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Narrative And Miscellaneous Papers by Thomas de Quincey

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Produced by Anne Soulard, Charles Franks
and the Online Distributed Proofreading Team.





NARRATIVE AND MISCELLANEOUS PAPERS.

BY
THOMAS DE QUINCEY.




CONTENTS OF VOLUME I.


THE HOUSEHOLD WRECK
THE SPANISH NUN
FLIGHT OF A TARTAR TRIBE


CONTENTS OF VOLUME II.


SYSTEM OF THE HEAVENS AS REVEALED BY LORD ROSSE'S TELESCOPES
MODERN SUPERSTITION
COLERIDGE AND OPIUM-EATING
TEMPERANCE MOVEMENT
ON WAR
THE LAST DAYS OF IMMANUEL KANT





THE HOUSEHOLD WRECK.


'To be weak,' we need not the great archangel's voice to tell us,
'_is to be miserable_.' All weakness is suffering and humiliation,
no matter for its mode or its subject. Beyond all other weakness,
therefore, and by a sad prerogative, as more miserable than what is
most miserable in all, that capital weakness of man which regards the
_tenure_ of his enjoyments and his power to protect, even for a
moment, the crown of flowers--flowers, at the best, how frail and few!
--which sometimes settles upon his haughty brow. There is no end, there
never will be an end, of the lamentations which ascend from earth and
the rebellious heart of her children, upon this huge opprobrium of
human pride--the everlasting mutabilities of all which man can grasp by
his power or by his aspirations, the fragility of all which he
inherits, and the hollowness visible amid the very raptures of
enjoyment to every eye which looks for a moment underneath the
draperies of the shadowy _present_, the hollowness, the blank
treachery of hollowness, upon which all the pomps and vanities of life
ultimately repose. This trite but unwearying theme, this impassioned
common-place of humanity, is the subject in every age of variation
without end, from the poet, the rhetorician, the fabulist, the
moralist, the divine, and the philosopher. All, amidst the sad vanity
of their sighs and groans, labor to put on record and to establish this
monotonous complaint, which needs not other record or evidence than
those very sighs and groans. What is life? Darkness and formless
vacancy for a beginning, or something beyond all beginning--then next a
dim lotos of human consciousness, finding itself afloat upon the bosom
of waters without a shore--then a few sunny smiles and many tears--a
little love and infinite strife--whisperings from paradise and fierce
mockeries from the anarchy of chaos--dust and ashes--and once more
darkness circling round, as if from the beginning, and in this way
rounding or making an island of our fantastic existence,--_that_
is human life; _that_ the inevitable amount of man's laughter and
his tears--of what he suffers and he does--of his motions this way and
that way--to the right or to the left--backwards or forwards--of all
his seeming realities and all his absolute negations--his shadowy
pomps and his pompous shadows--of whatsoever he thinks, finds, makes
or mars, creates or animates, loves, hates, or in dread hope
anticipates;--so it is, so it has been, so it will be, for ever and
ever.

Yet in the lowest deep there still yawns a lower deep; and in the vast
halls of man's frailty, there are separate and more gloomy chambers of
a frailty more exquisite and consummate. We account it frailty that
threescore years and ten make the upshot of man's pleasurable
existence, and that, far before that time is reached, his beauty and
his power have fallen among weeds and forgetfulness. But there is a
frailty, by comparison with which this ordinary flux of the human race
seems to have a vast duration. Cases there are, and those not rare, in
which a single week, a day, an hour sweeps away all vestiges and
landmarks of a memorable felicity; in which the ruin travels faster
than the flying showers upon the mountain-side, faster 'than a musician
scatters sounds;' in which 'it was' and 'it is not' are words of the
self-same tongue, in the self-same minute; in which the sun that at
noon beheld all sound and prosperous, long before its setting hour
looks out upon a total wreck, and sometimes upon the total abolition of
any fugitive memorial that there ever had been a vessel to be wrecked,
or a wreck to be obliterated.

