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The Naturalist in La Plata by W. H. Hudson

W >> W. H. Hudson >> The Naturalist in La Plata

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Produced by Eric Eldred






THE NATURALIST IN LA PLATA

BY

W. H. HUDSON, C.M.Z.S.


JOINT AUTHOR OF "ARGENTINE ORNITHOLOGY"


WITH ILLUSTRATIONS BY J. SMIT

THIRD EDITION.

NEW YORK
D. APPLETON AND COMPANY
1895




PREFACE.


The plan I have followed in this work has been to sift and arrange the
facts I have gathered concerning the habits of the animals best known to
me, preserving those only, which, in my judgment, appeared worth
recording. In some instances a variety of subjects have linked
themselves together in my mind, and have been grouped under one heading;
consequently the scope of the book is not indicated by the list of
contents: this want is, however, made good by an index at the end.

It is seldom an easy matter to give a suitable name to a book of this
description. I am conscious that the one I have made choice of displays
a lack of originality; also, that this kind of title has been used
hitherto for works constructed more or less on the plan of the famous
_Naturalist on the Amazons._ After I have made this apology the reader,
on his part, will readily admit that, in treating of the Natural History
of a district so well known, and often described as the southern portion
of La Plata, which has a temperate climate, and where nature is neither
exuberant nor grand, a personal narrative would have seemed superfluous.

The greater portion of the matter contained in this volume has already
seen the light in the form of papers contributed to the _Field,_ with
other journals that treat of Natural History; and to the monthly
magazines:--_Longmans', The Nineteenth Century, The Gentleman's
Magazine,_ and others: I am indebted to the Editors and Proprietors of
these periodicals for kindly allowing me to make use of this material.

Of all animals, birds have perhaps afforded me most pleasure; but most
of the fresh knowledge I have collected in this department is contained
in a larger work _(Argentine Ornithology),_ of which Dr. P. L. Sclater
is part author. As I have not gone over any of the subjects dealt with
in that work, bird-life has not received more than a fair share of
attention in the present volume.




CONTENTS.


CHAPTER I. THE DESERT PAMPAS

CHAPTER II. CUB PUMA, OR LION OF AMERICA

CHAPTER III. WAVE OF LIFE

CHAPTER IV. SOME CURIOUS ANIMAL WEAPONS

CHAPTER V. FEAR IN BIRDS

CHAPTER VI. PARENTAL AND EARLY INSTINCTS

CHAPTER VII. THE MEPHITIC SKUNK

CHAPTER VIII. MIMICRY AND WARNING COLOURS IN GRASSHOPPERS

CHAPTER IX. DRAGON-FLY STORMS

CHAPTER X. MOSQUITOES AND PARASITE PROBLEMS

CHAPTER XI. HUMBLE-BEES AND OTHER MATTERS

CHAPTER XII. A NOBLE WASP

CHAPTER XIII. NATURE'S NIGHT-LIGHTS

CHAPTER XIV. FACTS AND THOUGHTS ABOUT SPIDERS

CHAPTER XV. THE DEATH-FEIGNING INSTINCT

CHAPTER XVI. HUMMING-BIRDS

CHAPTER XVII. THE CRESTED SCREAMER

CHAPTER XVIII. THE WOODHEWER FAMILY

CHAPTER XIX. MUSIC AND DANCING IN NATURE

CHAPTER XX. BIOGRAPHY OF THE VIZCACHA

CHAPTER XXI. THE DYING HUANACO

CHAPTER XXII. THE STRANGE INSTINCTS OF CATTLE

CHAPTER XXIII. HORSE AND MAN

CHAPTER XXIV. SEEN AND LOST

APPENDIX

INDEX




THE NATURALIST IN LA PLATA,


CHAPTER I.

THE DESERT PAMPAS.


During recent years we have heard much about the great and rapid changes
now going on in the plants and animals of all the temperate regions of
the globe colonized by Europeans. These changes, if taken merely as
evidence of material progress, must be a matter of rejoicing to those
who are satisfied, and more than satisfied, with our system of
civilization, or method of outwitting Nature by the removal of all
checks on the undue increase of our own species. To one who finds a
charm in things as they exist in the unconquered provinces of Nature's
dominions, and who, not being over-anxious to reach the end of his
journey, is content to perform it on horseback, or in a waggon drawn by
bullocks, it is permissible to lament the altered aspect of the earth's
surface, together with the disappearance of numberless noble and
beautiful forms, both of the animal and vegetable kingdoms. For he
cannot find it in his heart to love the forms by which they are
replaced; these are cultivated and domesticated, and have only become
useful to man at the cost of that grace and spirit which freedom and
wildness give. In numbers they are many--twenty-five millions of sheep
in this district, fifty millions in that, a hundred millions in a
third--but how few are the species in place of those destroyed? and when
the owner of many sheep and much wheat desires variety--for he possesses
this instinctive desire, albeit in conflict with and overborne by the
perverted instinct of destruction--what is there left to him, beyond his
very own, except the weeds that spring up in his fields under all skies,
ringing him round with old-world monotonous forms, as tenacious of their
undesired union with him as the rats and cockroaches that inhabit his
house?

