost story? Is Jane Eyre the mother of all psycho-in-the-attic stories? And Daphne du Maurier's Rebecca is in many ways a haunted house story. I might well have put it in here if I'd ever actually read it.

"You can have a lot of fun mixing genres up. Personally I'm not the world's biggest fan of pure horror novels – ghosts and demons and man-eating slugs leave me slightly unmoved. With no belief in the supernatural, supernatural stories usually have little effect on me. Of the big horror names only Stephen King, with his concentration on character, really works for me. I've enjoyed other horror writers but wouldn't put them in any top 10 lists. HP Lovecraft, for instance, is fun but his books aren't exactly scary. I'm not going to lose any sleep over the possibility of Cthulhu and the ancient gods crossing over into our domain.

"And there are other glaring omissions from my list. Why no Dracula or Frankenstein or Edgar Allan Poe I hear you cry. It's sacrilege to leave them out of a horror list, I know. But Poe only really wrote a couple of scary horror stories (The Tell Tale Heart is brilliant) and I find Dracula and Frankenstein rather heavy going and 19th century. Of course they're where it all began as far as the undead are concerned and must be read, I'm just not sure that they still have the power to frighten us. And, let's face it, that's what a horror book should do.

"I've always been interested in the mechanics of frightening people. I like the idea of disturbing my readers, giving them sleepless nights and stamping images in their imaginations that will stay there for a very long time. That way they will always remember your book, and after all, us novelists are like Dracula, all we want is immortality. The first two of my adult novels (King Of The Ants and Happy Now) could easily be categorised as horror books and my new series for younger readers, The Enemy, is most definitely horror as it concerns kids vs adult zombies, but it is also an action adventure series, which seems to be my default mode. I'm always open to suggestions, though, so if anyone wants to champion some pure horror books that I absolutely must read, then fire away. I'm all severed ears."

1. The Watcher by Charles Maclean (out of print but Amazon and Abebooks have copies)

An extraordinary book, unlike anything else I've ever read, which had a big effect on me when I first read it. The narrator, Martin Gregory, starts out by telling us that he was perfectly normal and happy and that there was no reason for the terrible thing he has done … The sense of impending horror is enormous, and the book, like the narrator, soon spirals into madness. We have to try and work out what is really going on as we see everything through Gregory's distorted perspective. One thing we can be sure of, though, is that everyone around him is in very great danger.

2. The Shining by Stephen King

You can't have a horror list without having Stephen King in there somewhere. It's the law. But the thing is, when he was at his peak his books were brilliant (he hasn't quite been able to sustain it – you can't help but start repeating yourself if you write as many books as he has). Engrossing, tragic and, yes, frightening, which you can't always say about horror books. He's a great writer and for me the greatest horror writer. If you've only seen the film of The Shining then read the book – it's better (first half of the film amazing, second a bit silly).

3. The Drive-In by Joe R Lansdale

The Drive In, by Texan titan Joe R Lansdale is a great, knowingly trashy nod to the 50s and 60s craze for teen drive-in schlock sci-fi/horror flicks. A bunch of kids at an all-night horror showing at their local drive-in get mysteriously trapped there by some malign force and begin to behave like ants under a glass. Surviving on junk food and fizzy drinks they go crazy and set up a savage and weird alterative society full of great characters like the Popcorn King. Book Two spins off into yet wilder shores.

4. I Am Legend by Richard Matheson

A hugely influential horror book, written in 1957. The last human survivor in a Californian suburb ventures forth every day with a supply of stakes to try and wipe out the vampires that have taken over. Matheson was great at mixing horror and science fiction, and rooting the fantastical in everyday reality. This book is a brilliant study in loneliness and obsession, and when the story twists towards the end Matheson very cleverly makes us question all that has gone before.

5. The Killer Inside Me by Jim Thompson

There has been a lot of fuss recently about the film of this book. But the book – which is every bit as extreme and upsetting as the film – has been around since as long ago as 1952. Amazing how you can get away with so much more in books without people really noticing. "Oh, it's a book, it must be good for you." Well, this book is certainly not good for you. I remember reading it and thinking – should I be reading this, should anyone read this? It is a horrific trip inside the mind of a cold-blooded psychopathic sadist, who is nevertheless good company and at times unnervingly funny. Not in a flip, post-Tarantino way; this is very disturbing and upsetting stuff. There is never any question as to where Thompson stands – the narrator is a monster. We watch his destructive relations unfold and discover the reasons for his condition from the reading equivalent of "behind the sofa". Unlike a lot of modern writers who go into this area in a sort of gleefully voyeuristic adolescent way that is entirely fake (stand up Brett Easton Ellis). Jim Thompson lived the life. He understood these people and fought many demons of his own. He is my favourite author by a long chalk, and this is an extraordinary book, but it's also certainly one of the most extreme (and extremely upsetting) things I've ever read.

