A  /  B  /  C  /  D  /  E  /   F  /  G  /  H  /  I  /  J  /   K  /  L  /  M  /  N  /  O   P  /  R  /  S  /  T  /  U  /  V  /  W  /  X  /  Y  /  Z

Punchinello, Vol. 1, No. 14, July 2, 1870 by Various

V >> Various >> Punchinello, Vol. 1, No. 14, July 2, 1870

Pages:
1 | 2 | 3 | 4


Produced by Cornell University, Joshua Hutchinson, Sandra Brown
and PG Distributed Proofreaders




[Illustration: Vol. I. No. 14.]


PUNCHINELLO


SATURDAY, JULY 2, 1870.

PUBLISHED BY THE

PUNCHINELLO PUBLISHING COMPANY.

83 NASSAU STREET, NEW YORK.

* * * * *

THE MYSTERY OF MR. E. DROOD,

By ORPHEUS C. KERR,

Continued in this Number.


[Sidenote: See 15th Page for Extra Premiums.]

* * * * *

NOW READY.

The July Number of

LIPPINCOTT'S MAGAZINE.

An Illustrated Monthly of

Literature, Science, and Education.

Containing Seventeen VALUABLE and ENTERTAINING Articles.

NOTICE.

The July number of Lippincott's Magazine commences a New Volume. (VI)
The Publishers will send gratis the May and June Numbers, containing
the first Parts of ANTHONY TROLLOPE'S NEW STORY, "SIR HARRY HOTSPUR,"
to Parties subscribing before July 1st.
$4.00 per annum. 35 cts per number.

_For Sale at all the Book and News Stores_.

J. B. LIPPINCOTT & Co., Publishers,

715 & 717 Market St., Philadelphia.

* * * * *

TO NEWS-DEALERS.

Punchinello's Monthly.

The Weekly Numbers for May,

Bound in a Handsome Cover,

Is now ready. Price Fifty Cents.

THE TRADE

Supplied by the

AMERICAN NEWS COMPANY,

Who are now prepared to receive Orders.

* * * * *

HARRISON BRADFORD & CO.'S

STEEL PENS.

These Pens are of a finer quality, more durable, and cheaper than any
Other Pen in the market. Special attention is called to the following
grades, as being better suited for business purposes than any Pen
manufactured. The

"505," "22," and the "Anti-Corrosive,"
we recommend for Bank and Office use.

D. APPLETON & CO.,

Sole Agents for United States.

* * * * *

ERIE RAILWAY.

TRAINS LEAVE DEPOTS

Foot of Chambers Street

and

Foot of Twenty-Third Street,

AS FOLLOWS:

Through Express Trains leave Chambers Street at 8 A.M., 10 A.M.,
5:30 P.M., and 7:00 P.M., (daily); leave 23d Street at 7:45 A.M.,
9:45 A.M., and 5:15 and 6:45 P.M. (daily.) New and improved Drawing-Room
Coaches will accompany the 10:00 A.M. train through to Buffalo, connecting
at Hornellsville with magnificent Sleeping Coaches running through to
Cleveland and Galion. Sleeping Coaches will accompany the 8:00 A.M. train
from Susquehanna to Buffalo, the 5:30 P.M. train from New York to Buffalo,
and the 7:00 P.M. train from New York to Rochester, Buffalo and Cincinnati.
An Emigrant train leaves daily at 7:30 P.M.

FOR PORT JERVIS AND WAY, *11:30 A.M., and 4:30 P.M., (Twenty-third Street,
*11:15 A.M. and 4:15 P.M.)

FOR MIDDLETOWN AND WAY, at 3:30 P.M.,(Twenty-third Street, 3:15 P.M.); and,
Sundays only, 8:30 A.M. (Twenty-third Street, 8:15 P.M.)

FOR GREYCOURT AND WAY, at *8:30 A.M., (Twenty-third Street, 8:15 A.M.)

FOR NEWBURGH AND WAY, at 8:00 A.M., 3:30 and 4:30 P.M. (Twenty-third Street
7:45 A.M., 3:15 and 4:15 P.M.)

FOR SUFFERN AND WAY, 5:00 P.M. and 6:00 P.M. (Twenty-third Street, 4:45 and
5:45 P.M.) Theatre Train, *11:30 P.M. (Twenty-third Street, *11 P.M.)

FOR PATERSON AND WAY, from Twenty-third Street Depot, at 6:45, 10:15 and
11:45 A.M.; *1:45 3:45, 5:15 and 6:45 P.M. From Chambers Street Depot at
6:45, 10:15 A.M.; 12 M.; *1:45, 4:00, 5:15 and 6:45 P.M.

FOR HACKENSACK AND HILLSDALE, from Twenty-third Street Depot, at 8:45 and
11:45 A.M.; $7:15 3:45, $5:15, 5:45, and $6:45 P.M. From Chambers Street
Depot, at 9:00 A.M.; 12:00 M.; $2:15, 4:00 $5:15, 6:00, and $6:45 P.M.