These cases, though here spoken of rhetorically, are of daily
occurrence; and, though they may seem few by comparison with the
infinite millions of the species, they are many indeed, if they be
reckoned absolutely for themselves; and throughout the limits of a
whole nation, not a day passes over us but many families are robbed of
their heads, or even swallowed up in ruin themselves, or their course
turned out of the sunny beams into a dark wilderness. Shipwrecks and
nightly conflagrations are sometimes, and especially among some
nations, wholesale calamities; battles yet more so; earthquakes, the
famine, the pestilence, though rarer, are visitations yet wider in
their desolation. Sickness and commercial ill-luck, if narrower, are
more frequent scourges. And most of all, or with most darkness in its
train, comes the sickness of the brain--lunacy--which, visiting nearly
one thousand in every million, must, in every populous nation, make
many ruins in each particular day. 'Babylon in ruins,' says a great
author, 'is not so sad a sight as a human soul overthrown by lunacy.'
But there is a sadder even than _that_,--the sight of a family-ruin
wrought by crime is even more appalling. Forgery, breaches of trust,
embezzlement, of private or public funds--(a crime sadly on the
increase since the example of Fauntleroy, and the suggestion of its
great feasibility first made by him)--these enormities, followed too
often, and countersigned for their final result to the future happiness
of families, by the appalling catastrophe of suicide, must naturally,
in every wealthy nation, or wherever property and the modes of property
are much developed, constitute the vast majority of all that come under
the review of public justice. Any of these is sufficient to make
shipwreck of all peace and comfort for a family; and often, indeed, it
happens that the desolation is accomplished within the course of one
revolving sun; often the whole dire catastrophe, together with its
total consequences, is both accomplished and made known to those whom
it chiefly concerns within one and the same hour. The mighty Juggernaut
of social life, moving onwards with its everlasting thunders, pauses
not for a moment to spare--to pity--to look aside, but rushes forward
for ever, impassive as the marble in the quarry--caring not for whom it
destroys, for the how many, or for the results, direct and indirect,
whether many or few. The increasing grandeur and magnitude of the
social system, the more it multiplies and extends its victims, the more
it conceals them; and for the very same reason: just as in the Roman
amphitheatres, when they grew to the magnitude of mighty cities, (in
some instances accommodating four hundred thousand spectators, in many
a fifth part of that amount,) births and deaths became ordinary events,
which, in a small modern theatre, are rare and memorable; and exactly
as these prodigious accidents multiplied, _pari passu_, they were
disregarded and easily concealed: for curiosity was no longer excited;
the sensation attached to them was little or none.

From these terrific tragedies, which, like monsoons or tornadoes,
accomplish the work of years in an hour, not merely an impressive
lesson is derived, sometimes, perhaps, a warning, but also (and this is
of universal application) some consolation. Whatever may have been the
misfortunes or the sorrows of a man's life, he is still privileged to
regard himself and his friends as amongst the fortunate by comparison,
in so far as he has escaped these wholesale storms, either as an actor
in producing them, or a contributor to their violence--or even more
innocently, (though oftentimes not less miserably)--as a participator
in the instant ruin, or in the long arrears of suffering which they
entail.

The following story falls within the class of hasty tragedies, and
sudden desolations here described. The reader is assured that every
incident is strictly true: nothing, in that respect, has been altered;
nor, indeed, anywhere except in the conversations, of which, though the
results and general outline are known, the separate details have
necessarily been lost under the agitating circumstances which produced
them. It has been judged right and delicate to conceal the name of the
great city, and therefore of the nation in which these events occurred,
chiefly out of consideration for the descendants of one person
concerned in the narrative: otherwise, it might not have been
requisite: for it is proper to mention, that every person directly a
party to the case has been long laid in the grave: all of them, with
one solitary exception, upwards of fifty years.

* * * * *

It was early spring in the year 17--; the day was the 6th of April; and
the weather, which had been of a wintry fierceness for the preceding
six or seven weeks--cold indeed beyond anything known for many years,
gloomy for ever, and broken by continual storms--was now by a Swedish
transformation all at once bright, genial, heavenly. So sudden and so
early a prelusion of summer, it was generally feared, could not last.
But that only made every body the more eager to lose no hour of an
enjoyment that might prove so fleeting. It seemed as if the whole
population of the place, a population among the most numerous in
Christendom, had been composed of hybernating animals suddenly awakened
by the balmy sunshine from their long winter's torpor. Through every
hour of the golden morning the streets were resonant with female
parties of young and old, the timid and the bold, nay, even of the most
delicate valetudinarians, now first tempted to lay aside their wintry
clothing together with their fireside habits, whilst the whole rural
environs of our vast city, the woodlands, and the interminable meadows
began daily to re-echo the glad voices of the young and jovial awaking
once again, like the birds and the flowers, and universal nature, to
the luxurious happiness of this most delightful season.