6. Pan Books Of Horror

If any horror collections can be described as seminal it is these. When I was a teenager they were everywhere. Passed around from hand to hand, they had a forbidden, naughty allure, like video nasties. With their classy but trashy covers the stories they contained were gory, nasty, sometimes sexy, often badly written, sometimes brilliant. The collections were a mix of old classics and more modern material, increasingly the latter as the supply of classics ran dry. You'd find Stephen King alongside Algernon Blackwood and some blood-soaked fillers from writers you'd never heard of before and never hear would again. A superfan is currently working with Pan to get the series relaunched, starting with a facsimile reprint of volume one later in the year. Look out for it. And check out his website.

7. Uncle Montague's Tales Of Terror by Chris Priestley

This one's for the kids. Written in an accessible, cod Victorian style it has a neat framing device. Edgar goes to stay with his uncle in the woods who proceeds to tell him a series of terrifying stories – all the while hinting at some dark secrets of his own. Rest assured, the stories, which all feature a child in some way, are genuinely scary and unsettling and really do get under your skin. They certainly frightened my 10-year-old when I read them to him.

8. The Silence Of The Lambs by Thomas Harris

Is this crime or horror? It certainly has a classic horror set up – basically it's Beauty And The Beast. A naΓ―ve and innocent, yet ultimately resilient, young girl enters the monster's lair and he falls in love with her. Then together they sort put each other's problems. The secondary villain – Buffalo Bill - is certainly a monster from a horror story, making clothes out if his victims' skin and keeping his latest victim in a pit. The film played like a horror film, and Anthony Hopkins certainly seemed to think he was in one. The book, as usual, is even better than the film. It's weird and engrossing and seductive and scary with some nice gothic touches. A great, great read.

9. Ghost stories by MR James

Apologies to Bram Stoker, Mary Shelley and Edgar Allen Poe, but of the old classics I've gone for James. And not really for the original stories but just so I can bang on about Jonathan Miller's extraordinary BBC film of "Whistle And I'll Come To You". MR James was the king of the unsettling ghost story where not very much happens and it's all about atmosphere and dread. Miller's film still has the power to be very, very disturbing. Give yourself a treat and buy it. There are other James BBC adaptations you should look out for as well (A Warning to the Curious is another favourite), they used to show them at Christmas in the good old days, and all still work.

10. Don't Look Now/The Birds by Daphne du Maurier

All right, I'll admit it, I'm cheating a bit here. I don't think these 2 stories actually appear together in a Du Maurier collection except on audiobook. And like MR James, my interest in du Maurier is primarily in the films made of her stories (nearly all of her output was filmed – she was the Stephen King of her day). I couldn't leave her out because to have come up with the story for not one but two all-time classic horror films is a feat to be applauded. And as Don't Look Now is my favourite horror film I had to get a mention of it in here somewhere. The original stories are still good reads and its fascinating to see how two great directors teased complete films out of them.


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Extract: The Whales by Evie Wyld

"I am an enemy of Waterstone's being destroyed. I am not in any way an enemy of Waterstone's being properly led by people who know what they're doing"

Tim Waterstone is explaining to me why he has a problem with the word entrepreneur, a distaste that I've seen ascribed to him on several occasions but find difficult to understand. How else might you describe a man who conjured, out of a redundancy package of a few thousand pounds, a retail operation that changed the face of British bookselling, and with it the nation's high streets? A man who went on to sell the company to the firm that had made him redundant, and then bought it back; and who, after apparently parting ways with his bookshops for good, made four separate attempts to gain control of them once again? This strikes me as almost a dictionary definition of an entrepreneur. So what's the beef?

His quibble, it turns out, has its basis in good manners. "I can't bear the self-congratulatory thing of applying it to oneself, really," he says: softly spoken and courteous, he appears, in tone and bearing, far more like a gentleman publisher than a cut-throat boardroom monster. Indeed, our semantic discussion has been prompted by his description of the bankers whom he met during a deal he was working on a few years ago and who make up a major strand in his new novel, In for a Penny, In for a Pound, an everyday tale of high finance, newspaper dynasties and the world of books. They were, he says, "so awful" that he started jotting down their conversations during meetings, and soon began to form an idea for a fictional parody of them. He was particularly struck by what seemed to him "like this endless drive towards the accumulation of personal wealth", a motivation at odds, he is at pains to point out, with his own impulses.