FOR PIERMONT, MONSEY AND WAY, from Twenty-third Street Depot, at
8:45 A.M.; 12:45, {3:15 4:15, 4:46 and {6:15 P.M., and, Saturdays only,
{12 midnight. From Chambers Street Depot, at 9:00 A.M.; 1:00, {3:30,
4:15, 5:00 and {6:30 P.M. Saturdays, only, {12:00 midnight.

Tickets for passage and for apartments in Drawing-Room and Sleeping
Coaches can be obtained, and orders for the Checking and Transfer of
Baggage may be left at the

COMPANY'S OFFICES:

241, 529, and 957 Broadway.
205 Chambers Street.
Cor. 125th Street & Third Ave., Harlem.
338 Fulton Street, Brooklyn.
Depots, foot of Chambers Street and foot
of Twenty-third Street, New York.
3 Exchange Place.
Long Dock Depot, Jersey City,
And of the Agents at the principal Hotels

WM. R. BARR,
_General Passenger Agent._

L. D. RUCKER,
_General Superintendent._

* Daily. $ For Hackensack only. { For Piermont only.

May 2D, 1870.

* * * * *

APPLICATIONS FOR ADVERTISING IN

"PUNCHINELLO"

SHOULD BE ADDRESSED TO

J. NICKINSON,

ROOM NO. 4,

NO. 83 Nassau Street.

* * * * *

DIBBLEEANIA,

AND

Japonica Juice,

FOR THE HAIR.

The most effective Soothing and Stimulating Compounds
ever offered to the public for the

Removal of Scurf, Dandruff, &c.

For consultation, apply at

WILLIAM DIBBLEE'S,

Ladies' Hair Dresser and Wig Maker.

854 BROADWAY, N.Y. City,

* * * * *

WEVILL & HAMMAR,

Wood Engravers,

208 Broadway,

NEW YORK.

* * * * *

FORST & AVERELL

Steam, Lithograph, and Letter Press

PRINTERS,

EMBOSSERS, ENGRAVERS, AND LABEL MANUFACTURERS.

Sketches and Estimates furnished upon application.

23 Platt Street, and
[P.O. Box 2845.] 20-22 Gold Street,

NEW YORK.

* * * * *

MERCANTILE LIBRARY

Clinton Hall, Astor Place,

NEW YORK.

This is now the largest Circulating Library in America, the number of
volumes on its shelves being 114,000. About 1000 volumes are added each
month; and very large purchases are made of all new and popular works.

Books are delivered at members' residences for five cents each
delivery.

TERMS OF MEMBERSHIP:

TO CLERKS, $1 INITIATION, $3 ANNUAL DUES.
TO OTHERS, $5 A YEAR.

Subscriptions Taken for Six Months.

BRANCH OFFICES

at

No. 76 Cedar St., New York,

and at

Yonkers, Norwalk, Stamford, and Elizabeth.

* * * * *
$2 to ALBANY and TROY.

The Day Line Steamboats C. Vibbard and Daniel Drew, commencing May 31,
will leave Vestry st. Pier at 8:45, and Thirty-fourth st. at 9 a.m.,
landing at Yonkers, (Nyack, and Tarrytown by ferry-boat), Cozzens, West
Point, Cornwall, Newburgh, Poughkeepsie, Rhinebeck, Bristol, Catskill,
Hudson, and New-Baltimore. A special train of broad-gauge cars in
connection with the day boats will leave on arrival at Albany
(commencing June 20) for Sharon Springs. Fare $4.25 from New York and
for Cherry Valley. The Steamboat Seneca will transfer passengers from
Albany to Troy.

* * * * *

THE

MERCHANTS'

Life Insurance Company

OF NEW YORK,

Office, 257 BROADWAY

ORGANIZED UNDER THE LAWS OF THE STATE OF NEW YORK.

Issues all kinds of Life and Endowment Policies on the Mutual System,
free from restriction on travel and occupation, which permit residence
anywhere without extra charge.

Premiums may be paid annually, semi-annually, or quarterly in cash.

All Policies are non-forfeitable, and participate in the profits of the
Company.

Dividends are made annually, on the Contribution plan.

Pamphlets containing Rates of Premium, and information on the subject of
Life Insurance, may be obtained at the office of the Company, or of any
of its Agents.

Parties desiring to represent this Company in the capacity of Agents
will please address the New York Office.

WILLIAM T. PHIPPS,

_President_.

A. D. HOLLY, _Secretary_.

O. S. PAINE, M. D. _Medical Examiner_.

HENRY HILTON, _Counsel_.

C. H. KING, M. D. _Asst-Med. Ex._

Each Agent in direct communication with the New York Office.

* * * * *

DICKENS


The homage of our world to thee,
O Matchless Scribe! when thou wert here,
Was all that's loving in a Laugh,
And all that's tender in a Tear.

So, if with quiv'ring lip we name
The fellow Mortal who Departs,
A Smile shall call him back again,
To live Immortal In our Hearts.