We hear most frequently of North America, New Zealand, and Australia in
this connection; but nowhere on the globe has civilization "written
strange defeatures" more markedly than on that great area of level
country called by English writers _the pampas_, but by the Spanish more
appropriately _La Pampa_--from the Quichua word signifying open space or
country--since it forms in most part one continuous plain, extending on
its eastern border from the river Parana, in latitude 32 degrees, to the
Patagonian formation on the river Colorado, and comprising about two
hundred thousand square miles of humid, grassy country.

This district has been colonized by Europeans since the middle of the
sixteenth century; but down to within a very few years ago immigration
was on too limited a scale to make any very great change; and, speaking
only of the pampean country, the conquered territory was a long,
thinly-settled strip, purely pastoral, and the Indians, with their
primitive mode of warfare, were able to keep back the invaders from the
greater portion of their ancestral hunting-grounds. Not twenty years
ago a ride of two hundred miles, starting from the capital city,
Buenos Ayres, was enough to place one well beyond the furthest
south-western frontier outpost. In 1879 the Argentine Government
determined to rid the country of the aborigines, or, at all events, to
break their hostile and predatory spirit once for all; with the result
that the entire area of the grassy pampas, with a great portion of
the sterile pampas and Patagonia, has been made available to the
emigrant. There is no longer anything to deter the starvelings
of the Old World from possessing themselves of this new land of
promise, flowing, like Australia, with milk and tallow, if not with
honey; any emasculated migrant from a Genoese or Neapolitan
slum is now competent to "fight the wilderness" out there, with his
eight-shilling fowling-piece and the implements of his trade. The
barbarians no longer exist to frighten his soul with dreadful war cries;
they have moved away to another more remote and shadowy region, called
in their own language _Alhuemapu_, and not known to geographers. For
the results so long and ardently wished for have swiftly followed on
General Roca's military expedition; and the changes witnessed during the
last decade on the pampas exceed in magnitude those which had been
previously effected by three centuries of occupation.

In view of this wave of change now rapidly sweeping away the old
order, with whatever beauty and grace it possessed, it might not seem
inopportune at the present moment to give a rapid sketch, from the field
naturalist's point of view, of the great plain, as it existed before the
agencies introduced by European colonists had done their work, and as it
still exists in its remoter parts.

The humid, grassy, pampean country extends, roughly speaking, half-way
from the Atlantic Ocean and the Plata and Parana rivers to the Andes,
and passes gradually into the "Monte Formation," or _sterile pampa_--a
sandy, more or less barren district, producing a dry, harsh, ligneous
vegetation, principally thorny bushes and low trees, of which the chanar
(Gurliaca decorticans) is the most common; hence the name of
"Chanar-steppe" used by some writers: and this formation extends
southwards down into Patagonia. Scientists have not yet been able to
explain why the pampas, with a humid climate, and a soil exceedingly
rich, have produced nothing but grass, while the dry, sterile
territories on their north, west, and south borders have an arborescent
vegetation. Darwin's conjecture that the extreme violence of the
_pampero,_ or south-west wind, prevented trees from growing, is now
proved to have been ill-founded since the introduction of the Eucalyptus
globulus; for this noble tree attains to an extraordinary height on the
pampas, and exhibits there a luxuriance of foliage never seen in
Australia.

To this level area--my "parish of Selborne," or, at all events, a goodly
portion of it--with the sea on one hand, and on the other the
practically infinite expanse of grassy desert--another sea, not "in vast
fluctuations fixed," but in comparative calm--I should like to conduct
the reader in imagination: a country all the easier to be imagined on
account of the absence of mountains, woods, lakes, and rivers. There is,
indeed, little to be imagined--not even a sense of vastness; and Darwin,
touching on this point, in the _Journal of a Naturalist,_ aptly
says:--"At sea, a person's eye being six feet above the surface of the
water, his horizon is two miles and four-fifths distant. In like manner,
the more level the plain, the more nearly does the horizon approach
within these narrow limits; and this, in my opinion, entirely destroys
the grandeur which one would have imagined that a vast plain would have
possessed."