"You know, as an entrepreneur, and I hate calling myself an entrepreneur" – here our digression begins – "you don't do it for the money at all, really you don't; you're doing it because you get caught up in an idea and you want that idea to work." The ultimate achievement, according to Waterstone, is to see your vision realised, often against the odds: almost all entrepreneurs, he thinks, are fighting against received wisdom.

He was certainly bucking the trend when he started Waterstone's in 1982; he describes a grim landscape, in which the demise of the book was regularly predicted and which presented book-lovers with a choice between WH Smith, the smaller Blackwells and an array of independents, "some of whom were good, some of whom were terrible; one can romanticise the independents". By far the biggest market share lay with Smiths, the company that Waterstone had spent the previous eight years working for; when he first left university, he had gone to India to work in his father's tea business ("I was 22 going on 18, I was incredibly immature"), before "thoroughly enjoying" a long stint as a marketing man for Allied Breweries. Then, having married young and with a growing family to support, he joined Smiths, who were offering to triple his salary. It was a time he now says he loathed: "I don't want to spend my time knocking Smiths, but in those days family preference ran through, and it was a sort of caricature of corporate life, and I realised I can't stand corporate life, I really can't stand it. The fault was mine . . . I don't like other people's opinions much, I like having my own things, and then they fired me which was a huge relief, and I knew I wanted to start Waterstone's."

His first inspiration was the kind of bookselling he had witnessed in New York, exemplified by the "really terrific" Doubleday stores that stayed open until 11 o'clock at night and dispatched books around the city on delivery bicycles. By contrast, Putney-resident Waterstone had to trudge to the Smiths on his local high street or trek into central London to Hatchards, which, he says, "closed at 12 o'clock on Saturdays; Dillons didn't seem to open at all". And yet he was convinced that there was a market: he knew that all he wanted to do was read, and felt sure that there must be a couple of million like-minded souls in the country. "I was filled with this thought: why couldn't the best of the independents, Hatchards or whoever, be done nationally? Why can't they be like New York stores, better than New York stores, why can't they stay open late at night, why can't they have people working there who really love and know books? And why can't the stock be fabulous?"

So, with his Β£6,000 redundancy package and additional venture capital, Waterstone advertised in the London Evening Standard for staff – "salary moderate" – and opened up his first store in London's Old Brompton Road. And he was right, there was an appetite for books: soon, branches of Waterstone's, with their sleek black bookshelves, knowledgeable booksellers and unashamedly upmarket range of books, were opening everywhere, aided by their creator's "gift of the gab" with the money men, not to mention the occasional celebrity customer. Waterstone recalls Laurence Olivier visiting his Kensington High Street branch: "He said, are you looking for money? I said yes, so he put in 20,000 quid or something."

Waterstone's arrived at just the right time. It was, he reminds me, a rich time for literary fiction, with writers such as Salman Rushdie, Ian McEwan, John Banville and Martin Amis rising to prominence; Waterstone capitalised on the excitement surrounding this explosion of new writing by making sure that his shops were a natural place for launch parties and readings. "We were," he says, "plainly unfussed about being as culturally aware as we wanted to be." They also made it their business to maximise exposure for writers they believed in, in one instance creating the chain's "Book of the Month" when Waterstone and others in the company fell in love with Nicholas Mosley's Hopeful Monsters in 1990. And there was confidence in the publishing industry, which meant that enough of the big players – Waterstone cites Peter Mayer as an example, then head of the all-powerful Penguin – were prepared to support the enterprise with favourable credit and discount terms. All of which added up, after a while and despite "some fantastically dangerous moments", to a profitable business. "But," maintains Waterstone now, "the real thrill was winning, it wasn't the money; we did make money and it's very nice to have done so, but the real thrill was the dream."

But even the best dreams must come to an end. Waterstone's had expanded rapidly ("We got so arrogant"), often going against the advice of local demographics and sticking to their policy of having an unprecedentedly wide stock offering. It all took a lot of capital and, in 1993, having already sold a share of the business to them, Waterstone sold out to WH Smith for Β£47m. It can be no coincidence that, in the following years, he wrote three novels – Lilley and Chase, An Imperfect Marriage and A Passage of Lives. Clearly, however, writing books was no simple replacement for selling them, because in 1998 Waterstone joined forces with HMV to buy back the chain for Β£300m, in the process creating the HMV Media Group, of which he became chairman. Three years later, he was on his way again, and set out to embark on one of the publishing world's most intriguing soap operas – his attempts to buy out HMV altogether. Why?

