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Memorials and Other Papers V1 by Thomas de Quincey

T >> Thomas de Quincey >> Memorials and Other Papers V1

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In so small and select a community, where so much must continually
depend upon individual qualities and personal heroism, it may readily
be supposed that the women would play an important part; in fact, "the
women carry arms and fight bravely. When the men go to war, the women
bring them food and provisions; when they see their strength declining
in combat, they run to their assistance, and fight along with them;
but, if by any chance their husbands behave with cowardice, they snatch
their arms from them, and abuse them, calling them mean, and unworthy
of having a wife." Upon these feelings there has even been built a law
in Suli, which must deeply interest the pride of women in the martial
honor of their husbands; agreeably to this law, any woman whose husband
has distinguished himself in battle, upon going to a fountain to draw
water, has the liberty to drive away another woman whose husband is
tainted with the reproach of cowardice; and all who succeed her, "from
dawn to dewy eve," unless under the ban of the same withering stigma,
have the same privilege of taunting her with her husband's baseness,
and of stepping between her or her cattle until their own wants are
fully supplied.

This social consideration of the female sex, in right of their
husbands' military honors, is made available for no trifling purposes;
on one occasion it proved the absolute salvation of the tribe. In one
of the most desperate assaults made by Ali Pacha upon Suli, when that
tyrant was himself present at the head of eight thousand picked men,
animated with the promise of five hundred piastres a man, to as many as
should enter Suli, after ten hours' fighting under an enfeebling sun,
and many of the Suliote muskets being rendered useless by continual
discharges, a large body of the enemy had actually succeeded in
occupying the sacred interior of Suli itself. At that critical moment,
when Ali was in the very paroxysms of frantic exultation, the Suliote
women, seeing that the general fate hinged upon the next five minutes,
turned upon the Turks _en masse_, and with such a rapture of
sudden fury, that the conquering army was instantly broken--thrown into
panic, pursued; and, in that state of ruinous disorder, was met and
flanked by the men, who were now recovering from their defeat. The
consequences, from the nature of the ground, were fatal to the Turkish
army and enterprise; the whole camp equipage was captured; none saved
their lives but by throwing away their arms; one third of the Turks
(one half by some accounts) perished on the retreat; the rest returned
at intervals as an unarmed mob; and the bloody, perfidious Pacha
himself saved his life only by killing two horses in his haste. So
total was the rout, and so bitter the mortification of Ali, who had
seen a small band of heroic women snatch the long-sought prize out of
his very grasp, that for some weeks he shut himself up in his palace at
Yannina, would receive no visits, and issued a proclamation imposing
instant death upon any man detected in looking out at a window or other
aperture--as being _presumably_ engaged in noticing the various
expressions of his defeat which were continually returning to Yannina.

The wars, in which the adventurous courage of the Suliotes (together
with their menacing position) could not fail to involve them, were in
all eleven. The first eight of these occurred in times before the
French Revolution, and with Pachas who have left no memorials behind
them of the terrific energy or hellish perfidy which marked the
character of Ali Pacha. These Pachas, who brought armies at the lowest
of five thousand, and at the most of twelve thousand men, were
uniformly beaten; and apparently were content to be beaten. Sometimes a
Pacha was even made prisoner; but, as the simple [Footnote: On the same
occasion the Pacha's son, and sixty officers of the rank of _Aga_,
were also made prisoners by a truly rustic mode of assault. The Turks
had shut themselves up in a church; into this, by night, the Suliotes
threw a number of hives, full of bees, whose insufferable stings soon
brought the haughty Moslems into the proper surrendering mood. The
whole body were afterwards ransomed for so trifling a sum as one
thousand sequins.] Suliotes little understood the art of improving
advantages, the ransom was sure to be proportioned to the value of the
said Pacha's sword-arm in battle, rather than to his rank and ability
to pay; so that the terms of liberation were made ludicrously easy to
the Turkish chiefs.

These eight wars naturally had no other ultimate effect than to extend
the military power, experience, and renown, of the Suliotes. But their
ninth war placed them in collision with a new and far more perilous
enemy than any they had yet tried; above all, he was so obstinate and
unrelenting an enemy, that, excepting the all-conquering mace of death,
it was certain that no obstacles born of man ever availed to turn him
aside from an object once resolved on. The reader will understand, of
course, that this enemy was Ali Pacha. Their ninth war was with him;
and he, like all before him, was beaten; but _not_ like all before
him did Ali sit down in resignation under his defeat. His hatred was
now become fiendish; no other prosperity or success had any grace in
his eyes, so long as Suli stood, by which he had been overthrown,
trampled on, and signally humbled. Life itself was odious to him, if he
must continue to witness the triumphant existence of the abhorred
little mountain village which had wrung laughter at his expense from
every nook of Epirus. _Delenda est Carthago! Suli must be
exterminated!_ became, therefore, from this time, the master
watchword of his secret policy. And on the 1st of June, in the year
1792, he commenced his second war against the Suliotes, at the head of
twenty-two thousand men. This was the second war of Suli with Ali
Pacha; but it was the tenth war on their annals; and, as far as their
own exertions were concerned, it had the same result as all the rest.
But, about the sixth year of the war, in an indirect way, Ali made one
step towards his final purpose, which first manifested its disastrous
tendency in the new circumstances which succeeding years brought
forward. In 1797 the French made a lodgment in Corfu; and, agreeably to
their general spirit of intrigue, they had made advances to Ali Pacha,
and to all other independent powers in or about Epirus. Amongst other
states, in an evil hour for that ill-fated city, they wormed themselves
into an alliance with Prevesa; and in the following year their own
quarrel with Ali Pacha gave that crafty robber a pretence, which he had
long courted in vain, for attacking the place with his overwhelming
cavalry, before they could agree upon the mode of defence, and long
before _any_ mode could have been tolerably matured. The result
was one universal massacre, which raged for three days, and involved
every living Prevesan, excepting some few who had wisely made their
escape in time, and excepting those who were reserved to be tortured
for Ali's special gratification, or to be sold for slaves in the
shambles. This dreadful catastrophe, which in a few hours rooted from
the earth an old and flourishing community, was due in about equal
degrees to the fatal intriguing of the interloping French, and to the
rankest treachery in a quarter where it could least have been held
possible; namely, in a Suliote, and a very distinguished Suliote,
Captain George Botzari; but the miserable man yielded up his honor and
his patriotism to Ali's bribe of one hundred purses (perhaps at that
time equal to twenty-five hundred pounds sterling). The way in which
this catastrophe operated upon Ali's final views was obvious to
everybody in that neighborhood. Parga, on the sea-coast, was an
indispensable ally to Suli; now, Prevesa stood in the same relation to
Parga, as an almost indispensable ally, that Parga occupied towards
Suli.