Happiness do I say? Yes, happiness; happiness to me above all others.
For I also in those days was among the young and the gay; I was
healthy; I was strong; I was prosperous in a worldly sense! I owed no
man a shilling; feared no man's face; shunned no man's presence. I held
a respectable station in society; I was myself, let me venture to say
it, respected generally for my personal qualities, apart from any
advantages I might draw from fortune or inheritance; I had reason to
think myself popular amongst the very slender circle of my
acquaintance; and finally, which perhaps was the crowning grace to all
these elements of happiness, I suffered not from the presence of
_ennui_, nor ever feared to suffer: for my temperament was
constitutionally ardent; I had a powerful animal sensibility; and I
knew the one great secret for maintaining its equipoise, viz., by
powerful daily exercise; and thus I lived in the light and presence,
or, (if I should not be suspected of seeking rhetorical expressions, I
would say,) in one eternal solstice of unclouded hope.

These, you will say, were blessings; these were golden elements of
felicity. They were so; and yet, with the single exception of my
healthy frame and firm animal organization, I feel that I have
mentioned hitherto nothing but what by comparison might be thought of a
vulgar quality. All the other advantages that I have enumerated, had
they been yet wanting, might have been acquired; had they been
forfeited, might have been reconquered; had they been even
irretrievably lost, might, by a philosophic effort, have been dispensed
with; compensations might have been found for any of them, many
equivalents, or if not, consolations at least, for their absence. But
now it remains to speak of other blessings too mighty to be valued, not
merely as transcending in rank and dignity all other constituents of
happiness, but for a reason far sadder than that--because, once lost,
they were incapable of restoration, and because not to be dispensed
with; blessings in which 'either we must live or have no life:' lights
to the darkness of our paths and to the infirmity of our steps--which,
once extinguished, never more on this side the gates of Paradise can
any man hope to see re-illumined for himself. Amongst these I may
mention an intellect, whether powerful or not in itself, at any rate
most elaborately cultivated; and, to say the truth, I had little other
business before me in this life than to pursue this lofty and
delightful task. I may add, as a blessing, not in the same
_positive_ sense as that which I have just mentioned, because not
of a nature to contribute so hourly to the employment of the thoughts,
but yet in this sense equal, that the absence of either would have been
an equal affliction,--namely, a conscience void of all offence. It was
little indeed that I, drawn by no necessities of situation into
temptations of that nature, had done no injury to any man. That was
fortunate; but I could not much value myself upon what was so much an
accident of my situation. Something, however, I might pretend to beyond
this _negative_ merit; for I had originally a benign nature; and,
as I advanced in years and thoughtfulness, the gratitude which
possessed me for my own exceeding happiness led me to do that by
principle and system which I had already done upon blind impulse; and
thus upon a double argument I was incapable of turning away from the
prayer of the afflicted, whatever had been the sacrifice to myself.
Hardly, perhaps, could it have been said in a sufficient sense at that
time that I was a religious man: yet, undoubtedly, I had all the
foundations within me upon which religion might hereafter have grown.
My heart overflowed with thankfulness to Providence: I had a natural
tone of unaffected piety; and thus far, at least, I might have been
called a religious man, that in the simplicity of truth I could have
exclaimed,

'O, Abner, I fear God, and I fear none beside.'