I remember my first experience of a hill, after having been always shut
within "these narrow limits." It was one of the range of sierras near
Cape Corrientes, and not above eight hundred feet high; yet, when I had
gained the summit, I was amazed at the vastness of the earth, as it
appeared to me from that modest elevation. Persons born and bred on the
pampas, when they first visit a mountainous district, frequently
experience a sensation as of "a ball in the throat" which seems to
prevent free respiration.

In most places the rich, dry soil is occupied by a coarse grass, three
or four feet high, growing in large tussocks, and all the year round of
a deep green; a few slender herbs and trefoils, with long, twining
stems, maintain a frail existence among the tussocks; but the strong
grass crowds out most plants, and scarcely a flower relieves its uniform
everlasting verdure. There are patches, sometimes large areas, where it
does not grow, and these are carpeted by small creeping herbs of a
livelier green, and are gay in spring with flowers, chiefly of the
composite and papilionaceous kinds; and verbenas, scarlet, purple, rose,
and white. On moist or marshy grounds there are also several lilies,
yellow, white, and red, two or three flags, and various other small
flowers; but altogether the flora of the pampas is the poorest in
species of any fertile district on the globe. On moist clayey ground
flourishes the stately pampa grass, Gynerium argenteum, the spears of
which often attain a height of eight or nine feet. I have ridden through
many leagues of this grass with the feathery spikes high as my head, and
often higher. It would be impossible for me to give anything like an
adequate idea of the exquisite loveliness, at certain times and seasons,
of this queen of grasses, the chief glory of the solitary pampa.
Everyone is familiar with it in cultivation; but the garden-plant has a
sadly decaying, draggled look at all times, and to my mind, is often
positively ugly with its dense withering mass of coarse leaves, drooping
on the ground, and bundle of spikes, always of the same dead white or
dirty cream-colour. Now colour--the various ethereal tints that give a
blush to its cloud-like purity--is one of the chief beauties of this
grass on its native soil; and travellers who have galloped across the
pampas at a season of the year when the spikes are dead, and white as
paper or parchment, have certainly missed its greatest charm. The plant
is social, and in some places where scarcely any other kind exists it
covers large areas with a sea of fleecy-white plumes; in late summer,
and in autumn, the tints are seen, varying from the most delicate rose,
tender and illusive as the blush on the white under-plumage of some
gulls, to purple and violaceous. At no time does it look so perfect as
in the evening, before and after sunset, when the softened light imparts
a mistiness to the crowding plumes, and the traveller cannot help
fancying that the tints, which then seem richest, are caught from the
level rays of the sun, or reflected from the coloured vapours of the
afterglow.

The last occasion on which I saw the pampa grass in its full beauty was
at the close of a bright day in March, ending in one of those perfect
sunsets seen only in the wilderness, where no lines of house or hedge
mar the enchanting disorder of nature, and the earth and sky tints are
in harmony. I had been travelling all day with one companion, and for
two hours we had ridden through the matchless grass, which spread away
for miles on every side, the myriads of white spears, touched with
varied colour, blending in the distance and appearing almost like the
surface of a cloud. Hearing a swishing sound behind us, we turned
sharply round, and saw, not forty yards away in our rear, a party of
five mounted Indians, coming swiftly towards us: but at the very moment
we saw them their animals came to a dead halt, and at the same instant
the five riders leaped up, and stood erect on their horses' backs.
Satisfied that they had no intention of attacking us, and were only
looking out for strayed horses, we continued watching them for some
time, as they stood gazing away over the plain in different directions,
motionless and silent, like bronze men on strange horse-shaped pedestals
of dark stone; so dark in their copper skins and long black hair,
against the far-off ethereal sky, flushed with amber light; and at their
feet, and all around, the cloud of white and faintly-blushing plumes.
That farewell scene was printed very vividly on my memory, but cannot be
shown to another, nor could it be even if a Ruskin's pen or a Turner's
pencil were mine; for the flight of the sea-mew is not more impossible
to us than the power to picture forth the image of Nature in our souls,
when she reveals herself in one of those "special moments" which have
"special grace" in situations where her wild beauty has never been
spoiled by man.