This shocking tragedy had been perpetrated in the October of 1798; and,
in less than two years from that date, namely, on the 2d of June, 1800,
commenced the eleventh war of the Suliotes; being their third with Ali,
and the last which, from their own guileless simplicity, meeting with
the craft of the most perfidious amongst princes, they were ever
destined to wage. For two years, that is, until the middle of 1802, the
war, as managed by the Suliotes, rather resembles a romance, or some
legend of the acts of Paladins, than any grave chapter in modern
history. Amongst the earliest victims it is satisfactory to mention the
traitor, George Botzari, who, being in the power of the Pacha, was
absolutely compelled to march with about two hundred of his kinsmen,
whom he had seduced from Suli, against his own countrymen, under whose
avenging swords the majority of them fell, whilst the arch-traitor
himself soon died of grief and mortification. After this, Ali himself
led a great and well-appointed army in various lines of assault against
Suli. But so furious was the reception given to the Turks, so deadly
and so uniform their defeat, that panic seized on the whole army, who
declared unanimously to Ali that they would no more attempt to contend
with the Suliotes--"Who," said they, "neither sit nor sleep, but are
born only for the destruction of men." Ali was actually obliged to
submit to this strange resolution of his army; but, by way of
compromise, he built a chain of forts pretty nearly encircling Suli;
and simply exacted of his troops that, being forever released from the
dangers of the open field, they should henceforward shut themselves up
in these forts, and constitute themselves a permanent blockading force
for the purpose of bridling the marauding excursions of the Suliotes.
It was hoped that, from the close succession of these forts, the
Suliotes would find it impossible to slip between the cross fires of
the Turkish musketry; and that, being thus absolutely cut off from
their common resources of plunder, they must at length be reduced by
mere starvation. That termination of the contest was in fact repeatedly
within a trifle of being accomplished; the poor Suliotes were reduced
to a diet of acorns; and even of this food had so slender a quantity
that many died, and the rest wore the appearance of blackened
skeletons. All this misery, however, had no effect to abate one jot of
their zeal and their undying hatred to the perfidious enemy who was
bending every sinew to their destruction. It is melancholy to record
that such perfect heroes, from whom force the most disproportioned, nor
misery the most absolute, had ever wrung the slightest concession or
advantage, were at length entrapped by the craft of their enemy; and by
their own foolish confidence in the oaths of one who had never been
known to keep any engagement which he had a momentary interest in
breaking. Ali contrived first of all to trepan the matchless leader of
the Suliotes, Captain Foto Giavella, who was a hero after the most
exquisite model of ancient Greece, Epaminondas, or Timoleon, and whose
counsels were uniformly wise and honest. After that loss, all harmony
of plan went to wreck amongst the Suliotes; and at length, about the
middle of December, 1803, this immortal little independent state of
Suli solemnly renounced by treaty to Ali Pacha its sacred territory,
its thrice famous little towns, and those unconquerable positions among
the crests of wooded inaccessible mountains which had baffled all the
armies of the crescent, led by the most eminent of the Ottoman Pachas,
and not seldom amounting to twenty, twenty-five, and in one instance
even to more than thirty thousand men. The articles of a treaty, which
on one side there never was an intention of executing, are scarcely
worth repeating; the amount was--that the Suliotes had perfect liberty
to go whither they chose, retaining the whole of their arms and
property, and with a title to payment in cash for every sort of warlike
store which could not be carried off. In excuse for the poor Suliotes
in trusting to treaties of any kind with an enemy whom no oaths could
bind for an hour, it is but fair to mention that they were now
absolutely without supplies either of ammunition or provisions; and
that, for seven days, they had suffered under a total deprivation of
water, the sources of which were now in the hands of the enemy, and
turned into new channels. The winding up of the memorable tale is soon
told:--the main body of the fighting Suliotes, agreeably to the
treaty, immediately took the route to Parga, where they were sure of a
hospitable reception, that city having all along made common cause with
Suli against their common enemy, Ali. The son of Ali, who had concluded
the treaty, and who inherited all his father's treachery, as fast as
possible despatched four thousand Turks in pursuit, with orders to
massacre the whole. But in this instance, through the gallant
assistance of the Parghiotes, and the energetic haste of the Suliotes,
the accursed wretch was disappointed of his prey. As to all the other
detachments of the Suliotes, who were scattered at different points,
and were necessarily thrown everywhere upon their own resources without
warning or preparation of any kind,--they, by the terms of the treaty,
had liberty to go away or to reside peaceably in any part of Ali's
dominions. But as these were mere windy words, it being well understood
that Ali's fixed intention was to cut every throat among the Suliotes,
whether of man, woman, or child,--nay, as he thought himself dismally
ill-used by every hour's delay which interfered with the execution of
that purpose,--what rational plan awaited the choice of the poor
Suliotes, finding themselves in the centre of a whole hostile nation,
and their own slender divisions cut off from communication with each
other? What could people so circumstanced propose to themselves as a
suitable resolution for their situation? Hope there was none; sublime
despair was all that their case allowed; and, considering the
unrivalled splendors of their past history for more than one hundred
and sixty years, perhaps most readers would reply, in the famous words
of Corneille--_Qu'ils mourussent_. That was their own reply to the
question now so imperatively forced upon them; and die they all did. It
is an argument of some great original nobility in the minds of these
poor people, that none disgraced themselves by useless submissions, and
that all alike, women as well as men, devoted themselves in the "high
Roman fashion" to the now expiring cause of their country. The first
case which occurred exhibits the very perfection of _nonchalance_
in circumstances the most appalling. Samuel, a Suliote monk, of
somewhat mixed and capricious character, and at times even liable to
much suspicion amongst his countrymen, but of great name, and of
unquestionable merit in his military character, was in the act of
delivering over to authorized Turkish agents a small outpost, which had
greatly annoyed the forces of Ali, together with such military stores
as it still contained. By the treaty, Samuel was perfectly free, and
under the solemn protection of Ali; but the Turks, with the utter
shamelessness to which they had been brought by daily familiarity with
treachery the most barefaced, were openly descanting to Samuel upon the
unheard-of tortures which must be looked for at the hands of Ali, by a
soldier who had given so much trouble to that Pacha as himself. Samuel
listened coolly; he was then seated on a chest of gunpowder, and powder
was scattered about in all directions. He watched in a careless way
until he observed that all the Turks, exulting in their own damnable
perfidies, were assembled under the roof of the building. He then
coolly took the burning snuff of a candle, and threw it into a heap of
combustibles, still keeping his seat upon the chest of powder. It is
unnecessary to add that the little fort, and all whom it contained,
were blown to atoms. And with respect to Samuel in particular, no
fragment of his skeleton could ever be discovered. [Footnote: The
deposition of two Suliote sentinels at the door, and of a third person
who escaped with a dreadful scorching, sufficiently established the
facts; otherwise the whole would have been ascribed to the treachery of
Ali or his son.] After this followed as many separate tragedies as
there were separate parties of Suliotes; when all hope and all retreat
were clearly cut off, then the women led the great scene of self-
immolation, by throwing their children headlong from the summit of
precipices; which done, they and their husbands, their fathers and
their sons, hand in hand, ran up to the brink of the declivity, and
followed those whom they had sent before. In other situations, where
there was a possibility of fighting with effect, they made a long and
bloody resistance, until the Turkish cavalry, finding an opening for
their operations, made all further union impossible; upon which they
all plunged into the nearest river, without distinction of age or sex,
and were swallowed up by the merciful waters. Thus, in a few days, from
the signing of that treaty, which nominally secured to them peaceable
possession of their property, and paternal treatment from the
perfidious Pacha, none remained to claim his promises or to experience
his abominable cruelties. In their native mountains of Epirus, the name
of Suliote was now blotted from the books of life, and was heard no
more in those wild sylvan haunts, where once it had filled every echo
with the breath of panic to the quailing hearts of the Moslems. In the
most "palmy" days of Suli, she never had counted more than twenty-five
hundred fighting men; and of these no considerable body escaped,
excepting the corps who hastily fought their way to Parga. From that
city they gradually transported themselves to Corfu, then occupied by
the Russians. Into the service of the Russian Czar, as the sole means
left to a perishing corps of soldiers for earning daily bread, they
naturally entered; and when Corfu afterwards passed from Russian to
English masters, it was equally inevitable that for the same urgent
purposes they should enter the military service of England. In that
service they received the usual honorable treatment, and such attention
as circumstances would allow to their national habits and prejudices.
They were placed also, we believe, under the popular command of Sir R.
Church, who, though unfortunate as a supreme leader, made himself
beloved in a lower station by all the foreigners under his authority.
These Suliotes have since then returned to Epirus and to Greece, the
peace of 1815 having, perhaps, dissolved their connection with England,
and they were even persuaded to enter the service of their arch-enemy,
Ali Pacha. Since his death, their diminished numbers, and the altered
circumstances of their situation, should naturally have led to the
extinction of their political importance. Yet we find them in 1832
still attracting (or rather concentrating) the wrath of the Turkish
Sultan, made the object of a separate war, and valued (as in all former
cases) on the footing of a distinct and independent nation. On the
winding up of this war, we find part of them at least an object of
indulgent solicitude to the British government, and under their
protection transferred to Cephalonia. Yet again, others of their scanty
clan meet us at different points of the war in Greece; especially at
the first decisive action with Ibrahim, when, in the rescue of Costa
Botzaris, every Suliote of his blood perished on the spot; and again,
in the fatal battle of Athens (May 6, 1827), Mr. Gordon assures us that
"almost all the Suliotes were exterminated." We understand him to speak
not generally of the Suliotes, as of the total clan who bear that name,
but of those only who happened to be present at that dire catastrophe.
Still, even with this limitation, such a long succession of heavy
losses descending upon a people who never numbered above twenty-five
hundred fighting men, and who had passed through the furnace, seven
times heated, of Ali Pacha's wrath, and suffered those many and dismal
tragedies which we have just recorded, cannot but have brought them
latterly to the brink of utter extinction.