O. C. K.

* * * * *

THE MYSTERY OF MR. E. DROOD.

AN ADAPTATION.

BY ORPHEUS C. KERR,




CHAPTER VII.


MORE CONFIDENCES THAN ONE.


"You and your sister have been insured, of course," said the Gospeler to
MONTGOMERY PENDRAGON, as they returned from escorting Mr. SCHENCK.

"Of course," echoed MONTGOMERY, with a suppressed moan. "He is our
guardian, and has trampled us into a couple of policies. We had to
yield, or excess of Boreal conversation would have made us maniacs."

"You speak bitterly for one so young," observed the Reverend OCTAVIUS
SIMPSON. "Is it derangement of the stomach, or have you known sorrow?"

"Heaps of sorrow," answered the young man. "You may be aware, sir, that
my sister and I belong to a fine old heavily mortgaged Southern
family--the PENRUTHERSES and MUNCHAUSENS of Chipmunk Court House,
Virginia, are our relatives--and that SHERMAN marched through us during
the late southward projection of certain of your Northern military
scorpions. After our father's felo-desease, ensuing remotely from an
overstrain in attempting to lift a large mortgage, our mother gave us a
step-father of Northern birth, who tried to amend our constitutions and
reconstruct us."

"Dreadful!" murmured the Gospeler.

"We hated him! MAGNOLIA threw her scissors at him several times. My
sister, sir, does not know what fear is. She would fight a lion;
inheriting the spirit from our father, who, I have heard said,
frequently fought a tiger. She can fire a gun and pick off a State
Senator as well as any man in all the South. Our mother died. A few
mornings thereafter our step-father was found dead in his bed, and the
doctors said he died of a pair of scissors which he must have swallowed
accidentally in his youth, and which were found, after his death, to
have worked themselves several inches out of his side, near the heart."

"Swallowed a pair of scissors!" exclaimed the Reverend OCTAVIUS.

"He might have had a stitch in his side at the time, you know, and
wanted to cut it," explained MONTGOMERY. "At any rate, after that we
became wards of Mr. SCHENCK, up North here. And now let me ask you, sir,
is this Mr. EDWIN DROOD a student with you?"

"No. He is visiting his uncle, Mr. BUMSTEAD," answered the Gospeler, who
could not free his mind from the horrible thought that his young
companion's fearless sister might have been in some way acscissory to
the sudden cutting off of her step-father's career.

"Is Miss FLORA POTTS his sister?"

Mr. SIMPSON told the story of the betrothal of the young couple by their
respective departed parents.

"Oh, _that's_ the game, eh?" said MONTGOMERY. "I understand now his
whispering to me that he wished he was dead." In a moment afterwards
they re-entered the house in Gospeler's Gulch.

The air was slightly laden with the odor of cloves as they went into the
parlor, and Mr. BUMSTEAD was at the piano, accompanying the Flowerpot
while she sang. Executing without notes, and with his stony gaze fixed
intently between the nose and chin of the singer, Mr. BUMSTEAD had a
certain mesmeric appearance of controlling the words coming out of the
rosy mouth. Standing beside Miss POTTS was MAGNOLIA PENDRAGON, seemingly
fascinated, as it were, by the BUMSTEAD method of playing, in which the
performer's fingers performed almost as frequently upon the woodwork of
the instrument as upon the keys. Mr. PENDRAGON surveyed the group with
an arm resting on the mantel; Mr. SIMPSON took a chair by his maternal
nut-cracker, and Mr. DROOD stealthily practiced with his ball on a chair
behind the sofa.

The Flowerpot was singing a neat thing by LONGFELLOW about the Evening
Star, and seemed to experience the most remarkable psychological effects
from Mr. BUMSTEAD'S wooden variations and extraordinary stare at the
lower part of her countenance. Thus, she twitched her plump shoulders
strangely, and sang--

"Just a-bove yon sandy bar,
As the day grows faint--(te-hee-he-he!)
Lonely and lovely a single--(now do-o-n't!)
Lights the air with"--(sto-o-op! It tickles--)

Convulsively giggling and exclaiming, alternately, Miss POTTS abruptly
ended her beautiful bronchial noise with violent distortion of
countenance, as though there were a spider in her mouth, and sank upon a
chair in a condition almost hysterical.

"Your playing has made SISSY nervous, JACK," said EDWIN DROOD, hastily
concealing his ball and coming forward. "I noticed, myself, that you
played more than half the notes in the air, or on the music-rack,
without touching the keys at all."

"That is because I am not accustomed to playing upon two pianos at
once," answered BUMSTEAD, who, at that very moment, was industriously
playing the rest of the air some inches from the nearest key.

"He couldn't make _me_ nervous!" exclaimed Miss PENDRAGON, decidedly.