At other hours and seasons the general aspect of the plain is
monotonous, and in spite of the unobstructed view, and the unfailing
verdure and sunshine, somewhat melancholy, although never sombre: and
doubtless the depressed and melancholy feeling the pampa inspires in
those who are unfamiliar with it is due in a great measure to the
paucity of life, and to the profound silence. The wind, as may well be
imagined on that extensive level area, is seldom at rest; there, as in
the forest, it is a "bard of many breathings," and the strings it
breathes upon give out an endless variety of sorrowful sounds, from the
sharp fitful sibilations of the dry wiry grasses on the barren places,
to the long mysterious moans that swell and die in the tall polished
rushes of the marsh. It is also curious to note that with a few
exceptions the resident birds are comparatively very silent, even those
belonging to groups which elsewhere are highly loquacious. The reason of
this is not far to seek. In woods and thickets, where birds abound
most, they are continually losing sight of each other, and are only
prevented from scattering by calling often; while the muffling effect on
sound of the close foliage, to' which may be added a spirit of emulation
where many voices are heard, incites most species, especially those that
are social, to exert their voices to the utmost pitch in singing,
calling, and screaming. On the open pampas, birds, which are not
compelled to live concealed on the surface, can see each other at long
distances, and perpetual calling is not needful: moreover, in that still
atmosphere sound travels far. As a rule their voices are strangely
subdued; nature's silence has infected them, and they have become silent
by habit. This is not the case with aquatic species, which are nearly
all migrants from noisier regions, and mass themselves in lagoons and
marshes, where they are all loquacious together. It is also noteworthy
that the subdued bird-voices, some of which are exceedingly sweet and
expressive, and the notes of many of the insects and batrachians have a
great resemblance, and seem to be in accord with the aeolian tones of
the wind in reeds and grasses: a stranger to the pampas, even a
naturalist accustomed to a different fauna, will often find it hard to
distinguish between bird, frog, and insect voices.

The mammalia is poor in species, and with the single exception of the
well-known vizcacha (Lagostomus trichodactylus), there is not one of
which it can truly be said that it is in any special way the product of
the pampas, or, in other words, that its instincts are better suited to
the conditions of the pampas than to those of other districts. As a
fact, this large rodent inhabits a vast extent of country, north, west,
and south of the true pampas, but nowhere is he so thoroughly on his
native heath as on the great grassy plain. There, to some extent, he
even makes his own conditions, like the beaver. He lives in a small
community of twenty or thirty members, in a village of deep-chambered
burrows, all with their pit-like entrances closely grouped together; and
as the village endures for ever, or for an indefinite time, the earth
constantly being brought up forms a mound thirty or forty feet in
diameter; and this protects the habitation from floods on low or level
ground. Again, he is not swift of foot, and all rapacious beasts are his
enemies; he also loves to feed on tender succulent herbs and grasses, to
seek for which he would have to go far afield among the giant grass,
where his watchful foes are lying in wait to seize him; he saves himself
from this danger by making a clearing all round his abode, on which a
smooth turf is formed; and here the animals feed and have their evening
pastimes in comparative security: for when an enemy approaches, he is
easily seen; the note of alarm is sounded, and the whole company
scuttles away to their refuge. In districts having a different soil and
vegetation, as in Patagonia, the vizcachas' curious, unique instincts
are of no special advantage, which makes it seem probable that they have
been formed on the pampas.

How marvellous a thing it seems that the two species of mammalians--the
beaver and the vizcacha--that most nearly simulate men's intelligent
actions in their social organizing instincts, and their habitations,
which are made to endure, should belong to an order so low down as the
Rodents! And in the case of the latter species, it adds to the marvel
when we find that the vizcacha, according to Water-house, is the lowest
of the order in its marsupial affinities.

The vizcacha is the most common rodent on the pampas, and the Rodent
order is represented by the largest number of species. The finest is the
so-called Patagonian hare--Dolichotis patagonica--a beautiful animal
twice as large as a hare, with ears shorter and more rounded, and legs
relatively much longer. The fur is grey and chestnut brown. It is
diurnal in its habits, lives in kennels, and is usually met with in
pairs, or small flocks. It is better suited to a sterile country like
Patagonia than to the grassy humid plain; nevertheless it was found
throughout the whole of the pampas; but in a country where the wisdom of
a Sir William Harcourt was never needed to slip the leash, this king of
the Rodentia is now nearly extinct.