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Call off the hounds: the Not the Booker prize vote stands

From Jim Thompson to Daphne du Maurier, the author and comedian singles out stories that live up to their genre and genuinely do give readers sleepless nights

As well as making becoming a household name for his work as a writer and actor in comedy shows such as The Fast Show, Charlie Higson has had a parallel and these days just as stellar career as a writer. After winning acclaim for early, blackly comic crime novels including his debut King of the Ants (1992) and Getting Rid of Mister Kitchen (1996), he moved on to writing for children in 2005 with the Young Bond series. These books have now sold more than 1m copies in the UK alone, and have been translated into 24 different languages.

The Enemy, published last year, marked a new departure for Higson into horror writing for teenagers, with a tale of teenagers defending themselves against a zombified adult world. The first in a series, it was this week shortlisted for the Booktrust teenage prize, with volume two, The Dead, due out next week.

Buy The Dead by Charlie Higson at the Guardian bookshop

"What constitutes a horror book? A black and red cover? A primary objective to scare the shit out of the reader? A plug from Stephen King on the back? Most of the books on my list would probably be categorised in other genres first, but then – is Alien a sci-fi film or a horror film, or both? Is Wuthering Heights a ghost story? Is Jane Eyre the mother of all psycho-in-the-attic stories? And Daphne du Maurier's Rebecca is in many ways a haunted house story. I might well have put it in here if I'd ever actually read it.

"You can have a lot of fun mixing genres up. Personally I'm not the world's biggest fan of pure horror novels – ghosts and demons and man-eating slugs leave me slightly unmoved. With no belief in the supernatural, supernatural stories usually have little effect on me. Of the big horror names only Stephen King, with his concentration on character, really works for me. I've enjoyed other horror writers but wouldn't put them in any top 10 lists. HP Lovecraft, for instance, is fun but his books aren't exactly scary. I'm not going to lose any sleep over the possibility of Cthulhu and the ancient gods crossing over into our domain.

"And there are other glaring omissions from my list. Why no Dracula or Frankenstein or Edgar Allan Poe I hear you cry. It's sacrilege to leave them out of a horror list, I know. But Poe only really wrote a couple of scary horror stories (The Tell Tale Heart is brilliant) and I find Dracula and Frankenstein rather heavy going and 19th century. Of course they're where it all began as far as the undead are concerned and must be read, I'm just not sure that they still have the power to frighten us. And, let's face it, that's what a horror book should do.

"I've always been interested in the mechanics of frightening people. I like the idea of disturbing my readers, giving them sleepless nights and stamping images in their imaginations that will stay there for a very long time. That way they will always remember your book, and after all, us novelists are like Dracula, all we want is immortality. The first two of my adult novels (King Of The Ants and Happy Now) could easily be categorised as horror books and my new series for younger readers, The Enemy, is most definitely horror as it concerns kids vs adult zombies, but it is also an action adventure series, which seems to be my default mode. I'm always open to suggestions, though, so if anyone wants to champion some pure horror books that I absolutely must read, then fire away. I'm all severed ears."