"I became increasingly frustrated – frankly pissed off – with the way it was being run. I was chairman of HMV and was watching my own baby being absolutely murdered. And it was so stupid because the book market was just growing and growing, and people coming in from Tesco or Asda or Boots seemed to think their job was to get Waterstone's away from books, and move it towards multimedia or something. It was very hard for the people who worked in the stores, who I'd known for years – great, terrific people, wonderful people."

You realise, chatting to Waterstone, that at least part of his success lies in his genial manner: good situations become superlative – "great, terrific, wonderful", while the challenging moments are "tricky". The exception comes when he touches on his declining relationship with HMV: during the period when he tried to buy back the company – especially his fourth, final and "very serious" attempt in 2006, which took place at around the same time as HMV's purchase of the Ottakars chain – he describes himself as "apoplectic" at how the chain was being managed. But when that deal collapsed, with both sides proclaiming themselves hamstrung by the other's impossible demands, he knew it was time to call it quits.

The twists and turns of the battle between Waterstone and Waterstone's must surely, though, have come in handy when he was writing In for a Penny, In for a Pound, the first draft of which ran to an eye-watering 240,000 words. It doesn't shy away from bloodlust in the boardroom – the in-fighting in a family-run newspaper business is cynically manipulated by a private bank hell-bent on extracting maximum commission. In a subsidiary story, a thoroughly decent chap struggles to keep his small publishing firm afloat; the two worlds collide when agony aunt Anna Lavey, the company's star author and a columnist for one of the Macaulay newspapers, finds herself at the centre of a tabloid scandal. Elsewhere, there are high-flying barristers sleeping with senior leftwing politicians, Australian media tycoons running amok and ardent fans who metamorphose into havoc-wreaking stalkers. In short, with its fast-paced plot and to-the-point dialogue (sample: "You're a shit, Nicky. A total shit"), it is designed to grab the attention quickly.

I say to Waterstone "When I first picked it up . . . " and he completes my sentence with the question "you thought it was Jeffrey Archer?" I did, a little: it is bright red, with black-and-gold lettering, and its title is not a million miles away from that of Archer's debut novel, Not a Penny More, Not a Penny Less. Rather than being published by one of the vast commercial houses, Waterstone's novel was picked up by the independent publisher Atlantic, perhaps best known for its Man Booker victory with Aravind Adiga's The White Tiger. It was Atlantic's chief executive and chairman, Toby Mundy, who spotted the book's potential for Corvus, the Atlantic list that publishes crime and thrillers. Waterstone was attracted by Mundy's enthusiasm, though he confesses when he first saw the cover "I nearly passed out. I decorously tried to keep enthusiasm on my face. But I've rather come round to it now."

Mundy was no doubt aware that media and publishing industry observers would lock on to the book's roman Γ  clef aspect: the Barclay brothers, Rupert Murdoch and Anna Raeburn have all been mentioned thus far. All that Waterstone will say is that Anna Lavey is most certainly not based on the late Beryl Bainbridge. But there was a detail that really bothered me. Surely, I ask, when he sends Anna to a bookshop event and has 500 eager readers queue up to meet her, isn't this stretching credulity a little far? After all, if that were most writers' and publishers' experience, they'd be riding around in golden sedan chairs. But he assures me that, no, when Dirk Bogarde signed books in his Kensington store, they sold more than 1,000 copies. If this is a little Pollyannaish – a global film star is not, of course, literary novelist X or poet Y – it is rather charmingly so.

In the latest throw of the dice, Waterstone has found himself largely reconciled with the chain he gave his name to. He is far too polite to inject a hint of "I told you so" into his conversation, saying only how delighted he is that some of Waterstone's most senior staff ring him up these days to talk over the whys and wherefores of the book trade. And, following the departure of managing director Gerry Johnson in January after a poor Christmas, it does seem that the chain is attempting to return to its roots, restoring buying power to staff in individual shops, lessening its reliance on aggressive marketing campaigns and emphasising its focus on quality. So, is the hatchet well and truly buried? "I am an enemy of Waterstone's being destroyed," he says. "I am not in any way an enemy of Waterstone's being properly led by people who know what they're doing." And will he ever try to buy it again? He says not, but stops short of ruling it out entirely with the words: "I'm certainly not going aggressively at them again, under any circumstances."