A common rodent is the coypu--Myiopotamus coypu--yellowish in colour
with bright red incisors; a rat in shape, and as large as an otter. It
is aquatic, lives in holes in the banks, and where there are no banks it
makes a platform nest among the rushes. Of an evening they are all out
swimming and playing in the water, conversing together in their strange
tones, which sound like the moans and cries of wounded and suffering
men; and among them the mother-coypu is seen with her progeny, numbering
eight or nine, with as many on her back as she can accommodate, while
the others swim after her, crying for a ride.

With reference to this animal, which, as we have seen, is prolific, a
strange thing once happened in Buenos Ayres. The coypu was much more
abundant fifty years ago than now, and its skin, which has a fine fur
under the long coarse hair, was largely exported to Europe. About that
time the Dictator Rosas issued a decree prohibiting the hunting of the
coypu. The result was that the animals increased and multiplied
exceedingly, and, abandoning their aquatic habits, they became
terrestrial and migratory, and swarmed everywhere in search of food.
Suddenly a mysterious malady fell on them, from which they quickly
perished, and became almost extinct.

What a blessed thing it would be for poor rabbit-worried Australia if a
similar plague should visit that country, and fall on the right animal!
On the other hand, what a calamity if the infection, wide-spread,
incurable, and swift as the wind in its course, should attack the
too-numerous sheep! And who knows what mysterious, unheard-of
retributions that revengeful deity Nature may not be meditating in her
secret heart for the loss of her wild four-footed children slain by
settlers, and the spoiling of her ancient beautiful order!

A small pampa rodent worthy of notice is the Cavia australis, called
_cui_ in the vernacular from its voice: a timid, social, mouse-coloured
little creature, with a low gurgling language, like running babbling
waters; in habits resembling its domestic pied relation the guinea pig.
It loves to run on clean ground, and on the pampas makes little
rat-roads all about its hiding-place, which little roads tell a story to
the fox, and such like; therefore the little cavy's habits, and the
habits of all cavies, I fancy, are not so well suited to the humid
grassy region as to other districts, with sterile ground to run and play
upon, and thickets in which to hide.

A more interesting animal is the Ctenomys magellanica, a little less
than the rat in size, with a shorter tail, pale grey fur, and red
incisors. It is called _tuco-tuco_ from its voice, and _oculto_ from its
habits; for it is a dweller underground, and requires a loose, sandy
soil in which, like the mole, it may _swim_ beneath the surface.
Consequently the pampa, with its heavy, moist mould, is not the tuco's
proper place; nevertheless, wherever there is a stretch of sandy soil,
or a range of dunes, there it is found living; not seen, but heard; for
all day long and all night sounds its voice, resonant and loud, like a
succession of blows from a hammer; as if a company of gnomes were
toiling far down underfoot, beating on their anvils, first with strong
measured strokes, then with lighter and faster, and with a swing and
rhythm as if the little men were beating in time to some rude chant
unheard above the surface. How came these isolated colonies of a species
so subterranean in habits, and requiring a sandy soil to move in, so far
from their proper district--that sterile country from which they are
separated by wide, unsuitable areas? They cannot perform long overland
journeys like the rat. Perhaps the dunes have travelled, carrying their
little cattle with them.

Greatest among the carnivores are the two cat-monarchs of South America,
the jaguar and puma. Whatever may be their relative positions elsewhere,
on the pampas the puma is mightiest, being much more abundant and better
able to thrive than its spotted rival. Versatile in its preying habits,
its presence on the pampa is not surprising; but probably only an
extreme abundance of large mammalian prey, which has not existed in
recent times, could have, tempted an animal of the river and
forest-loving habits of the jaguar to colonize this cold, treeless, and
comparatively waterless desert. There are two other important cats. The
grass-cat, not unlike Felis catus in its robust form and dark colour,
but a larger, more powerful animal, inexpressibly savage in disposition.
The second, Felis geoffroyi, is a larger and more beautiful animal,
coloured like a leopard; it is called wood-cat, and, as the name would
seem to indicate, is an intruder from wooded districts north of the
pampas.