They bore the excited Flowerpot, (who still tittered a little, and was
nervously feeling her throat,) to the window, for air; and when they
came back Mr. BUMSTEAD was gone. "There, Sissy," said EDWIN DROOD,
"you've driven him away; and I'm half afraid he feels unpleasantly
confused about it; for he's got out of the rear door of the house by
mistake, and I can hear him trying to find his way home in the
back-yard."

The two young men escorted Miss CAROWTHERS and the two young ladies to
the door of the Alms-House, and there bade them good-night; but, at a
yet later hour, FLORA POTTS and the new pupil still conversed in the
chamber which they were to occupy conjointly.

After discussing the fashions with great excitement; asking each other
just exactly what each gave for every article she wore; and successively
practicing male-discouraging, male-encouraging, and chronically-in-different
expressions of face in the mirror (as all good young ladies always do
preparatory to their evening prayers,) the lovely twain made solemn
nightcap-oath of eternal friendship to each other, and then, of course,
began picking the men to pieces.

"Who is this Mr. BUMSTEAD?" asked MAGNOLIA, who was now looking much
like a ghost.

"He's that absurd EDDY'S ridiculous uncle, and my music-teacher,"
answered the Flowerpot, also presenting an emaciated appearance.

"You do not love him?" queried MAGNOLIA.

"Now go 'wa-a-ay! How perfectly disgusting!" protested FLORA.

"You know that he loves you!"

"Do-o-n't!" pleaded Miss POTTS, nervously. "You'll make me fidgetty
again, just thinking of to-night. It was too perfectly absurd."

"What was?"

"Why, _he_ was,--Mr. BUMSTEAD. It gave me the funniest feeling! It was
as though some one was trying to see through you, you know."

"My child!" exclaimed Miss PENDRAGON, dropping her cheek-distenders upon
the bureau, "you speak strangely. Has that man gained any power over
you?"

"No, dear," returned FLORA, wiping off a part of her left eyebrow with
cold cream. "But didn't you see? He was looking right down my throat all
the time I was singing, until it actually tickled me!"

"Does he always do so?"

"Oh, I don't know what he always does!" whimpered the nervous Flowerpot.
"Oh, he's such an utterly ridiculous creature! Sometimes when we're in
company together, and I smell cloves, and look at him, I think that I
see the lid of his right eye drop over the ball and tremble at me in the
strangest manner. And sometimes his eyes seem fixed motionless in his
head, as they did to-night, and he'll appear to wander off into a kind
of dream, and feel about in the air with his right arm as though he
wanted to hug somebody. Oh! my throat begins to tickle again! Oh, stay
with me, and be my absurdly ridiculous friend!"

The dark-featured Southern linen spectre leaned soothingly above the
other linen spectre, with a bottle of camphor in her hand, near the
bureau upon which the back-hair of both was piled; and in the flash of
her black eyes, and the defiant flirt of the kid-gloves dipped in
glycerine which she was drawing on her hands, lurked death by lightning
and other harsh usage for whomsoever of the male sex should ever be
caught looking down in the mouth again.




CHAPTER VIII.


A DAGGERY TYPE OF FORTALKRAPHY.


The two young gentlemen, having seen their blooming charges safely
within the door of the Alms-House, and vainly endeavored to look through
the keyhole at them going up-stairs, scuffle away together with that
sensation of blended imbecility and irascibility which is equally
characteristic of callow youth and inexperienced Thomas Cats when
retiring together from the society of female friends who seem to be
still on the fence as regards their ultimate preferences.

"Do you bore your friends here long, Mr. DROOD?" inquired MONTGOMERY; as
who should say: Maouiw-ow-ooo-sp't! sp't!

"Not this time, Secesh," is the answer; as though it were observed,
ooo-ooo-sp't! "I leave for New York again to-morrow; but shall be off
and on again in Bumsteadville until midsummer, when I go to Egypt,
Illinois, to be an engineer on a railroad. The stamps left me by my
father are all in the stock of that road, and the Mr. BUMSTEAD whom you
saw to-night is my uncle and guardian."

"Mr. SIMPSON informs me that you are destined to assume the expenses of
Miss POTTS, when you're old enough," remarks MONTGOMERY, his eyes
shining quite greenly in the moonlight.

"Well, perhaps you'd like to make something out of it," says EDWIN,
whose orbs have assumed a yellowish glitter. "Perhaps you Southern
Confederacies didn't get quite enough of it at Gettysburgh and Five
Forks."

"We had the exquisite pleasure of killing a few thousand Yankee
free-lovers," intimates MONTGOMERY, with a hollow laugh.

"Ah, yes, I remember--at Andersonville," suggests EDWIN DROOD, beginning
to roll back his sleeves.

"This is your magnanimity to the conquered, is it!" exclaims MONTGOMERY,
scornfully. "I don't pretend to have your advantages, Mr. DROOD, and
I've scarcely had any more education than an American Humorist; but
where I come from, if a carpet-bagger should talk as you do, the cost of
his funeral would be but a trifle."