1. The Watcher by Charles Maclean (out of print but Amazon and Abebooks have copies)

An extraordinary book, unlike anything else I've ever read, which had a big effect on me when I first read it. The narrator, Martin Gregory, starts out by telling us that he was perfectly normal and happy and that there was no reason for the terrible thing he has done … The sense of impending horror is enormous, and the book, like the narrator, soon spirals into madness. We have to try and work out what is really going on as we see everything through Gregory's distorted perspective. One thing we can be sure of, though, is that everyone around him is in very great danger.

2. The Shining by Stephen King

You can't have a horror list without having Stephen King in there somewhere. It's the law. But the thing is, when he was at his peak his books were brilliant (he hasn't quite been able to sustain it – you can't help but start repeating yourself if you write as many books as he has). Engrossing, tragic and, yes, frightening, which you can't always say about horror books. He's a great writer and for me the greatest horror writer. If you've only seen the film of The Shining then read the book – it's better (first half of the film amazing, second a bit silly).

3. The Drive-In by Joe R Lansdale

The Drive In, by Texan titan Joe R Lansdale is a great, knowingly trashy nod to the 50s and 60s craze for teen drive-in schlock sci-fi/horror flicks. A bunch of kids at an all-night horror showing at their local drive-in get mysteriously trapped there by some malign force and begin to behave like ants under a glass. Surviving on junk food and fizzy drinks they go crazy and set up a savage and weird alterative society full of great characters like the Popcorn King. Book Two spins off into yet wilder shores.

4. I Am Legend by Richard Matheson

A hugely influential horror book, written in 1957. The last human survivor in a Californian suburb ventures forth every day with a supply of stakes to try and wipe out the vampires that have taken over. Matheson was great at mixing horror and science fiction, and rooting the fantastical in everyday reality. This book is a brilliant study in loneliness and obsession, and when the story twists towards the end Matheson very cleverly makes us question all that has gone before.

5. The Killer Inside Me by Jim Thompson

There has been a lot of fuss recently about the film of this book. But the book – which is every bit as extreme and upsetting as the film – has been around since as long ago as 1952. Amazing how you can get away with so much more in books without people really noticing. "Oh, it's a book, it must be good for you." Well, this book is certainly not good for you. I remember reading it and thinking – should I be reading this, should anyone read this? It is a horrific trip inside the mind of a cold-blooded psychopathic sadist, who is nevertheless good company and at times unnervingly funny. Not in a flip, post-Tarantino way; this is very disturbing and upsetting stuff. There is never any question as to where Thompson stands – the narrator is a monster. We watch his destructive relations unfold and discover the reasons for his condition from the reading equivalent of "behind the sofa". Unlike a lot of modern writers who go into this area in a sort of gleefully voyeuristic adolescent way that is entirely fake (stand up Brett Easton Ellis). Jim Thompson lived the life. He understood these people and fought many demons of his own. He is my favourite author by a long chalk, and this is an extraordinary book, but it's also certainly one of the most extreme (and extremely upsetting) things I've ever read.

6. Pan Books Of Horror

If any horror collections can be described as seminal it is these. When I was a teenager they were everywhere. Passed around from hand to hand, they had a forbidden, naughty allure, like video nasties. With their classy but trashy covers the stories they contained were gory, nasty, sometimes sexy, often badly written, sometimes brilliant. The collections were a mix of old classics and more modern material, increasingly the latter as the supply of classics ran dry. You'd find Stephen King alongside Algernon Blackwood and some blood-soaked fillers from writers you'd never heard of before and never hear would again. A superfan is currently working with Pan to get the series relaunched, starting with a facsimile reprint of volume one later in the year. Look out for it. And check out his website.

7. Uncle Montague's Tales Of Terror by Chris Priestley

This one's for the kids. Written in an accessible, cod Victorian style it has a neat framing device. Edgar goes to stay with his uncle in the woods who proceeds to tell him a series of terrifying stories – all the while hinting at some dark secrets of his own. Rest assured, the stories, which all feature a child in some way, are genuinely scary and unsettling and really do get under your skin. They certainly frightened my 10-year-old when I read them to him.

8. The Silence Of The Lambs by Thomas Harris

Is this crime or horror? It certainly has a classic horror set up – basically it's Beauty And The Beast. A naïve and innocent, yet ultimately resilient, young girl enters the monster's lair and he falls in love with her. Then together they sort put each other's problems. The secondary villain – Buffalo Bill - is certainly a monster from a horror story, making clothes out if his victims' skin and keeping his latest victim in a pit. The film played like a horror film, and Anthony Hopkins certainly seemed to think he was in one. The book, as usual, is even better than the film. It's weird and engrossing and seductive and scary with some nice gothic touches. A great, great read.

9. Ghost stories by MR James

Apologies to Bram Stoker, Mary Shelley and Edgar Allen Poe, but of the old classics I've gone for James. And not really for the original stories but just so I can bang on about Jonathan Miller's extraordinary BBC film of "Whistle And I'll Come To You". MR James was the king of the unsettling ghost story where not very much happens and it's all about atmosphere and dread. Miller's film still has the power to be very, very disturbing. Give yourself a treat and buy it. There are other James BBC adaptations you should look out for as well (A Warning to the Curious is another favourite), they used to show them at Christmas in the good old days, and all still work.

10. Don't Look Now/The Birds by Daphne du Maurier

All right, I'll admit it, I'm cheating a bit here. I don't think these 2 stories actually appear together in a Du Maurier collection except on audiobook. And like MR James, my interest in du Maurier is primarily in the films made of her stories (nearly all of her output was filmed – she was the Stephen King of her day). I couldn't leave her out because to have come up with the story for not one but two all-time classic horror films is a feat to be applauded. And as Don't Look Now is my favourite horror film I had to get a mention of it in here somewhere. The original stories are still good reads and its fascinating to see how two great directors teased complete films out of them.


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Extract: The Whales by Evie Wyld

"I am an enemy of Waterstone's being destroyed. I am not in any way an enemy of Waterstone's being properly led by people who know what they're doing"

Tim Waterstone is explaining to me why he has a problem with the word entrepreneur, a distaste that I've seen ascribed to him on several occasions but find difficult to understand. How else might you describe a man who conjured, out of a redundancy package of a few thousand pounds, a retail operation that changed the face of British bookselling, and with it the nation's high streets? A man who went on to sell the company to the firm that had made him redundant, and then bought it back; and who, after apparently parting ways with his bookshops for good, made four separate attempts to gain control of them once again? This strikes me as almost a dictionary definition of an entrepreneur. So what's the beef?