But even if the chain of shops can realign itself with its core market, it will still have to face the challenges of what Waterstone might call a "tricky" business environment: most obviously, the past few years have seen exceptionally stiff competition from both non-traditional retailers such as supermarkets, with their limited range but rock-bottom prices, and from online bookshops such as Amazon, which in a sense played Waterstone at his own game by having a stock offering of undreamt-of depth. And now there is the ebook – Waterstone has played about on an ereader, he says, but can't see it dominating leisure-time reading.

Perhaps most importantly for the man whose childhood experience of reading was to go into the independent bookshop in Crowborough in East Sussex – his family was not bookish and there wasn't "a bean" to spend on books – and sit on the floor, day after day, poring over their titles, does he still think that people want to buy books? This, it turns out, is not a tricky question to answer at all. "I just couldn't be more optimistic about it."

Waterstone will celebrate the publication of his novel with a party at one of the branch's shops, along with what he calls "the Waterstone diaspora", including former staff, many of whom have gone on to open their own shops or work in publishing. This, presumably, would have been unthinkable a few years ago, and must feel a bit odd. "It's quite strange to be connected to Waterstone's in that way," he concedes, "but they are being so generous over this." And then he will return to his other activities – looking after the youngest two of his eight children, serving as chancellor of Edinburgh Napier University, dodging invitations to sit on other companies' boards – and pondering his next novel. In the unlikely event that he hits a patch of writer's block, he can look for advice to his wife, TV producer Rosie Alison, whose first novel The Very Thought of You was shortlisted for this year's Orange prize. "I'm rather cross with Rosie, stealing my thunder," he jokes. But I'm not sure Waterstone really does cross – I suspect he goes straight from affable to apoplectic, and that, it seems clear, is reserved for rather exceptional circumstances.


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Booker prize sees Peter Carey and Emma Donoghue head shortlist

Evie Wyld, whose debut novel After the Fire, a Still Small Voice won the 2009 John Llewellyn Rhys prize, has written a short story, The Whales, exclusively for Booktrust, where she is currently writer-in-residence. Here we join Jimmy, Elaine, Terry and Yvonne, deep in the bush after five days of walking. The conclusion will appear on the Booktrust website tomorrow

There are four of them footslogging single file along the trail. They sweat and wave their sticks at the flies, spitting the salt off their lips and feeling the rub of their backpacks, hot on their shoulders. A storm bird knows about them from miles off and lets out a wop-wop-wop, getting higher and louder as it goes. Jimmy watches Elaine look up at the gum-treed sky. He follows her gaze. No, he thinks. The bird is wrong; overhead is blue without a wash of cloud.

The crack of dry bark, the whistle of whip birds and sometimes a thundering in the undergrowth – a wombat, a pademelon – it all makes Jimmy feel younger. He can feel the muscles in his thighs working, can feel them thank him for not being stood at the assembly line six hours a day.

Five days of walking and now they are deep in the bush. In another day, they'll turn east, head for the sea, where if they make good time, they'll see the humpbacks heading south towards the Antarctic, their new calves in tow. There'll be a party that night, between the four of them. Terry the young bow-legged one from further down the line with a touch of the idiot about him, Yvonne his frizz-plaited, heavy cousin who runs accounts and her friend Elaine who is nothing to do with the factory and who returns his glances, smiling. Not a bad lot really, especially the girls.

Three days down the coast and they'll arrive home about ready for that soft bed and the meal without char-grit from the campfire, or the dog food pong of tinned meat. It's been good so far. He thinks of what was waiting for him if he hadn't gone bush this week – all those monkey-wrenches wanting to be set. It's been time to move on for a while, he sees that now. Only he'll wait and see what comes of Elaine and the damp hair that ringlets at the back of her neck.

Later in the day he spots a bower bird's chapel. Even this far in, the bird has found a blue toothbrush and bits of turquoise plastic to frame its humpy. He takes a photo, so that the side of Elaine's brown leg slides up the view finder.

'They only collect blue stuff', he says, mainly to Elaine. He feels the roots of his fingers strain as he reigns himself in, his stiff hands reminding him not to overdo it. Steady on.

Chances are, Elaine already knows more than him about bower birds – she told him she's walked the bush for six years, since she left varsity, this last two with Yvonne for company and he only knows from camping out when money gets bad. But he wants to show something to her. Elaine squats next to him and traces an arc with one finger in the dirt, looking at the toothbrush. She is smiling with her eyebrows pulled in.