"I can prepare you, at shortest notice, for something very neat and
tasteful in the silver-trimmed rosewood line, with plated handles,
dark-complexioned Ku-klux," returns Mr. DROOD, preparing to pull off his
coat.

"Who would have believed," soliloquizes MONTGOMERY PENDRAGON, "that even
a scalawag Northern spoon-thief, like our scurrilous contemporary, would
get so mad at being reminded that he must be married some day!"

"Whoever says that I'm mad," is the answer, "lies deliberately wilfully,
wickedly, with naked intent to defame and malign."

But here a heavy hand suddenly smites EDWIN in the back, almost snapping
his head off, and there stands spectrally between them Mr. BUMSTEAD, who
has but recently found his way out of the back-yard in Gospeler's Gulch,
by removing at least two yards of picket fence from the wrong place, and
wears upon his head a gingham sun-bonnet, which, in his hurried
departure through the hall of the Gospeler's house, he has mistaken for
his own hat. Sustaining himself against the fierce evening breeze by
holding firmly to both shoulders of his nephew, this striking apparition
regards the two young men with as much austerity as is consistent with
the flapping of the cape of his sun-bonnet.

"Gentlelemons," he says, with painful syllabic distinctness, "can I
believe my ears? Are you already making journalists of yourselves?"

They hang their heads in shame under the merciless but just accusation.
"Here you are," continues BUMSTEAD, "a quartette of young fellows who
should all be friends. NEDS, NEDS! I am ashamed of you! MONTGOMERIES,
you should not let your angry passions rise; for your little hands were
never made to bark and bite." After this, Mr. BUMSTEAD seems lost for a
moment, and reclines upon his nephew, with his eyes closed in
meditation. "But let's all five of us go up to my room," he finally
adds, "and restore friendship with lemon tea. It is time for the North
and South to be reconciled over something hot. Come."

Leaning upon both of them now, and pushing them into a walk, he
exquisitely turns the refrain of the rejected National Hymn--

"'Twas by a mistake that we lost Bull Bun,
When we all skedaddled to Washington,
And we'll all drink atone blind,
Johnny fill up the bowl?"

Thus he artfully employs music to soothe their sectional animosities,
and only skips into the air once as they walk, with a "Whoop! That was
something _like_ a snake!"

Arriving in his room, the door of which he has had some trouble in
opening, on account of the knob having wandered in his absence to the
wrong side, Mr. BUMSTEAD indicates a bottle of lemon tea, with some
glasses, on the table, accidentally places the lamp so that it shines
directly upon EDWIN'S triangular sketch of FLORA over the mantel, and,
taking his umbrella under his arm, smiles horribly at his young guests
from out his sun-bonnet.

"Do you recognize that picture, PENDRAGONS?" he asks, after the two have
drunk fierily at each other. "Do you notice its stereoscopic effect of
being double?"

"Ah," says MONTGOMERY, critically, "a good deal in the style of
HENNESSY, or WINSLOW HOMER, I should say. Something in the school-slate
method."

"It's by EDWINS, there!" explains Mr. BUMSTEAD, triumphantly. "Just look
at him as he sits there both together, with all his happiness cut out
for him, and his dislike of Southerners his only fault."

"If I could only draw Miss PENDRAGON, now," says EDWIN DROOD, rather
flattered, "I might do better. A good sharp nose and Southern complexion
help wonderfully in the expression of a picture."

"Perhaps my sister would prefer to choose her own artist," remarks
MONTGOMERY, to whom Mr. BUMSTEAD has just poured out some more lemon
tea.

"Say a Southern one, for instance, who might use some of the flying
colors that were always warranted to run when our boys got after yours
in the late war," responds EDWIN, to whom his attentive uncle has also
poured out some more lemon tea for his cold.

"For instance--at Fredericksburgh," observes MONTGOMERY.

"I was thinking of Fort Donelson," returns EDWIN.

The conservative BUMSTEAD strives anxiously to allay the irritation of
his young guests by prodding first one and then the other with his
umbrella; and, in an attempt to hold both of them and the picture behind
him in one commanding glance under his sun-bonnet, presents a phase of
strabismus seldom attained by human eyes.

"If I only had you down where I come from, Mr. DROOD," cries MONTGOMERY,
tickled into ungovernable wrath by the ferule of the umbrella, I'd tar
and feather you like a Yankee teacher, and then burn you like a
freedman's church."

"Oh!--if you only had me _there_, you'd do so," cries EDWIN DROOD,
springing to his feet as the umbrella tortures his ribs. "_If_, eh?
Pooh, pooh, my young fellow, I perceive that you are a mere Cincinnati
Editor."

The degrading epithet goads PENDRAGON to fury, and, after throwing his
remaining lemon tea about equally upon EDWIN and the sun-bonnet, he
extracts the sugar from the bottom of the glass with his fingers, and
uses the goblet to ward off a last approach of the umbrella.