But wherefore seek to delay ascending by a natural climax to that final
consummation and perfect crown of my felicity--that almighty blessing
which ratified their value to all the rest? Wherefore, oh! wherefore do
I shrink in miserable weakness from--what? Is it from reviving, from
calling up again into fierce and insufferable light the images and
features of a long-buried happiness? That would be a natural shrinking
and a reasonable weakness. But how escape from reviving, whether I give
it utterance or not, that which is for ever vividly before me? What
need to call into artificial light that which, whether sleeping or
waking, by night or by day, for eight-and-thirty years has seemed by
its miserable splendor to scorch my brain? Wherefore shrink from giving
language, simple vocal utterance, to that burden of anguish which by so
long an endurance has lost no atom of its weight, nor can gain any most
surely by the loudest publication? Need there can be none, after this,
to say that the priceless blessing, which I have left to the final
place in this ascending review, was the companion of my life--my
darling and youthful wife. Oh! dovelike woman! fated in an hour the
most defenceless to meet with the ravening vulture,--lamb fallen
amongst wolves,--trembling--fluttering fawn, whose path was inevitably
to be crossed by the bloody tiger;--angel, whose most innocent heart
fitted thee for too early a flight from this impure planet; if indeed
it were a necessity that thou shouldst find no rest for thy footing
except amidst thy native heavens, if indeed to leave what was not
worthy of thee were a destiny not to be evaded--a summons not to be put
by,--yet why, why, again and again I demand--why was it also necessary
that this, thy departure, so full of wo to me, should also to thyself
be heralded by the pangs of martyrdom? Sainted love, if, like the
ancient children of the Hebrews, like Meshech and Abednego, thou wert
called by divine command, whilst yet almost a child, to walk, and to
walk alone, through the fiery furnace,--wherefore then couldst not
thou, like that Meshech and that Abednego, walk unsinged by the
dreadful torment, and come forth unharmed? Why, if the sacrifice were
to be total, was it necessary to reach it by so dire a struggle? and if
the cup, the bitter cup, of final separation from those that were the
light of thy eyes and the pulse of thy heart might not be put aside,--
yet wherefore was it that thou mightest not drink it up in the natural
peace which belongs to a sinless heart?

But these are murmurings, you will say, rebellious murmurings against
the proclamations of God. Not so: I have long since submitted myself,
resigned myself, nay, even reconciled myself, perhaps, to the great
wreck of my life, in so far as it was the will of God, and according to
the weakness of my imperfect nature. But my wrath still rises, like a
towering flame, against all the earthly instruments of this ruin; I am
still at times as unresigned as ever to this tragedy, in so far as it
was the work of human malice. Vengeance, as a mission for _me_, as
a task for _my_ hands in particular, is no longer possible; the
thunderbolts of retribution have been long since launched by other
hands; and yet still it happens that at times I do--I must--I shall
perhaps to the hour of death, rise in maniac fury, and seek, in the
very impotence of vindictive madness, groping as it were in blindness
of heart, for that tiger from hell-gates that tore away my darling from
my heart. Let me pause, and interrupt this painful strain, to say a
word or two upon what she was--and how far worthy of a love more
honorable to her (that was possible) and deeper (but that was not
possible) than mine. When first I saw her, she--my Agnes--was merely a
child, not much (if anything) above sixteen. But, as in perfect
womanhood she retained a most childlike expression of countenance, so
even then in absolute childhood she put forward the blossoms and the
dignity of a woman. Never yet did my eye light upon creature that was
born of woman, nor could it enter my heart to conceive one, possessing
a figure more matchless in its proportions, more statuesque, and more
deliberately and advisedly to be characterized by no adequate word but
the word _magnificent_, (a word too often and lightly abused.) In
reality, speaking of women, I have seen many beautiful figures, but
hardly one except Agnes that could, without hyperbole, be styled truly
and memorably magnificent. Though in the first order of tall women,
yet, being full in person, and with a symmetry that was absolutely
faultless, she seemed to the random sight as little above the ordinary
height. Possibly from the dignity of her person, assisted by the
dignity of her movements, a stranger would have been disposed to call
her at a distance a woman of _commanding_ presence; but never,
after he had approached near enough to behold her face. Every thought
of artifice, of practised effect, or of haughty pretension, fled before
the childlike innocence, the sweet feminine timidity, and the more than
cherub loveliness of that countenance, which yet in its lineaments was
noble, whilst its expression was purely gentle and confiding. A shade
of pensiveness there was about her; but _that_ was in her manners,
scarcely ever in her features; and the exquisite fairness of her
complexion, enriched by the very sweetest and most delicate bloom that
ever I have beheld, should rather have allied it to a tone of
cheerfulness. Looking at this noble creature, as I first looked at her,
when yet upon the early threshold of womanhood

'With household motions light and free,
And steps of virgin liberty'

you might have supposed her some Hebe or young Aurora of the dawn. When
you saw only her superb figure, and its promise of womanly development,
with the measured dignity of her step, you might for a moment have
fancied her some imperial Medea of the Athenian stage--some Volumnia
from Rome,

'Or ruling bandit's wife amidst the Grecian isles.'

But catch one glance from her angelic countenance--and then combining
the face and the person, you would have dismissed all such fancies, and
have pronounced her a Pandora or an Eve, expressly accomplished and
held forth by nature as an exemplary model or ideal pattern for the
future female sex:--

'A perfect woman, nobly plann'd,
To warm, to comfort, to command:
And yet a spirit too, and bright
With something of an angel light.'