His quibble, it turns out, has its basis in good manners. "I can't bear the self-congratulatory thing of applying it to oneself, really," he says: softly spoken and courteous, he appears, in tone and bearing, far more like a gentleman publisher than a cut-throat boardroom monster. Indeed, our semantic discussion has been prompted by his description of the bankers whom he met during a deal he was working on a few years ago and who make up a major strand in his new novel, In for a Penny, In for a Pound, an everyday tale of high finance, newspaper dynasties and the world of books. They were, he says, "so awful" that he started jotting down their conversations during meetings, and soon began to form an idea for a fictional parody of them. He was particularly struck by what seemed to him "like this endless drive towards the accumulation of personal wealth", a motivation at odds, he is at pains to point out, with his own impulses.

"You know, as an entrepreneur, and I hate calling myself an entrepreneur" – here our digression begins – "you don't do it for the money at all, really you don't; you're doing it because you get caught up in an idea and you want that idea to work." The ultimate achievement, according to Waterstone, is to see your vision realised, often against the odds: almost all entrepreneurs, he thinks, are fighting against received wisdom.

He was certainly bucking the trend when he started Waterstone's in 1982; he describes a grim landscape, in which the demise of the book was regularly predicted and which presented book-lovers with a choice between WH Smith, the smaller Blackwells and an array of independents, "some of whom were good, some of whom were terrible; one can romanticise the independents". By far the biggest market share lay with Smiths, the company that Waterstone had spent the previous eight years working for; when he first left university, he had gone to India to work in his father's tea business ("I was 22 going on 18, I was incredibly immature"), before "thoroughly enjoying" a long stint as a marketing man for Allied Breweries. Then, having married young and with a growing family to support, he joined Smiths, who were offering to triple his salary. It was a time he now says he loathed: "I don't want to spend my time knocking Smiths, but in those days family preference ran through, and it was a sort of caricature of corporate life, and I realised I can't stand corporate life, I really can't stand it. The fault was mine . . . I don't like other people's opinions much, I like having my own things, and then they fired me which was a huge relief, and I knew I wanted to start Waterstone's."

His first inspiration was the kind of bookselling he had witnessed in New York, exemplified by the "really terrific" Doubleday stores that stayed open until 11 o'clock at night and dispatched books around the city on delivery bicycles. By contrast, Putney-resident Waterstone had to trudge to the Smiths on his local high street or trek into central London to Hatchards, which, he says, "closed at 12 o'clock on Saturdays; Dillons didn't seem to open at all". And yet he was convinced that there was a market: he knew that all he wanted to do was read, and felt sure that there must be a couple of million like-minded souls in the country. "I was filled with this thought: why couldn't the best of the independents, Hatchards or whoever, be done nationally? Why can't they be like New York stores, better than New York stores, why can't they stay open late at night, why can't they have people working there who really love and know books? And why can't the stock be fabulous?"

So, with his £6,000 redundancy package and additional venture capital, Waterstone advertised in the London Evening Standard for staff – "salary moderate" – and opened up his first store in London's Old Brompton Road. And he was right, there was an appetite for books: soon, branches of Waterstone's, with their sleek black bookshelves, knowledgeable booksellers and unashamedly upmarket range of books, were opening everywhere, aided by their creator's "gift of the gab" with the money men, not to mention the occasional celebrity customer. Waterstone recalls Laurence Olivier visiting his Kensington High Street branch: "He said, are you looking for money? I said yes, so he put in 20,000 quid or something."

Waterstone's arrived at just the right time. It was, he reminds me, a rich time for literary fiction, with writers such as Salman Rushdie, Ian McEwan, John Banville and Martin Amis rising to prominence; Waterstone capitalised on the excitement surrounding this explosion of new writing by making sure that his shops were a natural place for launch parties and readings. "We were," he says, "plainly unfussed about being as culturally aware as we wanted to be." They also made it their business to maximise exposure for writers they believed in, in one instance creating the chain's "Book of the Month" when Waterstone and others in the company fell in love with Nicholas Mosley's Hopeful Monsters in 1990. And there was confidence in the publishing industry, which meant that enough of the big players – Waterstone cites Peter Mayer as an example, then head of the all-powerful Penguin – were prepared to support the enterprise with favourable credit and discount terms. All of which added up, after a while and despite "some fantastically dangerous moments", to a profitable business. "But," maintains Waterstone now, "the real thrill was winning, it wasn't the money; we did make money and it's very nice to have done so, but the real thrill was the dream."

But even the best dreams must come to an end. Waterstone's had expanded rapidly ("We got so arrogant"), often going against the advice of local demographics and sticking to their policy of having an unprecedentedly wide stock offering. It all took a lot of capital and, in 1993, having already sold a share of the business to them, Waterstone sold out to WH Smith for £47m. It can be no coincidence that, in the following years, he wrote three novels – Lilley and Chase, An Imperfect Marriage and A Passage of Lives. Clearly, however, writing books was no simple replacement for selling them, because in 1998 Waterstone joined forces with HMV to buy back the chain for £300m, in the process creating the HMV Media Group, of which he became chairman. Three years later, he was on his way again, and set out to embark on one of the publishing world's most intriguing soap operas – his attempts to buy out HMV altogether. Why?

"I became increasingly frustrated – frankly pissed off – with the way it was being run. I was chairman of HMV and was watching my own baby being absolutely murdered. And it was so stupid because the book market was just growing and growing, and people coming in from Tesco or Asda or Boots seemed to think their job was to get Waterstone's away from books, and move it towards multimedia or something. It was very hard for the people who worked in the stores, who I'd known for years – great, terrific people, wonderful people."

You realise, chatting to Waterstone, that at least part of his success lies in his genial manner: good situations become superlative – "great, terrific, wonderful", while the challenging moments are "tricky". The exception comes when he touches on his declining relationship with HMV: during the period when he tried to buy back the company – especially his fourth, final and "very serious" attempt in 2006, which took place at around the same time as HMV's purchase of the Ottakars chain – he describes himself as "apoplectic" at how the chain was being managed. But when that deal collapsed, with both sides proclaiming themselves hamstrung by the other's impossible demands, he knew it was time to call it quits.

The twists and turns of the battle between Waterstone and Waterstone's must surely, though, have come in handy when he was writing In for a Penny, In for a Pound, the first draft of which ran to an eye-watering 240,000 words. It doesn't shy away from bloodlust in the boardroom – the in-fighting in a family-run newspaper business is cynically manipulated by a private bank hell-bent on extracting maximum commission. In a subsidiary story, a thoroughly decent chap struggles to keep his small publishing firm afloat; the two worlds collide when agony aunt Anna Lavey, the company's star author and a columnist for one of the Macaulay newspapers, finds herself at the centre of a tabloid scandal. Elsewhere, there are high-flying barristers sleeping with senior leftwing politicians, Australian media tycoons running amok and ardent fans who metamorphose into havoc-wreaking stalkers. In short, with its fast-paced plot and to-the-point dialogue (sample: "You're a shit, Nicky. A total shit"), it is designed to grab the attention quickly.