"EDWINS! MONTGOMERIES!" exclaims Mr. BUMSTEAD, opening the umbrella
between them so suddenly that each is grazed on the nose by a whalebone
rib, "I command you to end this Congressional debate at once. I never
saw four such young men before! MONTGOMERIES, put up your penknife
thizinstant!"

Pushing aside the barrier of alpaca and whalebone from under his chin,
MONTGOMERY dashes wildly from the house, tears madly back to Gospeler's
Gulch, and astounds the Gospeler by his appearance.

"Oh, Mr. SIMPSON," he cries, as he is conducted to the door of his own
room, "I believe that I, too, inherit some tigerish qualities from that
tiger my father is said to have fought so often. I've had a political
discussion with Mr. DROOD in Mr. BUMSTEAD'S apartments, and, if I'd
stayed there a moment longer, I reckon I should have murdered somebody
in a moment of Emotional Insanity."

The Reverend OCTAVIUS SIMPSON makes him unclose his clenched fist, in
which there appears to be one or two cloves, and then says: "I am
shocked to hear this, Mr. PENDRAGON. As you have no political influence,
and have never shot a _Tribune_ man, neither New York law nor society
would allow you to commit murder with impunity. I regret, too, to see
that you have been drinking, and would advise you to try a chapter from
one of Professor DE MILLE'S novels, as a mild emetic, before retiring.
After that, two or three sentences from one of Mr. RICHARD GRANT WHITE'S
essays--will ensure sleep to you for the remainder of the night."

Returning the unspeakably thankful pressure of the grateful young man's
hand, the Gospeler goes thoughtfully down stairs, where he is just in
time to answer the excited ring of Mr. BUMSTEAD.

"Dear me, Mr. BUMSTEAD!" is his first exclamation, "what's that you've
got on your head?"

"Perspiration, sir," cries BUMSTEAD, who, in his agitation, is still
ringing the bell. "We've nearly had a murder to-night, and I've come
around to offer you my umbrella for your own protection."

Pages:
1 | 2 | 3 | 4

Elliott Kastner obituary

John Makinson says that if people want to read using new technology, that's what publishers must give them

Penguin this week celebrates its 75th year and is marking the anniversary by repackaging a series of seminal books from the 1960s to the 1980s. Although the company might afford itself a brief look backwards, it feels as though there is little room for nostalgia in book publishing now, as the industry turns its face firmly – and apprehensively – to the future.

Amazon last week announced sales of ebooks on its US site had outnumbered hardbacks for the first time, stunning casual observers, even if it had not been entirely unexpected in the trade.

The launch of the iPad has added a sense of urgency. Where music went first, books are set to follow, although Penguin and other publishers would hope without the same devastating effects. Amazon this week launched a cheaper, more lightweight version of its Kindle ebook reader and a digital store on its UK site, while others, including Google, are muscling in. Digital book sales are still less than 1% of Penguin, but the direction of the market is clear. In the US, digital books already account for 6% of consumer sales.

Penguin chief executive John Makinson says he is a convert. The day after we meet he is on his way to India, as part of David Cameron's delegation, and had loaded titles on to his iPad, including a manuscript by John le CarrΓ© and some Portuguese classics (in English) ahead of Penguin launching a range in Brazil. He is also reading Lord Mandelson's diary. It simply makes sense, he says, instead of carting an armful of books in your carry-on luggage.

Innovation

"It does redefine what we do as publishers and I feel, compared with most of my counterparts, more optimistic about what this means for us," he says. "Of course there are issues around copyright protection and there are worries around pricing and around piracy, royalty rates and so on, but there is also this huge opportunity to do more as publishers."

Publishing, he says, must embrace innovation: "I am keen on the idea that every book that we put on to an iPad has an author interview, a video interview, at the beginning. I have no idea whether this is a good idea or not. There has to be a culture of experimentation, which doesn't come naturally to book publishers. We publish a lot of historians, for example. They love the idea of using documentary footage to illustrate whatever it is they're writing about."

The very definition of a book is up for grabs he says, although the company has just published a version of Ken Follett's The Pillars of the Earth for the iPad in the US that might provide clues – and horrify traditionalists. It includes scenes from a TV adaptation embedded in the text, as well as extras including the show's music soundtrack and Follett's video diary during the making of the series.

For now, Makinson says, digital books are expanding the market; hardback sales in the US are up this year, despite the march of ebooks. Piracy is not yet a significant issue and lessons have been learned from the music business.

"You have to give the consumer what the consumer wants – you can't tell the consumer to go away. So we didn't participate in this experiment where a number of publishers deferred publication of the ebook until a certain number of months after the hardcover publication. I thought that was a very bad idea. If the consumer wants to buy a book in an electronic format now, you should let the consumer have it."

He has added confidence, because with tablets such as the iPad, consumers are used to paying a subscription to the wireless operator and for "apps", creating a more benign environment than the wild west of the PC, where users are used to getting everything for free.