'It's to impress the female – then she'll come down and he'll do a sexy dance.' As he explains, he wiggles his tail a little in a sexy dance and Elaine smiles wider.

Terry who has been leaning over them to get a look, gyrates around his walking stick. What his mating dance lacks in accuracy it makes up for in energy and the other three look on in silence while he makes the noise of a boombox with his lips pressed together. Jimmy's fingers stretch out towards the ground in embarrassment as he keeps his bad eye – the eye that he thinks of as his secret eye – on Elaine.

'You're a disgustin' specimen, Terry', says the stone-buttocked Yvonne. Terry quickens his hips and points, wiggling himself towards her.

Yvonne stands stiff and still like a wary buffalo. 'Never been the brightest crayon in the box', she says and they all push past him, smiles held down. Jimmy looks back to see him finish in a bunny squat and a flick of his head.

'Yeah!' says Terry loudly, arms raised and both thumbs up to the tops of the trees like they are his audience.

'Yeah' and he finds a cigarette in his back pocket, lights it and considers its glowing end before following on.

There'd been a night of heavy breathing when Elaine and Jimmy faced each other in their swags. They hadn't touched but they'd looked hard in the dark, seeing the glints of each other's tongues, teeth and eyes. There is a luxury in not touching, Jimmy thinks, in not just going with your gut; they don't have all the time in the world but they have this time, which won't end for another few days.

He looks forward to it, imagines the beach in an old film kind of a way. The last night when they will open the wine they've lugged all this way – they'll cool the bottles in a rock pool for a couple of hours, while they see what the beach has for them. He's a beach person at heart, it's where his childhood is at and he can't wait to show off about it. Terry's brought along his spearfishing gear and says he reckons on a good spot up at the point. Jimmy imagines striding into camp, a jewfish slung over one shoulder, a clutch of softly ticking crays hung from their whiskers in his other fist. When the moon's up and the salty wine is drunk, their fingers warm and sticky with sand and cray brains, he'll rub his foot over hers. He'll put his wrists either side of her jaw, so as not to touch her with his prawny fingers and he'll plant a long warm kiss on her mouth, one that shows them both that this is the start of things. He could think about staying on at the factory, him who hasn't stayed in one spot for more than six months at a time since he was 16. Or else, Elaine could come with him, go feral together up the coast. He gets the feeling there's not much holding her to the city anymore. He looks down at himself and he speaks softly to his hands You're orright you bung-eyed bastard. You're an okay sort after all.

Elaine breaks off from the group to take a pee in the scrub. She squats behind a paperbark and laughs. She's been hip deep in croc water, has woken up feeling a huntsman, as big as both of her hands put together, tangling with her feet in her swag. But the idea that the group might hear the sound of her pissing makes it so that she can't go. Eventually, she manages and makes a wet stain on the gum leaves. She pulls her shorts back up and a twig cracks not far up ahead. Shadows rise and fall as something heavy moves away. She catches up with the others at a jog.

Jimmy, that trunk of a man with his duff eye and his bear hands and her pal Yvonne are arguing about a fish. The argument is snapper versus flathead, but in what capacity Elaine is not sure. Terry is unusually quiet for a conversation involving food and he walks a little way from Jimmy and Yvonne.

'Stone lighter?' he asks quietly.

'It was a pee', she says, but her face flushes anyway.

'Right', says Terry and he smiles a weird smile. Elaine accidentally catches his eye.

By five o'clock they reach a small billabong. They strip down to their underwear and jump in like kids, laughing, drowning each other with splashing. Terry tries to duck the girls under, Jimmy dives for yabbies and opens his eyes in the bourbon-coloured water. The white legs of the other three bicycle in the open water. When he comes up for air, he can see that Yvonne is pleased with her breasts and bobs them gently up and down making small waves to the bank.

Jimmy looks a long time at Elaine and she looks back. There is a water level smile between them. He is aware of the ripples that come from his heartbeat and he sees how Elaine's canines creep over her bottom lip. Her hair is dark now, but in the light you can see into it. Where the sun hasn't caught her, her skin is like the damp underside of a leaf.

Elaine thinks she's some wonderful creature. The water holds her in on all sides, she feels good in her skin. The billabong is black from the tea trees that line the bank and when she flicks her legs to the surface she's a pale fish. She pauses before she puts her head under – a brief worry about spluttering and snotting in front of Jimmy, but then she thinks of the beach and the sea to come and she duck dives.