To this superb young woman, such as I have here sketched her, I
surrendered my heart for ever, almost from my first opportunity of
seeing her: for so natural and without disguise was her character, and
so winning the simplicity of her manners, due in part to her own native
dignity of mind, and in part to the deep solitude in which she had been
reared, that little penetration was required to put me in possession of
all her thoughts; and to win her love, not very much more than to let
her see, as see she could not avoid, in connection with that chivalrous
homage which at any rate was due to her sex and her sexual perfections,
a love for herself on my part, which was in its nature as exalted a
passion and as profoundly rooted as any merely human affection can ever
yet have been.

On the seventeenth birthday of Agnes we were married. Oh! calendar of
everlasting months--months that, like the mighty rivers, shall flow on
for ever, immortal as thou, Nile, or Danube, Euphrates, or St.
Lawrence! and ye, summer and winter, day and night, wherefore do you
bring round continually your signs, and seasons, and revolving hours,
that still point and barb the anguish of local recollections, telling
me of this and that celestial morning that never shall return, and of
too blessed expectations, travelling like yourselves through a heavenly
zodiac of changes, till at once and for ever they sank into the grave!
Often do I think of seeking for some quiet cell either in the Tropics
or in Arctic latitudes, where the changes of the year, and the external
signs corresponding to them, express themselves by no features like
those in which the same seasons are invested under our temperate
climes: so that, if knowing, we cannot at least feel the identity of
their revolutions. We were married, I have said, on the birthday--the
seventeenth birthday--of Agnes; and pretty nearly on her eighteenth it
was that she placed me at the summit of my happiness, whilst for
herself she thus completed the circle of her relations to this life's
duties, by presenting me with a son. Of this child, knowing how
wearisome to strangers is the fond exultation of parents, I shall
simply say, that he inherited his mother's beauty; the same touching
loveliness and innocence of expression, the same chiselled nose, mouth,
and chin, the same exquisite auburn hair. In many other features, not
of person merely, but also of mind and manners, as they gradually began
to open before me, this child deepened my love to him by recalling the
image of his mother; and what other image was there that I so much
wished to keep before me, whether waking or asleep? At the time to
which I am now coming but too rapidly, this child, still our only one,
and unusually premature, was within four months of completing his third
year; consequently Agnes was at that time in her twenty-first year; and
I may here add, with respect to myself, that I was in my twenty-sixth.

But, before I come to that period of wo, let me say one word on the
temper of mind which so fluent and serene a current of prosperity may
be thought to have generated. Too common a course I know it is, when
the stream of life flows with absolute tranquillity, and ruffled by no
menace of a breeze--the azure overhead never dimmed by a passing cloud,
that in such circumstances the blood stagnates: life, from excess and
plethora of sweets, becomes insipid: the spirit of action droops: and
it is oftentimes found at such seasons that slight annoyances and
molestations, or even misfortunes in a lower key, are not wholly
undesirable, as means of stimulating the lazy energies, and disturbing
a slumber which is, or soon will be, morbid in its character. I have
known myself cases not a few, where, by the very nicest gradations, and
by steps too silent and insensible for daily notice, the utmost harmony
and reciprocal love had shaded down into fretfulness and petulance,
purely from too easy a life, and because all nobler agitations that
might have ruffled the sensations occasionally, and all distresses even
on the narrowest scale that might have re-awakened the solicitudes of
love, by opening necessities for sympathy, for counsel, or for mutual
aid, had been shut out by foresight too elaborate, or by prosperity too
cloying. But all this, had it otherwise been possible with my
particular mind, and at my early age, was utterly precluded by one
remarkable peculiarity in my temper. Whether it were that I derived
from nature some jealousy and suspicion of all happiness which seems
too perfect and unalloyed--[a spirit of restless distrust, which in
ancient times often led men to throw valuable gems into the sea, in the
hope of thus propitiating the dire deity of misfortune, by voluntarily
breaking the fearful chain of prosperity, and led some of them to weep
and groan when the gems thus sacrificed were afterwards brought back to
their hand by simple fishermen, who had recovered them in the
intestines of fishes--a portentous omen, which was interpreted into a
sorrowful indication that the deity thus answered the propitiatory
appeal, and made solemn proclamation that he had rejected it]--
whether, I say, it were this spirit of jealousy awaked in me by too
steady and too profound a felicity--or whether it were that great
overthrows and calamities have some mysterious power to send forward a
dim misgiving of their advancing footsteps, and really and indeed,

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Elliott Kastner obituary

John Makinson says that if people want to read using new technology, that's what publishers must give them

Penguin this week celebrates its 75th year and is marking the anniversary by repackaging a series of seminal books from the 1960s to the 1980s. Although the company might afford itself a brief look backwards, it feels as though there is little room for nostalgia in book publishing now, as the industry turns its face firmly – and apprehensively – to the future.