I say to Waterstone "When I first picked it up . . . " and he completes my sentence with the question "you thought it was Jeffrey Archer?" I did, a little: it is bright red, with black-and-gold lettering, and its title is not a million miles away from that of Archer's debut novel, Not a Penny More, Not a Penny Less. Rather than being published by one of the vast commercial houses, Waterstone's novel was picked up by the independent publisher Atlantic, perhaps best known for its Man Booker victory with Aravind Adiga's The White Tiger. It was Atlantic's chief executive and chairman, Toby Mundy, who spotted the book's potential for Corvus, the Atlantic list that publishes crime and thrillers. Waterstone was attracted by Mundy's enthusiasm, though he confesses when he first saw the cover "I nearly passed out. I decorously tried to keep enthusiasm on my face. But I've rather come round to it now."

Mundy was no doubt aware that media and publishing industry observers would lock on to the book's roman à clef aspect: the Barclay brothers, Rupert Murdoch and Anna Raeburn have all been mentioned thus far. All that Waterstone will say is that Anna Lavey is most certainly not based on the late Beryl Bainbridge. But there was a detail that really bothered me. Surely, I ask, when he sends Anna to a bookshop event and has 500 eager readers queue up to meet her, isn't this stretching credulity a little far? After all, if that were most writers' and publishers' experience, they'd be riding around in golden sedan chairs. But he assures me that, no, when Dirk Bogarde signed books in his Kensington store, they sold more than 1,000 copies. If this is a little Pollyannaish – a global film star is not, of course, literary novelist X or poet Y – it is rather charmingly so.

In the latest throw of the dice, Waterstone has found himself largely reconciled with the chain he gave his name to. He is far too polite to inject a hint of "I told you so" into his conversation, saying only how delighted he is that some of Waterstone's most senior staff ring him up these days to talk over the whys and wherefores of the book trade. And, following the departure of managing director Gerry Johnson in January after a poor Christmas, it does seem that the chain is attempting to return to its roots, restoring buying power to staff in individual shops, lessening its reliance on aggressive marketing campaigns and emphasising its focus on quality. So, is the hatchet well and truly buried? "I am an enemy of Waterstone's being destroyed," he says. "I am not in any way an enemy of Waterstone's being properly led by people who know what they're doing." And will he ever try to buy it again? He says not, but stops short of ruling it out entirely with the words: "I'm certainly not going aggressively at them again, under any circumstances."

But even if the chain of shops can realign itself with its core market, it will still have to face the challenges of what Waterstone might call a "tricky" business environment: most obviously, the past few years have seen exceptionally stiff competition from both non-traditional retailers such as supermarkets, with their limited range but rock-bottom prices, and from online bookshops such as Amazon, which in a sense played Waterstone at his own game by having a stock offering of undreamt-of depth. And now there is the ebook – Waterstone has played about on an ereader, he says, but can't see it dominating leisure-time reading.

Perhaps most importantly for the man whose childhood experience of reading was to go into the independent bookshop in Crowborough in East Sussex – his family was not bookish and there wasn't "a bean" to spend on books – and sit on the floor, day after day, poring over their titles, does he still think that people want to buy books? This, it turns out, is not a tricky question to answer at all. "I just couldn't be more optimistic about it."

Waterstone will celebrate the publication of his novel with a party at one of the branch's shops, along with what he calls "the Waterstone diaspora", including former staff, many of whom have gone on to open their own shops or work in publishing. This, presumably, would have been unthinkable a few years ago, and must feel a bit odd. "It's quite strange to be connected to Waterstone's in that way," he concedes, "but they are being so generous over this." And then he will return to his other activities – looking after the youngest two of his eight children, serving as chancellor of Edinburgh Napier University, dodging invitations to sit on other companies' boards – and pondering his next novel. In the unlikely event that he hits a patch of writer's block, he can look for advice to his wife, TV producer Rosie Alison, whose first novel The Very Thought of You was shortlisted for this year's Orange prize. "I'm rather cross with Rosie, stealing my thunder," he jokes. But I'm not sure Waterstone really does cross – I suspect he goes straight from affable to apoplectic, and that, it seems clear, is reserved for rather exceptional circumstances.


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Booker prize sees Peter Carey and Emma Donoghue head shortlist

Evie Wyld, whose debut novel After the Fire, a Still Small Voice won the 2009 John Llewellyn Rhys prize, has written a short story, The Whales, exclusively for Booktrust, where she is currently writer-in-residence. Here we join Jimmy, Elaine, Terry and Yvonne, deep in the bush after five days of walking. The conclusion will appear on the Booktrust website tomorrow

There are four of them footslogging single file along the trail. They sweat and wave their sticks at the flies, spitting the salt off their lips and feeling the rub of their backpacks, hot on their shoulders. A storm bird knows about them from miles off and lets out a wop-wop-wop, getting higher and louder as it goes. Jimmy watches Elaine look up at the gum-treed sky. He follows her gaze. No, he thinks. The bird is wrong; overhead is blue without a wash of cloud.

The crack of dry bark, the whistle of whip birds and sometimes a thundering in the undergrowth – a wombat, a pademelon – it all makes Jimmy feel younger. He can feel the muscles in his thighs working, can feel them thank him for not being stood at the assembly line six hours a day.

Five days of walking and now they are deep in the bush. In another day, they'll turn east, head for the sea, where if they make good time, they'll see the humpbacks heading south towards the Antarctic, their new calves in tow. There'll be a party that night, between the four of them. Terry the young bow-legged one from further down the line with a touch of the idiot about him, Yvonne his frizz-plaited, heavy cousin who runs accounts and her friend Elaine who is nothing to do with the factory and who returns his glances, smiling. Not a bad lot really, especially the girls.

Three days down the coast and they'll arrive home about ready for that soft bed and the meal without char-grit from the campfire, or the dog food pong of tinned meat. It's been good so far. He thinks of what was waiting for him if he hadn't gone bush this week – all those monkey-wrenches wanting to be set. It's been time to move on for a while, he sees that now. Only he'll wait and see what comes of Elaine and the damp hair that ringlets at the back of her neck.

Later in the day he spots a bower bird's chapel. Even this far in, the bird has found a blue toothbrush and bits of turquoise plastic to frame its humpy. He takes a photo, so that the side of Elaine's brown leg slides up the view finder.

'They only collect blue stuff', he says, mainly to Elaine. He feels the roots of his fingers strain as he reigns himself in, his stiff hands reminding him not to overdo it. Steady on.

Chances are, Elaine already knows more than him about bower birds – she told him she's walked the bush for six years, since she left varsity, this last two with Yvonne for company and he only knows from camping out when money gets bad. But he wants to show something to her. Elaine squats next to him and traces an arc with one finger in the dirt, looking at the toothbrush. She is smiling with her eyebrows pulled in.