The dark water lifts her hair up and spreads it out, it pushes around her cheeks and taps on her eyelids as she reaches out for the leafy mud of the billabong floor, but even though she goes deep, her hands touch nothing. She kicks up for air and sends a flume of mist from her mouth. She smiles widely at Jimmy who floats on his back like an otter, hands clasped over his chest, dreaming of something.

Frogs and magpies are loud and someone finds a leech and then another and another and there's shrill laughing.

Terry shouts, 'It's eatin' the fuckin' kidneys out of me!' then, 'You girls want me to check under your bras?'

Even though everyone has had a leech before and every person has treated that leech with salt or the tip of a cigarette, quietly, without fear, they all pretend this is the first time they've been bitten and they wallow in the hysteria, enjoying it like gobble-mouthed kids.

Out of the water, damp shirts wrapped around them like towels, Jimmy burns a fat one off Elaine's shoulder. She looks at him sideways and curls a bit of paper bark around her finger.

'Ta', she says, as Jimmy passes her the cigarette which they share puffs from. He looks at her with his good eye. It creases in the corner.

The four of them set up camp a little way from the water hole, away from the leeches. Terry makes a small tepee out of kindling and rings stones around it to stop the fire spreading. Once it's lit they hang over a billy and drink tea while they watch the bats turning circles in the creeping darkness. Yvonne stirs up a thick damper and they bake it in a pan over the fire, to be eaten with a warmed tin of bean stew and rice pudding for afters. The birds are mostly quiet and the cicadas and frogs rev themselves up, as everyone slaps on Rid against the mosquitoes.

'Reckon we'll beat those whales, the way we're moving', Terry says cleaning his bowl with a licked finger.

'Fuckin' A.' Yvonne brings out a flask of bourbon to swill down the pudding with. She takes a long unflinching pull of it before passing it round and beginning a murder story.

'There's this girl went missing not far from Tully – all the kids hitchhike out there…' The dark gets deeper and everyone settles in, enjoying the creep of it. Elaine thinks that there's nothing you can't fix by putting your cheek to the land and feeling it settle. She studies the landscape of Jimmy's face. He is unashamedly enthralled by Yvonne's story. His funny eye looks directly at Elaine but doesn't see her. The lines on his forehead have dirt ground in. He's older than Elaine and she wonders what it is he's been doing all the time he's been alive.

In the silence, after Yvonne's concluding remark 'They only ever found her thumb', Terry farts, a loud one and everyone groans.

'Well, that's put that to bed', he says and they all unroll their swags around the fire and climb in for the night. Jimmy feels the hot weight of Elaine's foot on his and his fingers twitch on their own. Elaine sees Terry's wet eyes, tangerine from the fire and spreads her toes out. She stays awake for as long as possible, making up script after script of how it will go with Jimmy once they reach the sea. She replays the swim at waterhole until she's unsure if she's made parts of it up. She finally falls asleep with her heartbeat high in her chest.

Jimmy wakes long before dawn with a pressure like a stone on his bladder. He swears quietly and rolls out of his swag to ease the ache against a tree. In the undergrowth to his right, something scrabbles. He catches a strong scent and sees a wet snout or eye in the dark. A rumble in the brush and it's gone. Probably a pig or a dingo, but he's glad to get back to the group, where the coals in the fire are still orange. He checks each sleeper. Terry is spread at a diagonal, mouth open, not snoring but making noise. Yvonne sleeps on her front clutching the loose material of her swag, not letting it get away. Elaine is on her side and a brown arm has slithered free. Her hair makes a perfect ring around her ear. As he watches she produces a little noise, a tiny pop from her lips as they're opened with breath. Sleep speaking, thinks Jimmy as he burrows back into his swag, careful not to jog her feet with his, but careful also that they are touching.

The morning is hot and blue from the outset. After tea and a tidy up, they set off, aiming to reach the sea before sunset. Jimmy looks forward to a swim in the bubbling salt, a proper clean down with no bloodsuckers. Terry starts to talk about food almost immediately,

'Lamb chops.' He says confidently to Yvonne. 'That's gotta be the best type of food; lamb chops with the whole grill piece; onions, mushrooms, boiled spuds – no tomatoes though, I'm so over tomatoes.' Yvonne rolls her eyes at him.

'Couldn't give a rat's ring, Terry,' but she hands him a date and a piece of chocolate. Elaine enjoys her feeling of emptiness. Her spit tastes of eucalyptus, she feels new, like the air and blood in her has been filtered out and changed for something better.