Amazon last week announced sales of ebooks on its US site had outnumbered hardbacks for the first time, stunning casual observers, even if it had not been entirely unexpected in the trade.

The launch of the iPad has added a sense of urgency. Where music went first, books are set to follow, although Penguin and other publishers would hope without the same devastating effects. Amazon this week launched a cheaper, more lightweight version of its Kindle ebook reader and a digital store on its UK site, while others, including Google, are muscling in. Digital book sales are still less than 1% of Penguin, but the direction of the market is clear. In the US, digital books already account for 6% of consumer sales.

Penguin chief executive John Makinson says he is a convert. The day after we meet he is on his way to India, as part of David Cameron's delegation, and had loaded titles on to his iPad, including a manuscript by John le Carré and some Portuguese classics (in English) ahead of Penguin launching a range in Brazil. He is also reading Lord Mandelson's diary. It simply makes sense, he says, instead of carting an armful of books in your carry-on luggage.

Innovation

"It does redefine what we do as publishers and I feel, compared with most of my counterparts, more optimistic about what this means for us," he says. "Of course there are issues around copyright protection and there are worries around pricing and around piracy, royalty rates and so on, but there is also this huge opportunity to do more as publishers."

Publishing, he says, must embrace innovation: "I am keen on the idea that every book that we put on to an iPad has an author interview, a video interview, at the beginning. I have no idea whether this is a good idea or not. There has to be a culture of experimentation, which doesn't come naturally to book publishers. We publish a lot of historians, for example. They love the idea of using documentary footage to illustrate whatever it is they're writing about."

The very definition of a book is up for grabs he says, although the company has just published a version of Ken Follett's The Pillars of the Earth for the iPad in the US that might provide clues – and horrify traditionalists. It includes scenes from a TV adaptation embedded in the text, as well as extras including the show's music soundtrack and Follett's video diary during the making of the series.

For now, Makinson says, digital books are expanding the market; hardback sales in the US are up this year, despite the march of ebooks. Piracy is not yet a significant issue and lessons have been learned from the music business.

"You have to give the consumer what the consumer wants – you can't tell the consumer to go away. So we didn't participate in this experiment where a number of publishers deferred publication of the ebook until a certain number of months after the hardcover publication. I thought that was a very bad idea. If the consumer wants to buy a book in an electronic format now, you should let the consumer have it."

He has added confidence, because with tablets such as the iPad, consumers are used to paying a subscription to the wireless operator and for "apps", creating a more benign environment than the wild west of the PC, where users are used to getting everything for free.

Penguin's profits more than doubled to £44m in the first half of the year. The company gained market share, but one reason for the dramatic improvement was the outsourcing of some design and production to India last year; the company now has around 100 designers in Delhi making books for Dorling Kindersley, belying the idea that Britain can at least live off its creative industries. Makinson defends the decision and says DK is now back in profit, which means it can reinvest in Britain: "We can't pretend we can do everything here. In order to be internationally competitive, some work needs to be done in other places."

About 8% of the publisher's sales are from its classics, including Jane Austen and Charles Dickens, and revenues are still growing, despite much of the copyright being in the public domain. It is launching the range in Mandarin, Korean and Portuguese. But it is not all highbrow. What would Penguin's founder, Sir Allen Lane, whose aim was to publish quality paperbacks for the masses, have made of Penguin putting out books "by" Peter Andre or Ant & Dec?

"Allen Lane's view was that we should publish good writing of all kinds for all audiences at affordable prices," Makinson says. "I'm not saying he would necessarily have approved every single publishing decision we take, but would he have approved of Penguin being a very democratic publishing company, publishing for lots of different tastes? I think he would definitely have approved."