Penguin's profits more than doubled to Β£44m in the first half of the year. The company gained market share, but one reason for the dramatic improvement was the outsourcing of some design and production to India last year; the company now has around 100 designers in Delhi making books for Dorling Kindersley, belying the idea that Britain can at least live off its creative industries. Makinson defends the decision and says DK is now back in profit, which means it can reinvest in Britain: "We can't pretend we can do everything here. In order to be internationally competitive, some work needs to be done in other places."

About 8% of the publisher's sales are from its classics, including Jane Austen and Charles Dickens, and revenues are still growing, despite much of the copyright being in the public domain. It is launching the range in Mandarin, Korean and Portuguese. But it is not all highbrow. What would Penguin's founder, Sir Allen Lane, whose aim was to publish quality paperbacks for the masses, have made of Penguin putting out books "by" Peter Andre or Ant & Dec?

"Allen Lane's view was that we should publish good writing of all kinds for all audiences at affordable prices," Makinson says. "I'm not saying he would necessarily have approved every single publishing decision we take, but would he have approved of Penguin being a very democratic publishing company, publishing for lots of different tastes? I think he would definitely have approved."

Makinson has long been mentioned as a successor to Dame Marjorie Scardino, who runs Pearson, Penguin's parent company. Her departure has been a perennial question, though she has defied the investment community's chattering classes by staying in her post for well over a decade. She has also confounded expectations by keeping Penguin and the Financial Times in a group dominated by educational publishing. Makinson says it now makes more sense than ever for Penguin to remain part of the group, as the digital era draws each division closer.

He says there will still be the need for publishers in the digital world: "I used to have this discussion with [Hitchhiker's Guide to the Galaxy author] Douglas Adams. He created this thing called the digital village, an online publishing platform. Douglas's argument was, 'all of my friends will come along and publish on digital village and you the publishers will be disintermediated, you will be irrelevant'. Well, it hasn't happened. I am not aware of any successful direct to consumer publishing model that exists.

"The reason it doesn't work is that the publishers do actually perform quite a useful service: they edit the book, then they publicise it." In the physical world, they make sure it is stocked in bookshops, he adds.

Clubbable

Makinson, 55, perhaps feels more adaptable than some of his counterparts because he arrived at Penguin as an outsider. A clubbable character, he has taken an unusual career path, from a journalist on the Financial Times, to working for the Saatchis, setting up his own investment consultancy, running the Financial Times and then becoming Pearson finance director, despite having no training as an accountant.

But his passion for books is evident. Five years ago, he and his brother bought a bookshop in the small Norfolk town of Holt. For an out-of-the-way independent, the Holt Bookshop attracts a starry line-up of authors for events, including Stephen Fry, due to talk about his new autobiography, which, perhaps not surprisingly, is published by Penguin.

"We are all terribly sentimental about books," Makinson insists. "It is terribly important to me that we sell lots of wonderful books in my little independent in Norfolk, and when I talk about digital I do sometimes worry that it looks as though I am neglecting all this," he points to the books on the shelves behind him, "which I am not."

CV

Born: 1954, Derby.

Education: Graduated from Cambridge with honours in English and History.

Career: 1976-1979, journalist, Reuters; 1979-1986, journalist, Financial Times; 1986-1989, vice-chairman, Saatchi & Saatchi; 1989-1994, co-founder of capital markets advisory firm Makinson Cowell; 1994-1996, managing director, Financial Times; 1996-2002, finance director, Pearson; 2002-present, chairman and chief executive Penguin Books.

Other interests: chairman of the Institute for Public Policy Research, a director of the National Theatre and of the International Rescue Committee, a humanitarian organisation.

Family: Married with two daughters.


guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

The nostalgia narrative now aches to a different tune | John Freeman

Late-flowering writer of biographies and children's books

Verily Anderson, who has died aged 95, published more than 30 books – memoirs, biographies, children's stories and work ranging from personal reminiscences to Shakespeare scholarship and 10 Brownie books. She was a late starter: her breakthrough as a writer came in 1956, at the age of 41, when she published Spam Tomorrow, a deft and frequently uproarious account of her wartime experiences on the home front. Critics hailed it as a new kind of memoir, one of the first to explore the lives of women in wartime.

Before the success of Spam Tomorrow, she led a life that was colourful but frequently impecunious. Born in Edgbaston, Birmingham, the fourth of five children of the Rev Rosslyn Bruce and his wife Rachel (nee Gurney), Verily was always certain that she wanted to be a writer. As children, she and her brothers edited and wrote a nursery magazine which they called the News of the World. Verily's haphazard schooling ranged from a few years at Edgbaston high school for girls to being taught at home by her mother, to a brief and unsuccessful stint at the Royal College of Music in London. She said she worked at "100 different jobs" (including writing advertising copy, illustrating sweet papers and working as a chauffeur) before the outbreak of the second world war, when she enlisted with the First Aid Nursing Yeomanry, on the grounds that if there were going to be a war, it would be "less frightening to be in the middle of things".