After midday, there's a yell from Terry up ahead.

'Get a look at this!' The other three catch up to find him crouching in a small clearing surrounded by stay-a-while and they peer over his shoulder. There's a dead butcher bird on the ground and following the line of Terry's finger into one of the thorny bushes, they see its larder. A small mouse impaled through the neck, stiff and dry, missing parts of its hind quarters, a large Christmas beetle, upside down with the thorn square through the middle and last, still twitching, its legs up and angry, barely impaled through its leaking abdomen, a mouse spider.

'Christssake' whispers Jimmy stepping back.

'How the poor bastard got it up here, I can't figure,' Terry says, pushing the bird with his foot to reveal the green ants starting on its wing. The mouse spider's fangs, black and thick and shiny are up and ready to strike. It waves its legs in the air. Terry picks up a twig to poke it with, but Yvonne knocks it out of his hand.

'Don't be a bum, Terry. I'm not carrying yer fat dead lump out of here if you get bitten. You can count on that.' Jimmy takes a photograph, in which Terry insists on including his own hand, so as get the scale of the thing.

They start to walk on, but Elaine stays behind a beat or two looking at the spider; its fangs reaching for her, legs pointing.

'The sky is falling, the sky is falling!' Yvonne shrieks in a chicken voice as thunder mumbles in the distance. Elaine looks again at the sky, but it's still clear. The thunder is a long way off, but you can smell it in the air, which is heavy and hot. The tips of the trees sway in the sky, but there's no breeze down on the bush floor.

A goanna clings to a Moreton Bay fig above them but nobody sees it.

Jimmy touches the side of Elaine's hand with his little finger and as he does, the leaves to the side of her snaffle and a striped snake comes streaking out of the ground, hitting her on the boot. She barks loudly and kicks trying to get her foot away. The snake's fangs are deeply embedded in the leather of her boot and she shakes her leg hard while around her the others dip and weave and try to help and point their sticks. Jimmy thinks he has control of the situation when he holds Elaine's arm and beats at the snake with his walking stick, accidentally cracking her on the shin. The snake is dislodged, but instead of bolting back into the undergrowth, it turns again and bites Elaine, once, twice, three times and a fourth; calf, back of the knee, thigh, deeply, deeply again on her inner thigh. It's snap-quick and Jimmy doesn't have time to understand and still has Elaine by the arm so she doesn't get away. Finally, Terry gets it – a blow to the eye – and it's stunned. He stomps on the head, but it still twitches, so he beats it with his stick, smashing, till it changes colour, loses its stripes. It is still, but the bush crackles and carries on.

Elaine is tight-lipped and white. Yvonne cries softly into her cupped hands, the small beeps of a bird. Terry shoes leaves over the corpse of the snake and Jimmy still holds Elaine's arm, his grip hard from not knowing what to do, from doing the wrong thing. There is blood, Elaine thinks how it looks like she's got her period and then thinks she'd love a piece of liquorice from her backpack. She starts to turn around, to take her pack off, but her legs have lost their hardness and she is sliding back into Jimmy who is stiff and still.

'Jesus H Christ,' whispers Terry. He looks at the snake and away, prodding it rhythmically with his stick. 'Jimmy,' he says. 'Jesus, Jimmy.'

'S'just a nip,' says Elaine.

As she slides to the ground with the help of Jimmy who has become flesh again, Elaine thinks about the liquorice and then about how it was a tiger. A big dose of tiger and she's starting to feel it now, it feels like it bit her in the artery of her groin. The big one. The one where all the blood lives.

Yvonne straightens herself. She helps Elaine's pack off her back and slides it behind her back to prop her up. She pulls out her poncho and arranges it over Elaine's wounded leg, to keep it out of sight and then snaps the men into action.

'Hot water - get a fire on. Get the first aid.' She looks at the two men who are twisting their fingers. 'C'mon s'only a fuckin' snake bite, let's get it sorted and get on with it.' She's right and Jimmy says so. He says, 'Only a snake bite.' Smiling at Elaine, but what they all think, Jimmy, Terry, Yvonne and Elaine is but it's tiger. And we are deep in. Deep.

β€’ To read the conclusion of the story, visit the Booktrust website from Tuesday 7 September.

β€’ Evie Wyld works in the independent Review Bookshop in Peckham. She is taking part in a live-streamed book club Q&A from the shop at 7.30pm on Thursday 9 September. To find out how to submit questions for the event, visit the Booktrust website


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