Makinson has long been mentioned as a successor to Dame Marjorie Scardino, who runs Pearson, Penguin's parent company. Her departure has been a perennial question, though she has defied the investment community's chattering classes by staying in her post for well over a decade. She has also confounded expectations by keeping Penguin and the Financial Times in a group dominated by educational publishing. Makinson says it now makes more sense than ever for Penguin to remain part of the group, as the digital era draws each division closer.

He says there will still be the need for publishers in the digital world: "I used to have this discussion with [Hitchhiker's Guide to the Galaxy author] Douglas Adams. He created this thing called the digital village, an online publishing platform. Douglas's argument was, 'all of my friends will come along and publish on digital village and you the publishers will be disintermediated, you will be irrelevant'. Well, it hasn't happened. I am not aware of any successful direct to consumer publishing model that exists.

"The reason it doesn't work is that the publishers do actually perform quite a useful service: they edit the book, then they publicise it." In the physical world, they make sure it is stocked in bookshops, he adds.

Clubbable

Makinson, 55, perhaps feels more adaptable than some of his counterparts because he arrived at Penguin as an outsider. A clubbable character, he has taken an unusual career path, from a journalist on the Financial Times, to working for the Saatchis, setting up his own investment consultancy, running the Financial Times and then becoming Pearson finance director, despite having no training as an accountant.

But his passion for books is evident. Five years ago, he and his brother bought a bookshop in the small Norfolk town of Holt. For an out-of-the-way independent, the Holt Bookshop attracts a starry line-up of authors for events, including Stephen Fry, due to talk about his new autobiography, which, perhaps not surprisingly, is published by Penguin.

"We are all terribly sentimental about books," Makinson insists. "It is terribly important to me that we sell lots of wonderful books in my little independent in Norfolk, and when I talk about digital I do sometimes worry that it looks as though I am neglecting all this," he points to the books on the shelves behind him, "which I am not."

CV

Born: 1954, Derby.

Education: Graduated from Cambridge with honours in English and History.

Career: 1976-1979, journalist, Reuters; 1979-1986, journalist, Financial Times; 1986-1989, vice-chairman, Saatchi & Saatchi; 1989-1994, co-founder of capital markets advisory firm Makinson Cowell; 1994-1996, managing director, Financial Times; 1996-2002, finance director, Pearson; 2002-present, chairman and chief executive Penguin Books.

Other interests: chairman of the Institute for Public Policy Research, a director of the National Theatre and of the International Rescue Committee, a humanitarian organisation.

Family: Married with two daughters.


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The nostalgia narrative now aches to a different tune | John Freeman

Late-flowering writer of biographies and children's books

Verily Anderson, who has died aged 95, published more than 30 books – memoirs, biographies, children's stories and work ranging from personal reminiscences to Shakespeare scholarship and 10 Brownie books. She was a late starter: her breakthrough as a writer came in 1956, at the age of 41, when she published Spam Tomorrow, a deft and frequently uproarious account of her wartime experiences on the home front. Critics hailed it as a new kind of memoir, one of the first to explore the lives of women in wartime.

Before the success of Spam Tomorrow, she led a life that was colourful but frequently impecunious. Born in Edgbaston, Birmingham, the fourth of five children of the Rev Rosslyn Bruce and his wife Rachel (nee Gurney), Verily was always certain that she wanted to be a writer. As children, she and her brothers edited and wrote a nursery magazine which they called the News of the World. Verily's haphazard schooling ranged from a few years at Edgbaston high school for girls to being taught at home by her mother, to a brief and unsuccessful stint at the Royal College of Music in London. She said she worked at "100 different jobs" (including writing advertising copy, illustrating sweet papers and working as a chauffeur) before the outbreak of the second world war, when she enlisted with the First Aid Nursing Yeomanry, on the grounds that if there were going to be a war, it would be "less frightening to be in the middle of things".

During the war she met Donald Anderson, a writer who specialised in military history. They married in 1940 and had five children. With his encouragement, she made a precarious living as a freelance writer, while papering her lavatory walls with rejection slips received from publishers for her book projects. Her persistence was at last rewarded with the success of Spam Tomorrow – and a further half-decade on the bestseller lists. These years included a film adaptation of her 1958 memoir, Beware of Children, called No Kidding and starring Leslie Phillips and Geraldine McEwan (1960).