'It's to impress the female – then she'll come down and he'll do a sexy dance.' As he explains, he wiggles his tail a little in a sexy dance and Elaine smiles wider.

Terry who has been leaning over them to get a look, gyrates around his walking stick. What his mating dance lacks in accuracy it makes up for in energy and the other three look on in silence while he makes the noise of a boombox with his lips pressed together. Jimmy's fingers stretch out towards the ground in embarrassment as he keeps his bad eye – the eye that he thinks of as his secret eye – on Elaine.

'You're a disgustin' specimen, Terry', says the stone-buttocked Yvonne. Terry quickens his hips and points, wiggling himself towards her.

Yvonne stands stiff and still like a wary buffalo. 'Never been the brightest crayon in the box', she says and they all push past him, smiles held down. Jimmy looks back to see him finish in a bunny squat and a flick of his head.

'Yeah!' says Terry loudly, arms raised and both thumbs up to the tops of the trees like they are his audience.

'Yeah' and he finds a cigarette in his back pocket, lights it and considers its glowing end before following on.

There'd been a night of heavy breathing when Elaine and Jimmy faced each other in their swags. They hadn't touched but they'd looked hard in the dark, seeing the glints of each other's tongues, teeth and eyes. There is a luxury in not touching, Jimmy thinks, in not just going with your gut; they don't have all the time in the world but they have this time, which won't end for another few days.

He looks forward to it, imagines the beach in an old film kind of a way. The last night when they will open the wine they've lugged all this way – they'll cool the bottles in a rock pool for a couple of hours, while they see what the beach has for them. He's a beach person at heart, it's where his childhood is at and he can't wait to show off about it. Terry's brought along his spearfishing gear and says he reckons on a good spot up at the point. Jimmy imagines striding into camp, a jewfish slung over one shoulder, a clutch of softly ticking crays hung from their whiskers in his other fist. When the moon's up and the salty wine is drunk, their fingers warm and sticky with sand and cray brains, he'll rub his foot over hers. He'll put his wrists either side of her jaw, so as not to touch her with his prawny fingers and he'll plant a long warm kiss on her mouth, one that shows them both that this is the start of things. He could think about staying on at the factory, him who hasn't stayed in one spot for more than six months at a time since he was 16. Or else, Elaine could come with him, go feral together up the coast. He gets the feeling there's not much holding her to the city anymore. He looks down at himself and he speaks softly to his hands You're orright you bung-eyed bastard. You're an okay sort after all.

Elaine breaks off from the group to take a pee in the scrub. She squats behind a paperbark and laughs. She's been hip deep in croc water, has woken up feeling a huntsman, as big as both of her hands put together, tangling with her feet in her swag. But the idea that the group might hear the sound of her pissing makes it so that she can't go. Eventually, she manages and makes a wet stain on the gum leaves. She pulls her shorts back up and a twig cracks not far up ahead. Shadows rise and fall as something heavy moves away. She catches up with the others at a jog.

Jimmy, that trunk of a man with his duff eye and his bear hands and her pal Yvonne are arguing about a fish. The argument is snapper versus flathead, but in what capacity Elaine is not sure. Terry is unusually quiet for a conversation involving food and he walks a little way from Jimmy and Yvonne.

'Stone lighter?' he asks quietly.

'It was a pee', she says, but her face flushes anyway.

'Right', says Terry and he smiles a weird smile. Elaine accidentally catches his eye.

By five o'clock they reach a small billabong. They strip down to their underwear and jump in like kids, laughing, drowning each other with splashing. Terry tries to duck the girls under, Jimmy dives for yabbies and opens his eyes in the bourbon-coloured water. The white legs of the other three bicycle in the open water. When he comes up for air, he can see that Yvonne is pleased with her breasts and bobs them gently up and down making small waves to the bank.

Jimmy looks a long time at Elaine and she looks back. There is a water level smile between them. He is aware of the ripples that come from his heartbeat and he sees how Elaine's canines creep over her bottom lip. Her hair is dark now, but in the light you can see into it. Where the sun hasn't caught her, her skin is like the damp underside of a leaf.

Elaine thinks she's some wonderful creature. The water holds her in on all sides, she feels good in her skin. The billabong is black from the tea trees that line the bank and when she flicks her legs to the surface she's a pale fish. She pauses before she puts her head under – a brief worry about spluttering and snotting in front of Jimmy, but then she thinks of the beach and the sea to come and she duck dives.

The dark water lifts her hair up and spreads it out, it pushes around her cheeks and taps on her eyelids as she reaches out for the leafy mud of the billabong floor, but even though she goes deep, her hands touch nothing. She kicks up for air and sends a flume of mist from her mouth. She smiles widely at Jimmy who floats on his back like an otter, hands clasped over his chest, dreaming of something.

Frogs and magpies are loud and someone finds a leech and then another and another and there's shrill laughing.

Terry shouts, 'It's eatin' the fuckin' kidneys out of me!' then, 'You girls want me to check under your bras?'

Even though everyone has had a leech before and every person has treated that leech with salt or the tip of a cigarette, quietly, without fear, they all pretend this is the first time they've been bitten and they wallow in the hysteria, enjoying it like gobble-mouthed kids.

Out of the water, damp shirts wrapped around them like towels, Jimmy burns a fat one off Elaine's shoulder. She looks at him sideways and curls a bit of paper bark around her finger.

'Ta', she says, as Jimmy passes her the cigarette which they share puffs from. He looks at her with his good eye. It creases in the corner.

The four of them set up camp a little way from the water hole, away from the leeches. Terry makes a small tepee out of kindling and rings stones around it to stop the fire spreading. Once it's lit they hang over a billy and drink tea while they watch the bats turning circles in the creeping darkness. Yvonne stirs up a thick damper and they bake it in a pan over the fire, to be eaten with a warmed tin of bean stew and rice pudding for afters. The birds are mostly quiet and the cicadas and frogs rev themselves up, as everyone slaps on Rid against the mosquitoes.

'Reckon we'll beat those whales, the way we're moving', Terry says cleaning his bowl with a licked finger.

'Fuckin' A.' Yvonne brings out a flask of bourbon to swill down the pudding with. She takes a long unflinching pull of it before passing it round and beginning a murder story.

'There's this girl went missing not far from Tully – all the kids hitchhike out there…' The dark gets deeper and everyone settles in, enjoying the creep of it. Elaine thinks that there's nothing you can't fix by putting your cheek to the land and feeling it settle. She studies the landscape of Jimmy's face. He is unashamedly enthralled by Yvonne's story. His funny eye looks directly at Elaine but doesn't see her. The lines on his forehead have dirt ground in. He's older than Elaine and she wonders what it is he's been doing all the time he's been alive.