There are two canines: one is Azara's beautiful grey fox-like dog,
purely a fox in habits, and common everywhere. The other is far more
interesting and extremely rare; it is called _aguara,_ its nearest ally
being the _aguara-guazu,_ the Canis jubatus or maned wolf of
naturalists, found north of the pampean district. The aguara is smaller
and has no mane; it is like the dingo in size, but slimmer and with a
sharper nose, and lias a much brighter red colour. At night when camping
out I have heard its dismal screams, but the screamer was sought in
vain; while from the gauchos of the frontier I could only learn that it
is a harmless, shy, solitary animal, that ever flies to remoter wilds
from its destroyer, man. They offered me a skin--what more could I want?
Simple souls! it was no more to me than the skin of a dead dog, with
long, bright red hair. Those who love dead animals may have them in any
number by digging with a. spade in that vast sepulchre of the pampas,
where perished the hosts of antiquity. I love the living that are above
the earth; and how small a remnant they are in South America we know,
and now yearly becoming more precious as it dwindles away.

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Elliott Kastner obituary

John Makinson says that if people want to read using new technology, that's what publishers must give them

Penguin this week celebrates its 75th year and is marking the anniversary by repackaging a series of seminal books from the 1960s to the 1980s. Although the company might afford itself a brief look backwards, it feels as though there is little room for nostalgia in book publishing now, as the industry turns its face firmly – and apprehensively – to the future.

Amazon last week announced sales of ebooks on its US site had outnumbered hardbacks for the first time, stunning casual observers, even if it had not been entirely unexpected in the trade.

The launch of the iPad has added a sense of urgency. Where music went first, books are set to follow, although Penguin and other publishers would hope without the same devastating effects. Amazon this week launched a cheaper, more lightweight version of its Kindle ebook reader and a digital store on its UK site, while others, including Google, are muscling in. Digital book sales are still less than 1% of Penguin, but the direction of the market is clear. In the US, digital books already account for 6% of consumer sales.

Penguin chief executive John Makinson says he is a convert. The day after we meet he is on his way to India, as part of David Cameron's delegation, and had loaded titles on to his iPad, including a manuscript by John le Carré and some Portuguese classics (in English) ahead of Penguin launching a range in Brazil. He is also reading Lord Mandelson's diary. It simply makes sense, he says, instead of carting an armful of books in your carry-on luggage.

Innovation

"It does redefine what we do as publishers and I feel, compared with most of my counterparts, more optimistic about what this means for us," he says. "Of course there are issues around copyright protection and there are worries around pricing and around piracy, royalty rates and so on, but there is also this huge opportunity to do more as publishers."

Publishing, he says, must embrace innovation: "I am keen on the idea that every book that we put on to an iPad has an author interview, a video interview, at the beginning. I have no idea whether this is a good idea or not. There has to be a culture of experimentation, which doesn't come naturally to book publishers. We publish a lot of historians, for example. They love the idea of using documentary footage to illustrate whatever it is they're writing about."

The very definition of a book is up for grabs he says, although the company has just published a version of Ken Follett's The Pillars of the Earth for the iPad in the US that might provide clues – and horrify traditionalists. It includes scenes from a TV adaptation embedded in the text, as well as extras including the show's music soundtrack and Follett's video diary during the making of the series.

For now, Makinson says, digital books are expanding the market; hardback sales in the US are up this year, despite the march of ebooks. Piracy is not yet a significant issue and lessons have been learned from the music business.

"You have to give the consumer what the consumer wants – you can't tell the consumer to go away. So we didn't participate in this experiment where a number of publishers deferred publication of the ebook until a certain number of months after the hardcover publication. I thought that was a very bad idea. If the consumer wants to buy a book in an electronic format now, you should let the consumer have it."

He has added confidence, because with tablets such as the iPad, consumers are used to paying a subscription to the wireless operator and for "apps", creating a more benign environment than the wild west of the PC, where users are used to getting everything for free.

Penguin's profits more than doubled to £44m in the first half of the year. The company gained market share, but one reason for the dramatic improvement was the outsourcing of some design and production to India last year; the company now has around 100 designers in Delhi making books for Dorling Kindersley, belying the idea that Britain can at least live off its creative industries. Makinson defends the decision and says DK is now back in profit, which means it can reinvest in Britain: "We can't pretend we can do everything here. In order to be internationally competitive, some work needs to be done in other places."

About 8% of the publisher's sales are from its classics, including Jane Austen and Charles Dickens, and revenues are still growing, despite much of the copyright being in the public domain. It is launching the range in Mandarin, Korean and Portuguese. But it is not all highbrow. What would Penguin's founder, Sir Allen Lane, whose aim was to publish quality paperbacks for the masses, have made of Penguin putting out books "by" Peter Andre or Ant & Dec?

"Allen Lane's view was that we should publish good writing of all kinds for all audiences at affordable prices," Makinson says. "I'm not saying he would necessarily have approved every single publishing decision we take, but would he have approved of Penguin being a very democratic publishing company, publishing for lots of different tastes? I think he would definitely have approved."