Donald died in 1956, and by the mid-60s Verily was again struggling financially. She was rescued by the actor Joyce Grenfell. They had struck up a friendship when Verily interviewed Grenfell for the BBC. Grenfell was so shocked at the conditions she found Verily living in that she bought her a home in Northrepps, a village in Norfolk, where she stayed for the rest of her life, writing dozens more books (including the critically acclaimed The Northrepps Grandchildren in 1968) and glorying in the role of matriarch to an ever-expanding family of children, grandchildren and great-grandchildren. When Verily married Paul Paget, architect and surveyor to the fabric of St Paul's Cathedral, in 1971, Grenfell was matron of honour.

In 2008 I conducted what turned out to be Verily's last interview. Letting myself in after some fruitless bell-ringing, I followed the sounds of a piano to her study door. "Oh my dear," she said, looking up at my knock. "There you are. Now – shall we have a gin, before we start?"

I had already heard all about Verily through her daughter, my friend the writer Janie Hampton, and so had a good idea what to expect. Janie's main piece of advice on hearing that we were going to meet was: "Whatever you do, don't let her pick you up from the station – she's half-blind." She also said: "Don't eat any of the cake she offers. She's always got some, and it's always about five weeks old."

Verily did have cake and it was past its best – but Verily definitely was not. She regaled me with anecdotes. I came away with the image of a woman with a twinkle in her eye, who after eight decades of writing was still full of energy and enthusing about her latest project. This – a memoir of the time she spent at Herstmonceux Castle, Sussex, in the 1930s and 40s – was completed the day before she died.

Verily is survived by her children, Marian, Rachel, Eddie, Janie and Alexandra, 16 grandchildren, 14 great-grandchildren – and Alfie, her beloved RNIB guide-dog.

• Verily Anderson, writer, born 12 January 1915, died 16 July 2010


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Tom Stoppard returns to BBC with Ford Madox Ford adaptation

The American literary genre of you can't go home again – that fertile ground farmed by Faulkner, Twain and Kerouac – has in the last half-century found a new voice abroad

At six foot, six inches tall, Thomas Wolfe had trouble entering most rooms. But he also had a problem with going back through them, especially if they led to the past. He had told too many truths – and too many lies – about where he came from in North Carolina.

In his posthumous 1940 novel, You Can't Go Home Again, he gave Americans a literary catchphrase for the pain so many of us who wind up far from where we grew up feel acutely.

After all, in the case of many Americans, if you leave the provinces only to return home, you are marked as a failure. At the very least, you run the risk of finding that flight has spoiled any fond memories you managed to smuggle out.

Think of the successful ad-man hero of John Updike's The Farm, who returns to his family's crumbling Pennsylvania farm for an emotionally fraught visit, or Quentin Compson of William Faulkner's Absalom, Absalom, shivering in his dorm room at Harvard, who begins his defence of the American south with the ringing endorsement, "I don't hate it ... I don't hate it."

This thread of conflicted nostalgia is strongest in America's most autobiographical novelists, especially the ones who had to leave to write but continuously dial back the past in their work: writers such as Jack Kerouac, who frantically travelled America, but wrote most of his later books about Lowell, while living with his mother in Queens and Florida.

Then there's Mark Twain, whose autobiography appears in the new issue of Granta, who rose out of Missouri and saw the world, but settled in Hartford, Connecticut in a white mansion that everyone around him could see looked exactly like a river steamboat.

But like so many things America feels it has invented, from democracy to baseball, the you-can-never-go-home again narrative is hardly unique to it. In fact, in the last half-century (and especially in the last 20 years, as diaspora writers from the Dominican Republic to Nigeria to India and Pakistan have emerged as some of our most vigorous storytellers), nostalgia – which is a combination of "returning home" and "ache" – has taken on a different texture.

In Granta's new issue, there's a story by the Sudanese writer Leila Aboulela, about a young man who has come to London from Khartoum to study mathematics. His mother, who worries he will never return, arranges for him to marry a devout Muslim wife – a move which backfires when she comes to London and reminds him of everything he left behind. Chimamanda Adichie, meanwhile, has a story about a Nigerian "big man" whose life is turned upside down when his ex-girlfriend announces she has come back to Lagos. As he speculates about the reasons for her return, Adichie's hero worries whether he has sacrificed something essential in his rise to the top.

In stories like these, not to mention the novels of Monica Ali or Kiran Desai or Uzma Aslam Khan, the export duty to elsewhere is high. The past isn't just the past – it's another country. And for reasons political and personal, there is no going back.


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