During the war she met Donald Anderson, a writer who specialised in military history. They married in 1940 and had five children. With his encouragement, she made a precarious living as a freelance writer, while papering her lavatory walls with rejection slips received from publishers for her book projects. Her persistence was at last rewarded with the success of Spam Tomorrow – and a further half-decade on the bestseller lists. These years included a film adaptation of her 1958 memoir, Beware of Children, called No Kidding and starring Leslie Phillips and Geraldine McEwan (1960).

Donald died in 1956, and by the mid-60s Verily was again struggling financially. She was rescued by the actor Joyce Grenfell. They had struck up a friendship when Verily interviewed Grenfell for the BBC. Grenfell was so shocked at the conditions she found Verily living in that she bought her a home in Northrepps, a village in Norfolk, where she stayed for the rest of her life, writing dozens more books (including the critically acclaimed The Northrepps Grandchildren in 1968) and glorying in the role of matriarch to an ever-expanding family of children, grandchildren and great-grandchildren. When Verily married Paul Paget, architect and surveyor to the fabric of St Paul's Cathedral, in 1971, Grenfell was matron of honour.

In 2008 I conducted what turned out to be Verily's last interview. Letting myself in after some fruitless bell-ringing, I followed the sounds of a piano to her study door. "Oh my dear," she said, looking up at my knock. "There you are. Now – shall we have a gin, before we start?"

I had already heard all about Verily through her daughter, my friend the writer Janie Hampton, and so had a good idea what to expect. Janie's main piece of advice on hearing that we were going to meet was: "Whatever you do, don't let her pick you up from the station – she's half-blind." She also said: "Don't eat any of the cake she offers. She's always got some, and it's always about five weeks old."

Verily did have cake and it was past its best – but Verily definitely was not. She regaled me with anecdotes. I came away with the image of a woman with a twinkle in her eye, who after eight decades of writing was still full of energy and enthusing about her latest project. This – a memoir of the time she spent at Herstmonceux Castle, Sussex, in the 1930s and 40s – was completed the day before she died.

Verily is survived by her children, Marian, Rachel, Eddie, Janie and Alexandra, 16 grandchildren, 14 great-grandchildren – and Alfie, her beloved RNIB guide-dog.

β€’ Verily Anderson, writer, born 12 January 1915, died 16 July 2010


guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Tom Stoppard returns to BBC with Ford Madox Ford adaptation

The American literary genre of you can't go home again – that fertile ground farmed by Faulkner, Twain and Kerouac – has in the last half-century found a new voice abroad

At six foot, six inches tall, Thomas Wolfe had trouble entering most rooms. But he also had a problem with going back through them, especially if they led to the past. He had told too many truths – and too many lies – about where he came from in North Carolina.

In his posthumous 1940 novel, You Can't Go Home Again, he gave Americans a literary catchphrase for the pain so many of us who wind up far from where we grew up feel acutely.

After all, in the case of many Americans, if you leave the provinces only to return home, you are marked as a failure. At the very least, you run the risk of finding that flight has spoiled any fond memories you managed to smuggle out.

Think of the successful ad-man hero of John Updike's The Farm, who returns to his family's crumbling Pennsylvania farm for an emotionally fraught visit, or Quentin Compson of William Faulkner's Absalom, Absalom, shivering in his dorm room at Harvard, who begins his defence of the American south with the ringing endorsement, "I don't hate it ... I don't hate it."

This thread of conflicted nostalgia is strongest in America's most autobiographical novelists, especially the ones who had to leave to write but continuously dial back the past in their work: writers such as Jack Kerouac, who frantically travelled America, but wrote most of his later books about Lowell, while living with his mother in Queens and Florida.

Then there's Mark Twain, whose autobiography appears in the new issue of Granta, who rose out of Missouri and saw the world, but settled in Hartford, Connecticut in a white mansion that everyone around him could see looked exactly like a river steamboat.

But like so many things America feels it has invented, from democracy to baseball, the you-can-never-go-home again narrative is hardly unique to it. In fact, in the last half-century (and especially in the last 20 years, as diaspora writers from the Dominican Republic to Nigeria to India and Pakistan have emerged as some of our most vigorous storytellers), nostalgia – which is a combination of "returning home" and "ache" – has taken on a different texture.

In Granta's new issue, there's a story by the Sudanese writer Leila Aboulela, about a young man who has come to London from Khartoum to study mathematics. His mother, who worries he will never return, arranges for him to marry a devout Muslim wife – a move which backfires when she comes to London and reminds him of everything he left behind. Chimamanda Adichie, meanwhile, has a story about a Nigerian "big man" whose life is turned upside down when his ex-girlfriend announces she has come back to Lagos. As he speculates about the reasons for her return, Adichie's hero worries whether he has sacrificed something essential in his rise to the top.

In stories like these, not to mention the novels of Monica Ali or Kiran Desai or Uzma Aslam Khan, the export duty to elsewhere is high. The past isn't just the past – it's another country. And for reasons political and personal, there is no going back.


guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Copyright (c) 2007. booksboost.com. All rights reserved.