Makinson has long been mentioned as a successor to Dame Marjorie Scardino, who runs Pearson, Penguin's parent company. Her departure has been a perennial question, though she has defied the investment community's chattering classes by staying in her post for well over a decade. She has also confounded expectations by keeping Penguin and the Financial Times in a group dominated by educational publishing. Makinson says it now makes more sense than ever for Penguin to remain part of the group, as the digital era draws each division closer.

He says there will still be the need for publishers in the digital world: "I used to have this discussion with [Hitchhiker's Guide to the Galaxy author] Douglas Adams. He created this thing called the digital village, an online publishing platform. Douglas's argument was, 'all of my friends will come along and publish on digital village and you the publishers will be disintermediated, you will be irrelevant'. Well, it hasn't happened. I am not aware of any successful direct to consumer publishing model that exists.

"The reason it doesn't work is that the publishers do actually perform quite a useful service: they edit the book, then they publicise it." In the physical world, they make sure it is stocked in bookshops, he adds.

Clubbable

Makinson, 55, perhaps feels more adaptable than some of his counterparts because he arrived at Penguin as an outsider. A clubbable character, he has taken an unusual career path, from a journalist on the Financial Times, to working for the Saatchis, setting up his own investment consultancy, running the Financial Times and then becoming Pearson finance director, despite having no training as an accountant.

But his passion for books is evident. Five years ago, he and his brother bought a bookshop in the small Norfolk town of Holt. For an out-of-the-way independent, the Holt Bookshop attracts a starry line-up of authors for events, including Stephen Fry, due to talk about his new autobiography, which, perhaps not surprisingly, is published by Penguin.

"We are all terribly sentimental about books," Makinson insists. "It is terribly important to me that we sell lots of wonderful books in my little independent in Norfolk, and when I talk about digital I do sometimes worry that it looks as though I am neglecting all this," he points to the books on the shelves behind him, "which I am not."

CV

Born: 1954, Derby.

Education: Graduated from Cambridge with honours in English and History.

Career: 1976-1979, journalist, Reuters; 1979-1986, journalist, Financial Times; 1986-1989, vice-chairman, Saatchi & Saatchi; 1989-1994, co-founder of capital markets advisory firm Makinson Cowell; 1994-1996, managing director, Financial Times; 1996-2002, finance director, Pearson; 2002-present, chairman and chief executive Penguin Books.

Other interests: chairman of the Institute for Public Policy Research, a director of the National Theatre and of the International Rescue Committee, a humanitarian organisation.

Family: Married with two daughters.


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The nostalgia narrative now aches to a different tune | John Freeman

Late-flowering writer of biographies and children's books

Verily Anderson, who has died aged 95, published more than 30 books – memoirs, biographies, children's stories and work ranging from personal reminiscences to Shakespeare scholarship and 10 Brownie books. She was a late starter: her breakthrough as a writer came in 1956, at the age of 41, when she published Spam Tomorrow, a deft and frequently uproarious account of her wartime experiences on the home front. Critics hailed it as a new kind of memoir, one of the first to explore the lives of women in wartime.

Before the success of Spam Tomorrow, she led a life that was colourful but frequently impecunious. Born in Edgbaston, Birmingham, the fourth of five children of the Rev Rosslyn Bruce and his wife Rachel (nee Gurney), Verily was always certain that she wanted to be a writer. As children, she and her brothers edited and wrote a nursery magazine which they called the News of the World. Verily's haphazard schooling ranged from a few years at Edgbaston high school for girls to being taught at home by her mother, to a brief and unsuccessful stint at the Royal College of Music in London. She said she worked at "100 different jobs" (including writing advertising copy, illustrating sweet papers and working as a chauffeur) before the outbreak of the second world war, when she enlisted with the First Aid Nursing Yeomanry, on the grounds that if there were going to be a war, it would be "less frightening to be in the middle of things".

During the war she met Donald Anderson, a writer who specialised in military history. They married in 1940 and had five children. With his encouragement, she made a precarious living as a freelance writer, while papering her lavatory walls with rejection slips received from publishers for her book projects. Her persistence was at last rewarded with the success of Spam Tomorrow – and a further half-decade on the bestseller lists. These years included a film adaptation of her 1958 memoir, Beware of Children, called No Kidding and starring Leslie Phillips and Geraldine McEwan (1960).