In the silence, after Yvonne's concluding remark 'They only ever found her thumb', Terry farts, a loud one and everyone groans.

'Well, that's put that to bed', he says and they all unroll their swags around the fire and climb in for the night. Jimmy feels the hot weight of Elaine's foot on his and his fingers twitch on their own. Elaine sees Terry's wet eyes, tangerine from the fire and spreads her toes out. She stays awake for as long as possible, making up script after script of how it will go with Jimmy once they reach the sea. She replays the swim at waterhole until she's unsure if she's made parts of it up. She finally falls asleep with her heartbeat high in her chest.

Jimmy wakes long before dawn with a pressure like a stone on his bladder. He swears quietly and rolls out of his swag to ease the ache against a tree. In the undergrowth to his right, something scrabbles. He catches a strong scent and sees a wet snout or eye in the dark. A rumble in the brush and it's gone. Probably a pig or a dingo, but he's glad to get back to the group, where the coals in the fire are still orange. He checks each sleeper. Terry is spread at a diagonal, mouth open, not snoring but making noise. Yvonne sleeps on her front clutching the loose material of her swag, not letting it get away. Elaine is on her side and a brown arm has slithered free. Her hair makes a perfect ring around her ear. As he watches she produces a little noise, a tiny pop from her lips as they're opened with breath. Sleep speaking, thinks Jimmy as he burrows back into his swag, careful not to jog her feet with his, but careful also that they are touching.

The morning is hot and blue from the outset. After tea and a tidy up, they set off, aiming to reach the sea before sunset. Jimmy looks forward to a swim in the bubbling salt, a proper clean down with no bloodsuckers. Terry starts to talk about food almost immediately,

'Lamb chops.' He says confidently to Yvonne. 'That's gotta be the best type of food; lamb chops with the whole grill piece; onions, mushrooms, boiled spuds – no tomatoes though, I'm so over tomatoes.' Yvonne rolls her eyes at him.

'Couldn't give a rat's ring, Terry,' but she hands him a date and a piece of chocolate. Elaine enjoys her feeling of emptiness. Her spit tastes of eucalyptus, she feels new, like the air and blood in her has been filtered out and changed for something better.

After midday, there's a yell from Terry up ahead.

'Get a look at this!' The other three catch up to find him crouching in a small clearing surrounded by stay-a-while and they peer over his shoulder. There's a dead butcher bird on the ground and following the line of Terry's finger into one of the thorny bushes, they see its larder. A small mouse impaled through the neck, stiff and dry, missing parts of its hind quarters, a large Christmas beetle, upside down with the thorn square through the middle and last, still twitching, its legs up and angry, barely impaled through its leaking abdomen, a mouse spider.

'Christssake' whispers Jimmy stepping back.

'How the poor bastard got it up here, I can't figure,' Terry says, pushing the bird with his foot to reveal the green ants starting on its wing. The mouse spider's fangs, black and thick and shiny are up and ready to strike. It waves its legs in the air. Terry picks up a twig to poke it with, but Yvonne knocks it out of his hand.

'Don't be a bum, Terry. I'm not carrying yer fat dead lump out of here if you get bitten. You can count on that.' Jimmy takes a photograph, in which Terry insists on including his own hand, so as get the scale of the thing.

They start to walk on, but Elaine stays behind a beat or two looking at the spider; its fangs reaching for her, legs pointing.

'The sky is falling, the sky is falling!' Yvonne shrieks in a chicken voice as thunder mumbles in the distance. Elaine looks again at the sky, but it's still clear. The thunder is a long way off, but you can smell it in the air, which is heavy and hot. The tips of the trees sway in the sky, but there's no breeze down on the bush floor.

A goanna clings to a Moreton Bay fig above them but nobody sees it.

Jimmy touches the side of Elaine's hand with his little finger and as he does, the leaves to the side of her snaffle and a striped snake comes streaking out of the ground, hitting her on the boot. She barks loudly and kicks trying to get her foot away. The snake's fangs are deeply embedded in the leather of her boot and she shakes her leg hard while around her the others dip and weave and try to help and point their sticks. Jimmy thinks he has control of the situation when he holds Elaine's arm and beats at the snake with his walking stick, accidentally cracking her on the shin. The snake is dislodged, but instead of bolting back into the undergrowth, it turns again and bites Elaine, once, twice, three times and a fourth; calf, back of the knee, thigh, deeply, deeply again on her inner thigh. It's snap-quick and Jimmy doesn't have time to understand and still has Elaine by the arm so she doesn't get away. Finally, Terry gets it – a blow to the eye – and it's stunned. He stomps on the head, but it still twitches, so he beats it with his stick, smashing, till it changes colour, loses its stripes. It is still, but the bush crackles and carries on.

Elaine is tight-lipped and white. Yvonne cries softly into her cupped hands, the small beeps of a bird. Terry shoes leaves over the corpse of the snake and Jimmy still holds Elaine's arm, his grip hard from not knowing what to do, from doing the wrong thing. There is blood, Elaine thinks how it looks like she's got her period and then thinks she'd love a piece of liquorice from her backpack. She starts to turn around, to take her pack off, but her legs have lost their hardness and she is sliding back into Jimmy who is stiff and still.

'Jesus H Christ,' whispers Terry. He looks at the snake and away, prodding it rhythmically with his stick. 'Jimmy,' he says. 'Jesus, Jimmy.'

'S'just a nip,' says Elaine.

As she slides to the ground with the help of Jimmy who has become flesh again, Elaine thinks about the liquorice and then about how it was a tiger. A big dose of tiger and she's starting to feel it now, it feels like it bit her in the artery of her groin. The big one. The one where all the blood lives.

Yvonne straightens herself. She helps Elaine's pack off her back and slides it behind her back to prop her up. She pulls out her poncho and arranges it over Elaine's wounded leg, to keep it out of sight and then snaps the men into action.

'Hot water - get a fire on. Get the first aid.' She looks at the two men who are twisting their fingers. 'C'mon s'only a fuckin' snake bite, let's get it sorted and get on with it.' She's right and Jimmy says so. He says, 'Only a snake bite.' Smiling at Elaine, but what they all think, Jimmy, Terry, Yvonne and Elaine is but it's tiger. And we are deep in. Deep.

• To read the conclusion of the story, visit the Booktrust website from Tuesday 7 September.

• Evie Wyld works in the independent Review Bookshop in Peckham. She is taking part in a live-streamed book club Q&A from the shop at 7.30pm on Thursday 9 September. To find out how to submit questions for the event, visit the Booktrust website


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