Donald died in 1956, and by the mid-60s Verily was again struggling financially. She was rescued by the actor Joyce Grenfell. They had struck up a friendship when Verily interviewed Grenfell for the BBC. Grenfell was so shocked at the conditions she found Verily living in that she bought her a home in Northrepps, a village in Norfolk, where she stayed for the rest of her life, writing dozens more books (including the critically acclaimed The Northrepps Grandchildren in 1968) and glorying in the role of matriarch to an ever-expanding family of children, grandchildren and great-grandchildren. When Verily married Paul Paget, architect and surveyor to the fabric of St Paul's Cathedral, in 1971, Grenfell was matron of honour.

In 2008 I conducted what turned out to be Verily's last interview. Letting myself in after some fruitless bell-ringing, I followed the sounds of a piano to her study door. "Oh my dear," she said, looking up at my knock. "There you are. Now – shall we have a gin, before we start?"

I had already heard all about Verily through her daughter, my friend the writer Janie Hampton, and so had a good idea what to expect. Janie's main piece of advice on hearing that we were going to meet was: "Whatever you do, don't let her pick you up from the station – she's half-blind." She also said: "Don't eat any of the cake she offers. She's always got some, and it's always about five weeks old."

Verily did have cake and it was past its best – but Verily definitely was not. She regaled me with anecdotes. I came away with the image of a woman with a twinkle in her eye, who after eight decades of writing was still full of energy and enthusing about her latest project. This – a memoir of the time she spent at Herstmonceux Castle, Sussex, in the 1930s and 40s – was completed the day before she died.

Verily is survived by her children, Marian, Rachel, Eddie, Janie and Alexandra, 16 grandchildren, 14 great-grandchildren – and Alfie, her beloved RNIB guide-dog.

• Verily Anderson, writer, born 12 January 1915, died 16 July 2010


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Tom Stoppard returns to BBC with Ford Madox Ford adaptation

The American literary genre of you can't go home again – that fertile ground farmed by Faulkner, Twain and Kerouac – has in the last half-century found a new voice abroad

At six foot, six inches tall, Thomas Wolfe had trouble entering most rooms. But he also had a problem with going back through them, especially if they led to the past. He had told too many truths – and too many lies – about where he came from in North Carolina.

In his posthumous 1940 novel, You Can't Go Home Again, he gave Americans a literary catchphrase for the pain so many of us who wind up far from where we grew up feel acutely.

After all, in the case of many Americans, if you leave the provinces only to return home, you are marked as a failure. At the very least, you run the risk of finding that flight has spoiled any fond memories you managed to smuggle out.

Think of the successful ad-man hero of John Updike's The Farm, who returns to his family's crumbling Pennsylvania farm for an emotionally fraught visit, or Quentin Compson of William Faulkner's Absalom, Absalom, shivering in his dorm room at Harvard, who begins his defence of the American south with the ringing endorsement, "I don't hate it ... I don't hate it."

This thread of conflicted nostalgia is strongest in America's most autobiographical novelists, especially the ones who had to leave to write but continuously dial back the past in their work: writers such as Jack Kerouac, who frantically travelled America, but wrote most of his later books about Lowell, while living with his mother in Queens and Florida.

Then there's Mark Twain, whose autobiography appears in the new issue of Granta, who rose out of Missouri and saw the world, but settled in Hartford, Connecticut in a white mansion that everyone around him could see looked exactly like a river steamboat.

But like so many things America feels it has invented, from democracy to baseball, the you-can-never-go-home again narrative is hardly unique to it. In fact, in the last half-century (and especially in the last 20 years, as diaspora writers from the Dominican Republic to Nigeria to India and Pakistan have emerged as some of our most vigorous storytellers), nostalgia – which is a combination of "returning home" and "ache" – has taken on a different texture.

In Granta's new issue, there's a story by the Sudanese writer Leila Aboulela, about a young man who has come to London from Khartoum to study mathematics. His mother, who worries he will never return, arranges for him to marry a devout Muslim wife – a move which backfires when she comes to London and reminds him of everything he left behind. Chimamanda Adichie, meanwhile, has a story about a Nigerian "big man" whose life is turned upside down when his ex-girlfriend announces she has come back to Lagos. As he speculates about the reasons for her return, Adichie's hero worries whether he has sacrificed something essential in his rise to the top.

In stories like these, not to mention the novels of Monica Ali or Kiran Desai or Uzma Aslam Khan, the export duty to elsewhere is high. The past isn't just the past – it's another country. And for reasons political and personal, there is no going back.


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